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Sound Salad - Help Mr. Ear by sorting sounds
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Help Mr. Ear to get out of the Sound Salad – a place in which all objects’ sounds got mixed...
Grace Notes
8.0
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Gil DuPont likes life exactly the way it is. It might not be full of friends, love, and laughter,...
The Other Daughter
8.0
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Twenty-one year-old Scarlett Strohman has had to walk a difficult path thus far in her young life....
Contemporary Romance
Bishop to Knight One (Diviner's Game #1)
10.0
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Deejay: I have spent every day of the last ten years taking in and caring for my sisters’ sons....
MM Paranormal Romance Age Gap
Dr. Panda School
Education and Games
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Are you ready for class? CREATE YOUR OWN STORIES! Let your imagination run wild in Dr. Panda...
Lyndsey Gollogly (2893 KP) rated The Unpassing in Books
Dec 22, 2021
212 of 250
Book
The Unpassing
By Chia-Chia Lin
Once read a review will be written via Smashbomb and link posted in comments
In Chia-Chia Lin's debut, The Unpassing, we meet a Taiwanese immigrant family of six struggling to make ends meet on the outskirts of Anchorage, Alaska. The father, hardworking but beaten down, is employed as a plumber and repairman, while the mother, a loving, strong-willed, and unpredictably emotional matriarch, holds the house together. When 10-year-old Gavin contracts meningitis at school, he falls into a deep, nearly fatal coma. He wakes up a week later to learn that his little sister Ruby was infected, too. She did not survive.
Routine takes over for the grieving family: The siblings care for each other as they befriend a neighboring family and explore the woods; distance grows between the parents as they deal with their loss separately. But things spiral when the father, increasingly guilt ridden after Ruby's death, is sued for not properly installing a septic tank, which results in grave harm to a little boy. In the ensuing chaos, what really happened to Ruby finally emerges.
With flowing prose that evokes the terrifying beauty of the Alaskan wilderness, Lin explores the fallout after the loss of a child and the way in which a family is forced to grieve in a place that doesn't yet feel like home. Emotionally raw and subtly suspenseful, The Unpassing is a deeply felt family saga that dismisses the American dream for a harsher but ultimately more profound reality.
To start off I’ll say it’s very well written. Sadly I just struggled to connect with the book and it’s characters, yes I’ve still given it 4 stars because it at least deserves that considering it is also the first book from this author. I don’t want to discourage anyone from reading it as someone else may connect I just struggles.
Book
The Unpassing
By Chia-Chia Lin
Once read a review will be written via Smashbomb and link posted in comments
In Chia-Chia Lin's debut, The Unpassing, we meet a Taiwanese immigrant family of six struggling to make ends meet on the outskirts of Anchorage, Alaska. The father, hardworking but beaten down, is employed as a plumber and repairman, while the mother, a loving, strong-willed, and unpredictably emotional matriarch, holds the house together. When 10-year-old Gavin contracts meningitis at school, he falls into a deep, nearly fatal coma. He wakes up a week later to learn that his little sister Ruby was infected, too. She did not survive.
Routine takes over for the grieving family: The siblings care for each other as they befriend a neighboring family and explore the woods; distance grows between the parents as they deal with their loss separately. But things spiral when the father, increasingly guilt ridden after Ruby's death, is sued for not properly installing a septic tank, which results in grave harm to a little boy. In the ensuing chaos, what really happened to Ruby finally emerges.
With flowing prose that evokes the terrifying beauty of the Alaskan wilderness, Lin explores the fallout after the loss of a child and the way in which a family is forced to grieve in a place that doesn't yet feel like home. Emotionally raw and subtly suspenseful, The Unpassing is a deeply felt family saga that dismisses the American dream for a harsher but ultimately more profound reality.
To start off I’ll say it’s very well written. Sadly I just struggled to connect with the book and it’s characters, yes I’ve still given it 4 stars because it at least deserves that considering it is also the first book from this author. I don’t want to discourage anyone from reading it as someone else may connect I just struggles.
The Midwife's Child (WW2 Resistance Series #3)
8.0
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‘Save her,’ she begs, drawing her last, quavering breaths. ‘Save my baby. Find her father. And...
Debbiereadsbook (1197 KP) rated Savior (415 Ink #2) in Books
Sep 18, 2018
not an easy read, but a brilliant one!
This is book two in the 415 Ink series, and while not totally necessary, I would recommend that you read book one, Rebel first. Not least because I said so, but it will give you a little bit more understanding of these men and how their family works.
When Mace's past comes back into his life, will he let his demons beat him? Or will he finally start to believe that Rob, that HE is worth it?
Okay.
So!
After reading Rebel, I knew Ms Ford was gonna wreck me, but silly me started this book in my lunch break at work and I was woefully unprepared with what Ford was throwing at me!
These five men, brothers in all ways but blood, have a strong tight bond but Mace thinks they will disown him when they find out what his father made him do as a child. And those things that he did? No one should have to do those things to survive, let alone a ten year old child.
Rob is convinced that Mace hates him, when quite the opposite is true and when they give into the obvious chemistry that has been simmering away?? It boils over in spectacular fashion! Rob has family issues, and I never quite got to grips with what they were but it didn't spoil my reading experience.
But Mace? He really did break my heart! This big strong fireman, who needs noise and needs to leave a nightlight on, broke my freaking heart in the way only Ford can do!
She is, quite simply, a Master at her craft, and I never know what she is going to throw at me. No matter which way you see a story going, it doesn't. It goes off on it's own sweet way, and you just keep page turning and page turning until, well, until you run out of book and you are left with a little paragraph that throws you into the next book!
All these guys have history, there are little snippets and hints thrown in here that makes your brain think about Bear, about Ivo an about Luke. Luke I'm finding the most tight lipped of them all and it's HIS story I want to read next, but Ivo is up first, I think. Bear and Ivo have a tale to tell and I just wonder what Ford is going to throw at us for the remaining three brothers.
I just want to read them all, but no matter what you THINK will come out, you know, you jut KNOW that Ford will blow that all out of the window and I will be left a blubbering mess in my lunch break and I will have to face customers with red eyes! And I WILL, and I won't care.
Because I simply CANNOT fault this book!
5 stunning and emotional stars
**same worded review will appear elsewhere**
When Mace's past comes back into his life, will he let his demons beat him? Or will he finally start to believe that Rob, that HE is worth it?
Okay.
So!
After reading Rebel, I knew Ms Ford was gonna wreck me, but silly me started this book in my lunch break at work and I was woefully unprepared with what Ford was throwing at me!
These five men, brothers in all ways but blood, have a strong tight bond but Mace thinks they will disown him when they find out what his father made him do as a child. And those things that he did? No one should have to do those things to survive, let alone a ten year old child.
Rob is convinced that Mace hates him, when quite the opposite is true and when they give into the obvious chemistry that has been simmering away?? It boils over in spectacular fashion! Rob has family issues, and I never quite got to grips with what they were but it didn't spoil my reading experience.
But Mace? He really did break my heart! This big strong fireman, who needs noise and needs to leave a nightlight on, broke my freaking heart in the way only Ford can do!
She is, quite simply, a Master at her craft, and I never know what she is going to throw at me. No matter which way you see a story going, it doesn't. It goes off on it's own sweet way, and you just keep page turning and page turning until, well, until you run out of book and you are left with a little paragraph that throws you into the next book!
All these guys have history, there are little snippets and hints thrown in here that makes your brain think about Bear, about Ivo an about Luke. Luke I'm finding the most tight lipped of them all and it's HIS story I want to read next, but Ivo is up first, I think. Bear and Ivo have a tale to tell and I just wonder what Ford is going to throw at us for the remaining three brothers.
I just want to read them all, but no matter what you THINK will come out, you know, you jut KNOW that Ford will blow that all out of the window and I will be left a blubbering mess in my lunch break and I will have to face customers with red eyes! And I WILL, and I won't care.
Because I simply CANNOT fault this book!
5 stunning and emotional stars
**same worded review will appear elsewhere**
Strawberry Shortcake Sweet Shop – Candy Maker
Entertainment and Games
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Budge Studios™ presents Strawberry Shortcake Sweet Shop! Strawberry Shortcake has invited all of...
Kirk Bage (1775 KP) rated The Mandalorian in TV
Jan 22, 2021 (Updated Jan 22, 2021)
Being a child of Star Wars, born in ’73, whose first memory of a cinema was A New Hope in ’77, of course the entire franchise is still close to my heart. I am no superfan, however. I do not need to remember every name of every character, or know the obscure names of planets to enjoy it. I remember that deeply competitive nature back in the playground – how important it was to prove Star Wars was yours by knowing more than any other kid! Fortunately I managed to let that go shortly after The Return of the Jedi. Ok, maybe 1995.
The Mandalorian is definitely for all Star Wars fans, but it is mostly for the kids that never grew up and need those details of “the canonical Star Wars” universe in their lives. And there are plenty of them. It is a geek’s wet dream! With chat rooms and fan sites going wild in debate and argument over the smallest of Easter eggs and hints to connections across the medium. As if this is a lost historical document that sheds light on the truth of many characters and events, that until now were shrouded in darkness and speculation only.
I find that phenomenon weird and a little creepy, but I do appreciate where it comes from. For me, I am merely glad it isn’t crap. It is nice to be in the Star Wars universe without holding your face in your hands for shame of lazy storytelling and moments that shit on the spirit of the original trilogy. The first thing that pleased me about The Mandolorian is how close it is in feel to the old school trilogy. In fact it surprised me, because, despite the very modern effects and full budget of Disney behind it, it feels very old fashioned, like a TV show from around 1986, maybe. And I wonder how they have achieved that every time I watch it. It has an intangible magic about it.
In fact, the feel of the show as a whole is often a little cheap, shockingly – the posters and toys and all associated media is as glossy and crisp as all money can afford, creating an image of the show that isn’t actually what the show is. In reality it is a cross between old spaghetti westerns, with The Mandalorian cast as The Man With No Name, and episodes of The A-Team or Knightrider. I kinda like it; very nostalgic, and a smart move by Jon Favreau and the other show-runners. It appeals to middle aged audiences and new alike, because it is a knowing hybrid of all things cool and nerdy!
Design-wise, the look of The Mandalorian himself is perfect fan bait and very cool. The music goes a long way to drawing you in – Ludwig Göransson, known for his work on Black Panther and Tenet, has hit on a career defining theme that blends Clint Eastwood and Star Wars in perfect harmony. I can’t imagine the show working half as well without that theme music! The spaceships and detail of every alien and weapon and costume is meticulous (if at times a little wobbly or cheap looking), and the wider feel of background and tertiary characters is pretty damn good.
But, let’s face it… The Mandalorian is the success it has been predominantly for one reason. I could give him his real name, but if you haven’t finished it yet that would count as a huge spoiler, so I will refer to him as The Child. The temptation to use the phrase Baby Yoda is hard to resist, and has been a cultural phenomenon that only comes along once or twice in a decade, but on this I agree with the fans: it is inaccurate and misleading. The Child is fine. It’ll do until you learn his true moniker.
In season one, where the build up of story, character and mystery is superb, we see very little of The Child at first. But we cannot take our eyes off him for every second he is on screen. The whole concept is so beyond cute and incredibly strong as a hook for a Star Wars story it is almost impossible not to squeal out loud at everything he does. Who is he? Why is he? What is he capable of? How will he fit in to the longterm idea for the story? So exciting, and total genius to keep everyone watching.
It isn’t all about The Child on his own though. It is about the unlikely symbiotic bond, like father and son, that develops between the tiny, vulnerable and childlike focal point, and the increasingly confident and loyal antihero, who will stop at nothing to protect his ward, as he struggles to find his own place in the universe. After a very short time, we care more about this relationship than 90% of all romances in all of TV history.
Through danger, mayhem and a touch of comedy, we grow to adore the two of them together, and can’t bear to think of them being apart. Some trick when you realise The Child is as much a mini-muppet style prosthetic as it is added CGI for expression and detail. Perhaps another callback to our 80s sensibilities, when we accepted ETs and Gremlins and all of the residents of Mos Eisley’s cantina as real without hesitation. It doesn’t have to look real, is the point, as long as it fits the story, is cool and is fun! Which The Child totally is – for entertainment value they have got the tone of the show so right.
What doesn’t hold up that strongly to critical scrutiny though is quite a lot of the scripts, the repetitive nature of the context of many episodes and missions the duo find themselves on, the mismatch quality of the guest directors abilities, and quite a lot of the dodgy acting by supporting characters. It’s as if at some production meeting at one early point they all said, look it’s Star Wars, we make the aliens and the spaceships and the weapons look good and we can’t fail… plus we have The Child and Boba Fett’s (yes, I know) armour, we can’t fail!
The basic storyline is enough to hook it on, just about, it is the detail that sometimes feels weak and lazy. But don’t worry, any minute something cool to look at and a big fight will happen, so we’re all good! I’m sure Pedro Pascal (the actor under the armour) can’t believe his luck! He is one of the biggest stars in TV all of a sudden, for basically doing a fairly monotone voice-over performance of some seriously dodgy dialogue. That is the magic of Star Wars.
So, I came to season one late, having no access at that time to Disney plus. In fact, I watched all of season one in a day the day before the launch of season two, so the switch to a new episode to look forward to suited me well. It gave me something to look forward to on a Friday between Halloween and Christmas. Trouble was that, although still having fun with the exploits of The Kid, I was starting to weary of the plotlines, and put my viewing on hold after S2E4 in favour of the far superior scripting of His Dark Materials on BBC.
I must have needed the hiatus, because when I came back to mop it up and finish season two a few days ago I realised that I had in fact missed it. It also helped that episode 5 onwards is when the season gets really good again. Rosario Dawson as Ashoka Tano (known well by fans of The Clone Wars) was a truly great addition that the show much needed by that point.
I had no trouble after that in bingeing to the end. You could feel a climax and a revelation coming, and although the character of Moff Gideon (Giancarlo Esposito) crumbled disappointly away into nothing much, the last 15 minutes of the final episode had me slack jawed in fan wonderment. I felt 9 years old again, and I loved it! I had been amazingly lucky not to stumble upon spoilers, I guess. Amazing ending, and all faults forgiven for that unforgettable moment and feel. Wonderful stuff!
To say any more, again, is to spoil. So, let’s just talk about it privately, or, you know, in about a year when season 3 is over and it is old news. Hmmm, season 3…? I wonder where they will take that now…? Actually, properly exciting, in a back in the playground kind of way.
The Mandalorian is definitely for all Star Wars fans, but it is mostly for the kids that never grew up and need those details of “the canonical Star Wars” universe in their lives. And there are plenty of them. It is a geek’s wet dream! With chat rooms and fan sites going wild in debate and argument over the smallest of Easter eggs and hints to connections across the medium. As if this is a lost historical document that sheds light on the truth of many characters and events, that until now were shrouded in darkness and speculation only.
I find that phenomenon weird and a little creepy, but I do appreciate where it comes from. For me, I am merely glad it isn’t crap. It is nice to be in the Star Wars universe without holding your face in your hands for shame of lazy storytelling and moments that shit on the spirit of the original trilogy. The first thing that pleased me about The Mandolorian is how close it is in feel to the old school trilogy. In fact it surprised me, because, despite the very modern effects and full budget of Disney behind it, it feels very old fashioned, like a TV show from around 1986, maybe. And I wonder how they have achieved that every time I watch it. It has an intangible magic about it.
In fact, the feel of the show as a whole is often a little cheap, shockingly – the posters and toys and all associated media is as glossy and crisp as all money can afford, creating an image of the show that isn’t actually what the show is. In reality it is a cross between old spaghetti westerns, with The Mandalorian cast as The Man With No Name, and episodes of The A-Team or Knightrider. I kinda like it; very nostalgic, and a smart move by Jon Favreau and the other show-runners. It appeals to middle aged audiences and new alike, because it is a knowing hybrid of all things cool and nerdy!
Design-wise, the look of The Mandalorian himself is perfect fan bait and very cool. The music goes a long way to drawing you in – Ludwig Göransson, known for his work on Black Panther and Tenet, has hit on a career defining theme that blends Clint Eastwood and Star Wars in perfect harmony. I can’t imagine the show working half as well without that theme music! The spaceships and detail of every alien and weapon and costume is meticulous (if at times a little wobbly or cheap looking), and the wider feel of background and tertiary characters is pretty damn good.
But, let’s face it… The Mandalorian is the success it has been predominantly for one reason. I could give him his real name, but if you haven’t finished it yet that would count as a huge spoiler, so I will refer to him as The Child. The temptation to use the phrase Baby Yoda is hard to resist, and has been a cultural phenomenon that only comes along once or twice in a decade, but on this I agree with the fans: it is inaccurate and misleading. The Child is fine. It’ll do until you learn his true moniker.
In season one, where the build up of story, character and mystery is superb, we see very little of The Child at first. But we cannot take our eyes off him for every second he is on screen. The whole concept is so beyond cute and incredibly strong as a hook for a Star Wars story it is almost impossible not to squeal out loud at everything he does. Who is he? Why is he? What is he capable of? How will he fit in to the longterm idea for the story? So exciting, and total genius to keep everyone watching.
It isn’t all about The Child on his own though. It is about the unlikely symbiotic bond, like father and son, that develops between the tiny, vulnerable and childlike focal point, and the increasingly confident and loyal antihero, who will stop at nothing to protect his ward, as he struggles to find his own place in the universe. After a very short time, we care more about this relationship than 90% of all romances in all of TV history.
Through danger, mayhem and a touch of comedy, we grow to adore the two of them together, and can’t bear to think of them being apart. Some trick when you realise The Child is as much a mini-muppet style prosthetic as it is added CGI for expression and detail. Perhaps another callback to our 80s sensibilities, when we accepted ETs and Gremlins and all of the residents of Mos Eisley’s cantina as real without hesitation. It doesn’t have to look real, is the point, as long as it fits the story, is cool and is fun! Which The Child totally is – for entertainment value they have got the tone of the show so right.
What doesn’t hold up that strongly to critical scrutiny though is quite a lot of the scripts, the repetitive nature of the context of many episodes and missions the duo find themselves on, the mismatch quality of the guest directors abilities, and quite a lot of the dodgy acting by supporting characters. It’s as if at some production meeting at one early point they all said, look it’s Star Wars, we make the aliens and the spaceships and the weapons look good and we can’t fail… plus we have The Child and Boba Fett’s (yes, I know) armour, we can’t fail!
The basic storyline is enough to hook it on, just about, it is the detail that sometimes feels weak and lazy. But don’t worry, any minute something cool to look at and a big fight will happen, so we’re all good! I’m sure Pedro Pascal (the actor under the armour) can’t believe his luck! He is one of the biggest stars in TV all of a sudden, for basically doing a fairly monotone voice-over performance of some seriously dodgy dialogue. That is the magic of Star Wars.
So, I came to season one late, having no access at that time to Disney plus. In fact, I watched all of season one in a day the day before the launch of season two, so the switch to a new episode to look forward to suited me well. It gave me something to look forward to on a Friday between Halloween and Christmas. Trouble was that, although still having fun with the exploits of The Kid, I was starting to weary of the plotlines, and put my viewing on hold after S2E4 in favour of the far superior scripting of His Dark Materials on BBC.
I must have needed the hiatus, because when I came back to mop it up and finish season two a few days ago I realised that I had in fact missed it. It also helped that episode 5 onwards is when the season gets really good again. Rosario Dawson as Ashoka Tano (known well by fans of The Clone Wars) was a truly great addition that the show much needed by that point.
I had no trouble after that in bingeing to the end. You could feel a climax and a revelation coming, and although the character of Moff Gideon (Giancarlo Esposito) crumbled disappointly away into nothing much, the last 15 minutes of the final episode had me slack jawed in fan wonderment. I felt 9 years old again, and I loved it! I had been amazingly lucky not to stumble upon spoilers, I guess. Amazing ending, and all faults forgiven for that unforgettable moment and feel. Wonderful stuff!
To say any more, again, is to spoil. So, let’s just talk about it privately, or, you know, in about a year when season 3 is over and it is old news. Hmmm, season 3…? I wonder where they will take that now…? Actually, properly exciting, in a back in the playground kind of way.