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Rises The Night (The Gardella Vampire Hunters, #2)
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The second installment in award-winning, New York Timesbestselling author Colleen Gleason's...
Lee (2222 KP) rated Rampage (2018) in Movies
Apr 13, 2018
Dwayne Johnson (2 more)
The Action
The Humour
Surprisingly enjoyable video game movie!
I have fond memories of playing the Rampage video game in my early teens. Me and my two brothers, huddled around my feeble ZX Spectrum, each of us taking control of one of three monsters. George the giant King-Kong style gorilla, Lizzie a dinosaur/Godzilla creature and Ralph the big wolf. The idea of the game was simple, but hugely satisfying - smash up city buildings until they collapse, while avoiding damage from the military who are out to stop you. Hitting your fellow monsters also takes out their energy, making it a great game for competitive brothers to be playing! Eating food you find, and even the soldiers trying to kill you, restores your energy. Lots of fun.
Rampage the movie begins out in space, where genetic editing experiments too dangerous/illegal are taking place onboard a space station. Things have gone badly wrong though and canisters containing an experimental genetic pathogen begin hurtling towards North America in what looks like a meteor shower. Back down on Earth we're introduced to Davis Okoye (Dwayne Johnson) - San Diego zoologist, ex-military (so, comfortable with guns, flying helicopters etc, could come in handy later...) and general all-round cool guy. In his care is an albino gorilla called George, who was rescued from poachers as a baby by Davis. They've built up a special bond ever since, communicating in sign language to the level where they are able to joke and generally take the piss out of each other. Overnight, one of the space canisters lands in the zoo and is released into the face of an inquisitive (or Curious?) George. From there he begins to grow bigger, and become increasingly violent.
Elsewhere, two other canisters have landed out in the wild. One right by a pack of wolves and another hitting a lake. The brother and sister team heading up Energyne, the company responsible for the space station and the genetic work (Malin Åkerman and Jake Lacy), dispatch a bunch of clean up guys with big guns to try and apprehend the wolf, which ends up going badly. Meanwhile, an ex employee of Energyne, Dr Kate Caldwell (Naomie Harris), who is also responsible for creating the pathogen, heads to the zoo. She wants to make amends for everything and bring down the company that fired her. Government agent Harvey Russell (Jeffrey Dean Morgan) also shows up at the zoo with a bunch of men of his own, looking to take George away by plane - something else which you just know is going to end badly. Morgan plays Harvey Russell as basically just a slightly toned down version of his Walking Dead character, Negan. Grinning cockily throughout the whole movie and when he first squares up to Davis, you fully expect him to start swaggering around, monologuing about swinging dicks or something. He tells Davis that "when science shits the bed, I'm the guy they call to change the sheets"!
The three monsters begin making their way to Chicago to start smashing stuff up, attracted by a beacon emitting a sound only they can hear. Something "the tech guys rustled up overnight" at Energyne. Davis and Dr Caldwell also head to Chicago to try and help George and end the destruction, eventually aided by Harvey Russell.
Rampage has the potential to be a trainwreck, another casualty in the long line of awful video game movies, especially when there are so many CGI-heavy monster-city-smash movies out there these days. It all works surprisingly well though. When the monsters begin trashing things, it's not an over the top assault on the senses where you can't even make out any sign of human life and the affect that all of this is having on them. The action is well done and enjoyable, and peppered with plenty of trademark Dwayne Johnson humour too. Outside of the action, it's also Johnson that holds the rest of the movie together and prevents it from dipping below average. Dr Caldwell is a very underused and forgettable character, serving only as sidekick to The Rock. Everyone else, aside from Harvey Russell, is also pretty forgettable too. But then at the end of the day, this is all about George and his monster buddies, and overall I found this to be a very enjoyable movie.
Rampage the movie begins out in space, where genetic editing experiments too dangerous/illegal are taking place onboard a space station. Things have gone badly wrong though and canisters containing an experimental genetic pathogen begin hurtling towards North America in what looks like a meteor shower. Back down on Earth we're introduced to Davis Okoye (Dwayne Johnson) - San Diego zoologist, ex-military (so, comfortable with guns, flying helicopters etc, could come in handy later...) and general all-round cool guy. In his care is an albino gorilla called George, who was rescued from poachers as a baby by Davis. They've built up a special bond ever since, communicating in sign language to the level where they are able to joke and generally take the piss out of each other. Overnight, one of the space canisters lands in the zoo and is released into the face of an inquisitive (or Curious?) George. From there he begins to grow bigger, and become increasingly violent.
Elsewhere, two other canisters have landed out in the wild. One right by a pack of wolves and another hitting a lake. The brother and sister team heading up Energyne, the company responsible for the space station and the genetic work (Malin Åkerman and Jake Lacy), dispatch a bunch of clean up guys with big guns to try and apprehend the wolf, which ends up going badly. Meanwhile, an ex employee of Energyne, Dr Kate Caldwell (Naomie Harris), who is also responsible for creating the pathogen, heads to the zoo. She wants to make amends for everything and bring down the company that fired her. Government agent Harvey Russell (Jeffrey Dean Morgan) also shows up at the zoo with a bunch of men of his own, looking to take George away by plane - something else which you just know is going to end badly. Morgan plays Harvey Russell as basically just a slightly toned down version of his Walking Dead character, Negan. Grinning cockily throughout the whole movie and when he first squares up to Davis, you fully expect him to start swaggering around, monologuing about swinging dicks or something. He tells Davis that "when science shits the bed, I'm the guy they call to change the sheets"!
The three monsters begin making their way to Chicago to start smashing stuff up, attracted by a beacon emitting a sound only they can hear. Something "the tech guys rustled up overnight" at Energyne. Davis and Dr Caldwell also head to Chicago to try and help George and end the destruction, eventually aided by Harvey Russell.
Rampage has the potential to be a trainwreck, another casualty in the long line of awful video game movies, especially when there are so many CGI-heavy monster-city-smash movies out there these days. It all works surprisingly well though. When the monsters begin trashing things, it's not an over the top assault on the senses where you can't even make out any sign of human life and the affect that all of this is having on them. The action is well done and enjoyable, and peppered with plenty of trademark Dwayne Johnson humour too. Outside of the action, it's also Johnson that holds the rest of the movie together and prevents it from dipping below average. Dr Caldwell is a very underused and forgettable character, serving only as sidekick to The Rock. Everyone else, aside from Harvey Russell, is also pretty forgettable too. But then at the end of the day, this is all about George and his monster buddies, and overall I found this to be a very enjoyable movie.
Becs (244 KP) rated A Raisin in the Sun in Books
Oct 2, 2019
They honestly need more books like this. When my husband found out that I was getting A Raisin in the Sun by Lorraine Hansberry, he grew excited and he never does that unless it’s a science-related book. That was when I knew I was going to like this beautiful novel. When I started to read it, I rushed through it. Not in a “I just want to finish this book” way, more like “I FREAKING LOVE THIS BOOK AND I DON’T EVER WANT IT TO END” way. That says something, right?
A Raisin in the Sun by Lorraine Hansberry
Genre: Literary Classic, Play, Drama, Fiction
Synopsis: First produced in 1959, A Raisin in the Sun was awarded the New York Drama Critics Circle Award and hailed as a watershed in American drama. Not only a pioneering work by an African-American playwright – Lorraine Hansberry’s play was also a radically new representation of black life, resolutely authentic, fiercely unsentimental, and unflinching in its vision of what happens to people whose dreams are constantly deferred. In her portrait of an embattled Chicago family, Hansberry anticapted issues that range from generational clashes to the civil rights and women’s movements. She also posed the essential questions – about identity, justice, and moral responsibility – at the heart of those great struggles. The result is an American classic.
Audience/Reading Level: Middle School +
Interests: Plays, dramas, literary classics, racial segregation, women’s movement, 50s era.
Point of View: Third Person Omniscient
Difficulty Reading: Not at all, I rushed through it because I loved it so much! As in some of Shakespeares plays, you don’t get stuck on the general language of the era it was written, as it’s written close to a book you would get from this era.
Promise: “Award-winning drama of the hopes and aspirations of a struggling, working-class family living on the South Side of Chicago connected profoundly with the psyche of black America–and changed American theater forever.” – It did. 🙂
Insights: I love reading plays as it’s a way to step out of a comfort zone of reading Young Adult novels. It gives me a chance to dip into my theater/acting side and use what I’ve learned from theatre classes. A Raisin in the Sun is a well-written American classic that honestly should be read in every school from middle school and up. The lessens that are taught throughout the play are subtle yet obvious which creates a background that we can use in our every day life.
Ah-Ha Moment: The moment that Beneatha came into the picture and was a total feminist. Man, she’s my favorite character besides Mama (Lena Younger) and her little plant.
Favorite Quotes: “Beneatha: Love him? There is nothing left to love. Mama: There is always something left to love. And if you ain’t learned that, you ain’t learned nothing. (Looking at her) Have you cried for that boy today? I don’t mean for yourself and for the family ’cause we lost the money. I mean for him: what he been through and what it done to him. Child, when do you think is the time to love somebody the most? When they done good and made things easy for everybody? Well then, you ain’t through learning – because that ain’t the time at all. It’s when he’s at his lowest and can’t believe in hisself ’cause the world done whipped him so! when you starts measuring somebody, measure him right, child, measure him right. Make sure you done taken into account what hills and valleys he come through before he got to wherever he is.”
“Mama, you don’t understand. It’s all a matter of ideas, and God is just one idea I don’t acept. It’s not important. I am not going out and commit crimes or be immoral because I don’t believe in God. I don’t even think about it. It’s just that I get so tired of Him getting credit for all the things the human race achieves through its own stubborn effort. There simply is no God! There is only Man, and it’s he who makes miracles!”
What will you gain: A haunting yet revealing play that will be as fresh of a read today, as it was in the 50’s.
Aesthetics: The entire play. The cover. The characters. The underlying meaning beneath it all. The era it was written and is based off of. Just everything about this little book.
“I want to fly! I want to touch the sun!”
“Finish your eggs first.”
A Raisin in the Sun by Lorraine Hansberry
Genre: Literary Classic, Play, Drama, Fiction
Synopsis: First produced in 1959, A Raisin in the Sun was awarded the New York Drama Critics Circle Award and hailed as a watershed in American drama. Not only a pioneering work by an African-American playwright – Lorraine Hansberry’s play was also a radically new representation of black life, resolutely authentic, fiercely unsentimental, and unflinching in its vision of what happens to people whose dreams are constantly deferred. In her portrait of an embattled Chicago family, Hansberry anticapted issues that range from generational clashes to the civil rights and women’s movements. She also posed the essential questions – about identity, justice, and moral responsibility – at the heart of those great struggles. The result is an American classic.
Audience/Reading Level: Middle School +
Interests: Plays, dramas, literary classics, racial segregation, women’s movement, 50s era.
Point of View: Third Person Omniscient
Difficulty Reading: Not at all, I rushed through it because I loved it so much! As in some of Shakespeares plays, you don’t get stuck on the general language of the era it was written, as it’s written close to a book you would get from this era.
Promise: “Award-winning drama of the hopes and aspirations of a struggling, working-class family living on the South Side of Chicago connected profoundly with the psyche of black America–and changed American theater forever.” – It did. 🙂
Insights: I love reading plays as it’s a way to step out of a comfort zone of reading Young Adult novels. It gives me a chance to dip into my theater/acting side and use what I’ve learned from theatre classes. A Raisin in the Sun is a well-written American classic that honestly should be read in every school from middle school and up. The lessens that are taught throughout the play are subtle yet obvious which creates a background that we can use in our every day life.
Ah-Ha Moment: The moment that Beneatha came into the picture and was a total feminist. Man, she’s my favorite character besides Mama (Lena Younger) and her little plant.
Favorite Quotes: “Beneatha: Love him? There is nothing left to love. Mama: There is always something left to love. And if you ain’t learned that, you ain’t learned nothing. (Looking at her) Have you cried for that boy today? I don’t mean for yourself and for the family ’cause we lost the money. I mean for him: what he been through and what it done to him. Child, when do you think is the time to love somebody the most? When they done good and made things easy for everybody? Well then, you ain’t through learning – because that ain’t the time at all. It’s when he’s at his lowest and can’t believe in hisself ’cause the world done whipped him so! when you starts measuring somebody, measure him right, child, measure him right. Make sure you done taken into account what hills and valleys he come through before he got to wherever he is.”
“Mama, you don’t understand. It’s all a matter of ideas, and God is just one idea I don’t acept. It’s not important. I am not going out and commit crimes or be immoral because I don’t believe in God. I don’t even think about it. It’s just that I get so tired of Him getting credit for all the things the human race achieves through its own stubborn effort. There simply is no God! There is only Man, and it’s he who makes miracles!”
What will you gain: A haunting yet revealing play that will be as fresh of a read today, as it was in the 50’s.
Aesthetics: The entire play. The cover. The characters. The underlying meaning beneath it all. The era it was written and is based off of. Just everything about this little book.
“I want to fly! I want to touch the sun!”
“Finish your eggs first.”
Rachel King (13 KP) rated On the Prowl (Alpha & Omega, #0.5) in Books
Feb 11, 2019
The first story, Alpha and Omega by Patricia Briggs, is an off-shoot of her Mercy Thompson series. This story focuses on a much-abused female werewolf in Chicago, Anna. The Merrick's son, Charles, comes to end the abuse and inadvertedly rescues her when he discovers that she is a rare Omega werewolf. Despite the short length of the story, Briggs still writes an exceptional story with unique characters and an intriguing plot. I look forward to reading the next full-length book in this new series, Cry Wolf (Alpha and Omega, Book 1).
The second story, Inhuman by Eileen Wilks, takes place in the middle of her Lupi series, but focuses on a woman, Kai, who can see thoughts. She has a secret relationship with her neighbor Nathan, who is not human, and this developments into some interesting events when he strives to protect her from a killer. Though this story ended with a "to be continued," I am intrigued enough that I want the next book, Night Season (The World of the Lupi, Book 4).
The third story, Buying Trouble by Karen Chance, features a minor character in the Dorina Basarab series, Claire. Claire believes she is a "null," a person that nullifies magic within a certain radius. When she discovers that she is to be sold like a slave, a very sexy Lord of the Fey decides to rescue her. The chemistry between Claire and him is far beyond magnetic and has some very interesting consequences for Claire. I was a bit disappointed that Claire does not get any full-length novels, as her story has great potential.
The final story, Mona Lisa Betwining by Sunny, is heavy in erotic material and light on plot. The story takes someplace in the middle of the Monere series and resembles Anne Bishop's Black Jewels series in many ways. Though Bishop's writing is superior, there is some uniqueness to this series, such as the use of moon imagery. I may check out the first novel, Mona Lisa Awakening (Monere: Children of the Moon, Book 1).
I like reading anthologies not only to get some extra morsels from my favorite authors, but also to be introduced to new authors without having to commit to an entire full-length novel. While Briggs story was certainly the best of the bunch, the other stories were good reads, and I was glad to be introduced to their styles and stories.
The second story, Inhuman by Eileen Wilks, takes place in the middle of her Lupi series, but focuses on a woman, Kai, who can see thoughts. She has a secret relationship with her neighbor Nathan, who is not human, and this developments into some interesting events when he strives to protect her from a killer. Though this story ended with a "to be continued," I am intrigued enough that I want the next book, Night Season (The World of the Lupi, Book 4).
The third story, Buying Trouble by Karen Chance, features a minor character in the Dorina Basarab series, Claire. Claire believes she is a "null," a person that nullifies magic within a certain radius. When she discovers that she is to be sold like a slave, a very sexy Lord of the Fey decides to rescue her. The chemistry between Claire and him is far beyond magnetic and has some very interesting consequences for Claire. I was a bit disappointed that Claire does not get any full-length novels, as her story has great potential.
The final story, Mona Lisa Betwining by Sunny, is heavy in erotic material and light on plot. The story takes someplace in the middle of the Monere series and resembles Anne Bishop's Black Jewels series in many ways. Though Bishop's writing is superior, there is some uniqueness to this series, such as the use of moon imagery. I may check out the first novel, Mona Lisa Awakening (Monere: Children of the Moon, Book 1).
I like reading anthologies not only to get some extra morsels from my favorite authors, but also to be introduced to new authors without having to commit to an entire full-length novel. While Briggs story was certainly the best of the bunch, the other stories were good reads, and I was glad to be introduced to their styles and stories.
Kristy H (1252 KP) rated Yes Please in Books
Feb 1, 2018
I wasn't sure how to feel about this book. In some ways, I appreciated that it was more serious than some of the other "funny people" memoirs going around. I am not a huge fan of books written by silly people full of silly things that pretend to tell the story of their life. What's the point? At least Amy makes an attempt to write a memoir, chronicling bits and pieces of her life and actually detailing true thoughts and feelings about things, rather than just jokey things that have no meaning. I found myself sort of rushing through some of the silly lists and spending more time on the actual writing, though some of the funny bits were good - fake acceptance speeches and the like.
The problem is that the book jumps around a lot and never really delves too much into anything. Not wanting to cover her divorce - okay, I get that. There is a really sweet chapter on her sons, which was lovely. You get a rough chronicle of how she became a kid from New England who wound up in New York by way of Chicago. But there's not a lot of detail. I also, selfishly, wish there had been more Tina Fey.
I enjoy that you get the impression that Amy is a deep person with deep thoughts - and isn't even perhaps always nice. She's not afraid to tell stories that don't necessarily flatter her. You get an idea of her as multifaceted person - actress, writer, mom, etc., and not just someone who tells funny stories. There are also some good stories that feature celebrities, which you are always looking for in a celebrity memoir. Finally, there's a fun bit annotated with notes by Parcs & Rec creator Mike Schur. He and Amy talk about a holiday gift Mike gave all his family and friends containing every email, text, and phone message he received during the Red Sox's successful World Series run in 2004. I was left thinking I want to read *that* book.
Anyway, the book just felt a little flat to me, as if it was missing something. It was a little disjointed in its presentation and content. Because it jumps the line between serious and funny, you're left without a full idea of who Amy is, but yet it's not funny enough to just make you laugh and forget all the other flaws.
The problem is that the book jumps around a lot and never really delves too much into anything. Not wanting to cover her divorce - okay, I get that. There is a really sweet chapter on her sons, which was lovely. You get a rough chronicle of how she became a kid from New England who wound up in New York by way of Chicago. But there's not a lot of detail. I also, selfishly, wish there had been more Tina Fey.
I enjoy that you get the impression that Amy is a deep person with deep thoughts - and isn't even perhaps always nice. She's not afraid to tell stories that don't necessarily flatter her. You get an idea of her as multifaceted person - actress, writer, mom, etc., and not just someone who tells funny stories. There are also some good stories that feature celebrities, which you are always looking for in a celebrity memoir. Finally, there's a fun bit annotated with notes by Parcs & Rec creator Mike Schur. He and Amy talk about a holiday gift Mike gave all his family and friends containing every email, text, and phone message he received during the Red Sox's successful World Series run in 2004. I was left thinking I want to read *that* book.
Anyway, the book just felt a little flat to me, as if it was missing something. It was a little disjointed in its presentation and content. Because it jumps the line between serious and funny, you're left without a full idea of who Amy is, but yet it's not funny enough to just make you laugh and forget all the other flaws.
Kristy H (1252 KP) rated Live and Love Again in Books
Feb 13, 2018
Three years ago, Sarah lost her partner, Cheryl, in a terrible accident. A former Colonel in the military, Sarah remains shattered by Cheryl's death and closed off to those around her. She focuses on her furniture business and her dog, Benny. But on a flight to Chicago, she meets Jessica Whitney, a beautiful, successful, businesswoman. The two hit it off immediately and feel an instant connection. The sudden sparks force Sarah to re-think everything - is she ready to move one? Can she really imagine herself with a wealthy and strong woman?
This book is admittedly, a fairly stereotypical cheesy romance. But if the New Adult genre can write them so prolifically, then I think it's refreshing to find a novel that actually offers lesbian characters. True, I probably overlooked a few flaws in this book because I'm completely starved for books with lesbian protagonists and romance, but it was still an enjoyable story. The book engages you early on, when Jessica and Sarah meet. I read the first 150 pages rapidly - it drew me in immediately. Sarah is a likable character; as is Jessica, really. You can imagine knowing either of them in your lesbian circles (beyond Jessica's money, perhaps).
Speaking of the money, the book hammers home that point a bit much: Sarah has no money, Jessica has plenty of it. That gets a bit repetitive and the book stalls a little in the middle. That stall is helped by the cliche of the "wounded character hurt by a death in a previous relationship who can't move on." However, that cliche is found in plenty of genres, not just LGBT. Still, Gayle maneuvers her characters around all their issues fairly deftly. You're pretty sure you know how Jessica and Sarah will wind up, but it's still fun watching them get there. The book is sexy (especially early on - maybe that's the real lesbian cliche - ha!), fun, and, as always, refreshing to see some lesbian characters portrayed as real people. Points for the sweet and loyal supporting character of Jimmy the Driver, too. Definitely a fun, quick read.
I received an ARC of this novel from Netgalley (thank you!); it is available for publication on 1/19. You can check out a review of this novel and many others on my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
This book is admittedly, a fairly stereotypical cheesy romance. But if the New Adult genre can write them so prolifically, then I think it's refreshing to find a novel that actually offers lesbian characters. True, I probably overlooked a few flaws in this book because I'm completely starved for books with lesbian protagonists and romance, but it was still an enjoyable story. The book engages you early on, when Jessica and Sarah meet. I read the first 150 pages rapidly - it drew me in immediately. Sarah is a likable character; as is Jessica, really. You can imagine knowing either of them in your lesbian circles (beyond Jessica's money, perhaps).
Speaking of the money, the book hammers home that point a bit much: Sarah has no money, Jessica has plenty of it. That gets a bit repetitive and the book stalls a little in the middle. That stall is helped by the cliche of the "wounded character hurt by a death in a previous relationship who can't move on." However, that cliche is found in plenty of genres, not just LGBT. Still, Gayle maneuvers her characters around all their issues fairly deftly. You're pretty sure you know how Jessica and Sarah will wind up, but it's still fun watching them get there. The book is sexy (especially early on - maybe that's the real lesbian cliche - ha!), fun, and, as always, refreshing to see some lesbian characters portrayed as real people. Points for the sweet and loyal supporting character of Jimmy the Driver, too. Definitely a fun, quick read.
I received an ARC of this novel from Netgalley (thank you!); it is available for publication on 1/19. You can check out a review of this novel and many others on my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
Rain Sounds HQ: sleep aid
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Can’t sleep? Fall asleep fast to over 75 high-quality full-stereo recordings from around the...
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Kay Nielsen's a Thousand and One Nights
Noel Daniel, Kay Nielsen and Cynthia Burlingham
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