Search
Sarah & Duck - Day at the Park
Games and Education
App
Sarah & Duck - Winner of the 2014 Best Pre-School Animation BAFTA The Official BBC Sarah & Duck...
Hazel (1853 KP) rated Station Eleven in Books
May 30, 2017
Horrifyingly Plausible
This ARC was provided by the publisher via NetGalley in exchange for an honest review
The dystopian idea of a virus wiping out most of the world’s human inhabitants is not a new concept. It has be done and retold over and over again. Emily St. John Mandel’s invention of the Georgian Flu is no different from these. Brought to Canada and the USA by a passenger on a plane from Russia, the highly contagious virus spreads quickly from person to person, town to town, and once caught you are dead within forty-eight hours.
The difference between Station Eleven and other novels of apocalyptic themes is that the story takes place primarily in two time periods – pre-Georgian Flu and twenty years post-Georgian flu – rather than during the outbreak and the immediate days after (although there are a few scenes written within that timeframe). It is difficult to explain the storyline without giving too much away. Although the death of millions of people is a vital feature, it is the lives of the characters that are important. All the significant characters are in some way linked to one man, Arthur Leander, and, particularly in the case of one individual, a graphic novel titled Station Eleven.
The book opens in Toronto with Arthur, a Hollywood actor, starring in a stage production of King Lear. Despite the quick reaction of trainee paramedic Jeevan, Arthur dies of a heart attack after suddenly collapsing during the forth act. Then suddenly, that same night, the Georgian flu makes its first appearance in Canada. Despite this occurring right at the beginning, it is not the last the reader sees of Arthur. Throughout the story the author returns to Arthur, recounting scenes of his life from acting career to his three ex-wives and only child.
Twenty years after the Georgian flu, Kirsten Raymonde, who starred as a child in the same production of King Lear, is part of the Traveling Symphony: a group of actors and musicians walking from decaying-town-to-town performing a number of Shakespeare plays as they go. With her she carries two Station Eleven comics that Arthur gave her before he died – incidentally written and drawn by his first wife. Most people that the Symphony encounter are accommodating and are trying their best to live in a world of no electricity or health care, but then they meet a man who calls himself the Prophet. Believing that he has been given a duty by God to repopulate the world he preaches to the people telling them that everything happens for a reason, likening the epidemic to Noah’s flood in the Bible. However it soon becomes clear that he is a dangerous character.
In a way it is heartening to imagine that high culture (such as Shakespeare and orchestral music) survives in a world that has been destroyed. Shakespeare was born in a time before all the modern inventions relied upon today, and now, in this novel, it is once again an electricity-less era yet these historical things live on.
One problem with Station Eleven is that it is hard to pinpoint the exact plot line. There is the life story of Arthur Leander, his wives and a close friend. Then there is Kirsten living a completely different life. Nonetheless it is still an incredibly fascinating book. Although it flits between time periods it is thankfully not as confusing as some may imagine it would be.
Even though dystopian novels of this nature have been done before, Station Eleven is definitely a book to read; and through it all it poses the question of how you, the reader, would survive in such a world.
The dystopian idea of a virus wiping out most of the world’s human inhabitants is not a new concept. It has be done and retold over and over again. Emily St. John Mandel’s invention of the Georgian Flu is no different from these. Brought to Canada and the USA by a passenger on a plane from Russia, the highly contagious virus spreads quickly from person to person, town to town, and once caught you are dead within forty-eight hours.
The difference between Station Eleven and other novels of apocalyptic themes is that the story takes place primarily in two time periods – pre-Georgian Flu and twenty years post-Georgian flu – rather than during the outbreak and the immediate days after (although there are a few scenes written within that timeframe). It is difficult to explain the storyline without giving too much away. Although the death of millions of people is a vital feature, it is the lives of the characters that are important. All the significant characters are in some way linked to one man, Arthur Leander, and, particularly in the case of one individual, a graphic novel titled Station Eleven.
The book opens in Toronto with Arthur, a Hollywood actor, starring in a stage production of King Lear. Despite the quick reaction of trainee paramedic Jeevan, Arthur dies of a heart attack after suddenly collapsing during the forth act. Then suddenly, that same night, the Georgian flu makes its first appearance in Canada. Despite this occurring right at the beginning, it is not the last the reader sees of Arthur. Throughout the story the author returns to Arthur, recounting scenes of his life from acting career to his three ex-wives and only child.
Twenty years after the Georgian flu, Kirsten Raymonde, who starred as a child in the same production of King Lear, is part of the Traveling Symphony: a group of actors and musicians walking from decaying-town-to-town performing a number of Shakespeare plays as they go. With her she carries two Station Eleven comics that Arthur gave her before he died – incidentally written and drawn by his first wife. Most people that the Symphony encounter are accommodating and are trying their best to live in a world of no electricity or health care, but then they meet a man who calls himself the Prophet. Believing that he has been given a duty by God to repopulate the world he preaches to the people telling them that everything happens for a reason, likening the epidemic to Noah’s flood in the Bible. However it soon becomes clear that he is a dangerous character.
In a way it is heartening to imagine that high culture (such as Shakespeare and orchestral music) survives in a world that has been destroyed. Shakespeare was born in a time before all the modern inventions relied upon today, and now, in this novel, it is once again an electricity-less era yet these historical things live on.
One problem with Station Eleven is that it is hard to pinpoint the exact plot line. There is the life story of Arthur Leander, his wives and a close friend. Then there is Kirsten living a completely different life. Nonetheless it is still an incredibly fascinating book. Although it flits between time periods it is thankfully not as confusing as some may imagine it would be.
Even though dystopian novels of this nature have been done before, Station Eleven is definitely a book to read; and through it all it poses the question of how you, the reader, would survive in such a world.
Hazel (1853 KP) rated Station Eleven in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review</i>
The dystopian idea of a virus wiping out most of the world’s human inhabitants is not a new concept. It has be done and retold over and over again. Emily St. John Mandel’s invention of the Georgian Flu is no different from these. Brought to Canada and the USA by a passenger on a plane from Russia, the highly contagious virus spreads quickly from person to person, town to town, and once caught you are dead within forty-eight hours.
The difference between <i>Station Eleven</i> and other novels of apocalyptic themes is that the story takes place primarily in two time periods – pre-Georgian Flu and twenty years post-Georgian flu – rather than during the outbreak and the immediate days after (although there are a few scenes written within that timeframe). It is difficult to explain the storyline without giving too much away. Although the death of millions of people is a vital feature, it is the lives of the characters that are important. All the significant characters are in some way linked to one man, Arthur Leander, and, particularly in the case of one individual, a graphic novel titled <i>Station Eleven</i>.
The book opens in Toronto with Arthur, a Hollywood actor, starring in a stage production of <i>King Lear</i>. Despite the quick reaction of trainee paramedic Jeevan, Arthur dies of a heart attack after suddenly collapsing during the forth act. Then suddenly, that same night, the Georgian flu makes its first appearance in Canada. Despite this occurring right at the beginning, it is not the last the reader sees of Arthur. Throughout the story the author returns to Arthur, recounting scenes of his life from acting career to his three ex-wives and only child.
Twenty years after the Georgian flu, Kirsten Raymonde, who starred as a child in the same production of <i>King Lear</i>, is part of the Traveling Symphony: a group of actors and musicians walking from decaying-town-to-town performing a number of Shakespeare plays as they go. With her she carries two <i>Station Eleven</i> comics that Arthur gave her before he died – incidentally written and drawn by his first wife. Most people that the Symphony encounter are accommodating and are trying their best to live in a world of no electricity or health care, but then they meet a man who calls himself the Prophet. Believing that he has been given a duty by God to repopulate the world he preaches to the people telling them that everything happens for a reason, likening the epidemic to Noah’s flood in the Bible. However it soon becomes clear that he is a dangerous character.
In a way it is heartening to imagine that high culture (such as Shakespeare and orchestral music) survives in a world that has been destroyed. Shakespeare was born in a time before all the modern inventions relied upon today, and now, in this novel, it is once again an electricity-less era yet these historical things live on.
One problem with <i>Station Eleven</i> is that it is hard to pinpoint the exact plot line. There is the life story of Arthur Leander, his wives and a close friend. Then there is Kirsten living a completely different life. Nonetheless it is still an incredibly fascinating book. Although it flits between time periods it is thankfully not as confusing as some may imagine it would be.
Even though dystopian novels of this nature have been done before, <i>Station Eleven</i> is definitely a book to read; and through it all it poses the question of how you, the reader, would survive in such a world.
The dystopian idea of a virus wiping out most of the world’s human inhabitants is not a new concept. It has be done and retold over and over again. Emily St. John Mandel’s invention of the Georgian Flu is no different from these. Brought to Canada and the USA by a passenger on a plane from Russia, the highly contagious virus spreads quickly from person to person, town to town, and once caught you are dead within forty-eight hours.
The difference between <i>Station Eleven</i> and other novels of apocalyptic themes is that the story takes place primarily in two time periods – pre-Georgian Flu and twenty years post-Georgian flu – rather than during the outbreak and the immediate days after (although there are a few scenes written within that timeframe). It is difficult to explain the storyline without giving too much away. Although the death of millions of people is a vital feature, it is the lives of the characters that are important. All the significant characters are in some way linked to one man, Arthur Leander, and, particularly in the case of one individual, a graphic novel titled <i>Station Eleven</i>.
The book opens in Toronto with Arthur, a Hollywood actor, starring in a stage production of <i>King Lear</i>. Despite the quick reaction of trainee paramedic Jeevan, Arthur dies of a heart attack after suddenly collapsing during the forth act. Then suddenly, that same night, the Georgian flu makes its first appearance in Canada. Despite this occurring right at the beginning, it is not the last the reader sees of Arthur. Throughout the story the author returns to Arthur, recounting scenes of his life from acting career to his three ex-wives and only child.
Twenty years after the Georgian flu, Kirsten Raymonde, who starred as a child in the same production of <i>King Lear</i>, is part of the Traveling Symphony: a group of actors and musicians walking from decaying-town-to-town performing a number of Shakespeare plays as they go. With her she carries two <i>Station Eleven</i> comics that Arthur gave her before he died – incidentally written and drawn by his first wife. Most people that the Symphony encounter are accommodating and are trying their best to live in a world of no electricity or health care, but then they meet a man who calls himself the Prophet. Believing that he has been given a duty by God to repopulate the world he preaches to the people telling them that everything happens for a reason, likening the epidemic to Noah’s flood in the Bible. However it soon becomes clear that he is a dangerous character.
In a way it is heartening to imagine that high culture (such as Shakespeare and orchestral music) survives in a world that has been destroyed. Shakespeare was born in a time before all the modern inventions relied upon today, and now, in this novel, it is once again an electricity-less era yet these historical things live on.
One problem with <i>Station Eleven</i> is that it is hard to pinpoint the exact plot line. There is the life story of Arthur Leander, his wives and a close friend. Then there is Kirsten living a completely different life. Nonetheless it is still an incredibly fascinating book. Although it flits between time periods it is thankfully not as confusing as some may imagine it would be.
Even though dystopian novels of this nature have been done before, <i>Station Eleven</i> is definitely a book to read; and through it all it poses the question of how you, the reader, would survive in such a world.
Necole (36 KP) rated The Hospital: How I Survived the Secret Child Experiments at Aston Hall in Books
Aug 12, 2018
Wow … I had to keep putting this book down to wrap my head around the abuse and neglect that Barbara had to deal with at such a young age. It was a very emotionally read. My brain and heart didn't want to believe these events could happen to a child as I was reading it. I couldn't believe her real mom left her and left her in the care of her father.
When she was 5 with the emotional and physical abuse she endured from her father and the "mum" her father left her with. I couldn't believe her father would call her a dirty little tinker and belittle her like that and made her think she was nothing. And the "mum" she was left with, leaving her by herself, treating her the way she did, and using Barbara as a way to get money is such a disgrace.
And then when her dad had a son, to read how the two were treated completely differently all because of blood line, oh my heart went out for poor Barbara.
Unfortunately the abuse and turmoil continued after she was put in homes and then into the hospital. To read what happened in the hospital and what the Dr. did she Barbra and the other poor girls, I was in complete shock. Aston Hall was a complete nightmare and how any girl survived that is amazing in itself.
She finally was treated with dignity and love and kindness when she went to Blackbrook by some of the nuns, only to have that taken away and be mistreated yet again.
I commend Barbara for writing this story, to open our eyes to an event that occurred in 1971, and be brave enough to tell us her story. I praise the fact that she could over come all these obstacles in life and be how she is now. It is truly astonishing.
I just hate that she voiced what was going on to so many deaf ears and no one listened or believed her until she was in her teen years. I would hope in todays society that this would never happen and people are now more than ever willing to give children a voice, listen to them, and investigate. I wonder if this happened to Barbara now, would the abuse and neglect been stopped sooner.
I would so recommend this book but be prepared for a shocking, emotional and heart wrenching story. I hope Barbara knows now her own self worth and wish she would have known it her entire life.
When she was 5 with the emotional and physical abuse she endured from her father and the "mum" her father left her with. I couldn't believe her father would call her a dirty little tinker and belittle her like that and made her think she was nothing. And the "mum" she was left with, leaving her by herself, treating her the way she did, and using Barbara as a way to get money is such a disgrace.
And then when her dad had a son, to read how the two were treated completely differently all because of blood line, oh my heart went out for poor Barbara.
Unfortunately the abuse and turmoil continued after she was put in homes and then into the hospital. To read what happened in the hospital and what the Dr. did she Barbra and the other poor girls, I was in complete shock. Aston Hall was a complete nightmare and how any girl survived that is amazing in itself.
She finally was treated with dignity and love and kindness when she went to Blackbrook by some of the nuns, only to have that taken away and be mistreated yet again.
I commend Barbara for writing this story, to open our eyes to an event that occurred in 1971, and be brave enough to tell us her story. I praise the fact that she could over come all these obstacles in life and be how she is now. It is truly astonishing.
I just hate that she voiced what was going on to so many deaf ears and no one listened or believed her until she was in her teen years. I would hope in todays society that this would never happen and people are now more than ever willing to give children a voice, listen to them, and investigate. I wonder if this happened to Barbara now, would the abuse and neglect been stopped sooner.
I would so recommend this book but be prepared for a shocking, emotional and heart wrenching story. I hope Barbara knows now her own self worth and wish she would have known it her entire life.
My Very Hungry Caterpillar
Education, Games and Stickers
6.5
Rate It
App
Care for your very own Very Hungry Caterpillar! Eric Carle’s much-loved character, The Very...
Pronunciation: Minute of Speech – Tarle Speech
Podcast
Tarle Speech and Language was founded in 2005 by Jennifer Tarle in order to empower individuals at...
Hazel (1853 KP) rated In Picardy's Fields in Books
Nov 27, 2020
Told from two perspectives, In Picardy's Fields is the story of two brave young women during the First World War. Set mostly in France, the two women put gender stereotypes to one side to help the allied soldiers. Baroness Agnès de Saint-Aubin, a young surgeon from Paris, follows her teacher, Dr Alan Bell, to the Château de Dragoncourt on the front lines in Picardy to help her friends, Jacques and Elle de Dragoncourt care for the injured soldiers. Meanwhile, the youngest Dragoncourt child, Madeleine, is determined to escape from her finishing school in Switzerland to play her part in the war effort.
The author, Hannah Byron, accurately describes the devastation and dangers the characters faced both in Paris and at the front. Flowing seamlessly from scene to scene, Byron paints a dark picture of life in wartorn France at the same time as weaving a captivating story. Agnès is a reticent but strong woman, a stark contrast from the stuck-up Madeleine, used to getting her way. Yet both characters develop, forced to face horrifying circumstances. While Agnès becomes more confident, Madeleine uses her head-strong determination to secretly help the allied soldiers, even if it means putting herself in danger.
Whilst the war is the main feature of the novel, the author weaves themes of friendship and romance into the narrative. Although only two people narrate the story, In Picardy's Fields shows the importance of working together and putting aside prejudices. The undercurrent of a developing romance brings a sense of hope that everything will end happily, yet the reader also knows nothing is safe during wartime. With each turn of the page, disaster could befall the characters, which makes for a gripping read.
Hannah Byron admits she is not a medic or war expert, yet she undertook extensive research to make In Picardy's Fields as accurate as possible. She also confesses it is unlikely a female doctor went to the front lines, yet as a work of fiction, this does not matter, especially as Agnès's profession is key to the story.
Authors have written novels about the World Wars ad nauseum to the point that writing an original story seems impossible, but Hannah Byron proves this assumption wrong. In Picardy's Fields feels almost modern in some respects, despite being set in the 1910s, which adds a freshness to the story. These women, these characters are just like you and me, living in a time we could not possibly understand.
In Picardy's Fields is a fantastic debut novel and Hannah Byron is a writer to keep an eye on.
The author, Hannah Byron, accurately describes the devastation and dangers the characters faced both in Paris and at the front. Flowing seamlessly from scene to scene, Byron paints a dark picture of life in wartorn France at the same time as weaving a captivating story. Agnès is a reticent but strong woman, a stark contrast from the stuck-up Madeleine, used to getting her way. Yet both characters develop, forced to face horrifying circumstances. While Agnès becomes more confident, Madeleine uses her head-strong determination to secretly help the allied soldiers, even if it means putting herself in danger.
Whilst the war is the main feature of the novel, the author weaves themes of friendship and romance into the narrative. Although only two people narrate the story, In Picardy's Fields shows the importance of working together and putting aside prejudices. The undercurrent of a developing romance brings a sense of hope that everything will end happily, yet the reader also knows nothing is safe during wartime. With each turn of the page, disaster could befall the characters, which makes for a gripping read.
Hannah Byron admits she is not a medic or war expert, yet she undertook extensive research to make In Picardy's Fields as accurate as possible. She also confesses it is unlikely a female doctor went to the front lines, yet as a work of fiction, this does not matter, especially as Agnès's profession is key to the story.
Authors have written novels about the World Wars ad nauseum to the point that writing an original story seems impossible, but Hannah Byron proves this assumption wrong. In Picardy's Fields feels almost modern in some respects, despite being set in the 1910s, which adds a freshness to the story. These women, these characters are just like you and me, living in a time we could not possibly understand.
In Picardy's Fields is a fantastic debut novel and Hannah Byron is a writer to keep an eye on.
My Town : Home Doll House
Games and Education
App
Every thing is possible when you play the new My-Town : Home game. With lots of rooms to explore and...
Nursery Rhymes by ChuChu TV
Education and Entertainment
App
*** To have an AD FREE experience, please buy 5 premium videos. We’re happy to introduce a new...
Merissa (12051 KP) rated Half a Soul (Regency Faerie Tales #1) by Olivia Atwater in Books
May 26, 2022 (Updated Jun 13, 2023)
HALF A SOUL is the first book in the Regency Faerie Tales and I honestly can't wait to read more. This was a gentle story with some harsh life lessons for our main character when she learns what war and workhouses are really like in a world where magic exists.
She -- Dora -- sees life through a slightly skewed lens as it is, being a Faerie Lord stole half her soul when she was only a child. Since then, she struggles to feel emotions, apart from "long-tailed ones". Her cousin, Vanessa, is the only warmth in her life and she will do all she can to please her. This includes going to London, although Dora isn't sure if she is going to help Vanessa's chances of finding a husband, or if she is going because of Vanessa's scheme to cure Dora. Either way, they end up in London, with the ton, and Dora has her own adventures whilst Vanessa is at the mercy of the matchmaking mothers.
I found Dora to be a heart-warming character who is aware of her own 'strangeness' but tries her best to fit in to please her cousin. I loved how she was truthful and direct, at a time when it was not fashionable to be so. Elias was the perfect foil for her. She didn't accept his rudeness or be put off by his temper, simply because she wasn't affected by it. Albert, and his mother, Lady Caraway, were jewels in this book and I loved every scene they were in. I was so happy for him!
Rightly or wrongly, I enjoy historical fiction as it is written. I have no idea if the dip of the neckline or the length of the hem is one hundred per cent accurate, and I don't really care. And if it is historically incorrect, so what? So long as the story fits together, and the inconsistencies remain the same throughout (now there's an oxymoron for you), that's all that concerns me.
I loved this story as it guided me along, all coming together nicely at the end. The epilogue was perfect. I sincerely hope to see more of this couple in future books. A fantastic start to a new series by a new-to-me author and absolutely recommended!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 26, 2022
She -- Dora -- sees life through a slightly skewed lens as it is, being a Faerie Lord stole half her soul when she was only a child. Since then, she struggles to feel emotions, apart from "long-tailed ones". Her cousin, Vanessa, is the only warmth in her life and she will do all she can to please her. This includes going to London, although Dora isn't sure if she is going to help Vanessa's chances of finding a husband, or if she is going because of Vanessa's scheme to cure Dora. Either way, they end up in London, with the ton, and Dora has her own adventures whilst Vanessa is at the mercy of the matchmaking mothers.
I found Dora to be a heart-warming character who is aware of her own 'strangeness' but tries her best to fit in to please her cousin. I loved how she was truthful and direct, at a time when it was not fashionable to be so. Elias was the perfect foil for her. She didn't accept his rudeness or be put off by his temper, simply because she wasn't affected by it. Albert, and his mother, Lady Caraway, were jewels in this book and I loved every scene they were in. I was so happy for him!
Rightly or wrongly, I enjoy historical fiction as it is written. I have no idea if the dip of the neckline or the length of the hem is one hundred per cent accurate, and I don't really care. And if it is historically incorrect, so what? So long as the story fits together, and the inconsistencies remain the same throughout (now there's an oxymoron for you), that's all that concerns me.
I loved this story as it guided me along, all coming together nicely at the end. The epilogue was perfect. I sincerely hope to see more of this couple in future books. A fantastic start to a new series by a new-to-me author and absolutely recommended!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 26, 2022