"Published just before he died of AIDS, Wojnarowicz’s memoir is a classic of outlaw literature and political fury. Wojnarowicz — who was a great artist as well as writer — wheels through his wickedly difficult childhood, the deaths of friends and lovers, great sex writing, thoughts about art, screeds against the likes of Jesse Helms, all the while facing down his own imminent demise. It’s sad, funny, angry and transporting, a kaleidoscope on fire."

"The two supreme works of childhood/horror. Lamentations of worlds lost and the innocents trapped in them. Sublime fairy tales of despair that depict the adult world as a toxic environment for kids to exist in. Secret treasures kept in the hearts of children must be safeguarded from the corruption of an adult world full of certainty and arrogance. Both films are so beautiful and so dark—they truly make me weep in awe."

"The two supreme works of childhood/horror. Lamentations of worlds lost and the innocents trapped in them. Sublime fairy tales of despair that depict the adult world as a toxic environment for kids to exist in. Secret treasures kept in the hearts of children must be safeguarded from the corruption of an adult world full of certainty and arrogance. Both films are so beautiful and so dark—they truly make me weep in awe."

"What can I say about this movie? One of the more influential films of my childhood, it is a heartbreaking and hilarious tale of a poor young schoolboy who poaches a kestrel as a pet. He has nothing in his life apart from the relationship with his bird. The realism may be the best I’ve witnessed. The lead performance is perfect on every note. I dream of being in a movie this good."

"Whimsical, original, hilarious, brave and addicting. At any moment, I can pick up the book, turn to any chapter (even ones I’ve already read) and be transported by the funny, fun, feminist, filmmaker/writer. I reread her adventures and re-experience them. Delightful and surprising, she bares her soul as freely as she bares her body and I’m transported back to my wild and woolly childhood, teenhood and womanhood aches and thrills."

"One of the most beautiful films ever made. It’s a French movie with almost no dialogue, and I remember watching it in school several times. The innocence and the imagination of the young protagonist are threatened by bullies and adults, but the relationship he forms with his balloon gives us marvelous insight into childhood. I love how the film explores universal themes that can be enjoyed by audiences of all ages and backgrounds."

"Not a horror movie but a valentine to the imagination that hinges on one little girl’s need for an imaginary friend, who turns out to be Boris Karloff’s Frankenstein monster, stepped off the screen in rural Spain when a traveling cinema brings James Whale’s movie to town in the 1930s. Victor Erice’s study of childhood wishes showcases the huge eyes of Ana Torrent and grapples fascinatingly with the importance of fantasy in eras of repression."