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Lottie disney bookworm (1056 KP) rated The Story of Silence in Books
Jun 17, 2021
An Arthurian tale, adapted from a 13th century lost poem, containing dragons and knights but tackling the fluid notion of gender? Sign me up! Literally! Thank you to Eidelweiss+ and HarperVoyager for the opportunity to read this in exchange for an honest review.
Silence is born a girl, but due to the laws of inheritance is raised a boy, with only 3 people knowing their true gender (one of whom, initially, is not Silence). The Story of Silence follows Silence from birth, showing their struggles between Nature and Nurture in the medieval period.
The writing style of this fantasy novel is remarkable, with an almost lyrical, ballad quality to it. The settings of Cornwall, and later Brittany, are described in such a way that captivates the reader, transporting them to the jousting fields, the towering castles and the courts of Earls and Kings.
The writing is at a slower pace, a literary journey rather than a sprint and for that reason I didn’t quite get the feeling of “I can’t put this down”, particularly in the middle of the novel. However, the twists and turns in Silence’s life were always quick to pull me back in.
As a character, the reader loves Silence from the very beginning. None of the struggles of their life are of their own making. Indeed, there are moments within this story where it would have been much simpler to tell the truth but Silence does not, displaying true knightly qualities of courage and loyalty. If I had one criticism of this book it is that, after his first “courses”, Silence doesn’t seem to find disguising his Nature very difficult., Yes, he binds his chest but he also travels on the road with male companions for years with no further mention of the more natural signs of his true nature.
The cast of characters surrounding Silence are also excellent, we have the troubled Earl Cador who, despite his original plan, it seems cannot love his child as he should; Griselle and the seneschal who do love and care for Silence and then there is Merlin.
Now, I know Silence should be my favourite character but Merlin stole the show in my opinion! There is no stoical wizard in Myers’ world, oh no! Merlin is a naked, disgusting old man who has an awful habit of laughing out loud at the unseen futures of those he passes. I also appreciated how Merlin wasn’t a solution to Silence’s problems (in fact the opposite is true!). Despite the magical undercurrent within this story, Merlin doesn’t fix everything with the flick of a magic wand – conversely he forces Silence to look inside and solve their own riddle, emphasising that you do not need to fit into one category or another, you can be both, you can be what you decide to be.
It should also be noted that, up to this point in the novel, Silence is referred to with the male pronoun, as that is how he sees himself. He is a boy. He is a knight! However, on processing Merlin’s world this pronoun notably changes to they and their. A beautiful detail that resonated how Silence had accepted their true identity.
The characterisation of women in The Story of Silence is something that has been picked up on a lot by my fellow reviewers and yes, the women in this book are often sex-crazed, deceitful, disloyal creatures. This is also an issue that is directly discussed within the author’s note, further proving that this was not an intentional slight on women. Alex Myers is an author, they are telling a story and that story takes place in the 13th century when, unfortunately, women were depicted like this. The main despicable action by a woman is essential to stay true to the poem. Was it frustrating as a female reader? Sometimes. But are there an equal number of ugly characteristics shown in the male characters? Absolutely!
The Story of Silence is a slow-burning tale which steadily unfurls into a captivating narrative which will stay with the reader long after the final page. The original 13th century poem captures the concept of gender so beautifully but Alex Myers takes this even further, handling Silence’s journey with love and compassion. I feel very lucky to have read this.
Silence is born a girl, but due to the laws of inheritance is raised a boy, with only 3 people knowing their true gender (one of whom, initially, is not Silence). The Story of Silence follows Silence from birth, showing their struggles between Nature and Nurture in the medieval period.
The writing style of this fantasy novel is remarkable, with an almost lyrical, ballad quality to it. The settings of Cornwall, and later Brittany, are described in such a way that captivates the reader, transporting them to the jousting fields, the towering castles and the courts of Earls and Kings.
The writing is at a slower pace, a literary journey rather than a sprint and for that reason I didn’t quite get the feeling of “I can’t put this down”, particularly in the middle of the novel. However, the twists and turns in Silence’s life were always quick to pull me back in.
As a character, the reader loves Silence from the very beginning. None of the struggles of their life are of their own making. Indeed, there are moments within this story where it would have been much simpler to tell the truth but Silence does not, displaying true knightly qualities of courage and loyalty. If I had one criticism of this book it is that, after his first “courses”, Silence doesn’t seem to find disguising his Nature very difficult., Yes, he binds his chest but he also travels on the road with male companions for years with no further mention of the more natural signs of his true nature.
The cast of characters surrounding Silence are also excellent, we have the troubled Earl Cador who, despite his original plan, it seems cannot love his child as he should; Griselle and the seneschal who do love and care for Silence and then there is Merlin.
Now, I know Silence should be my favourite character but Merlin stole the show in my opinion! There is no stoical wizard in Myers’ world, oh no! Merlin is a naked, disgusting old man who has an awful habit of laughing out loud at the unseen futures of those he passes. I also appreciated how Merlin wasn’t a solution to Silence’s problems (in fact the opposite is true!). Despite the magical undercurrent within this story, Merlin doesn’t fix everything with the flick of a magic wand – conversely he forces Silence to look inside and solve their own riddle, emphasising that you do not need to fit into one category or another, you can be both, you can be what you decide to be.
It should also be noted that, up to this point in the novel, Silence is referred to with the male pronoun, as that is how he sees himself. He is a boy. He is a knight! However, on processing Merlin’s world this pronoun notably changes to they and their. A beautiful detail that resonated how Silence had accepted their true identity.
The characterisation of women in The Story of Silence is something that has been picked up on a lot by my fellow reviewers and yes, the women in this book are often sex-crazed, deceitful, disloyal creatures. This is also an issue that is directly discussed within the author’s note, further proving that this was not an intentional slight on women. Alex Myers is an author, they are telling a story and that story takes place in the 13th century when, unfortunately, women were depicted like this. The main despicable action by a woman is essential to stay true to the poem. Was it frustrating as a female reader? Sometimes. But are there an equal number of ugly characteristics shown in the male characters? Absolutely!
The Story of Silence is a slow-burning tale which steadily unfurls into a captivating narrative which will stay with the reader long after the final page. The original 13th century poem captures the concept of gender so beautifully but Alex Myers takes this even further, handling Silence’s journey with love and compassion. I feel very lucky to have read this.
Heather Cranmer (2721 KP) rated The Weight of Memory in Books
Jul 18, 2021
After reading and loving Shawn Smucker's previous book, These Nameless Things, I was thrilled when I heard he had released his new book The Weight of Memory. After purchasing a copy, I devoured this book!
I enjoyed the way the story seemed to flow so effortlessly and so smoothly. Shawn Smucker did such an excellent job of conveying this story to his readers. It was as if he had painted such a beautiful canvas with his prose and invited us inside. Every word I read left me wanting more.
When I read the synopsis of the The Weight of Memory, it definitely had me intrigued. I had to know how Paul's 11 year old granddaughter, Pearl, knew things about Paul's past and where he grew up with even though Paul had never told her. When Paul and Pearl arrived in Nysa, the town where Paul grew up and had left 40 years prior, I had to know why people in the town were acting so strange and what was causing them to act that way. I kept trying to guess as to why, but I was always wrong. There are quite a few plot twists revealed towards the end of the book which I never would have guessed. Loose ends are all tied up excerpt for one which was left undone on purpose. Smucker leaves this up to the reader to decide what happened. Personally, I would have liked to know more, but I can see why the author left it for the reader to decide. One minor thing for me is I would have liked more about the townspeople of Nysa. They were all acting strange, and I would have liked to know more as to why besides just the drownings (not a spoiler). As for pacing, The Weight of Memory did start out a bit slow in the beginning, and I did find my mind wandering, but I persevered, and I was handsomely rewarded with such an enriching story once the pacing picked up.
For the most part, every character in The Weight of Memory felt fleshed out and realistic. Paul Elias was such a loveable character, and it was so obvious how much he loved and adored his granddaughter. I could feel his worry come off the pages though about how he needed to find someone to take care of Pearl before his death. It was heartbreaking to know that he was so worried about Pearl and what would happen to her after he was gone. I loved little Pearl, but most of the time, she came across as younger than her 11 years. To me, she acted more like a child of 6 than an older one. However, I did enjoy her character, and I admired how much she loved her "Grampy" and how she would do anything for her. Paul's and Pearl's relationship was very special, and it definitely showed throughout the story. I didn't know what to make of Tom throughout the book. He was always so distant. The author does make it known why though towards the end of the book. Tom did come across as a pretty selfless guy considering how rich he was which was refreshing. (Personally, I would have loved to stay at Tom's gigantic mansion!) As for Mary and Shirley, I enjoyed reading about them both. I would have liked to know more about Mary's home life personally due to one scene in the book. Regardless, Mary seemed like such a sweet girl, and Shirley seemed like she was a lot of fun.
Trigger warnings for The Weight of Memory include death, drowning, a few mentions of drugs (Pearl's father was a drug addict), and near death experiences.
All in all, The Weight of Memory is a beautifully enthralling story with loveable selfless character and a plot that will keep you engrossed throughout. I would definitely recommend The Weight of Memory by Shawn Smucker to those aged 16+ who love their books to be heartfelt with a lot of emotion.
I enjoyed the way the story seemed to flow so effortlessly and so smoothly. Shawn Smucker did such an excellent job of conveying this story to his readers. It was as if he had painted such a beautiful canvas with his prose and invited us inside. Every word I read left me wanting more.
When I read the synopsis of the The Weight of Memory, it definitely had me intrigued. I had to know how Paul's 11 year old granddaughter, Pearl, knew things about Paul's past and where he grew up with even though Paul had never told her. When Paul and Pearl arrived in Nysa, the town where Paul grew up and had left 40 years prior, I had to know why people in the town were acting so strange and what was causing them to act that way. I kept trying to guess as to why, but I was always wrong. There are quite a few plot twists revealed towards the end of the book which I never would have guessed. Loose ends are all tied up excerpt for one which was left undone on purpose. Smucker leaves this up to the reader to decide what happened. Personally, I would have liked to know more, but I can see why the author left it for the reader to decide. One minor thing for me is I would have liked more about the townspeople of Nysa. They were all acting strange, and I would have liked to know more as to why besides just the drownings (not a spoiler). As for pacing, The Weight of Memory did start out a bit slow in the beginning, and I did find my mind wandering, but I persevered, and I was handsomely rewarded with such an enriching story once the pacing picked up.
For the most part, every character in The Weight of Memory felt fleshed out and realistic. Paul Elias was such a loveable character, and it was so obvious how much he loved and adored his granddaughter. I could feel his worry come off the pages though about how he needed to find someone to take care of Pearl before his death. It was heartbreaking to know that he was so worried about Pearl and what would happen to her after he was gone. I loved little Pearl, but most of the time, she came across as younger than her 11 years. To me, she acted more like a child of 6 than an older one. However, I did enjoy her character, and I admired how much she loved her "Grampy" and how she would do anything for her. Paul's and Pearl's relationship was very special, and it definitely showed throughout the story. I didn't know what to make of Tom throughout the book. He was always so distant. The author does make it known why though towards the end of the book. Tom did come across as a pretty selfless guy considering how rich he was which was refreshing. (Personally, I would have loved to stay at Tom's gigantic mansion!) As for Mary and Shirley, I enjoyed reading about them both. I would have liked to know more about Mary's home life personally due to one scene in the book. Regardless, Mary seemed like such a sweet girl, and Shirley seemed like she was a lot of fun.
Trigger warnings for The Weight of Memory include death, drowning, a few mentions of drugs (Pearl's father was a drug addict), and near death experiences.
All in all, The Weight of Memory is a beautifully enthralling story with loveable selfless character and a plot that will keep you engrossed throughout. I would definitely recommend The Weight of Memory by Shawn Smucker to those aged 16+ who love their books to be heartfelt with a lot of emotion.
Kirk Bage (1775 KP) rated Jojo Rabbit (2019) in Movies
Jan 22, 2021
Another favourite from the awards season that came with some strong acclaim from amongst friends and trusted reviewers, WWII satire Jojo Rabbit, from the likeable and unique mind of Taika Waititi, was always high on my list as a must see movie.
I have followed the Kiwi’s original output since way back, and always enjoyed his quirky sense of humour and childlike charm. Either Eagle vs Shark or The Flight of the Conchords would have been my first encounter; and by the time of Hunt for the Wilderpeople and Thor: Ragnarok I had become a tentative fan. Never entirely bowled over by his style and content in the same way as, say, Wes Anderson (to whom some compare his outlook on the creative world), and never rolling around on the floor in hysterics at his naivety and comedy of manners, nevertheless, I like the guy a lot.
So when I heard he had adapted a fantasy novel about Nazi Germany from the point of view of a child, and would be playing Hitler himself, I knew instantly where he would be pitching this. The idea of it being offensive in any way was not a concern or even a thought, and anyone that did react that way is just… ridiculous and deliberately missing the point for the sake of finding something to be outraged about.
Of course subjects of genocide, political repression and evil existing in the world should and must be treated with a sensitivity to a degree, and amongst the silly lampooning and most extreme moments of satire that care is evident. There are moments of real gravity and tenderness in the mix here, thanks in large to some wonderful performances from the adult actors, notably the ever reliable Sam Rockwell and the increasingly strong and impressive Scarlett Johansson, who picked up her second Oscar nomination for this, after Marriage Story ticked the box for true drama.
The film focuses and relies on young Roman Griffin Davis as the eponymous Jojo, a happy little boy who sees goodness and light in an ever darkening world around him. Waititi as director works well with kids, placing the idea of charm and likability above acting prowess per se. And that is both the strength and ultimate weakness of this premise. He is charming and likeable, and cute and sweet and very watchable, but his inexperience in front of the camera and ability to find a range of emotions is often tested beyond his tender years, and can therefore break the magic spell that is woven in the best scenes.
The humour itself also doesn’t always hit the mark. Sometimes it is merely amusing rather than something laugh out loud funny, much as an average Mel Brooks film always was. And that can lead to a feel of something uneven and rambling, as the story struggles to find what it really wants to say. In its final moments it does land on an overlying message that leaves you with a winning impression, and you leave feeling that you saw something you enjoyed, but not something you would unreservedly recommend to everyone. In fact if someone said they didn’t enjoy it, or get the joke at all, then I would respect that view.
Under a microscope of scrutiny it doesn’t hold up that well, and I wonder how a few years of distance will treat it, once our sensibilities shift again with time. There are a few moments when the heart of the film connects with it’s silly bone and resonates, but not nearly enough. I personally wanted more of that. But, sadly, whenever JoJo threatens to grow up it retreats back into childhood and shies away from commenting on anything serious or truly meaningful. But, of course, that is not the point. As an entertainment it is a wonderful, unique and lovely film. And that should really be all that it is judged by.
In conclusion, a curiosity I will look forward to watching again, but don’t think quite makes the grade as an instant classic. It only reinforced however how much I like Rockwell and Johansson, and will always be curious about what Waititi is up to next.
I have followed the Kiwi’s original output since way back, and always enjoyed his quirky sense of humour and childlike charm. Either Eagle vs Shark or The Flight of the Conchords would have been my first encounter; and by the time of Hunt for the Wilderpeople and Thor: Ragnarok I had become a tentative fan. Never entirely bowled over by his style and content in the same way as, say, Wes Anderson (to whom some compare his outlook on the creative world), and never rolling around on the floor in hysterics at his naivety and comedy of manners, nevertheless, I like the guy a lot.
So when I heard he had adapted a fantasy novel about Nazi Germany from the point of view of a child, and would be playing Hitler himself, I knew instantly where he would be pitching this. The idea of it being offensive in any way was not a concern or even a thought, and anyone that did react that way is just… ridiculous and deliberately missing the point for the sake of finding something to be outraged about.
Of course subjects of genocide, political repression and evil existing in the world should and must be treated with a sensitivity to a degree, and amongst the silly lampooning and most extreme moments of satire that care is evident. There are moments of real gravity and tenderness in the mix here, thanks in large to some wonderful performances from the adult actors, notably the ever reliable Sam Rockwell and the increasingly strong and impressive Scarlett Johansson, who picked up her second Oscar nomination for this, after Marriage Story ticked the box for true drama.
The film focuses and relies on young Roman Griffin Davis as the eponymous Jojo, a happy little boy who sees goodness and light in an ever darkening world around him. Waititi as director works well with kids, placing the idea of charm and likability above acting prowess per se. And that is both the strength and ultimate weakness of this premise. He is charming and likeable, and cute and sweet and very watchable, but his inexperience in front of the camera and ability to find a range of emotions is often tested beyond his tender years, and can therefore break the magic spell that is woven in the best scenes.
The humour itself also doesn’t always hit the mark. Sometimes it is merely amusing rather than something laugh out loud funny, much as an average Mel Brooks film always was. And that can lead to a feel of something uneven and rambling, as the story struggles to find what it really wants to say. In its final moments it does land on an overlying message that leaves you with a winning impression, and you leave feeling that you saw something you enjoyed, but not something you would unreservedly recommend to everyone. In fact if someone said they didn’t enjoy it, or get the joke at all, then I would respect that view.
Under a microscope of scrutiny it doesn’t hold up that well, and I wonder how a few years of distance will treat it, once our sensibilities shift again with time. There are a few moments when the heart of the film connects with it’s silly bone and resonates, but not nearly enough. I personally wanted more of that. But, sadly, whenever JoJo threatens to grow up it retreats back into childhood and shies away from commenting on anything serious or truly meaningful. But, of course, that is not the point. As an entertainment it is a wonderful, unique and lovely film. And that should really be all that it is judged by.
In conclusion, a curiosity I will look forward to watching again, but don’t think quite makes the grade as an instant classic. It only reinforced however how much I like Rockwell and Johansson, and will always be curious about what Waititi is up to next.
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5 Minute Movie Guy (379 KP) rated Blended (2014) in Movies
Jun 26, 2019
Sandler and Barrymore still have wonderful chemistry. (1 more)
Blended makes a big recovery by showing a lot of heart.
The first half-hour of the film is almost unbearably bad. (2 more)
The African setting is a lot of fun, but also feels somewhat racist.
It has some pretty good laughs but it may be too cheesy for some.
Blended requires some patience to get through its torturous start but it makes a respectable comeback as Adam Sandler and Drew Barrymore prove that they’re still a delightful comedic duo.
Adam Sandler and Drew Barrymore once again reunite for the romantic comedy Blended. Previously the pair starred together in The Wedding Singer and 50 First Dates, and while the two of them have sincerely compelling chemistry, Blended is unfortunately their worst pairing to-date. The premise of the film revolves around the idea of two single parents falling in love and blending each of their families together as one, à la The Brady Bunch. It’s interesting then that the film itself seems to parallel a predictable process of blending as a family. At first, it’s an unwelcome and uncomfortable experience, but as time goes by it becomes more agreeable, and eventually it becomes acceptable and even enjoyable. The same can be said of Blended, which suffers from a dreadful beginning, but gradually gets better, and by the end becomes a pretty good family-friendly film overall.
Blended face-plants in spectacular fashion right out of the gate as we first meet Jim (Sandler) and Lauren (Barrymore) on a disastrous blind date at Hooters that’s incredibly uncomfortable to watch. Sandler’s character Jim initially comes off appearing remarkably repulsive and immature, while Barrymore’s Lauren is uptight and unlikeable. Things become even more unbearable when the two of them run into each other soon later at a grocery store, in a lifeless scene that is outrageously awkward. There’s also a glaring absence of music throughout the beginning of the movie, which only seems to emphasize the bad dialogue and unpleasant situations. The first half hour of the film is dull, dry, and devoid of any laughs. However, if you can endure Blended’s horrendous beginning, you’ll find that it makes up for its missteps by being a fun movie with a lot of heart.
The film finally finds its footing when Jim and Lauren unintentionally find themselves sharing a vacation in Africa. Since both of them struggle to understand and connect with their children, they each jump on an opportunity to reward their families with a trip to Africa, while being entirely unaware that the other is doing the same thing. As a result, Jim and Lauren and their respective children are all forced together, as their trip entails sharing a hotel room at the extravagant Sun City Resort in South Africa, which is hosting a special weekend event for blended families. While this involuntary blending is initially met with great opposition, the two families gradually learn to put aside their differences and begin to care for each other. Furthermore, it turns out that while Lauren and Jim are each somewhat oblivious with raising their own kids, they’re perfectly suited to teach each other’s kids. As a dainty, goody-two-shoes mom, Lauren has difficulty controlling her two wild young boys, but she knows how to care for Jim’s daughters with a much-needed womanly touch. Equally convenient is how sports-obsessed Jim is able to instill discipline and respect in Lauren’s reckless children. Sure, it’s a bit cheesy and predictable, but it works, and does so without feeling completely contrived.
The African setting in Blended is exciting and beautifully represented, although its depiction does seem mildly racist. It just feels a little wrong to have an African resort where rich white people can go on vacation and be catered to by Africans that are portrayed as being relatively primitive. Even Sun City Resort feels less like a resort and more like an amusement park, albeit one that I’d love to visit. It serves as an appealing setting and looks like a whole lot of fun. Perhaps it’s unsurprising then that Adam Sandler recently confessed that he chooses his movies based on where he wants to go on vacation. It may be something of a devious strategy, but he’s managed to make himself a very successful career in doing it. He’s a guy who knows how to have fun, and I think that’s where Blended really shines. Even though it gets started off on the wrong foot, it’s a film that ends up offering a fair amount of laughs, while being a fun movie-going experience.
The performances in Blended are a bit typical, but they’re certainly not bad. Adam Sandler plays his usual good-intentioned-but-misunderstood man-child self. Meanwhile, Drew Barrymore adds a lot of fun to her role as the sweet, geeky mom who’s trying hard to be cool. Terry Crews represents the head of the singing entertainment at the resort who repeatedly appears to interrupt in song. He brings in a good dose of humor and had me really cracking up in one scene. Kevin Nealon seems to be channeling his character from Happy Gilmore in this movie, and is part of another blended couple vacationing in Africa. His blonde trophy girlfriend played by Jessica Lowe is a real stand-out. She does a remarkable job creating laughs as a stereotypical bimbo. Her hot and heavy relationship with Nealon is truly comical, even if slightly sickening. As for the children, their performances are mostly adequate, with Jim’s daughters being the best of the bunch. Disney star Bella Thorne is wonderful as Hilary, who like all of Jim’s children, has unconsciously been raised like a boy, even to the extent of being nicknamed Larry. Additionally, the young Emma Fuhrmann, who plays Jim’s middle daughter, can be surprisingly effective at evoking genuine heart-felt emotion into her scenes. Of course, this wouldn’t be an Adam Sandler without some cameos from his buddies, although the ones in Blended fail to be very funny at all.
All in all, Blended requires some patience to get through its torturous start, and it gets pretty heavy on the cheesiness later in the film, but it makes a respectable comeback overall. It even manages to touch on aspects of the awful beginning and effectively incorporate them into the grand scheme of things later on. In the end, everything ends up blending together nicely to create a pretty decent comedy, while Adam Sandler and Drew Barrymore prove that they’re still a delightful comedic duo.
(This review was originally posted at 5mmg.com on 6.16.14.)
Blended face-plants in spectacular fashion right out of the gate as we first meet Jim (Sandler) and Lauren (Barrymore) on a disastrous blind date at Hooters that’s incredibly uncomfortable to watch. Sandler’s character Jim initially comes off appearing remarkably repulsive and immature, while Barrymore’s Lauren is uptight and unlikeable. Things become even more unbearable when the two of them run into each other soon later at a grocery store, in a lifeless scene that is outrageously awkward. There’s also a glaring absence of music throughout the beginning of the movie, which only seems to emphasize the bad dialogue and unpleasant situations. The first half hour of the film is dull, dry, and devoid of any laughs. However, if you can endure Blended’s horrendous beginning, you’ll find that it makes up for its missteps by being a fun movie with a lot of heart.
The film finally finds its footing when Jim and Lauren unintentionally find themselves sharing a vacation in Africa. Since both of them struggle to understand and connect with their children, they each jump on an opportunity to reward their families with a trip to Africa, while being entirely unaware that the other is doing the same thing. As a result, Jim and Lauren and their respective children are all forced together, as their trip entails sharing a hotel room at the extravagant Sun City Resort in South Africa, which is hosting a special weekend event for blended families. While this involuntary blending is initially met with great opposition, the two families gradually learn to put aside their differences and begin to care for each other. Furthermore, it turns out that while Lauren and Jim are each somewhat oblivious with raising their own kids, they’re perfectly suited to teach each other’s kids. As a dainty, goody-two-shoes mom, Lauren has difficulty controlling her two wild young boys, but she knows how to care for Jim’s daughters with a much-needed womanly touch. Equally convenient is how sports-obsessed Jim is able to instill discipline and respect in Lauren’s reckless children. Sure, it’s a bit cheesy and predictable, but it works, and does so without feeling completely contrived.
The African setting in Blended is exciting and beautifully represented, although its depiction does seem mildly racist. It just feels a little wrong to have an African resort where rich white people can go on vacation and be catered to by Africans that are portrayed as being relatively primitive. Even Sun City Resort feels less like a resort and more like an amusement park, albeit one that I’d love to visit. It serves as an appealing setting and looks like a whole lot of fun. Perhaps it’s unsurprising then that Adam Sandler recently confessed that he chooses his movies based on where he wants to go on vacation. It may be something of a devious strategy, but he’s managed to make himself a very successful career in doing it. He’s a guy who knows how to have fun, and I think that’s where Blended really shines. Even though it gets started off on the wrong foot, it’s a film that ends up offering a fair amount of laughs, while being a fun movie-going experience.
The performances in Blended are a bit typical, but they’re certainly not bad. Adam Sandler plays his usual good-intentioned-but-misunderstood man-child self. Meanwhile, Drew Barrymore adds a lot of fun to her role as the sweet, geeky mom who’s trying hard to be cool. Terry Crews represents the head of the singing entertainment at the resort who repeatedly appears to interrupt in song. He brings in a good dose of humor and had me really cracking up in one scene. Kevin Nealon seems to be channeling his character from Happy Gilmore in this movie, and is part of another blended couple vacationing in Africa. His blonde trophy girlfriend played by Jessica Lowe is a real stand-out. She does a remarkable job creating laughs as a stereotypical bimbo. Her hot and heavy relationship with Nealon is truly comical, even if slightly sickening. As for the children, their performances are mostly adequate, with Jim’s daughters being the best of the bunch. Disney star Bella Thorne is wonderful as Hilary, who like all of Jim’s children, has unconsciously been raised like a boy, even to the extent of being nicknamed Larry. Additionally, the young Emma Fuhrmann, who plays Jim’s middle daughter, can be surprisingly effective at evoking genuine heart-felt emotion into her scenes. Of course, this wouldn’t be an Adam Sandler without some cameos from his buddies, although the ones in Blended fail to be very funny at all.
All in all, Blended requires some patience to get through its torturous start, and it gets pretty heavy on the cheesiness later in the film, but it makes a respectable comeback overall. It even manages to touch on aspects of the awful beginning and effectively incorporate them into the grand scheme of things later on. In the end, everything ends up blending together nicely to create a pretty decent comedy, while Adam Sandler and Drew Barrymore prove that they’re still a delightful comedic duo.
(This review was originally posted at 5mmg.com on 6.16.14.)
Hadley (567 KP) rated The Institute in Books
Oct 24, 2019
Likable characters (1 more)
Paranormal
Sexualizing children (1 more)
Not a regular King story
At around 95 novels, Stephen King, who is one of the most well-known authors of our time, debuts a possible new novel series about psychic children. 'The Institute' mostly takes place in a hidden facility located in a wooded area of Maine,where readers follow a kidnapped child prodigy named Luke Ellis, and the government experiments that are inflicted on him to heighten his psychic powers.
So why is the government kidnapping children to conduct psychic research on them? At first, it may seem just that: psychic research, because psychic powers seem to be more powerful in young children than adults, but nothing is what it seems. As the boss of this Institute says to the children: " ' There's a war going on, and you have been called upon to serve your country.' " A few sentences later, and she explains it a little more in depth for Ellis: " ' This is not an arms race but a mind race, and if we lose, the consequences would be more than dire; they would be unimaginable. You may only be twelve, but you are a soldier in an undeclared war. The same is true of Kalisha and the others. Do you like it? Of course not. Draftees never do, and draftees sometimes need to be taught that there are consequences for not following orders. I believe you've already had one lesson in that regard. If you're as bright as your records say you are, perhaps you won't need another. If you do, however, you'll get it. This is not your home. This is not your school. You will not simply be given an extra chore or sent to the principal's office or given detention; you will be punished. Clear? ' "
King writes in a third-person point-of-view, which makes it a little disturbing that when any female character he introduces (including girls as young as 11-years-old) are usually introduced by their breast size. It's not uncommon for male writers to introduce female characters this way, but when most of them are children, it can be very off putting for readers. One scene, King makes Ellis notice that Kalisha has 'her hands on her mostly nonexistent hips,' then writes about the character Helen in the same scene: " Another door opened and Helen Simms appeared, clad - - - sort of - - - in what Luke believed were called babydoll pajamas. She had hips, plus other interesting equipment. " Both of these characters are only twelve-years-old.
Aside from the children, King also introduces an important character named Tim Jamieson. This character starts the novel off before readers meet Ellis; we learn that he is a former cop who is traveling to New York while taking odd jobs on his way there, including a night knocker job in DuPray, South Carolina (which becomes very important later on in the story) .
Avery, my personal favorite character in the book, is a ten-year-old who acts like a five-year-old, " The screamer was a little boy in Star Wars pajamas, hammering on doors with small fists that went up and down like pistons. Ten? Avery Dixon looked six, seven at most. The crotch and one leg of his pajama pants were wet and sticking to him. " Dixon and Kalisha are both in the Institute for telepathy. " 'You know so,' Kalisha said, and began to stroke the little boy's [Dixon] hair again. Like had a sense - - - maybe bullshit, maybe not - - - that a lot was going on between them. Inside traffic. " And quickly, the group of children become protective of Dixon, " 'But you need to take care of this one for as long as you can. When I think of Tony or Zeke or that bitch Winona hitting Avery, it makes me want to cry. ' " Kalisha confides in Ellis.
Kalisha, one of the other children that has been kidnapped, is another very likable character that seems to keep all of the other kids' spirits up by either keeping them out of trouble with advice or stopping small fights between them. Another kid named Nicky, the troublemaker of the group, is the stereo-typical bad boy. He gets involved in fistfights with the orderlies that work at the Institute, taking quite a bit of abuse in return. But eventually, the rebelliousness catches up with him, leading him to be moved from Front Half to the dreaded Back Half.
Readers later learn that Back Half is worse than Front Half. Most questions we may have about why the Institute is abusing these children are all answered when readers get to see into Back Half from Kalisha's point-of-view. But what is left unanswered is exactly how many children have been through the Institute? From the amount of children seen just in this story, the numbers could be in the hundreds of thousands!
But, as expected, the children come up with a plan to escape - - - with giving as little detail as possible, an orderlie at the Institute is helped by one of the children with a personal problem, and in return, this orderlie decides to help one of them escape and reveal everything that is the Institute. The instance the escape starts being discussed is when the book really picks up.
King's writing of the abuse our characters sustain is very real (" When Stevie Whipple asked where he'd been and what was wrong, Luke just shook his head. He didn't want to talk about the tank. Not now, not ever. He supposed it was like being in a war. You got drafted, you went, but you didn't want to talk about what you'd seen, or what had happened to you there." ) The scene in which Ellis refuses to speak of is where the orderlie Zeke is trying to make Ellis confess that he is not only telekinesis, but also telepathic: "Zeke hauled him up by the hair. His white tunic was soaked. He looked fixedly at Luke. 'I'm going to put you down again, Luke. Again and again and again. I'll put you down until you drown and then we'll resuscitate you and drown you again and resuscitate you again. Last chance: what number am I thinking of?' "
King brings up a fictional belief that strikes fear in parents everywhere: children being kidnapped for government experiments. Readers witness Ellis' parents being killed, Kalisha being a surrogate mother to kids she barely knows, Nicky being beaten by adults when he refuses to get 'shots for dots,' night terrors, suicide, zap sticks and murder.
This book doesn't read like a regular King book; even with the paranormal aspects occurring in it, it doesn't add up to much. The horror aspect is more in the form of child abuse then paranormal moments. I would only recommend this book to fans of Netflix's 'Stranger Things' and Patterson's 'Maximum Ride.' I don't think I would read this again.
So why is the government kidnapping children to conduct psychic research on them? At first, it may seem just that: psychic research, because psychic powers seem to be more powerful in young children than adults, but nothing is what it seems. As the boss of this Institute says to the children: " ' There's a war going on, and you have been called upon to serve your country.' " A few sentences later, and she explains it a little more in depth for Ellis: " ' This is not an arms race but a mind race, and if we lose, the consequences would be more than dire; they would be unimaginable. You may only be twelve, but you are a soldier in an undeclared war. The same is true of Kalisha and the others. Do you like it? Of course not. Draftees never do, and draftees sometimes need to be taught that there are consequences for not following orders. I believe you've already had one lesson in that regard. If you're as bright as your records say you are, perhaps you won't need another. If you do, however, you'll get it. This is not your home. This is not your school. You will not simply be given an extra chore or sent to the principal's office or given detention; you will be punished. Clear? ' "
King writes in a third-person point-of-view, which makes it a little disturbing that when any female character he introduces (including girls as young as 11-years-old) are usually introduced by their breast size. It's not uncommon for male writers to introduce female characters this way, but when most of them are children, it can be very off putting for readers. One scene, King makes Ellis notice that Kalisha has 'her hands on her mostly nonexistent hips,' then writes about the character Helen in the same scene: " Another door opened and Helen Simms appeared, clad - - - sort of - - - in what Luke believed were called babydoll pajamas. She had hips, plus other interesting equipment. " Both of these characters are only twelve-years-old.
Aside from the children, King also introduces an important character named Tim Jamieson. This character starts the novel off before readers meet Ellis; we learn that he is a former cop who is traveling to New York while taking odd jobs on his way there, including a night knocker job in DuPray, South Carolina (which becomes very important later on in the story) .
Avery, my personal favorite character in the book, is a ten-year-old who acts like a five-year-old, " The screamer was a little boy in Star Wars pajamas, hammering on doors with small fists that went up and down like pistons. Ten? Avery Dixon looked six, seven at most. The crotch and one leg of his pajama pants were wet and sticking to him. " Dixon and Kalisha are both in the Institute for telepathy. " 'You know so,' Kalisha said, and began to stroke the little boy's [Dixon] hair again. Like had a sense - - - maybe bullshit, maybe not - - - that a lot was going on between them. Inside traffic. " And quickly, the group of children become protective of Dixon, " 'But you need to take care of this one for as long as you can. When I think of Tony or Zeke or that bitch Winona hitting Avery, it makes me want to cry. ' " Kalisha confides in Ellis.
Kalisha, one of the other children that has been kidnapped, is another very likable character that seems to keep all of the other kids' spirits up by either keeping them out of trouble with advice or stopping small fights between them. Another kid named Nicky, the troublemaker of the group, is the stereo-typical bad boy. He gets involved in fistfights with the orderlies that work at the Institute, taking quite a bit of abuse in return. But eventually, the rebelliousness catches up with him, leading him to be moved from Front Half to the dreaded Back Half.
Readers later learn that Back Half is worse than Front Half. Most questions we may have about why the Institute is abusing these children are all answered when readers get to see into Back Half from Kalisha's point-of-view. But what is left unanswered is exactly how many children have been through the Institute? From the amount of children seen just in this story, the numbers could be in the hundreds of thousands!
But, as expected, the children come up with a plan to escape - - - with giving as little detail as possible, an orderlie at the Institute is helped by one of the children with a personal problem, and in return, this orderlie decides to help one of them escape and reveal everything that is the Institute. The instance the escape starts being discussed is when the book really picks up.
King's writing of the abuse our characters sustain is very real (" When Stevie Whipple asked where he'd been and what was wrong, Luke just shook his head. He didn't want to talk about the tank. Not now, not ever. He supposed it was like being in a war. You got drafted, you went, but you didn't want to talk about what you'd seen, or what had happened to you there." ) The scene in which Ellis refuses to speak of is where the orderlie Zeke is trying to make Ellis confess that he is not only telekinesis, but also telepathic: "Zeke hauled him up by the hair. His white tunic was soaked. He looked fixedly at Luke. 'I'm going to put you down again, Luke. Again and again and again. I'll put you down until you drown and then we'll resuscitate you and drown you again and resuscitate you again. Last chance: what number am I thinking of?' "
King brings up a fictional belief that strikes fear in parents everywhere: children being kidnapped for government experiments. Readers witness Ellis' parents being killed, Kalisha being a surrogate mother to kids she barely knows, Nicky being beaten by adults when he refuses to get 'shots for dots,' night terrors, suicide, zap sticks and murder.
This book doesn't read like a regular King book; even with the paranormal aspects occurring in it, it doesn't add up to much. The horror aspect is more in the form of child abuse then paranormal moments. I would only recommend this book to fans of Netflix's 'Stranger Things' and Patterson's 'Maximum Ride.' I don't think I would read this again.
Contains spoilers, click to show
Where to begin with my review? I guess I should start out by being completely honest and mentioning that I did not buy Cinder for myself, and I likely never would have either. After begging me to read it for a while, my best friend ended up buying me a copy for Christmas in the hope that I would give it a go. And to be fair to her, I did. Four times to be precise. The first three times I ended up giving up before chapter four. However, don't let that deter you. On my fourth attempt, I loved it! The only reason I can think of as to why I struggled the other times was because I was in a serious book hangover from another story. So I was a little reluctant to start a new story with characters I wasn't invested in yet, and a story I already knew. Or at least, I thought I did.
So let's start with the plot. Cinder is a retelling of Cinderella. Perhaps another reason for my lack of interest in the beginning as I've never really been a huge fan of that particular princess. What I do enjoy is a fresh twist on a well known story, so I should have known I would enjoy it if I gave it a chance. Like Cinderella, Cinder follows the story of a young girl who lives with her step-mother, and her two step-sisters, no love lost between them. In both, the girl leads a tough, though somewhat mundane life, right up until she meets her prince, and then things start to look up. Blah, blah, blah... We all know the story right? No. Marissa Meyer gives the traditional tale a new spin, and it was like reading the story for the first time. Because of this, I easily finished the story over one (busy) weekend. The story contained just the right mix of adventure, romance, and sci-fi to keep me hooked, even if -in places- the story seemed to drag a little. This was more than made up for with the explosive ending though. The story ends with enough unresolved conflict to keep you wanting more... And if you're anything like me, thankfully you don't have to wait months for the next one (It's called Scarlet BTW). Another great part of this story was the world building and backstory. At one point, the events of WW4 are mentioned, giving us a little insight as to how the world we know morphed into the one in the story. This also prevented the world from becoming too complicated when other races (The Lunars) are introduced, and helped blend the backstories of both races nicely. Lunars are the genetically mutated humans that live on the moon (Luna), and they have the ability to use a power known as "Glamour" to influence other's minds and make them see and believe what they want them to. This particular part impressed me as it was a clever way of introducing magic in an otherwise "normal" world. Because I'm a sucker for a bit of magic. The only real problem I had with this story was that the plot was somewhat predictable at times... For example, pretty much as soon as it was mentioned that there was once a princess who -if she was still alive- could usurp the Queen of the Lunars and restore peace to the two worlds... It was obvious that it was going to end up being Cinder. (This is confirmed at the end of the book).
Now, onto the characters! Meet our protagonist, Linh Cinder. Cinder is a sixteen-year-old living in New Beijing with her evil Step-mother and two step-sisters... But that's pretty much where the similarities with her and the traditional Cinderella end. Not only is our protagonist more than just a pretty face with a kind heart, she is a badass! Throughout the story she impressed me with her attitude, intelligence, and ability to call people out on their bullshit. Fair enough she came across a little whiny at times, but this can be overlooked when you remember she is pretty much still a child who has had a pretty rough life. Unable to remember her life before a crash that claimed the lives of her family, she was adopted by a man who soon died, leaving her at the mercy of his wife, who was not a fan of Cinder. Why, you ask? Well, Cinder is a cyborg, and that is unforgivable and clearly Cinder's fault... According to the step mother at least. Still, despite being shunned by most people who knew the truth about her, Cinder still manages to be a likable character. Yeah she has her flaws, but that's what I liked about her. She's realistic. She's embarrassed by the fact she is a cyborg, especially when she meets the handsome Prince Kai. It was frustrating at times to read scenes with these two, mainly because Cinder was reluctant to tell Kai about her being a cyborg, and it built a wall between them. I mean, I can see where she's coming from. It would be a nice change to just be a normal girl to someone after years of being told she was less. BUT DAMN GIRL! KAI IS A CINNAMON ROLL AND WOULD LOVE YOU EITHER WAY!!!
*Clears throat* Anyway, moving on... Now we can talk about Kai. Handsome, charming, clueless, Prince Kai. We meet Kai pretty early on in the story (first chapter in fact) and from the moment we meet him, we know he and Cinder are destined. Or at least I hope so... I haven't read the second book yet! The only child of the emperor, Kai will someday rule the Eastern Commonwealth. Unfortunately that day comes all too soon when his father contracts the plague and soon after dies, leaving the job to the young Prince. If I'm being completely honest, I was expecting him to crash and burn at some point, but I was pleasantly surprised when he managed to hack it, even going as far as to stand up to the Lunar Queen- A megabitch we will discuss later- despite the fact she could start a war that would cause chaos for the Earthlings. His character development was fun to read. He started as a charismatic prince with a rebellious streak, and by the end of the book he was an Emperor loyal to his people and smarter than he lets on. I was a little disappointed in his reaction to finding out Cinder was a cyborg (and a Lunar), but under the circumstances, he can be forgiven. I'm quite interested in how the rest of Emperor Kai's story is going to play out, especially as he seemed to have something planned at the end of the first book, but I have yet to see if my suspicions are correct about him.
Now time to talk about our main antagonist, Queen Levana AKA The Megabitch. As far as antagonists go, she isn't the most evil I've met, but she is one of the more interesting. Queen of the Lunars, she is a cold, flawless, evil lady, who hates technology, and is infamous for using her glamour to hide her true face. Her motives seem pretty simple. She wants to rule. As Queen of the Lunars, she can do this by marriage, or she can take it by force. She doesn't really seem to care which way she goes about it, but she does suggest a marriage alliance with Prince/Emperor Kai Puh-lease. He and Cinder are OTP. (Also, I have to praise Meyer for the lack of a love triangle here, even though it would have been easy enough to include one. Bless you, child!) For the majority of the story she seems to be cool and in control, which is worrying for those of us rooting for the heroes, but at the Ball Naturally Cinder manages to crack the flawless facade and give us a little insight to the Queen's weakness Score 1 for Cinder! I have a feeling though that the next time we see the Queen, she is going to up her game and really give our heroes some problems, but we shall see!
Overall, I really enjoyed Cinder and I'm glad that I gave it another go. I should really start listening when my friend suggests books to me. It was an entertaining, frustrating, and even heart-breaking story at times, but I loved it. Marissa Meyer has definitely earned another fan, and I cannot wait to get my hands on the rest of the series. I NEED TO KNOW WHAT HAPPENS TO MY SHIP. The book had a few issues of course, but not enough that I would hesitate to read the next book... Hopefully I'll get around to it soon! In the mean time, anyone debating reading Cinder, you should definitely do it! 100%. And if anyone -like me- is struggling to get into it... Stick at it! I swear it's worth it in the end!
So let's start with the plot. Cinder is a retelling of Cinderella. Perhaps another reason for my lack of interest in the beginning as I've never really been a huge fan of that particular princess. What I do enjoy is a fresh twist on a well known story, so I should have known I would enjoy it if I gave it a chance. Like Cinderella, Cinder follows the story of a young girl who lives with her step-mother, and her two step-sisters, no love lost between them. In both, the girl leads a tough, though somewhat mundane life, right up until she meets her prince, and then things start to look up. Blah, blah, blah... We all know the story right? No. Marissa Meyer gives the traditional tale a new spin, and it was like reading the story for the first time. Because of this, I easily finished the story over one (busy) weekend. The story contained just the right mix of adventure, romance, and sci-fi to keep me hooked, even if -in places- the story seemed to drag a little. This was more than made up for with the explosive ending though. The story ends with enough unresolved conflict to keep you wanting more... And if you're anything like me, thankfully you don't have to wait months for the next one (It's called Scarlet BTW). Another great part of this story was the world building and backstory. At one point, the events of WW4 are mentioned, giving us a little insight as to how the world we know morphed into the one in the story. This also prevented the world from becoming too complicated when other races (The Lunars) are introduced, and helped blend the backstories of both races nicely. Lunars are the genetically mutated humans that live on the moon (Luna), and they have the ability to use a power known as "Glamour" to influence other's minds and make them see and believe what they want them to. This particular part impressed me as it was a clever way of introducing magic in an otherwise "normal" world. Because I'm a sucker for a bit of magic. The only real problem I had with this story was that the plot was somewhat predictable at times... For example, pretty much as soon as it was mentioned that there was once a princess who -if she was still alive- could usurp the Queen of the Lunars and restore peace to the two worlds... It was obvious that it was going to end up being Cinder. (This is confirmed at the end of the book).
Now, onto the characters! Meet our protagonist, Linh Cinder. Cinder is a sixteen-year-old living in New Beijing with her evil Step-mother and two step-sisters... But that's pretty much where the similarities with her and the traditional Cinderella end. Not only is our protagonist more than just a pretty face with a kind heart, she is a badass! Throughout the story she impressed me with her attitude, intelligence, and ability to call people out on their bullshit. Fair enough she came across a little whiny at times, but this can be overlooked when you remember she is pretty much still a child who has had a pretty rough life. Unable to remember her life before a crash that claimed the lives of her family, she was adopted by a man who soon died, leaving her at the mercy of his wife, who was not a fan of Cinder. Why, you ask? Well, Cinder is a cyborg, and that is unforgivable and clearly Cinder's fault... According to the step mother at least. Still, despite being shunned by most people who knew the truth about her, Cinder still manages to be a likable character. Yeah she has her flaws, but that's what I liked about her. She's realistic. She's embarrassed by the fact she is a cyborg, especially when she meets the handsome Prince Kai. It was frustrating at times to read scenes with these two, mainly because Cinder was reluctant to tell Kai about her being a cyborg, and it built a wall between them. I mean, I can see where she's coming from. It would be a nice change to just be a normal girl to someone after years of being told she was less. BUT DAMN GIRL! KAI IS A CINNAMON ROLL AND WOULD LOVE YOU EITHER WAY!!!
*Clears throat* Anyway, moving on... Now we can talk about Kai. Handsome, charming, clueless, Prince Kai. We meet Kai pretty early on in the story (first chapter in fact) and from the moment we meet him, we know he and Cinder are destined. Or at least I hope so... I haven't read the second book yet! The only child of the emperor, Kai will someday rule the Eastern Commonwealth. Unfortunately that day comes all too soon when his father contracts the plague and soon after dies, leaving the job to the young Prince. If I'm being completely honest, I was expecting him to crash and burn at some point, but I was pleasantly surprised when he managed to hack it, even going as far as to stand up to the Lunar Queen- A megabitch we will discuss later- despite the fact she could start a war that would cause chaos for the Earthlings. His character development was fun to read. He started as a charismatic prince with a rebellious streak, and by the end of the book he was an Emperor loyal to his people and smarter than he lets on. I was a little disappointed in his reaction to finding out Cinder was a cyborg (and a Lunar), but under the circumstances, he can be forgiven. I'm quite interested in how the rest of Emperor Kai's story is going to play out, especially as he seemed to have something planned at the end of the first book, but I have yet to see if my suspicions are correct about him.
Now time to talk about our main antagonist, Queen Levana AKA The Megabitch. As far as antagonists go, she isn't the most evil I've met, but she is one of the more interesting. Queen of the Lunars, she is a cold, flawless, evil lady, who hates technology, and is infamous for using her glamour to hide her true face. Her motives seem pretty simple. She wants to rule. As Queen of the Lunars, she can do this by marriage, or she can take it by force. She doesn't really seem to care which way she goes about it, but she does suggest a marriage alliance with Prince/Emperor Kai Puh-lease. He and Cinder are OTP. (Also, I have to praise Meyer for the lack of a love triangle here, even though it would have been easy enough to include one. Bless you, child!) For the majority of the story she seems to be cool and in control, which is worrying for those of us rooting for the heroes, but at the Ball Naturally Cinder manages to crack the flawless facade and give us a little insight to the Queen's weakness Score 1 for Cinder! I have a feeling though that the next time we see the Queen, she is going to up her game and really give our heroes some problems, but we shall see!
Overall, I really enjoyed Cinder and I'm glad that I gave it another go. I should really start listening when my friend suggests books to me. It was an entertaining, frustrating, and even heart-breaking story at times, but I loved it. Marissa Meyer has definitely earned another fan, and I cannot wait to get my hands on the rest of the series. I NEED TO KNOW WHAT HAPPENS TO MY SHIP. The book had a few issues of course, but not enough that I would hesitate to read the next book... Hopefully I'll get around to it soon! In the mean time, anyone debating reading Cinder, you should definitely do it! 100%. And if anyone -like me- is struggling to get into it... Stick at it! I swear it's worth it in the end!
Heather Cranmer (2721 KP) rated Ethereal Fury (Gemini Rising, #1) in Books
Jun 6, 2018
(This review can be found on my blog <a href"http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
I thought the blurb to this book sounded super interesting and different. I was hoping this book would be interested, and luckily, it was.
When a human who polluted the Earth dies, they become a Gemini and belong to mother Earth. Onyx is a Gemini. His mission is to help destroy the human race. Everything is going smoothly until he comes across Violette, a 16 year old human girl. Geminis aren't really supposed to feel anything, yet Onyx feels drawn to Violette. He possess the body of an acolyte to befriend her. What follows will make Onyx question everything he's ever known.
I didn't know what to expect with this title. I figured it had something to do with Ethereals, but that was all I got from the title. After reading the book, the title matches what the book's about.
I'm not really a fan of the cover. To me, the cover makes it seem like the book wouldn't be good which isn't the case at all. I just think that the cover could've been made to entice readers to pick it up.
The world building is good, but there are a few things that left me confused such as how the book says that Geminis don't have feelings. However, a few of the Geminis had feelings such as worry and anger. Onyx seemed to have more feelings than all the Geminis. Hopefully, why Onyx is the way he is will be explained in the next book. Another thing that made me confused was the fact that Geminis are ethereal beings. However, they were able to move things, pick things up, etc in their natural form. Perhaps I just missed something along the way. Oh, and one more thing. I was confused whether these things were demons or something else. I get that they're Geminis, yet it mentions in the book about how exorcisms seem to work on the Geminis. I also don't really get why the Geminis wanted to start with churches first. I get that they wanted to start small, but why pick churches? Other than those things, I enjoyed the world building.
The pacing started off a little bit slow but quickly picked up. Before I knew it, I was quickly sucked into the world of Geminis versus humans. Every chapter ending left me wanting to know more, so I'd quickly start the next chapter. Even the ending of this book left me wanting more.
When it comes to humans versus something that wants to wipe them from the face of the Earth, it's been done before. However, Miss O'Gorek brings a refreshing twist on the common theme. I loved how it was beings who were angry at the humans for not taking care of the Earth that wanted them gone. It may sound like a hippie story line, and I thought it was going to be just that at first, but it quickly turns into a sound plot line.
The characters were written fabulously! I loved Violette. I loved her vulnerability and her child like innocence. She is a very naive girl, but this is only because she's been stuck inside an orphanage for mostly her whole life. The only problem I had with her is how she couldn't tell that something was up with Slate especially after what had happened to her. I enjoyed the character of Onyx. It was interesting to see how he wrestled with what he wanted and what he was supposed to do. I hated the bishop...not because he was poorly written but because he was just so mean! The author did a fantastic job of making us hate the bishop.
The dialogue was really interesting, and I enjoyed reading about all the characters. I especially enjoyed Onyx's point of view and dialogue the most. There are some sexual references though, so if that's not really your cup of tea, just be warned. However, the sexual references are mild.
Overall, Ethereal Fury (Gemini Rising #1) is an interesting read that will leave readers wanting more (in a good way). It certainly left me wanting more. I will definitely be reading the next book in the series.
I'd recommend this book to everyone aged 16+ who want to get sucked in to a great read.
(I was given a paperback copy of this title for free from the author in exchange for a fair and honest review).
I thought the blurb to this book sounded super interesting and different. I was hoping this book would be interested, and luckily, it was.
When a human who polluted the Earth dies, they become a Gemini and belong to mother Earth. Onyx is a Gemini. His mission is to help destroy the human race. Everything is going smoothly until he comes across Violette, a 16 year old human girl. Geminis aren't really supposed to feel anything, yet Onyx feels drawn to Violette. He possess the body of an acolyte to befriend her. What follows will make Onyx question everything he's ever known.
I didn't know what to expect with this title. I figured it had something to do with Ethereals, but that was all I got from the title. After reading the book, the title matches what the book's about.
I'm not really a fan of the cover. To me, the cover makes it seem like the book wouldn't be good which isn't the case at all. I just think that the cover could've been made to entice readers to pick it up.
The world building is good, but there are a few things that left me confused such as how the book says that Geminis don't have feelings. However, a few of the Geminis had feelings such as worry and anger. Onyx seemed to have more feelings than all the Geminis. Hopefully, why Onyx is the way he is will be explained in the next book. Another thing that made me confused was the fact that Geminis are ethereal beings. However, they were able to move things, pick things up, etc in their natural form. Perhaps I just missed something along the way. Oh, and one more thing. I was confused whether these things were demons or something else. I get that they're Geminis, yet it mentions in the book about how exorcisms seem to work on the Geminis. I also don't really get why the Geminis wanted to start with churches first. I get that they wanted to start small, but why pick churches? Other than those things, I enjoyed the world building.
The pacing started off a little bit slow but quickly picked up. Before I knew it, I was quickly sucked into the world of Geminis versus humans. Every chapter ending left me wanting to know more, so I'd quickly start the next chapter. Even the ending of this book left me wanting more.
When it comes to humans versus something that wants to wipe them from the face of the Earth, it's been done before. However, Miss O'Gorek brings a refreshing twist on the common theme. I loved how it was beings who were angry at the humans for not taking care of the Earth that wanted them gone. It may sound like a hippie story line, and I thought it was going to be just that at first, but it quickly turns into a sound plot line.
The characters were written fabulously! I loved Violette. I loved her vulnerability and her child like innocence. She is a very naive girl, but this is only because she's been stuck inside an orphanage for mostly her whole life. The only problem I had with her is how she couldn't tell that something was up with Slate especially after what had happened to her. I enjoyed the character of Onyx. It was interesting to see how he wrestled with what he wanted and what he was supposed to do. I hated the bishop...not because he was poorly written but because he was just so mean! The author did a fantastic job of making us hate the bishop.
The dialogue was really interesting, and I enjoyed reading about all the characters. I especially enjoyed Onyx's point of view and dialogue the most. There are some sexual references though, so if that's not really your cup of tea, just be warned. However, the sexual references are mild.
Overall, Ethereal Fury (Gemini Rising #1) is an interesting read that will leave readers wanting more (in a good way). It certainly left me wanting more. I will definitely be reading the next book in the series.
I'd recommend this book to everyone aged 16+ who want to get sucked in to a great read.
(I was given a paperback copy of this title for free from the author in exchange for a fair and honest review).