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Bob Mann (459 KP) rated Halloween (2018) in Movies
Sep 28, 2021
“He’s waited for me; I’ve waited for him”.
A blood-soaked history.
There’s such a familiarity with the content of these films that it’s difficult to put yourself back in 1978 for Jamie Lee Curtis‘s original battle with Michael Myers when the teen-slasher genre was in its infancy. Arguably “The Texas Chain Saw Massacre” four years earlier booted the 70’s/80’s genre; but thanks to its huge success John Carpenter’s “Halloween” opened the flood-gates… or should I say, blood-gates.
The plot.
40 years after the terrifying events of Halloween night in Haddonfield, Illinois, Michael Myers is still mute and incarcerated in a psychiatric unit being studied by Dr Sartain (Haluk Bilginer). He is joined by two investigative journalists – Aaron Korey (Jefferson Hall) and Dana Haines (Basingstoke’s-own Rhian Rees: “Where are your loos?”… classic!). They are keen to reunite Myers with his nemesis Laurie Strode (Jamie Lee Curtis) to watch the fireworks.
Strode is unfortunately damaged goods: still mentally traumatised and with failed marriages and a child taken into care, she lives in a fortified home in the middle of the woods. But she knows she has a date with destiny. As Halloween 2018 approaches, an ‘incident’ puts Myers on a collision course with Haddonfield’s teenage population all over again.
The turns.
Wow… you forget what an effective actress Jamie Lee Curtis is and here she absolutely owns every single scene she’s in, bringing enormous energy to the screen as the paranoid but ever-prepared hunter-in-waiting. The original Halloween was Lee Curtis’s movie debut and the film that made her a household name, and it almost feels like this is a passion-project for her to say “thanks for all the fish” for her career. Impressive.
As her eye-rolling daughter, Judy Greer rather pales in comparison (I found her character is a bit whiny and annoying), but the acting stakes pick up again with Andi Matichak as the granddaughter Allyson.
Of the other teens, Virginia Gardner is particularly effective as Vicky: the cute “favourite” babysitter who you can’t help but empathise with.
The review.
It’s very easy to make a very bad slasher movie, but this isn’t such a movie. Although having a wonderfully retro feel (when is the last time you saw “traditional” opening titles like this?) and despite mining every horror cliché known to man (ALWAYS look in the back seat when you get in a car!) it’s all obviously been done with loving care by the director David Gordon Green.
Above all, the director knows that what’s more scary than seeing violent murders is what your imagination can visualise happening off-screen. Don’t get me wrong, there is some SERIOUS gore meted out, with a few ‘cover your eyes’ moments. However, a good proportion of the violence is not shown, and very effective that is too, supported by Carpenter’s classic and insistent theme and some kick-ass foley work to add spice to your imagination!
The script (by the writing team of David Gordon Green, Danny McBride and Jeff Fradley) also wickedly plays with your darkest fear of where the plot *could* go if it wanted to: in a brilliant piece of misdirection (you’ll know the scene) your “OMG surely not” nerves twang and then un-twang with relief.
The script also works well to help you care about the teens on the menu, in much the same way as “Jaws” did with the tourists to Amity Beach.
Where the plot nearly lost me was in a rather daft twist before the final reel (which actually made more sense of what happened in the first reel, but was still hugely improbable). The ship rights itself fairly quickly (if messily) and normal order is resumed for the finale it deserves.
Final thoughts.
I’m not really a “horror nut” but this was popcorn horror of the best sort and I enjoyed it. Reverential to the original classic, it made for some entertaining reactions in the sparsely populated showing I attended: I imagine if seen in a packed auditorium on a Saturday night (or perhaps tomorrow night!) it would literally be a scream.
One’s thing for sure: when I got into my car in the dark cinema car park, I did take a sneaky look into the back seat!
There’s such a familiarity with the content of these films that it’s difficult to put yourself back in 1978 for Jamie Lee Curtis‘s original battle with Michael Myers when the teen-slasher genre was in its infancy. Arguably “The Texas Chain Saw Massacre” four years earlier booted the 70’s/80’s genre; but thanks to its huge success John Carpenter’s “Halloween” opened the flood-gates… or should I say, blood-gates.
The plot.
40 years after the terrifying events of Halloween night in Haddonfield, Illinois, Michael Myers is still mute and incarcerated in a psychiatric unit being studied by Dr Sartain (Haluk Bilginer). He is joined by two investigative journalists – Aaron Korey (Jefferson Hall) and Dana Haines (Basingstoke’s-own Rhian Rees: “Where are your loos?”… classic!). They are keen to reunite Myers with his nemesis Laurie Strode (Jamie Lee Curtis) to watch the fireworks.
Strode is unfortunately damaged goods: still mentally traumatised and with failed marriages and a child taken into care, she lives in a fortified home in the middle of the woods. But she knows she has a date with destiny. As Halloween 2018 approaches, an ‘incident’ puts Myers on a collision course with Haddonfield’s teenage population all over again.
The turns.
Wow… you forget what an effective actress Jamie Lee Curtis is and here she absolutely owns every single scene she’s in, bringing enormous energy to the screen as the paranoid but ever-prepared hunter-in-waiting. The original Halloween was Lee Curtis’s movie debut and the film that made her a household name, and it almost feels like this is a passion-project for her to say “thanks for all the fish” for her career. Impressive.
As her eye-rolling daughter, Judy Greer rather pales in comparison (I found her character is a bit whiny and annoying), but the acting stakes pick up again with Andi Matichak as the granddaughter Allyson.
Of the other teens, Virginia Gardner is particularly effective as Vicky: the cute “favourite” babysitter who you can’t help but empathise with.
The review.
It’s very easy to make a very bad slasher movie, but this isn’t such a movie. Although having a wonderfully retro feel (when is the last time you saw “traditional” opening titles like this?) and despite mining every horror cliché known to man (ALWAYS look in the back seat when you get in a car!) it’s all obviously been done with loving care by the director David Gordon Green.
Above all, the director knows that what’s more scary than seeing violent murders is what your imagination can visualise happening off-screen. Don’t get me wrong, there is some SERIOUS gore meted out, with a few ‘cover your eyes’ moments. However, a good proportion of the violence is not shown, and very effective that is too, supported by Carpenter’s classic and insistent theme and some kick-ass foley work to add spice to your imagination!
The script (by the writing team of David Gordon Green, Danny McBride and Jeff Fradley) also wickedly plays with your darkest fear of where the plot *could* go if it wanted to: in a brilliant piece of misdirection (you’ll know the scene) your “OMG surely not” nerves twang and then un-twang with relief.
The script also works well to help you care about the teens on the menu, in much the same way as “Jaws” did with the tourists to Amity Beach.
Where the plot nearly lost me was in a rather daft twist before the final reel (which actually made more sense of what happened in the first reel, but was still hugely improbable). The ship rights itself fairly quickly (if messily) and normal order is resumed for the finale it deserves.
Final thoughts.
I’m not really a “horror nut” but this was popcorn horror of the best sort and I enjoyed it. Reverential to the original classic, it made for some entertaining reactions in the sparsely populated showing I attended: I imagine if seen in a packed auditorium on a Saturday night (or perhaps tomorrow night!) it would literally be a scream.
One’s thing for sure: when I got into my car in the dark cinema car park, I did take a sneaky look into the back seat!
Haley Mathiot (9 KP) rated Knitting with Gigi in Books
Apr 27, 2018
Knitting with Gigi is an awesome kid’s book for any child (or adult!) who wants to learn to knit. There are good instructions and wonderful illustrations to help learn the basic cast-on (starting), knit stitch, decreasing (making it a different shape), and bind-off (ending). Some knitting books are very difficult to learn how to knit from, but the instructions in Knitting with Gigi are very clear. 8 kid-friendly projects make up the second half of the book, all of them easy to follow and perfect for a beginner.
Gigi also has a website where kids can join the “Gigi’s kindness corps” and knit for those in need. Her website also includes videos of instructions to get to “the next step” so to speak. The videos explain the purl stitch, different cast-on methods, and techniques of finishing. By the time a young knitter has finished the projects in the book and watched and learned the information in the videos, they will be ready to go further into the knitting world.
I want to point out a wonderful thing that Gigi (who speaks in verse) has said: “Practice makes perfect will never apply. We all make mistakes, no matter how hard we try. So be of good cheer and do not despair. With time and some care you’ll have something to wear.” Every young knitter should hear this—and experienced ones, too!
The only thing I wish this book had touched on (but didn’t mention) is gauge. Gauge is important because everyone knits differently (example: I knit loose with wool and tight with double pointed needles, so my hat or mittens or whatever else I made might not fit, even if i followed the instructions 100%) so sometimes yarn or needle changes have to be made to make sure things fit. The patterns in the book were not dependent on gauge, (which is probably why it wasn’t brought up) but it is still an important thing for any knitter to learn.
Recommendation: boys and girls ages 6+. Adults could learn to knit with their kids with this book too!
**Thank you to Martingale and Company for providing my review copy!**
Gigi also has a website where kids can join the “Gigi’s kindness corps” and knit for those in need. Her website also includes videos of instructions to get to “the next step” so to speak. The videos explain the purl stitch, different cast-on methods, and techniques of finishing. By the time a young knitter has finished the projects in the book and watched and learned the information in the videos, they will be ready to go further into the knitting world.
I want to point out a wonderful thing that Gigi (who speaks in verse) has said: “Practice makes perfect will never apply. We all make mistakes, no matter how hard we try. So be of good cheer and do not despair. With time and some care you’ll have something to wear.” Every young knitter should hear this—and experienced ones, too!
The only thing I wish this book had touched on (but didn’t mention) is gauge. Gauge is important because everyone knits differently (example: I knit loose with wool and tight with double pointed needles, so my hat or mittens or whatever else I made might not fit, even if i followed the instructions 100%) so sometimes yarn or needle changes have to be made to make sure things fit. The patterns in the book were not dependent on gauge, (which is probably why it wasn’t brought up) but it is still an important thing for any knitter to learn.
Recommendation: boys and girls ages 6+. Adults could learn to knit with their kids with this book too!
**Thank you to Martingale and Company for providing my review copy!**
I adore this book. It's not only a good science fiction story, but also fantastically character-driven, which is rare in genre fiction. That's great for me. When I read a book, I care more about psychological development than what a shiny setting and fun toys it has.
It's not a happy, frolic-through-the-daisies type of story. We're talking not only about war, but child abuse, human trafficking and rape. It can be quite disturbing, if that type of thing isn't your cup of tea. But if that doesn't particularly bug you, it's a fantastic book.
One thing that really bugs me, though, is how so many people insist there's slash. As a person who's not into that kind of thing, that originally turned me off of reading it, because I had a bad feeling the main character, Jos, was going to find healing comfort from his trauma in the loving arms of another guy, and it would go downhill from there.
Luckily, I decided to read it anyway. And I don't see very much slash there. Sure, one character definitely has a thing for Jos, and the villain's a real creep, and then there's a character who's gay by Word Of God, but that's it for this book. The rest of it's pretty much characters insinuating, which is designed to anger other characters. That's it.
Jos, himself, is on the asexual side. He treats attraction as a completely alien concept. Niko is a surrogate father to him. I see him as feeling responsible for protecting Evan. Evan, who frustrates him a great deal. And one time, Jos seriously needed a hug, and fell asleep while being hugged. Woke up, and went right back to the asexual, PTSD, Hates-Being-Touched Jos we know and love.
None of that makes him gay. And three characters who are bi or gay does in no way a majority make. Sure, the shipping potential is there for fans if they want to use it, but certain type of fans are always finding stuff where there's canonically nothing.
In short, one of the best books I've read, and I absolutely loved the main character. He is not gay, and neither are the majority of characters.
It's not a happy, frolic-through-the-daisies type of story. We're talking not only about war, but child abuse, human trafficking and rape. It can be quite disturbing, if that type of thing isn't your cup of tea. But if that doesn't particularly bug you, it's a fantastic book.
One thing that really bugs me, though, is how so many people insist there's slash. As a person who's not into that kind of thing, that originally turned me off of reading it, because I had a bad feeling the main character, Jos, was going to find healing comfort from his trauma in the loving arms of another guy, and it would go downhill from there.
Luckily, I decided to read it anyway. And I don't see very much slash there. Sure, one character definitely has a thing for Jos, and the villain's a real creep, and then there's a character who's gay by Word Of God, but that's it for this book. The rest of it's pretty much characters insinuating, which is designed to anger other characters. That's it.
Jos, himself, is on the asexual side. He treats attraction as a completely alien concept. Niko is a surrogate father to him. I see him as feeling responsible for protecting Evan. Evan, who frustrates him a great deal. And one time, Jos seriously needed a hug, and fell asleep while being hugged. Woke up, and went right back to the asexual, PTSD, Hates-Being-Touched Jos we know and love.
None of that makes him gay. And three characters who are bi or gay does in no way a majority make. Sure, the shipping potential is there for fans if they want to use it, but certain type of fans are always finding stuff where there's canonically nothing.
In short, one of the best books I've read, and I absolutely loved the main character. He is not gay, and neither are the majority of characters.
Little Ray Of Sunshine (41 KP) rated A Monster Calls in Books
Jan 11, 2019 (Updated Feb 10, 2019)
Book Review | A Monster Calls by Patrick Ness
Blurb
An extraordinary novel of love, loss and hope. Conor has the same dream every night, ever since she started the treatments that don't quite seem to be working. But tonight is different. Tonight, when he wakes, there's a visitor at his window. It's ancient,elemental, a force of nature. And it wants the most dangerous thing of all from Conor.
It wants the truth.
Review
I read this book with my friend/sister Christine. We read a few chapters a day. But we wanted to read more as this book is beautifully written. The story is about Conor he's mother is ill with cancer and hes dad as a new family in America. I felt really sorry for him as the one person who should be there is hes dad. But it had to take care of hes mum and get is self to school. School as been tough as people make him feel invisible and 3 lads bully him and while this is happening he's mum aint going to get better and he have to live with hes Grandma who he doesn't like. All these problems make him have a dream of a Yew tree that starts to talk to him and tells him 3 tales and the Yew tree tells him when he tells him the 3 stories he need to tell him the fourth story and it will be the truth.
I feel the Yew tree is making him stronger and face what is going to eventually happen to him. I won't tell you what happens as you will need to read it for yourself.
I felt this book made me realise what every child is going through while their loved ones are going through cancer, I hope it does for you.
Patrick Ness took Siobhan Dowd idea and helped by writing and publishing this book to show what she went through. As she sadly died from breast cancer back in 2007. All the royalties from this book go to the Siobhan Down Trust www.siobhandowdtrust.com
Thanks for the read x
An extraordinary novel of love, loss and hope. Conor has the same dream every night, ever since she started the treatments that don't quite seem to be working. But tonight is different. Tonight, when he wakes, there's a visitor at his window. It's ancient,elemental, a force of nature. And it wants the most dangerous thing of all from Conor.
It wants the truth.
Review
I read this book with my friend/sister Christine. We read a few chapters a day. But we wanted to read more as this book is beautifully written. The story is about Conor he's mother is ill with cancer and hes dad as a new family in America. I felt really sorry for him as the one person who should be there is hes dad. But it had to take care of hes mum and get is self to school. School as been tough as people make him feel invisible and 3 lads bully him and while this is happening he's mum aint going to get better and he have to live with hes Grandma who he doesn't like. All these problems make him have a dream of a Yew tree that starts to talk to him and tells him 3 tales and the Yew tree tells him when he tells him the 3 stories he need to tell him the fourth story and it will be the truth.
I feel the Yew tree is making him stronger and face what is going to eventually happen to him. I won't tell you what happens as you will need to read it for yourself.
I felt this book made me realise what every child is going through while their loved ones are going through cancer, I hope it does for you.
Patrick Ness took Siobhan Dowd idea and helped by writing and publishing this book to show what she went through. As she sadly died from breast cancer back in 2007. All the royalties from this book go to the Siobhan Down Trust www.siobhandowdtrust.com
Thanks for the read x
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LeftSideCut (3778 KP) rated Train to Busan Presents: Peninsula (2020) in Movies
Aug 11, 2021
Peninsula is by no means a bad movie, but from start to finish, it never manages to step out of the shadow of it's older sibling. It doesn't help that Train to Busan is as near-perfect as the zombie sub-genre gets, and it's imprint is felt all over this follow up, and that's where the main problem lies.
The film starts with an incredibly powerful opening, and initially seems like it's going to deliver the same emotional hellscape that it's predecessor did, but alas, the really out of place English exposition dialogue that accompanies the cold open is a sign of things to come.
Peninsula mainly suffers from pacing issues. All too often, it feels drawn out, slows down to a halt, spends too much time with characters that are hard to care about, and ultimately feels overlong.
The claustrophobic setting of a train is replaced by a wide open Korean cityscape, and with that comes a grander vision and an over reliance on CGI, CGI that is shaky at best. The effcts-heavy scenes are thankfully set at night time but it's hard not to notice, especially in the car chase set pieces (that go on for way too long by the way).
And then, when the final act comes a knocking, the events that unfold diver straight back into imitating Train to Busan again, but it completely misses the mark. The emotional closing moments are undercut but just how absurd and over dramatic everything is. There's just no subtlety.
I feel like I've ragged on this movie way more than I intended too, because I did enjoy it more than I didn't. The main group of leads (especially the child actors) are pretty damn good, the zombies themselves are still pretty intense, even if they are more of a background threat this time around, and once again, it's complimented by a wonderful music score, but I don't know, it just left me a little cold after just how much TtB blew me away.
Not good, not bad, just very middle of the road.
The film starts with an incredibly powerful opening, and initially seems like it's going to deliver the same emotional hellscape that it's predecessor did, but alas, the really out of place English exposition dialogue that accompanies the cold open is a sign of things to come.
Peninsula mainly suffers from pacing issues. All too often, it feels drawn out, slows down to a halt, spends too much time with characters that are hard to care about, and ultimately feels overlong.
The claustrophobic setting of a train is replaced by a wide open Korean cityscape, and with that comes a grander vision and an over reliance on CGI, CGI that is shaky at best. The effcts-heavy scenes are thankfully set at night time but it's hard not to notice, especially in the car chase set pieces (that go on for way too long by the way).
And then, when the final act comes a knocking, the events that unfold diver straight back into imitating Train to Busan again, but it completely misses the mark. The emotional closing moments are undercut but just how absurd and over dramatic everything is. There's just no subtlety.
I feel like I've ragged on this movie way more than I intended too, because I did enjoy it more than I didn't. The main group of leads (especially the child actors) are pretty damn good, the zombies themselves are still pretty intense, even if they are more of a background threat this time around, and once again, it's complimented by a wonderful music score, but I don't know, it just left me a little cold after just how much TtB blew me away.
Not good, not bad, just very middle of the road.
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