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Kirk Bage (1775 KP) rated Beasts of No Nation (2015) in Movies
Mar 3, 2020 (Updated Jul 9, 2020)
As I may have mentioned, a lot of my film viewing over the last wee while has been part of a project that hopes to be called 21st Century Cinema: 200 Essential films of the new millennium – which utilises the Decinemal system you will see at the bottom of each of my reviews. It aims to judge each film objectively with a score out of 10 over 10 categories, to give an overall rating out of 100.
Cary Joyi Fukunaga’s personal opus Beasts of no Nation, made for Netflix but good enough for a cinema release, falls into the category of films that have garnered enough critical acclaim to demand consideration for the top 200. It is the kind of film that you would always recommend, but may choose to overlook in search of a more basically entertaining watch.
Fukunaga has a fine pedigree already in his career, with credits on True Detective and the under-rated Sin Nombre from 2009. He has also been tasked with directing duties on the delayed Bond No Time To Die, which we hope to see before the new year now. He is a hands on, no messing about kind of guy, seemingly, taking on writing and cinematography duties also for this sad tale of child exploitation in an unnamed African war.
At times, it borders on documentary style, with an eye for strong visual images and extended silences, favoured over extraneous exposition and needless dialogue. A technique that makes the subject matter all the more uncomfortable to watch. Idris Elba adds big name weight in a fine supporting role, but the lion’s share of acting responsibility falls to young Abraham Attah, who is nothing short of astonishing in the most harrowing moments of this stark and sincere story.
I have to confess, this was another pre-lockdown watch for me, and as much as I can recall the feel and impact of it as a whole, I would struggle to talk about it in any detail after one viewing three months ago. And that is partly the reason it won’t quite make the lower benchmark of a strong 73 Decinemal score; for all its power it just isn’t quite memorable enough on every level, in the way something like City Of God, or even Beasts of the Southern Wild most definitely are.
Perhaps those are unfair comparisons, but it strives for the impact of the former without the flair, and has an independant feel without the charm of the latter. Not that flair or charm are priorities here. It simply wants to show you an issue you may not have been overly aware of, and demands that you empathise both with the complexity of the problem and with the tragic journey of Agu – a child robbed of all innocence by a terrible world.
The photography sits with the strong performances as a notable highlight; giving contrast to the devastation, depredation and desperation under the skin, and showing an angry beauty that dances beside it, showing brief moments of hope when we need them most, and therefore avoiding the trap of being too brutal to enjoy on any level. Which is a mistake similar films can fall prey too.
Violence and war are not light subjects. When the focus is also the lost soul of a child, the tightrope of melodrama and sentimentality is very fine. All involved here walk that line expertly, never once resorting to having to buy your care with familiar Hollywood tricks. In fact it couldn’t be further from Hollywood if it tried. And the drama is all the better for that.
A solid, fine movie, that is narrowly short of being truly great. But you should most definitely see it at some point if you haven’t already.
Cary Joyi Fukunaga’s personal opus Beasts of no Nation, made for Netflix but good enough for a cinema release, falls into the category of films that have garnered enough critical acclaim to demand consideration for the top 200. It is the kind of film that you would always recommend, but may choose to overlook in search of a more basically entertaining watch.
Fukunaga has a fine pedigree already in his career, with credits on True Detective and the under-rated Sin Nombre from 2009. He has also been tasked with directing duties on the delayed Bond No Time To Die, which we hope to see before the new year now. He is a hands on, no messing about kind of guy, seemingly, taking on writing and cinematography duties also for this sad tale of child exploitation in an unnamed African war.
At times, it borders on documentary style, with an eye for strong visual images and extended silences, favoured over extraneous exposition and needless dialogue. A technique that makes the subject matter all the more uncomfortable to watch. Idris Elba adds big name weight in a fine supporting role, but the lion’s share of acting responsibility falls to young Abraham Attah, who is nothing short of astonishing in the most harrowing moments of this stark and sincere story.
I have to confess, this was another pre-lockdown watch for me, and as much as I can recall the feel and impact of it as a whole, I would struggle to talk about it in any detail after one viewing three months ago. And that is partly the reason it won’t quite make the lower benchmark of a strong 73 Decinemal score; for all its power it just isn’t quite memorable enough on every level, in the way something like City Of God, or even Beasts of the Southern Wild most definitely are.
Perhaps those are unfair comparisons, but it strives for the impact of the former without the flair, and has an independant feel without the charm of the latter. Not that flair or charm are priorities here. It simply wants to show you an issue you may not have been overly aware of, and demands that you empathise both with the complexity of the problem and with the tragic journey of Agu – a child robbed of all innocence by a terrible world.
The photography sits with the strong performances as a notable highlight; giving contrast to the devastation, depredation and desperation under the skin, and showing an angry beauty that dances beside it, showing brief moments of hope when we need them most, and therefore avoiding the trap of being too brutal to enjoy on any level. Which is a mistake similar films can fall prey too.
Violence and war are not light subjects. When the focus is also the lost soul of a child, the tightrope of melodrama and sentimentality is very fine. All involved here walk that line expertly, never once resorting to having to buy your care with familiar Hollywood tricks. In fact it couldn’t be further from Hollywood if it tried. And the drama is all the better for that.
A solid, fine movie, that is narrowly short of being truly great. But you should most definitely see it at some point if you haven’t already.
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Sensitivemuse (246 KP) rated The Huntress in Books
Jun 6, 2019
Great story with engrossing characters
I loved reading this one! A great blend of action, intrigue and romance complete with a cast of likable characters. Each one with their story to tell and it’s told well. For some background information it would help to read up on the subject of the Night Witches and their exploits during World War II (which is a fascinating subject on its’ own)
Of all the stories to read, Nina’s naturally, is the most interesting. She’s a wild child, does her own thing and doesn’t care about norms, conventions, and rules. She does her own thing but joins up with her squad not because of the love of her land and country but because she loves to fly. It’s her passion and it shows. I love reading about Nina because of her free spirited attitude and her drive. It’s what keeps her going.
The plot is free flowing and the chapters goes back and forth time-wise, and changes perspective depending on the character. Besides Nina, Jordan’s point of view is also interesting. She’s also got an independent streak in her and it’s nice to see her go on her own path based on her decisions. It’s unheard of back then in the day (we’re talking about 1950’s here) so it’s nice to read.
The writing is excellent and it grabs your attention from page one. I rather wish there was a small glossary to see what Nina says in Russian (although I’m sure it’s rather colorful language) but other than that small bit, the characters are engaging, and it’s nice how they all come together in the last third of the book.
The Author’s Note is also good for explaining what she’s done historical speaking wise. If you are stickler for history perhaps this isn’t for you - it’s more character and story driven. Still an engrossing read and greatly recommended!
Of all the stories to read, Nina’s naturally, is the most interesting. She’s a wild child, does her own thing and doesn’t care about norms, conventions, and rules. She does her own thing but joins up with her squad not because of the love of her land and country but because she loves to fly. It’s her passion and it shows. I love reading about Nina because of her free spirited attitude and her drive. It’s what keeps her going.
The plot is free flowing and the chapters goes back and forth time-wise, and changes perspective depending on the character. Besides Nina, Jordan’s point of view is also interesting. She’s also got an independent streak in her and it’s nice to see her go on her own path based on her decisions. It’s unheard of back then in the day (we’re talking about 1950’s here) so it’s nice to read.
The writing is excellent and it grabs your attention from page one. I rather wish there was a small glossary to see what Nina says in Russian (although I’m sure it’s rather colorful language) but other than that small bit, the characters are engaging, and it’s nice how they all come together in the last third of the book.
The Author’s Note is also good for explaining what she’s done historical speaking wise. If you are stickler for history perhaps this isn’t for you - it’s more character and story driven. Still an engrossing read and greatly recommended!
Marylegs (44 KP) rated West of the Moon in Books
Aug 14, 2019
West of the Moon is a lovely tale of two sisters who, after their father travels to America from their homeland of Norway, end up in the care of their Aunt. Whist living with their Aunt the two sisters get separated when the Aunt sells the eldest sister, Astri, to the local goat herder. As we soon find out he is as cruel if not crueler than the greedy Aunt. The story basically revolves around Astri saving herself, the spinning girl who is also being held by the goat herder, then rescuing her younger sister Greta and embarking on a journey to America to find their father.
Whilst I can see why many people are enjoying this book, and I will point out that I read an ARC proof so there may still be slight changes to be made, I just wasnt fond of the writing style for the most part. This was such a small book compared to what I normally read but I just didnt feel drawn to read it. Additionally, Astri, the main character uses folk tales and myths to deal with the situations around her and as a coping mechanism. Which I just found long winded and at times confusing. I would have preferred a childlike musing of the situations much like in [b:Room|7937843|Room|Emma Donoghue|https://d202m5krfqbpi5.cloudfront.net/books/1344265419s/7937843.jpg|9585076] by Emma Donoghue, than a child using stories to describe how she feels.
This just wasnt for me personally and I understand it is aimed at younger readers but I dont honestly think it would have been my thing even when I was younger. The last section of the book was much better as the folk tale inclusion was minimal and I finally felt like I got to understand Astris real feelings about everything that had and was happening to her. I wish it had all been written like this.
Whilst I can see why many people are enjoying this book, and I will point out that I read an ARC proof so there may still be slight changes to be made, I just wasnt fond of the writing style for the most part. This was such a small book compared to what I normally read but I just didnt feel drawn to read it. Additionally, Astri, the main character uses folk tales and myths to deal with the situations around her and as a coping mechanism. Which I just found long winded and at times confusing. I would have preferred a childlike musing of the situations much like in [b:Room|7937843|Room|Emma Donoghue|https://d202m5krfqbpi5.cloudfront.net/books/1344265419s/7937843.jpg|9585076] by Emma Donoghue, than a child using stories to describe how she feels.
This just wasnt for me personally and I understand it is aimed at younger readers but I dont honestly think it would have been my thing even when I was younger. The last section of the book was much better as the folk tale inclusion was minimal and I finally felt like I got to understand Astris real feelings about everything that had and was happening to her. I wish it had all been written like this.
Sensitivemuse (246 KP) rated No Exit in Books
Jul 19, 2019
Couldn't put this one down!
Oh Lordy! Where do I start with this one!
Let’s say first of all, I could not put this one down. It was very fast paced and you wanted to keep reading until the end. You were on constant pins and needles throughout the novel and it was a job well done.
You cheered for Darby. She was no nonsense, and kept fighting on even when it felt like there was nowhere to turn to and things started turning really ugly. Yes she obviously did some very stupid mistakes along the way and this may infuriate some readers. However I liked her grit and her determination to keep that child alive.
The twists in this book is enough to put you on the edge of your seat. It keeps you interested and makes you want to keep reading to see what might be coming up next. I have to admit, the ending seemed a bit outrageous and it got to the point where it was a little over the top in dramatics. However, I’ll forgive for this time as I enjoyed reading this book.
The villains were well created, albeit cruel and horrible. Lars and Ashley do make a rather interesting duo and the little twist involving some bystanders at the rest stop was a nice addition to the plot. I did not care too much for the animal cruelty though, but I suppose it’s to be expected with someone of Ashley’s cruelty and manner. The little subplot involving his uncle was also interesting and adds another dimension to the book (albeit a small one).
Definitely take the time to read this! It’s a quick fast paced read and you feel the tension and suspense throughout the book. If you can ignore the over the top craziness towards the finale, you’ll find an enjoyable read from start to finish.
Let’s say first of all, I could not put this one down. It was very fast paced and you wanted to keep reading until the end. You were on constant pins and needles throughout the novel and it was a job well done.
You cheered for Darby. She was no nonsense, and kept fighting on even when it felt like there was nowhere to turn to and things started turning really ugly. Yes she obviously did some very stupid mistakes along the way and this may infuriate some readers. However I liked her grit and her determination to keep that child alive.
The twists in this book is enough to put you on the edge of your seat. It keeps you interested and makes you want to keep reading to see what might be coming up next. I have to admit, the ending seemed a bit outrageous and it got to the point where it was a little over the top in dramatics. However, I’ll forgive for this time as I enjoyed reading this book.
The villains were well created, albeit cruel and horrible. Lars and Ashley do make a rather interesting duo and the little twist involving some bystanders at the rest stop was a nice addition to the plot. I did not care too much for the animal cruelty though, but I suppose it’s to be expected with someone of Ashley’s cruelty and manner. The little subplot involving his uncle was also interesting and adds another dimension to the book (albeit a small one).
Definitely take the time to read this! It’s a quick fast paced read and you feel the tension and suspense throughout the book. If you can ignore the over the top craziness towards the finale, you’ll find an enjoyable read from start to finish.
ClareR (5721 KP) rated The Foundling in Books
Jan 14, 2020
Gothic historical fiction - just my cup of tea!
The Foundling is set in Georgian London, and is packed full of secrets. No-one in it appears to be telling the truth.
Bess Bright, a hawker of shrimps on London’s streets, leaves her newborn, Clara, at the London Foundling Hospital with every intention of reclaiming her when she is older. When Bess does return having saved the money to pay for the care her daughter has received over the last six years, it’s to discover that Bess Bright has already claimed her baby the day after she left her. So someone has taken her daughter.
In a much wealthier part of London, a widow is persuaded by her doctor to take on a nursemaid for her daughter. The widow rarely leaves her home, and doesn’t let her daughter play outside. The child’s only time outside is the journey to church at the Foundling Hospital every Sunday. The new nursemaid, along with the doctor, convince the widow that she should allow the child some times outside to play, and some fresh air.
This is just the tip of the iceberg though. The widow is a complex, damaged character who tries to hide from her past - but as secrets have a habit of doing, hers catch up with her. The nursemaid is instrumental in this.
The descriptions in this book are all so vivid - I was transported into the contrasting world of Georgian London and those who lived in poverty living alongside (streets away from) those who lived with unmentionable amounts of money. The oppression in the widows household was overwhelming: claustrophobic, even.
I loved everything about this book - I loved the gothic, suspense-filled atmosphere, and spent a large part of the book with my heart in my mouth!
Another wonderful book by Stacey Halls, and one I’d highly recommend reading!
Many thanks to The Pigeonhole for the reading AND the listening experience (I loved the narrators on the audio book!), and Stacey Halls for reading along, too!
Bess Bright, a hawker of shrimps on London’s streets, leaves her newborn, Clara, at the London Foundling Hospital with every intention of reclaiming her when she is older. When Bess does return having saved the money to pay for the care her daughter has received over the last six years, it’s to discover that Bess Bright has already claimed her baby the day after she left her. So someone has taken her daughter.
In a much wealthier part of London, a widow is persuaded by her doctor to take on a nursemaid for her daughter. The widow rarely leaves her home, and doesn’t let her daughter play outside. The child’s only time outside is the journey to church at the Foundling Hospital every Sunday. The new nursemaid, along with the doctor, convince the widow that she should allow the child some times outside to play, and some fresh air.
This is just the tip of the iceberg though. The widow is a complex, damaged character who tries to hide from her past - but as secrets have a habit of doing, hers catch up with her. The nursemaid is instrumental in this.
The descriptions in this book are all so vivid - I was transported into the contrasting world of Georgian London and those who lived in poverty living alongside (streets away from) those who lived with unmentionable amounts of money. The oppression in the widows household was overwhelming: claustrophobic, even.
I loved everything about this book - I loved the gothic, suspense-filled atmosphere, and spent a large part of the book with my heart in my mouth!
Another wonderful book by Stacey Halls, and one I’d highly recommend reading!
Many thanks to The Pigeonhole for the reading AND the listening experience (I loved the narrators on the audio book!), and Stacey Halls for reading along, too!
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Hazel (2934 KP) rated The Chalet in Books
Oct 10, 2020
For a debut novel, I think this worked pretty well and it was a nice, quick read.
The plot is set in two time frames - 1998 follows the story of the death of a young man whilst on a skiing holiday with his brother and their girlfriends. Fast forward to 2020 and we find ourselves in the same ski resort, with a group of people who are somehow connected to that death. It's told from multiple points of view so you do have to keep your wits about you but it does work well for the story. In amongst this, we have a mystery narrator - that of a child and her difficult childhood spent in and out of foster care which I found heart breaking - how does she fit into the story?
I am not going to give away any of the plot or provide any spoilers as to do so would ruin it for others but what I will say is that I did see the twist coming from a mile away which took a bit of the suspense and head-scratching away somewhat. Having said that, it is a very clever plot which did make me second-guess myself a couple of times but in the end, I was right.
The characters are thoroughly awful; I think if I was stuck with them, I'd do away with the lot of them! I'm not sure whether it was the author's intention to make them so unlikeable but I felt it actually worked really well in the context of the story and I admit to secretly hoping something bad would befall them all!
Overall, this is a creditable debut and I will be looking out for more from this author in the future and I should thank HarperCollins UK / HarperFiction via NetGalley who invited me to read The Chalet in return for an unbiased review.
The plot is set in two time frames - 1998 follows the story of the death of a young man whilst on a skiing holiday with his brother and their girlfriends. Fast forward to 2020 and we find ourselves in the same ski resort, with a group of people who are somehow connected to that death. It's told from multiple points of view so you do have to keep your wits about you but it does work well for the story. In amongst this, we have a mystery narrator - that of a child and her difficult childhood spent in and out of foster care which I found heart breaking - how does she fit into the story?
I am not going to give away any of the plot or provide any spoilers as to do so would ruin it for others but what I will say is that I did see the twist coming from a mile away which took a bit of the suspense and head-scratching away somewhat. Having said that, it is a very clever plot which did make me second-guess myself a couple of times but in the end, I was right.
The characters are thoroughly awful; I think if I was stuck with them, I'd do away with the lot of them! I'm not sure whether it was the author's intention to make them so unlikeable but I felt it actually worked really well in the context of the story and I admit to secretly hoping something bad would befall them all!
Overall, this is a creditable debut and I will be looking out for more from this author in the future and I should thank HarperCollins UK / HarperFiction via NetGalley who invited me to read The Chalet in return for an unbiased review.
Kristy H (1252 KP) rated Invisible Girl in Books
Oct 29, 2020
A dark, creepy read full of surprises
Owen Pick, a teacher in his thirties, has never had a relationship with a women. He's barely even had a successful date. He's teased by the young female students at the college where he works. He lives in a flat owned by his elderly aunt and recently has found solace on incel forums. Across the street from Owen lives the Fours family. They, frankly, find Owen creepy, especially mom Cate and her teenage daughter. Dad, Roan, a child psychologist, is too busy with work to care that much, while their teenage son is basically the only one Cate doesn't need to worry about. And then there's Saffyre Maddox. Now seventeen, Saffyre, was once a patient of Roan's. She misses their connection and seeks to maintain it by following him. Then, one night, Saffyre disappears, and it seems like Owen was the last person to see her. What truly happened to Saffyre?
After a bit of a slump with thrillers, I'm on a roll (though what's with ambiguous endings lately?). This was a creepy and ominous read! There is a lot going on here--Saffyre and her childhood issues; Owen and his many problems with women; and the complete dysfunction of the Fours family--but Jewell does a good job weaving them all together. The result is a tense and dark novel that keeps you guessing the entire time.
"I have a dark past, and I have dark thoughts." ~Saffyre
This is an engaging read, with Saffyre, Cate, and Owen turning into dynamic and unique voices. It's also ominous, with the overriding sense that something bad is going to happen. Secrets are the name of the game here, and Jewell turns the sexual predator theme on its head a bit. There's also plenty of revenge and strong women, which is great.
I wasn't a fan of the ending, which leaves things up in the end, but this is still a twisty ride with interesting characters and a different plot. 4 stars.
After a bit of a slump with thrillers, I'm on a roll (though what's with ambiguous endings lately?). This was a creepy and ominous read! There is a lot going on here--Saffyre and her childhood issues; Owen and his many problems with women; and the complete dysfunction of the Fours family--but Jewell does a good job weaving them all together. The result is a tense and dark novel that keeps you guessing the entire time.
"I have a dark past, and I have dark thoughts." ~Saffyre
This is an engaging read, with Saffyre, Cate, and Owen turning into dynamic and unique voices. It's also ominous, with the overriding sense that something bad is going to happen. Secrets are the name of the game here, and Jewell turns the sexual predator theme on its head a bit. There's also plenty of revenge and strong women, which is great.
I wasn't a fan of the ending, which leaves things up in the end, but this is still a twisty ride with interesting characters and a different plot. 4 stars.