Search
KatieLouCreate (162 KP) rated The Lovely Bones in Books
Jan 22, 2018
It was a while ago when I read this book, but I remember enough to write a review, I think.
Firstly, the book is not for the faint-hearted. The beginning is difficult to read for those who are a little sensitive to subjects such as child abuse, rape, and murder. That all happens near the beginning of the book.
The middle of the book it so much better. The reader and the protagonist, Susie Salmon, watch as her family grieve for the loss of their daughter. They do not know what happened to her. To them, she is just missing, most likely murdered. It is only us and Susie who knows what happened. We see Susie as she tries to interact with her family and help them to move on from what has happened to them. It is such a lovely section of the story it makes me want to rate it higher.
However, the ending ruined what the author had spent so much time building. The ending does the rest of the book no justice what so ever. Although to some, the story would feel unrealistic anyway, considering we are watching from the focalisation of a dead person. But it is still believable because of the purpose of the book. The ending completely pulls you from this beautifully written piece. When I was reading it I was like what? Really? This is happening? It was so unrealistic that it ruined the ending. It was like lazy writing. The author could not think of a better ending so she just threw one together and hoped no one would notice. I noticed. And if that isn't what she did, then she ruined a great piece of work.
The family also seemed a little too perfect for me. But I will leave that as it stands.
I'm going to stop ranting now. I have given this book a 6 because I loved the rest of the book up until the ending. If the ending was better, it would have gotten a higher rating. But alas, the book was an alright read. Something I would not really read again unless I had to. And I don't.
Firstly, the book is not for the faint-hearted. The beginning is difficult to read for those who are a little sensitive to subjects such as child abuse, rape, and murder. That all happens near the beginning of the book.
The middle of the book it so much better. The reader and the protagonist, Susie Salmon, watch as her family grieve for the loss of their daughter. They do not know what happened to her. To them, she is just missing, most likely murdered. It is only us and Susie who knows what happened. We see Susie as she tries to interact with her family and help them to move on from what has happened to them. It is such a lovely section of the story it makes me want to rate it higher.
However, the ending ruined what the author had spent so much time building. The ending does the rest of the book no justice what so ever. Although to some, the story would feel unrealistic anyway, considering we are watching from the focalisation of a dead person. But it is still believable because of the purpose of the book. The ending completely pulls you from this beautifully written piece. When I was reading it I was like what? Really? This is happening? It was so unrealistic that it ruined the ending. It was like lazy writing. The author could not think of a better ending so she just threw one together and hoped no one would notice. I noticed. And if that isn't what she did, then she ruined a great piece of work.
The family also seemed a little too perfect for me. But I will leave that as it stands.
I'm going to stop ranting now. I have given this book a 6 because I loved the rest of the book up until the ending. If the ending was better, it would have gotten a higher rating. But alas, the book was an alright read. Something I would not really read again unless I had to. And I don't.
Beyond Cold Blood: The KBI from Ma Barker to BTK
Book
Ma Barker and Pretty Boy Floyd once shot their way across the state, and Bonnie and Clyde were known...
Angel of Oblivion
Book
Haderlap is an accomplished poet, and that lyricism leaves clear traces on this ravishing debut,...
BookInspector (124 KP) rated The Shadow Friend in Books
Jan 26, 2021
The protagonist of this story is Paul. He has to come back to a miserable town where he grew up after he found out that his mother is about to die. Paul hates that town for so many reasons, but mainly because of what happened when he was young. This book is told from a dual perspective. Another character sharing details is Amanda, she is a detective, investigating a murder, that looks exactly like the one that happened many many years ago. Amanda has her own issues, and she is kind of a background character in this book. I liked Paul as a character, he was a good kid, he is awkward, but a nice guy. All the characters chosen in this novel are quite mysterious, and the whole book has a very depressing and gloomy atmosphere, that works very well in Alex North’s books.
The narrative of this novel is exceptionally well written. The author used a dual timeline, we have the events happening now, and the events that happened when Paul was young. My favourite was the ones from the past, of course. It absolutely absorbed me, I was so eager to find out what happened all those years ago. The parts from the present were quieter and more self-reflecting, sharing the inner struggles, but creepy nevertheless. This book is very twisty, and some of the turns really left me gobsmacked and surprised. The topics discussed in this novel were lucid dreaming, bullying, wish to belong, abusive parents, mental abuse, dementia and its effects, parent-child relationships, the influence of the internet and many, many more.
I really love Alex North’s writing style. He is amazing in creating suspense, and all the mind manipulation of the reader was truly amazing. 🙂 The chapters are quite short, I was engrossed in this novel, so the pages just flew by, for me. The ending was shocking and very unexpected, but I did like the way this novel ended. I hope someone will adopt this novel to a film, I am pretty sure it would be wickedly good. 🙂
So, to conclude, I really liked this horror psychological thriller. The characters are very mysterious and the plot is absorbing, layered and complex. This book left me emotionally shaken in the best possible way, and I really recommend to those, who would like something creepy.
The narrative of this novel is exceptionally well written. The author used a dual timeline, we have the events happening now, and the events that happened when Paul was young. My favourite was the ones from the past, of course. It absolutely absorbed me, I was so eager to find out what happened all those years ago. The parts from the present were quieter and more self-reflecting, sharing the inner struggles, but creepy nevertheless. This book is very twisty, and some of the turns really left me gobsmacked and surprised. The topics discussed in this novel were lucid dreaming, bullying, wish to belong, abusive parents, mental abuse, dementia and its effects, parent-child relationships, the influence of the internet and many, many more.
I really love Alex North’s writing style. He is amazing in creating suspense, and all the mind manipulation of the reader was truly amazing. 🙂 The chapters are quite short, I was engrossed in this novel, so the pages just flew by, for me. The ending was shocking and very unexpected, but I did like the way this novel ended. I hope someone will adopt this novel to a film, I am pretty sure it would be wickedly good. 🙂
So, to conclude, I really liked this horror psychological thriller. The characters are very mysterious and the plot is absorbing, layered and complex. This book left me emotionally shaken in the best possible way, and I really recommend to those, who would like something creepy.
JT (287 KP) rated Halloween (1978) in Movies
Mar 10, 2020
Without a doubt Halloween was one of the finest horror films ever made, John Carpenter was spot on with his portrayal of a serial killer descending on a small American town.
Michael Myers was to become a horror icon and even though it spanned seven sequels, the original will always be the best in many people’s eyes. It is certainly my all time favourite horror film. Carpenter’s cinematic vision of Halloween was brilliant right from the opening credits. The long and short camera angles coupled with the “was he there or wasn’t he” shots of Myers were sublime.
The sinister musical score as well is paramount in making this film a household name in its genre. Jamie Lee Curtis was a scream queen for the 70s and although the acting talents were not up to scratch, it made no difference to the overall outcome of the film. Michael Myers was a disturbed child and after committing a horrific murder when he was just six years old he was committed to a mental institution where he escaped to stalk Laurie Strode, his long lost sister.
His the perfect boogeyman, and during the first part of the film he stalks Laurie sometimes just appearing out of shot as a blur between trees of a faceless driver passing by in his car. Laurie of course has no idea who he is but starts to feel like she is being watched, and her fears are finally realised one night descends and Carpenter ramps up the tension to breaking point.
What I love about this film is the pure simplicity of it, with a budget of just $320,000 it grossed $60m world world and was a massive hit with horror fans the world over. It didn’t want for fancy special effects, and the musical score was hardly a masterpiece but it did the job and it did it well. It is the model slasher flick and most of what has preceded it (maybe with the exception of the first Scream) have not been able to stand up in competition.
We’ve had Freddy and Jason, and we’re still having to sit and watch teenagers heading to remote and desolate locations to be butchered in a variety of unique ways while pints of blood are splashed across the screen. Halloween doesn’t require that, it will have you jumping out of your seat at least more than once and it just goes to prove that simple scares are the most effective.
Michael Myers was to become a horror icon and even though it spanned seven sequels, the original will always be the best in many people’s eyes. It is certainly my all time favourite horror film. Carpenter’s cinematic vision of Halloween was brilliant right from the opening credits. The long and short camera angles coupled with the “was he there or wasn’t he” shots of Myers were sublime.
The sinister musical score as well is paramount in making this film a household name in its genre. Jamie Lee Curtis was a scream queen for the 70s and although the acting talents were not up to scratch, it made no difference to the overall outcome of the film. Michael Myers was a disturbed child and after committing a horrific murder when he was just six years old he was committed to a mental institution where he escaped to stalk Laurie Strode, his long lost sister.
His the perfect boogeyman, and during the first part of the film he stalks Laurie sometimes just appearing out of shot as a blur between trees of a faceless driver passing by in his car. Laurie of course has no idea who he is but starts to feel like she is being watched, and her fears are finally realised one night descends and Carpenter ramps up the tension to breaking point.
What I love about this film is the pure simplicity of it, with a budget of just $320,000 it grossed $60m world world and was a massive hit with horror fans the world over. It didn’t want for fancy special effects, and the musical score was hardly a masterpiece but it did the job and it did it well. It is the model slasher flick and most of what has preceded it (maybe with the exception of the first Scream) have not been able to stand up in competition.
We’ve had Freddy and Jason, and we’re still having to sit and watch teenagers heading to remote and desolate locations to be butchered in a variety of unique ways while pints of blood are splashed across the screen. Halloween doesn’t require that, it will have you jumping out of your seat at least more than once and it just goes to prove that simple scares are the most effective.
Donner Party tale (1 more)
Lots of mystery
Inconsistencies (1 more)
Changes characters referred name too much
Authors Preston and Child did such a great job on 'Old Bones' that once you start reading, you won't be able to put it down.
'Old Bones' follows two women, Nora Kelly and Corrie Swanson, with a small segment following a man named Clive Benton, all of who end up being intertwined within this one novel. The entire story revolves around the dark history of the cannibalistic Donner Party, while bringing in fictitious elements to give the readers a well-rounded adventure.
The story gets rolling after Benton visits Kelly with a historical diary that belonged to a member of the Donner Party- - - Kelly is a well-known archaeologist, while Benton is an accredited historian - - - Benton tells Kelly that the journal revealed a lost camp which had never been discovered by anyone, and that this camp could be one of the biggest archaeological finds of the century. While Kelly has to convince the director of the Archaeology Institute to fund the expedition, Benton springs on her and the director that there is a possibility of twenty million dollars worth of gold coins that belonged to a member of the Donner Party could still be located at this lost camp, and, of course, the director quickly agrees to fund the expedition.
Before this, I have never read a book by Preston and Child, but after reading 'Old Bones,' I am anxious to read their other works. The writing is fluid, and keeps the pace going quite well, and the transition between the two main characters is done flawlessly without any confusion as to whose view point you are viewing. The fictitious take on the historical Donner Party is done masterfully enough that even I had to go back to actual historic documents to see what was true and what was not. In one book, readers get dark history, paranormal elements, archaeology, thriller moments, mystery and suspense.
Although the story is a well-written one, there is one scene that could have had great potential, but nothing ever came of it: "Taking a few more steps, she passed through a particularly dense stand of trees and suddenly emerged into a roughly circular clearing. Odd: there was no reason for a break like this in such thick forest. She shone her light around, but there was nothing: just a soft bed of green moss, undisturbed by tracks, and a few scattered boulders." The way this scene is written leaves readers to believe that this may be important later on, but the area is unfortunately never mentioned again.
The story brings FBI agent Swanson into the lives of Benton and Kelly after a string of grave robberies and one presumed murder takes place; the former and latter have one thing in common: they are descendants of a member belonging to the Donner Party.
" 'So where do we fit into this?' asked Nora.
'The commonality I referred to. All four individuals were descended from a single person: a man named Parkin.'
Nora saw Clive start in surprise. 'Albert Parkin?' he asked. 'Of the Donner Party?'
'Exactly. And I've been led to understand he's one of the individuals in the camp you're excavating.' " Agent Swanson isn't exactly welcomed with open arms at the expedition.
The amount of archaeological understanding that was put into this novel is astounding. Preston and Child relay a lot of terms and devices used in the career field such as when Benton uses a bamboo pick to loosen the surface of a quad area and a whisk to gently work dirt away from findings. But this story isn't all archaeological terms, there's also a lot of great development among the characters.
These characters are written differently just enough that the reader should be able to tell them apart easily. Kelly is a leading archaeologist, who has led many different expeditions, but she is also still dealing with the grief of losing her husband years before. Benton is a historian that is a descendant of a member belonging to the Donner Party,and Swanson is a junior FBI agent that is eager to work on her first active case. Even minor characters are distinct among themselves.
Yet, the story is not flawless, there are quite a few inconsistencies, but the major problem I have found with the novel is the changing of characters' names in which they are addressed by. One scene, Nora would be referred to as Kelly - her last name - then more than usually the next paragraph, she would be called Nora. This happens with the main characters too often than it should, that it can confuse the reader and upset the flow of the story itself.
And unfortunately, the paranormal and horror elements are few and far between. We get an amazing retelling of the Donner Party tragedy not once, but throughout the story, reliving the cannibalism that took place, as well as the fictional element of gold leading to murder:
" 'Then you'll recall that when Wolfinger's wagon became stuck while crossing the Great Salt Lake Desert, two men - - - Reinhardt and Spitzer- - - volunteered to go back and help dig it out. Those two men returned, claiming Indians had killed Wolfinger.'
' Yes, yes, ' Dr. Fugit said, concealing a growing impatience.
'Well, that was a lie. Even at the time the members of the party were suspicious that something untoward had happened to Wolfinger. Reinhardt and Spitzer were viewed with a great deal if suspicion, and the two men afterwards kept to themselves and were somewhat ostracized by the rest. When Reinhardt was dying of starvation in the Lost Camp, he made a deathbed confession: Wolfinger had not been killed by Indians. Reinhardt and Spitzer had gone back, murdered Wolfinger, and taken his gold.' He paused. ' This information has been known to historians for over a century, but nobody, incredibly enough, thought to ask the next question: what happened to the gold? ' "
I highly recommend this book to fans of Thomas Harris; the writing is very similar and the character Swanson reminds me a lot of Harris' character Clarice Starling (refer to 'Silence of the Lambs' and 'Hannibal'). I also recommend this book to anyone who enjoys history, especially that of dark history, such as the Donner Party tale.
'Old Bones' follows two women, Nora Kelly and Corrie Swanson, with a small segment following a man named Clive Benton, all of who end up being intertwined within this one novel. The entire story revolves around the dark history of the cannibalistic Donner Party, while bringing in fictitious elements to give the readers a well-rounded adventure.
The story gets rolling after Benton visits Kelly with a historical diary that belonged to a member of the Donner Party- - - Kelly is a well-known archaeologist, while Benton is an accredited historian - - - Benton tells Kelly that the journal revealed a lost camp which had never been discovered by anyone, and that this camp could be one of the biggest archaeological finds of the century. While Kelly has to convince the director of the Archaeology Institute to fund the expedition, Benton springs on her and the director that there is a possibility of twenty million dollars worth of gold coins that belonged to a member of the Donner Party could still be located at this lost camp, and, of course, the director quickly agrees to fund the expedition.
Before this, I have never read a book by Preston and Child, but after reading 'Old Bones,' I am anxious to read their other works. The writing is fluid, and keeps the pace going quite well, and the transition between the two main characters is done flawlessly without any confusion as to whose view point you are viewing. The fictitious take on the historical Donner Party is done masterfully enough that even I had to go back to actual historic documents to see what was true and what was not. In one book, readers get dark history, paranormal elements, archaeology, thriller moments, mystery and suspense.
Although the story is a well-written one, there is one scene that could have had great potential, but nothing ever came of it: "Taking a few more steps, she passed through a particularly dense stand of trees and suddenly emerged into a roughly circular clearing. Odd: there was no reason for a break like this in such thick forest. She shone her light around, but there was nothing: just a soft bed of green moss, undisturbed by tracks, and a few scattered boulders." The way this scene is written leaves readers to believe that this may be important later on, but the area is unfortunately never mentioned again.
The story brings FBI agent Swanson into the lives of Benton and Kelly after a string of grave robberies and one presumed murder takes place; the former and latter have one thing in common: they are descendants of a member belonging to the Donner Party.
" 'So where do we fit into this?' asked Nora.
'The commonality I referred to. All four individuals were descended from a single person: a man named Parkin.'
Nora saw Clive start in surprise. 'Albert Parkin?' he asked. 'Of the Donner Party?'
'Exactly. And I've been led to understand he's one of the individuals in the camp you're excavating.' " Agent Swanson isn't exactly welcomed with open arms at the expedition.
The amount of archaeological understanding that was put into this novel is astounding. Preston and Child relay a lot of terms and devices used in the career field such as when Benton uses a bamboo pick to loosen the surface of a quad area and a whisk to gently work dirt away from findings. But this story isn't all archaeological terms, there's also a lot of great development among the characters.
These characters are written differently just enough that the reader should be able to tell them apart easily. Kelly is a leading archaeologist, who has led many different expeditions, but she is also still dealing with the grief of losing her husband years before. Benton is a historian that is a descendant of a member belonging to the Donner Party,and Swanson is a junior FBI agent that is eager to work on her first active case. Even minor characters are distinct among themselves.
Yet, the story is not flawless, there are quite a few inconsistencies, but the major problem I have found with the novel is the changing of characters' names in which they are addressed by. One scene, Nora would be referred to as Kelly - her last name - then more than usually the next paragraph, she would be called Nora. This happens with the main characters too often than it should, that it can confuse the reader and upset the flow of the story itself.
And unfortunately, the paranormal and horror elements are few and far between. We get an amazing retelling of the Donner Party tragedy not once, but throughout the story, reliving the cannibalism that took place, as well as the fictional element of gold leading to murder:
" 'Then you'll recall that when Wolfinger's wagon became stuck while crossing the Great Salt Lake Desert, two men - - - Reinhardt and Spitzer- - - volunteered to go back and help dig it out. Those two men returned, claiming Indians had killed Wolfinger.'
' Yes, yes, ' Dr. Fugit said, concealing a growing impatience.
'Well, that was a lie. Even at the time the members of the party were suspicious that something untoward had happened to Wolfinger. Reinhardt and Spitzer were viewed with a great deal if suspicion, and the two men afterwards kept to themselves and were somewhat ostracized by the rest. When Reinhardt was dying of starvation in the Lost Camp, he made a deathbed confession: Wolfinger had not been killed by Indians. Reinhardt and Spitzer had gone back, murdered Wolfinger, and taken his gold.' He paused. ' This information has been known to historians for over a century, but nobody, incredibly enough, thought to ask the next question: what happened to the gold? ' "
I highly recommend this book to fans of Thomas Harris; the writing is very similar and the character Swanson reminds me a lot of Harris' character Clarice Starling (refer to 'Silence of the Lambs' and 'Hannibal'). I also recommend this book to anyone who enjoys history, especially that of dark history, such as the Donner Party tale.
Hadley (567 KP) rated The Amazing Crime and Trial of Leopold and Loeb in Books
Apr 13, 2019
"The crime itself was indefensible. The brilliant, spoiled and bored sons of two of Chicago's wealthiest families planned to commit the perfect crime both for the thrill of and to prove their perverse misunderstanding of Friedrich Nietzsche's philosophy of the 'superman,' who was above all law so long as he made no mistake. Their plan, worked out over several months, was to kidnap and immediately kill one of their younger neighbors and hide his body. They would then demand and collect a ransom. The body would never be discovered, the crime would never be solved and only they would know that they had prevailed over ordinary human beings and their simple-minded legal system. But far from being the 'perfect crime,' the murder of 14-year-old Bobby Franks turned out to be amateurishly botched. Before any ransom could be paid, the boy's body was discovered in a culvert near where Nathan Leopold often went bird-watching. A pair of telltale glasses were found adjacent to the body. They were easily traced to Leopold who first came up with a paper-thin alibi and soon thereafter confessed to the crime. His fellow murderer likewise confessed. Each of the 'superboys' placed blame for the actual killing on the other." - Alan M. Dershowitz
If you mentioned the names Leopold and Loeb today, many people wouldn't know who you were talking about, but if you had mentioned them just thirty years ago, many people would recall the 'murder of the century.'
If you are a fan of the True Crime genre, you'll come across the case of two wealthy Chicago boys who thought they could get away with murder. (The trial is probably the most talked about trial to-date because this is the first time that psychology was brought before a court room.)
For a good part of the late 1920's, Leopold and Loeb were household names for good reason: they came from millionaire families, they were college graduates before they were 18-years-old, and their trial was the first time in history that the world saw psychology put in front of a judge. The trial was even more unforgettable due to a closing speech given by famous defense attorney, Clarence Darrow, which is reprinted in its entirety,spanning a hefty 93 pages.
Nathan Leopold, Jr. and Richard Loeb were two people who should have never met, according to the courtroom. The two met at about the age of fifteen, soon after they began to embark on criminal acts together, ranging from theft to arson. It's stated in 'the Amazing Crime and Trial of Leopold and Loeb' that Loeb had created a fantasy world where he was a crime ringleader that was too smart for the police to catch. Readers get to judge for themselves whether or not they believe Loeb was the cause of their crimes, or if Leopold was the one really in charge.
After robbing Loeb's fraternity house together, Leopold and Loeb came up with a plan to kidnap a wealthy child that they could then ransom. "They began to devise elaborate plans for this kidnapping, and soon the planning became the all-important thing. They gave up the idea of kidnapping this particular person [a young man named William], and settled on the idea of kidnapping anyone who would fit in their kidnapping plans." Throughout the book, we find out that the boys were pretty desperate for a kidnapping victim, that they even thought about kidnapping one of their close friends:
"The plan of kidnaping Dick Rubel was given up because Dick Rubel's father was so tight we might not get any money from him."
Leopold and Loeb discussed everything from how they would receive the ransom, what weapons they would use, how they would get the victim inside a rented vehicle, and what they would do with the body afterwards. "In March, 1924, the patient [Loeb] conceived the idea of securing the money by having it thrown off a moving train. This idea was discussed in great detail, and gradually developed into a carefully systematized plan. As time wore on the plan became greatly modified from the original one. They discussed at considerable length the choice of a suitable subject for kidnapping. The patient's companion [Leopold] suggested that they kidnap a young girl instead of a boy, but the patient [Loeb] objected to this. His companion [Leopold] also suggested that they kidnap the patient's [Loeb] younger brother, but the patient apparently did not seriously consider doing this. They then considered half a dozen boys, any one of whom would do, for the following reasons: that they were physically small enough to be easily handled and their parents were extremely wealthy and would have no difficulty or disinclination to pay ransom money."
During the trial, Leopold and Loeb's psychological evaluations became the forefront of their guilty plea, stating that they were not responsible for their actions due to their upbringing and environment. "I submit the facts do not rest on the evidence of these boys alone. It is proven by the writings; it is proven by every act. It is proven by their companions, and there can by no question about it." Clarence Darrow explains in his famous closing statement. "We brought into this courtroom a number of their boy friends, whom they had known day by day, who had associated with them in the club house, were their constant companions, and they tell the same stories. They tell the story that neither of these two boys was responsible for his conduct."
'The Amazing Crime and Trial of Leopold and Loeb' contains the portions of the psychiatric evaluations that were submitted in court,but the testimony of character witnesses is omitted. For a factual telling of a real life trial, this book is okay. If the reader pays attention, they may notice that some of the book contradicts itself, such as one page states that the car robe used to wrap up Franks' body was found buried near Lake Michigan,but then pages later, the book states it had been burned at Loeb's home.
The psychiatric reports are very repetitive,just using different words to describe the same things. Yet, these reports are the backbone of the trial and well worth a read. The evaluations and Darrow's extensive speech were what saved Leopold and Loeb from a death sentence.
There are very few books written about the 'murder of the century,' and even less about the 'lawyer of the century.' Leopold and Loeb, as well as Darrow, have faded into the obscurity of the True Crime genre, but because the boys' mental state was brought into question, we now accept forensic science/psychology in the court room today. I feel that only people who are truly interested in True Crime, or even have a fascination for the court room are the only ones who will enjoy 'The Amazing Crime and Trial of Leopold and Loeb.'
If you mentioned the names Leopold and Loeb today, many people wouldn't know who you were talking about, but if you had mentioned them just thirty years ago, many people would recall the 'murder of the century.'
If you are a fan of the True Crime genre, you'll come across the case of two wealthy Chicago boys who thought they could get away with murder. (The trial is probably the most talked about trial to-date because this is the first time that psychology was brought before a court room.)
For a good part of the late 1920's, Leopold and Loeb were household names for good reason: they came from millionaire families, they were college graduates before they were 18-years-old, and their trial was the first time in history that the world saw psychology put in front of a judge. The trial was even more unforgettable due to a closing speech given by famous defense attorney, Clarence Darrow, which is reprinted in its entirety,spanning a hefty 93 pages.
Nathan Leopold, Jr. and Richard Loeb were two people who should have never met, according to the courtroom. The two met at about the age of fifteen, soon after they began to embark on criminal acts together, ranging from theft to arson. It's stated in 'the Amazing Crime and Trial of Leopold and Loeb' that Loeb had created a fantasy world where he was a crime ringleader that was too smart for the police to catch. Readers get to judge for themselves whether or not they believe Loeb was the cause of their crimes, or if Leopold was the one really in charge.
After robbing Loeb's fraternity house together, Leopold and Loeb came up with a plan to kidnap a wealthy child that they could then ransom. "They began to devise elaborate plans for this kidnapping, and soon the planning became the all-important thing. They gave up the idea of kidnapping this particular person [a young man named William], and settled on the idea of kidnapping anyone who would fit in their kidnapping plans." Throughout the book, we find out that the boys were pretty desperate for a kidnapping victim, that they even thought about kidnapping one of their close friends:
"The plan of kidnaping Dick Rubel was given up because Dick Rubel's father was so tight we might not get any money from him."
Leopold and Loeb discussed everything from how they would receive the ransom, what weapons they would use, how they would get the victim inside a rented vehicle, and what they would do with the body afterwards. "In March, 1924, the patient [Loeb] conceived the idea of securing the money by having it thrown off a moving train. This idea was discussed in great detail, and gradually developed into a carefully systematized plan. As time wore on the plan became greatly modified from the original one. They discussed at considerable length the choice of a suitable subject for kidnapping. The patient's companion [Leopold] suggested that they kidnap a young girl instead of a boy, but the patient [Loeb] objected to this. His companion [Leopold] also suggested that they kidnap the patient's [Loeb] younger brother, but the patient apparently did not seriously consider doing this. They then considered half a dozen boys, any one of whom would do, for the following reasons: that they were physically small enough to be easily handled and their parents were extremely wealthy and would have no difficulty or disinclination to pay ransom money."
During the trial, Leopold and Loeb's psychological evaluations became the forefront of their guilty plea, stating that they were not responsible for their actions due to their upbringing and environment. "I submit the facts do not rest on the evidence of these boys alone. It is proven by the writings; it is proven by every act. It is proven by their companions, and there can by no question about it." Clarence Darrow explains in his famous closing statement. "We brought into this courtroom a number of their boy friends, whom they had known day by day, who had associated with them in the club house, were their constant companions, and they tell the same stories. They tell the story that neither of these two boys was responsible for his conduct."
'The Amazing Crime and Trial of Leopold and Loeb' contains the portions of the psychiatric evaluations that were submitted in court,but the testimony of character witnesses is omitted. For a factual telling of a real life trial, this book is okay. If the reader pays attention, they may notice that some of the book contradicts itself, such as one page states that the car robe used to wrap up Franks' body was found buried near Lake Michigan,but then pages later, the book states it had been burned at Loeb's home.
The psychiatric reports are very repetitive,just using different words to describe the same things. Yet, these reports are the backbone of the trial and well worth a read. The evaluations and Darrow's extensive speech were what saved Leopold and Loeb from a death sentence.
There are very few books written about the 'murder of the century,' and even less about the 'lawyer of the century.' Leopold and Loeb, as well as Darrow, have faded into the obscurity of the True Crime genre, but because the boys' mental state was brought into question, we now accept forensic science/psychology in the court room today. I feel that only people who are truly interested in True Crime, or even have a fascination for the court room are the only ones who will enjoy 'The Amazing Crime and Trial of Leopold and Loeb.'
Becs (244 KP) rated The Silent Patient in Books
Jun 6, 2019
Twisty and captivating!
My rating: ☆☆☆☆
TRIGGER WARNINGS: talk of suicide, mental illness, depression, stalking, cheating, loss of a parent, and child abuse.
The Silent Patient is told through two different point of views: Theo's, who narrates majority of the novel and Alicia's diary entries. It starts with talking about Alicia and her husband, the life they had, and that one fateful night that changed multiple of lives.
Alicia was seeing things, a man who watched her but she could never see his face clearly. She tried talking to her husband and a therapist about the stalker, but they didn't help one bit. They put her on medications for hallucinations, Alicia didn't take them because she didn't believe that they were hallucinations she was seeing. Then one fateful night, the police barged into the apartment to see Alicia standing standing over her now dead husband. He had been shot five times in the face by Alicia.
Alicia went to court and was charged guilty with her husband's murder but did not speak at all. She became a mute and instead of being sent to prison, she was assigned to a psychiatric unit called The Grove. This is where Theo comes in.
Theo is absolutely obsessed with Alicia Berenson and is determined to get Alicia to talk as nobody else has been able too. But he soon realizes that it isn't what he wants to hear. This is the big twist and I can't tell you cause that would be a spoiler and I don't want to spoil you. *insert winky kissy face*
“That's how therapy works. A patient delegates his unacceptable feelings to his therapist; and she holds everything he is afraid to feel, and she feels it for him. Then, ever so slowly, she feeds his feelings back to him.”
Reasons why I rated it 4 stars:
1. The plot:
The Silent Patient was not only compelling, but captivating as well. It did start a tad slow but soon became unputdownable!
2. My enjoyment:
I really enjoyed the twists, turns, Greek stylized tragedy, and the mysteriousness of both the main characters' stories.
3. Character and story development:
Wow! The development in The Silent Patient was really amazing. Background was given for both characters and story. There was development, even with the switching of POV's. I was not expecting to be enthralled with both Theo and Alicia's stories.
4. Grammar and spelling:
This is a freebie star as I listened via audiobook. But everything sounded grammatically correct!
5. The overall story:
At first, The Silent Patient was slow and I was pushing myself to just get it finished. But it eventually picked up and I was blown away with the mysteriousness and enthrallment of the story.
“We're all crazy, I believe, just in different ways.”
TRIGGER WARNINGS: talk of suicide, mental illness, depression, stalking, cheating, loss of a parent, and child abuse.
The Silent Patient is told through two different point of views: Theo's, who narrates majority of the novel and Alicia's diary entries. It starts with talking about Alicia and her husband, the life they had, and that one fateful night that changed multiple of lives.
Alicia was seeing things, a man who watched her but she could never see his face clearly. She tried talking to her husband and a therapist about the stalker, but they didn't help one bit. They put her on medications for hallucinations, Alicia didn't take them because she didn't believe that they were hallucinations she was seeing. Then one fateful night, the police barged into the apartment to see Alicia standing standing over her now dead husband. He had been shot five times in the face by Alicia.
Alicia went to court and was charged guilty with her husband's murder but did not speak at all. She became a mute and instead of being sent to prison, she was assigned to a psychiatric unit called The Grove. This is where Theo comes in.
Theo is absolutely obsessed with Alicia Berenson and is determined to get Alicia to talk as nobody else has been able too. But he soon realizes that it isn't what he wants to hear. This is the big twist and I can't tell you cause that would be a spoiler and I don't want to spoil you. *insert winky kissy face*
“That's how therapy works. A patient delegates his unacceptable feelings to his therapist; and she holds everything he is afraid to feel, and she feels it for him. Then, ever so slowly, she feeds his feelings back to him.”
Reasons why I rated it 4 stars:
1. The plot:
The Silent Patient was not only compelling, but captivating as well. It did start a tad slow but soon became unputdownable!
2. My enjoyment:
I really enjoyed the twists, turns, Greek stylized tragedy, and the mysteriousness of both the main characters' stories.
3. Character and story development:
Wow! The development in The Silent Patient was really amazing. Background was given for both characters and story. There was development, even with the switching of POV's. I was not expecting to be enthralled with both Theo and Alicia's stories.
4. Grammar and spelling:
This is a freebie star as I listened via audiobook. But everything sounded grammatically correct!
5. The overall story:
At first, The Silent Patient was slow and I was pushing myself to just get it finished. But it eventually picked up and I was blown away with the mysteriousness and enthrallment of the story.
“We're all crazy, I believe, just in different ways.”
Neon's Nerd Nexus (360 KP) rated Doctor Sleep (2019) in Movies
Nov 3, 2019 (Updated Nov 4, 2019)
Love or Death
Doctor Sleep is a perfect companion piece to The Shining giving us more insite to the story it told while being carful not to stand on its toes. A chilling film that creates such a great atmosphere by using a great score and tight direction to keep you on edge and unnerved with shivers down your spine. This accompanied with a grim, cold, errie visual style and lingering slow camera pans you have a film that echos the original in some respects but feels very current too. Cinematography is also gorgeous with vast haunting establishing shots, dim lit rooms, cold fog drenched roads and lonely lights lost in the darkness. But what i found truly facinating is the continuous theme of life and death here which had me gripped/wanting to explore the film deeper and more intricatly with every scene. Every single life is precious and the film depicts how many of us seem to just take that for granted, waste it, live it alone, abuse it or spend it hung up on the past or on extream circumstances choose to take it from another without care or thought to what value that persons precence in the world held. Its all very powerful, deeply saddening and thought provoking stuff which gives the film its own soul rather than echoing the shining. Theres a lot to say about how we view death too these days, be it when its from natural causes or murder we all just seem to have in a way become desensitized to it or in a rush to forget and move on. Child trauma, grievence and the torment plus the dangers of locking things up and trying to forget can bring are also facinatingly explored also.
Characters are all so likable and we spend a good chunk of time with all (including the menacing and creepily intimidating villains) which I thought was really nice and this helps create great attachment meaning that when a death hits you really feel the impact of the loss adding poweful emotion and a small amount of grievence to each one (and adds to the running theme of all life being important and death being something everyone fears/cant escape). Acting is great especially with the new cast replicating old characters from the shining. Doctor sleep also gets nostalgia right using parts of the shining respectfuly and tastfully rather than just simply replicating them for a cheap cash grab, instead choosing to intrigate them as crucial parts of the plot. All in all this movie unnerved me, engrosed and provoked me making me think more on the subject of death the journey we all take towards and how we should all pay more care and give more thought to the ones we let go.
Characters are all so likable and we spend a good chunk of time with all (including the menacing and creepily intimidating villains) which I thought was really nice and this helps create great attachment meaning that when a death hits you really feel the impact of the loss adding poweful emotion and a small amount of grievence to each one (and adds to the running theme of all life being important and death being something everyone fears/cant escape). Acting is great especially with the new cast replicating old characters from the shining. Doctor sleep also gets nostalgia right using parts of the shining respectfuly and tastfully rather than just simply replicating them for a cheap cash grab, instead choosing to intrigate them as crucial parts of the plot. All in all this movie unnerved me, engrosed and provoked me making me think more on the subject of death the journey we all take towards and how we should all pay more care and give more thought to the ones we let go.
Heather Cranmer (2721 KP) rated Mother May I in Books
Dec 21, 2020
After loving Joshilyn Jackson's novel Never Have I Ever, I definitely knew I wanted to read Mother May I by Joshilyn Jackson. Jackson is a brilliant writer, and I was drawn in by the synopsis of this story. I was not disappointed at all!
Bree has everything and wants for nothing. She has three fantastic children, a loving husband, and plenty of money. She starts seeing an old woman that looks like a witch looking through her bedroom window and then again at her daughters' school. When her infant son keeps kidnapped from her daughters' school, it sets something sinister in motion. If Bree wants to see her son alive again, she has to agree to do some pretty messed up things. However, as Bree gets sucked in further and further, she learns some pretty crazy things about those she thought she knew.
First off, the world building for Mother May I was done so fantastically! It was so easy to get sucked into this book. I could easily imagine every little thing that happened throughout Mother May I as I was reading. The pacing was perfect. I found myself never wanting to put this book down. Not once did it ever slow down to become boring or speed up that I got lost. I wanted to make sure baby Robert was safe, and I was also frantic when he went missing and Bree was doing all she could to get him back. I didn't feel like there were any major plot twists. There are a few minor ones though. There is no cliff hanger ending, and all loose ends are tied up by the end of the book. I did enjoy how the book ended though. Mother May I definitely shows was having wealth and privilege can do for you even when you do something bad, so kudos to this book for bringing it to the forefront.
I felt that all the characters in Mother May I were well rounded and developed. It was easy to relate to Bree throughout the book. As a mother myself, I felt her fear and worry at her son being kidnapped. (That's one of my worst nightmares!) I never once blamed her for what she did to make sure her son would be safe and so she could get him back. I'm pretty sure I would do the same as she did. I loved that she came from humble beginnings as well. I loved her backstory. Marshall was such a stand up guy to help out Bree. It was obvious how much he cared for Bree. I admit that I was wary of him throughout the book. I kept waiting for him to somehow be involved in Robert's disappearance. Trey seemed like a stand up guy with how he treated Bree and how much he loved her although Trey was another one I was wary of. I also kept thinking he had something to do with Robert's disappearance. Coral was another one that I could kind of understand her hurt for what happened to her daughter. While I don't agree at all with what she did as an act of revenge (not a spoiler), I knew her heart was hurting for her daughter and what she went through. Coral was a fantastic antagonist though.
Trigger warnings for Mother May I include rape, sexual situations, drug use, drinking, murder, suicide, death, child murder, swearing, and kidnapping.
With such wonderful characters and fantastic world building, Mother May I is a book deserving of such high praise. It goes to show how unfair the world is and how money talks in a well done story. I would definitely recommend Mother May I by Joshilyn Jackson to those aged 18+ who are after a book with a fantastic storyline and a great cast of characters.
--
(A special thank you to William Morrow for providing me with a paperback ARC of Mother May I by Joshilyn Jackson. I was under no obligation to write a review.)
Bree has everything and wants for nothing. She has three fantastic children, a loving husband, and plenty of money. She starts seeing an old woman that looks like a witch looking through her bedroom window and then again at her daughters' school. When her infant son keeps kidnapped from her daughters' school, it sets something sinister in motion. If Bree wants to see her son alive again, she has to agree to do some pretty messed up things. However, as Bree gets sucked in further and further, she learns some pretty crazy things about those she thought she knew.
First off, the world building for Mother May I was done so fantastically! It was so easy to get sucked into this book. I could easily imagine every little thing that happened throughout Mother May I as I was reading. The pacing was perfect. I found myself never wanting to put this book down. Not once did it ever slow down to become boring or speed up that I got lost. I wanted to make sure baby Robert was safe, and I was also frantic when he went missing and Bree was doing all she could to get him back. I didn't feel like there were any major plot twists. There are a few minor ones though. There is no cliff hanger ending, and all loose ends are tied up by the end of the book. I did enjoy how the book ended though. Mother May I definitely shows was having wealth and privilege can do for you even when you do something bad, so kudos to this book for bringing it to the forefront.
I felt that all the characters in Mother May I were well rounded and developed. It was easy to relate to Bree throughout the book. As a mother myself, I felt her fear and worry at her son being kidnapped. (That's one of my worst nightmares!) I never once blamed her for what she did to make sure her son would be safe and so she could get him back. I'm pretty sure I would do the same as she did. I loved that she came from humble beginnings as well. I loved her backstory. Marshall was such a stand up guy to help out Bree. It was obvious how much he cared for Bree. I admit that I was wary of him throughout the book. I kept waiting for him to somehow be involved in Robert's disappearance. Trey seemed like a stand up guy with how he treated Bree and how much he loved her although Trey was another one I was wary of. I also kept thinking he had something to do with Robert's disappearance. Coral was another one that I could kind of understand her hurt for what happened to her daughter. While I don't agree at all with what she did as an act of revenge (not a spoiler), I knew her heart was hurting for her daughter and what she went through. Coral was a fantastic antagonist though.
Trigger warnings for Mother May I include rape, sexual situations, drug use, drinking, murder, suicide, death, child murder, swearing, and kidnapping.
With such wonderful characters and fantastic world building, Mother May I is a book deserving of such high praise. It goes to show how unfair the world is and how money talks in a well done story. I would definitely recommend Mother May I by Joshilyn Jackson to those aged 18+ who are after a book with a fantastic storyline and a great cast of characters.
--
(A special thank you to William Morrow for providing me with a paperback ARC of Mother May I by Joshilyn Jackson. I was under no obligation to write a review.)