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ClareR (5945 KP) rated Call Me Mummy in Books

Feb 19, 2021  
Call Me Mummy
Call Me Mummy
Tina Baker | 2021 | Crime, Fiction & Poetry, Thriller
10
9.0 (2 Ratings)
Book Rating
Call Me Mummy had me on tenterhooks from the first page. I don’t think I’ve been this emotionally invested in a book for a while. I read it on The Pigeonhole app, so it was serialised over 10 days - and the wait for each stave seemed interminable! Thank goodness I read it during the half term holidays so that I could get stuck in every morning!
Mummy abducts five year old Tonya from a supermarket when her mother, Kim, is preoccupied on er phone. Kim, in Mummy’s eyes is not the epitome of outstanding motherhood. In fact to Mummy, she’s the exact opposite: poor, working class, eternally pregnant, children from different fathers - common. So in Mummy’s mind, she’s rescuing Tonya from a life of want and neglect.
Except there are two sides to this story. Whilst Kim may have had a terrible upbringing and a bad start in life, she loves her daughter fiercely and in the months that follow, the loss of her daughter nearly breaks her.
To be honest, Mummy is hardly a leading example of motherhood. She’s mentally unstable, has also had a devastating childhood and drinks to excess. Not the best idea when you hardly eat anything.
Interspersed with short chapters alternating between Mummy and Kim, are the glimpses into the murky world of social media, where the terrible judgements would be terrible for Kim to read - if she read them, that is. But Kim takes a rather defensive view of herself and her family. She won’t play nice to the media or her community. But we as the reader get to see what’s going on in Kim’s head, and frankly, it broke my heart. Prepare yourself for that, by the way, because this book will have you swinging manically between heartbreak (fro Kim and Tonya) and murderous rage (for Mummy).
I’m not going to say any more. You’ll just have to read this book. I loved it, and the ending was perfect - my favourite kind of ending, in fact!
Thanks to Pigeonhole for serialising this, and so much thanks to Tina Baker for joining in with her comments and interactions with us Pigeonholers in the margins! I think I’m safe in saying that we all had the best time reading this!
  
Wild Strawberries (1957)
Wild Strawberries (1957)
1957 | Drama
10.0 (1 Ratings)
Movie Favorite

"I spent my moviegoing life avoiding Ingmar Bergman movies. A few glimpses of The Seventh Seal or Persona made me think they were not accessible. I also knew Woody Allen worshipped him, so surely they were over my head. It was while working on my Ikea-sponsored web series Easy to Assemble that I thought: Well, if I’m going to be satirizing Swedish culture, I should watch some Bergman. He became the director from whom I have learned the most. He gave me the courage not to shy away from pain, which is the core of all comedy. The results are apparent in “Finding North,” an episode in Easy to Assemble’s third season, and all my writing since. I chose Wild Strawberries because in it I found the key that changed my work forever. I always lived in a daydream, where sometimes things felt real and sometimes they felt imagined. So much of an actor’s life is imagination. Wild Strawberries is a road-trip movie about an old man who looks back at his life, his loves, his regrets, and has to face certain truths about himself. The story is not revealed by flashbacks, though. It’s revealed by going from reality to daydream. He reflects on his past with a nostalgia for childhood. This makes reality feel more present and his relationship with his grown son and daughter-in-law more uncomfortable. Have you ever been in the presence of someone having an argument and thought, I can’t believe they revealed that to me? That is every scene in a Bergman film! After his wife died, Bergman said, “I was in a room built of my own sorrow.” No other sentence expresses the pain of losing a loved one in such a poetic way. His words are so revealing, and coupled with the right emotions, the right images, they bring me as close to the human experience as anything I have experienced in a film. There is another reason Wild Strawberries has a special place in my heart. In 2013, because of my involvement in Easy to Assemble, I was cast in a Swedish-American show called Welcome to Sweden. I like to imagine that Bergman had a hand in that. I shot a scene with Lena Olin in which we picked wild strawberries. It was not imagined, though. That really happened!"

Source
  
Lights Out (2016)
Lights Out (2016)
2016 | Horror
When The Lights Are Off
Lights Out- is a scary movie. Its terrorfying, horrorfying, suspenseful and twisted.

The plot: When Rebecca (Teresa Palmer) left home, she thought that her childhood fears were behind her. As a young girl growing up, she was never really sure of what was real when the lights went out at night. Now, her little brother Martin (Gabriel Bateman) is experiencing the same unexplained and terrifying events that jeopardized her safety and sanity. Holding a mysterious attachment to their mother (Maria Bello), a supernatural entity has returned with a vengeance to torment the entire family.

is based on Sandberg's 2013 short film of the same name and features Lotta Losten, who starred in the short.

Special effects of having the ghost appear and disappear were mostly done by using a split-screen technique as also used in the short. Sandberg said "Whenever she's in frame with another character, it's basically just a split screen. So you shoot it with her and without her. You turn the camera on with her, you turn it off and she walks off, and then you turn it on again. It's super simple, actually." Sandberg also made a list of what he called the "light gags", or different ways to create light sources from flashlights to cell phones and gunfire. In the scene when Diana appears in Rebecca's room, James Wan suggested replacing passing car headlights in an early treatment with the flashing neon sign that appears in the final film.

Sandberg originally based the character of Rebecca on a real girl that he knew who was suffering from depression, and who was engaging in self-harm, which is why Rebecca has scars on her arms, but the development of the film made it less about depression and more of a ghost story in which Diana would have been the real person who died and became a ghost. Wan came up with the idea of making Diana the ghost. Rebecca's boyfriend was also given a twist of being a rocker, but is actually committed and responsible, even driving a safe car like a Volvo. Another twist Sandberg liked was making the imaginary friend for the mother rather than the trope of having the friend be for the child

Its a excellent supernatural movie.
  
Harness the Power of the Invincible Mind: Spatial Strategy to Success and Happiness
Harness the Power of the Invincible Mind: Spatial Strategy to Success and Happiness
Alex Neumann | 2020 | Mind, Body & Spiritual, Philosophy, Psychology & Social Sciences
7
8.5 (2 Ratings)
Book Rating
"Spatial Strategy to Success and Happiness." This is the subtitle of Harness the Power of the Invincible Mind by Alex Neumann, but do not be misled into thinking it is a self-help book. Since childhood, Neumann has been interested in studying how some people thrive during challenging times and how, with this determination, society can make the world a better place. This book contains the author's ideas based on these observations; ideas that he has applied to his thought process to develop an "Invincible Mind".

Neumann applies moral stories and real-life scenarios to illustrate the power of a determined mind. He urges readers to never give up, even in the face of adversity, but to use these hardships in alternative ways. Neumann uses examples from Buddhism and Christianity as well as history to show the potential of every individual.

Many self-help books give step-by-step guides to success and dismiss mental and neurological difficulties. Whilst these authors may encourage readers to reach their goals, Neumann acknowledges that it is not always possible. Yet, this does not result in failure. Neumann's insight into the workings of the world reveals there is far more to happiness than an end goal. There is more to life than being the best, being famous and being successful, but more often than not, these lessons are hard-fought. With this book, Neumann attempts to stop readers in their tracks, to stop their destructive power, to realise their true potential and look at the world afresh.

Neumann writes as though he is speaking in front of an audience. Whilst this adds honesty and passion, it disrupts the flow of the text. The book lacks grammar and is oftentimes repetitive. As a proofreader, it is difficult not to pick up on these errors, but it indeed makes the author sound human. Neumann does not use the complicated language of psychologists, does not pretend to have qualifications in counselling or such like but has his readers' best interests at heart.

Easy and quick to read, Harness the Power of the Invincible Mind is a book that stays with you long after completing. It contains so many analogies and examples that readers will want to highlight, share and, hopefully, apply in their day-to-day lives.