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Storytime: Read with your Kids over Video Chat
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- See and hear each other over video chat specially designed for children and their loved ones. ...
Marvel Comics
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Operating out of a tiny office on Madison Avenue in the early 1960s, a struggling company called...
Ronyell (38 KP) rated James and the Giant Peach (1996) in Movies
Aug 4, 2020 (Updated Aug 4, 2020)
A Boy and His Giant Sized Bugs
Now, I was practically introduced to "James and the Giant Peach" through Roald Dahl's original book and I instantly fell in love with this story! So, I was definitely excited to see Roald Dahl's classic novel come to life in animation and I must say that I practically enjoyed this bizarre yet creative version of the classic children's story. I absolutely loved all of the characters, with my favorite characters being Miss Spider and the Centipede. I loved Miss Spider because she was quite an unusual character as she is considered frightening by the other bugs due to her literally eating other bugs, but I loved the fact that she cares so much for James and was willing to help him out no matter how horrifying the situation is. The Centipede was a truly fun character as he might be a little rude and annoying to the other bugs, but I loved his courageous nature and the fact that he is also willing to help James out of his situation. The voice acting was fantastic, especially Susan Sarandon as the quiet and serious Miss Spider and Richard Dreyfuss as the fun loving Centipede, as they fit the characters extremely well and they bring so much life to the characters. The story was truly creative, especially about the idea of a group of friends (giant insects in this case) coming together inside a giant peach and traveling around the world with it! I found that idea to be a bit strange yet creative at the same time and even though I have an intense fear of bugs, I definitely would have loved to be friends with giant bugs!
The major problem I had with this movie was that there seemed to be so many plot holes within this film that there were times that I did not understand what was going on in this film. Like for example, how did Aunt Sponge and Aunt Spiker drive their car through the ocean and how can a mechanical shark appear out of nowhere in the ocean?
Overall, "James and the Giant Peach" is definitely one treat that fans of Roald Dahl's works and fans of surreal animation should definitely check out!
The major problem I had with this movie was that there seemed to be so many plot holes within this film that there were times that I did not understand what was going on in this film. Like for example, how did Aunt Sponge and Aunt Spiker drive their car through the ocean and how can a mechanical shark appear out of nowhere in the ocean?
Overall, "James and the Giant Peach" is definitely one treat that fans of Roald Dahl's works and fans of surreal animation should definitely check out!
Great writing (2 more)
Never slows down
Great characters
Of the few children's horror books out there, Neil Gaiman's 2002 short novel Coraline, is one of the must-read for that age group. When a young girl named Coraline, and her family move into a new house (one which shares its basement and attic with other tenets), she finds a locked door that leads to nowhere, but soon after the door opens to a house that mirrors her own, yet the people there are a little bit "different. "
The people here look like the people from the world on the other side of the door, but these people have big buttons for eyes, and some are younger than their counterparts, but the most odd are her "other" parents, who, in her world, don't spend very much time with Coraline, and these two buttoned-eyed parents pay so much attention to her that they want her to stay with them forever just so they can make her happy. Coraline even meets a talking black cat, but the cat tells her it was smart to bring protection to this world (a stone with a hole in it that was given to her in the other world by two older lady tenets); this makes Coraline wonder why she would need protection in such a great place like this.
But for Coraline to stay in this world, her other mother and father tell her there is only one little thing she has to do to make that happen: " 'If you want to stay,' said her other father, 'there's only one little thing we'll have to do, so you can stay here for ever and always. '
They went to into the kitchen. On a china plate on the kitchen table was a spool of black cotton, and a long silver needle, and, beside them, two large black buttons. "
Coraline must allow her other parents to sew buttons over her eyes, but she adamantly refuses to allow them; her other parents don't argue with her, but rather bid her farewell, stating they'll see her again soon.
When Coraline returns to her normal world, she comes to realize that her parents are missing. Coraline now knows that the other parents will stop at nothing, including kidnapping her real parents, to get her to join them. Coraline goes back to the other world, demanding that the other parents give her real ones back. It's always that easy, right?
Wrong. Since the other parents are not willing to let Coraline go so easily, the other mother decides to play a game with Coraline, which is if she can find the souls of the other children this other mother has taken, she'll not only get to go home, but also get to take her real parents with her.
Fortunately, Coraline wasn't working alone in this game - - - remember the black cat? - - - she even has to face the 'other' counterparts of the tenets that live in the building. Since the movie of Coraline is still popular, most readers can guess what happens, but maybe not exactly how it happens.
Some readers may realize that the movie is quite different from the book. Most books are different from their film counterparts, but then you have books such as Stephen King's 'The Shining,' which are practically complete opposites of the movie. I don't believe that those, like myself, who watched the movie 'Coraline,' before reading the book will be disappointed by it, although there are quite a few differences throughout.
I have to end my review here because to tell you any more of the story would give away some of what makes Coraline such a great book. Which is not surprising coming from Neil Gaiman whose writing is always clear and concise, never slowing scenes down. Gaiman's children-age books are always flawless in both idea and writing.
Although this story is for ages 8 - 12, as an adult, I thoroughly enjoyed it! I highly recommend this book as a great way to introduce children to the horror genre, and to older people that like a good creepy story to read.
The people here look like the people from the world on the other side of the door, but these people have big buttons for eyes, and some are younger than their counterparts, but the most odd are her "other" parents, who, in her world, don't spend very much time with Coraline, and these two buttoned-eyed parents pay so much attention to her that they want her to stay with them forever just so they can make her happy. Coraline even meets a talking black cat, but the cat tells her it was smart to bring protection to this world (a stone with a hole in it that was given to her in the other world by two older lady tenets); this makes Coraline wonder why she would need protection in such a great place like this.
But for Coraline to stay in this world, her other mother and father tell her there is only one little thing she has to do to make that happen: " 'If you want to stay,' said her other father, 'there's only one little thing we'll have to do, so you can stay here for ever and always. '
They went to into the kitchen. On a china plate on the kitchen table was a spool of black cotton, and a long silver needle, and, beside them, two large black buttons. "
Coraline must allow her other parents to sew buttons over her eyes, but she adamantly refuses to allow them; her other parents don't argue with her, but rather bid her farewell, stating they'll see her again soon.
When Coraline returns to her normal world, she comes to realize that her parents are missing. Coraline now knows that the other parents will stop at nothing, including kidnapping her real parents, to get her to join them. Coraline goes back to the other world, demanding that the other parents give her real ones back. It's always that easy, right?
Wrong. Since the other parents are not willing to let Coraline go so easily, the other mother decides to play a game with Coraline, which is if she can find the souls of the other children this other mother has taken, she'll not only get to go home, but also get to take her real parents with her.
Fortunately, Coraline wasn't working alone in this game - - - remember the black cat? - - - she even has to face the 'other' counterparts of the tenets that live in the building. Since the movie of Coraline is still popular, most readers can guess what happens, but maybe not exactly how it happens.
Some readers may realize that the movie is quite different from the book. Most books are different from their film counterparts, but then you have books such as Stephen King's 'The Shining,' which are practically complete opposites of the movie. I don't believe that those, like myself, who watched the movie 'Coraline,' before reading the book will be disappointed by it, although there are quite a few differences throughout.
I have to end my review here because to tell you any more of the story would give away some of what makes Coraline such a great book. Which is not surprising coming from Neil Gaiman whose writing is always clear and concise, never slowing scenes down. Gaiman's children-age books are always flawless in both idea and writing.
Although this story is for ages 8 - 12, as an adult, I thoroughly enjoyed it! I highly recommend this book as a great way to introduce children to the horror genre, and to older people that like a good creepy story to read.
Room on the Broom Games
Education and Games
6.0
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BAFTA NOMINATED GAME based on the No.1 Halloween children's picture book! **Perfect for 3 - 7 year...
Kristy H (1252 KP) rated Playing Nice in Books
Sep 17, 2020
Fast-paced thriller that plays on your emotions
Pete Riley, his wife Maddie, and young son Theo have their lives upended one day when two strangers show up on their doorstep. One claims to be Theo's biological father, Miles Lambert. He tells Pete that Theo and another baby, David--whom the Lamberts have been raising--were switched at the hospital and sent home with the unsuspecting families. Suddenly Pete and Maddie have been raising "the wrong" child for the past two years. The families form a friendship based on their shock, agreeing not to upend the children's lives. But as the Lamberts prepare to the sue hospital, questions are raised, and soon Pete and Maddie start to wonder how much they can trust Miles and his wife, Lucy. What are they hiding--and how far will they go to get Theo back?
"'I'm sorry to have to tell you that Theo isn't your son. He's mine.'"
Delaney's latest is a fast and compulsive read. Told in alternating perspectives from Maddie and Pete, with some flashes to the past, the book is stressful and makes you think. What would I do in this situation? And what a terrible situation to be in. With both boys being two-years-old, they are already comfortable in their family lives. At first, each family is determined not to switch the children back. But it soon becomes clear that Theo is progressing better than David, who requires more specialized care. Is that what's affecting Miles out-sized affection for his newfound son? His constant, unannounced appearances on Pete and Maddie's doorstep? Meanwhile, Maddie feels wracked with guilt at leaving David behind. The emotions and decisions are clearly complicated.
I myself was fascinated that Delaney brought up a "baby switch" case in Charlottesville, VA at the hospital where I was born, though far earlier. If I had known about this case, I must have forgotten; I would have been in my mid-teens and probably not caring about such things at the time. Anyway, it was intriguing to hear a local reference, and it totally pushed me down the rabbit hole of researching that case (which is completely tragic).
It's hard to truly like any of these characters, even Maddie and Pete, who are initially sympathetic. Let's not even get started on Miles, who truly plays the villain well. But I appreciated that the characters and their feelings are complicated and well-portrayed here. While much of the story is character-driven, it's also a mystery, unraveling what happened when the boys were switched, and it's quite interesting.
The plot in this one moves quickly, escalating fast. I predicted the ending, but it didn't do much to diminish my enjoyment of the book. If you're looking for a different and fast-paced thriller, which also gets you thinking about emotional family dilemmas, definitely recommend. 3.5 stars.
"'I'm sorry to have to tell you that Theo isn't your son. He's mine.'"
Delaney's latest is a fast and compulsive read. Told in alternating perspectives from Maddie and Pete, with some flashes to the past, the book is stressful and makes you think. What would I do in this situation? And what a terrible situation to be in. With both boys being two-years-old, they are already comfortable in their family lives. At first, each family is determined not to switch the children back. But it soon becomes clear that Theo is progressing better than David, who requires more specialized care. Is that what's affecting Miles out-sized affection for his newfound son? His constant, unannounced appearances on Pete and Maddie's doorstep? Meanwhile, Maddie feels wracked with guilt at leaving David behind. The emotions and decisions are clearly complicated.
I myself was fascinated that Delaney brought up a "baby switch" case in Charlottesville, VA at the hospital where I was born, though far earlier. If I had known about this case, I must have forgotten; I would have been in my mid-teens and probably not caring about such things at the time. Anyway, it was intriguing to hear a local reference, and it totally pushed me down the rabbit hole of researching that case (which is completely tragic).
It's hard to truly like any of these characters, even Maddie and Pete, who are initially sympathetic. Let's not even get started on Miles, who truly plays the villain well. But I appreciated that the characters and their feelings are complicated and well-portrayed here. While much of the story is character-driven, it's also a mystery, unraveling what happened when the boys were switched, and it's quite interesting.
The plot in this one moves quickly, escalating fast. I predicted the ending, but it didn't do much to diminish my enjoyment of the book. If you're looking for a different and fast-paced thriller, which also gets you thinking about emotional family dilemmas, definitely recommend. 3.5 stars.
Becca Major (96 KP) rated The Nutcracker Prince (1990) in Movies
Jan 20, 2018
Decent writing (3 more)
Good animation
Semi-active heroine
Loyal to the book
Dance sequence, especially the Pas de Deux (3 more)
Music placement
Weak and confusing ending
Marie
The Nutcracker Prince
Contains spoilers, click to show
Summary:
The Nutcracker Prince is an enjoyable little children's movie that is a strange mashup of the novel by E.T.A. Hoffman and the popular ballet. The story is fairly simple and follows Clara as she interacts with her family at the yearly Christmas party, where she and her siblings receive the titular Nutcracker from their Uncle Drosselmeyer, as well as a golden castle. He then proceeds to tell Clara about the Nutcracker’s backstory. Then Fritz, Clara’s little brother, breaks the Nutcracker and she scolds him.
Later that night, the Mouse King attacks, attempting to kill the Nutcracker, and Clara watches the toys do battle with the Mouse King’s army. Clara ends up tripping and hurting herself, which makes her bedridden. During this time, Fritz brings her a partially eaten box of chocolates, which she puts in her nightstand drawer. Later that night, the Mouse King approaches her and threatens her. Clara offers him the box of chocolates and when he hops in the drawer to eat them, she shuts him in. She runs downstairs to protect the Nutcracker, which transitions to the second attack of the Mouse King and his army. The toys and mice battle, and eventually the Nutcracker runs the Mouse King through (off-screen of course), and the day is won.
The Nutcracker invites Clara to visit the Land of the Dolls. She does and is impressed by the beauty around her, and the Nutcracker asks her to stay and become his Queen. She turns him down, for good reasons, and everyone in the Land of the Dolls starts to turn back into lifeless objects. Then, to make everything weirder, the “dead” Mouse King shows up for one more hurrah and fights with Clara. He ends up falling over the balcony and dying. Clara returns home via “It was just a dream,” freaks out, runs to her Uncle Drosselmeyer’s house, and meets his nephew, who looks exactly like the Nutcracker, but not really.
Overall:
When all is said and done, I would have to say that I like the beginning of the movie a lot more than the end. The rules for how the magic works make sense, and the characters are pretty well defined. Clara is competitive with her siblings and thinks they are weird, and she is basically about as active as the material allows her to be. The Nutcracker himself is pretty bland and soft-spoken in comparison, but he does try his best with the situation he’s in, so I can’t dislike him. The Mouse King is somewhat threatening, if one dimensional. There isn’t much to say about the side characters. Clara’s siblings are fine, as are most of the side characters. With the exception of Marie, none of them are particularly annoying.
The music is fine, if occasionally distracting. It is Tschaikowsky, after all.
The animation is pretty good for a direct to VHS movie. The run-cycles are pretty goofy, but it flows and has detail.
I like the obvious nods to the aspects of the book that the writers changed, such as naming the new doll Marie. As someone who read the book recently, it was nice to know that they cared about the material they were adapting.
In the end, I feel that considering the movie is twenty-eight years old, it holds up pretty good. I would definitely watch it again and probably share it with the students in my class, or with my nephew.
The Nutcracker Prince is an enjoyable little children's movie that is a strange mashup of the novel by E.T.A. Hoffman and the popular ballet. The story is fairly simple and follows Clara as she interacts with her family at the yearly Christmas party, where she and her siblings receive the titular Nutcracker from their Uncle Drosselmeyer, as well as a golden castle. He then proceeds to tell Clara about the Nutcracker’s backstory. Then Fritz, Clara’s little brother, breaks the Nutcracker and she scolds him.
Later that night, the Mouse King attacks, attempting to kill the Nutcracker, and Clara watches the toys do battle with the Mouse King’s army. Clara ends up tripping and hurting herself, which makes her bedridden. During this time, Fritz brings her a partially eaten box of chocolates, which she puts in her nightstand drawer. Later that night, the Mouse King approaches her and threatens her. Clara offers him the box of chocolates and when he hops in the drawer to eat them, she shuts him in. She runs downstairs to protect the Nutcracker, which transitions to the second attack of the Mouse King and his army. The toys and mice battle, and eventually the Nutcracker runs the Mouse King through (off-screen of course), and the day is won.
The Nutcracker invites Clara to visit the Land of the Dolls. She does and is impressed by the beauty around her, and the Nutcracker asks her to stay and become his Queen. She turns him down, for good reasons, and everyone in the Land of the Dolls starts to turn back into lifeless objects. Then, to make everything weirder, the “dead” Mouse King shows up for one more hurrah and fights with Clara. He ends up falling over the balcony and dying. Clara returns home via “It was just a dream,” freaks out, runs to her Uncle Drosselmeyer’s house, and meets his nephew, who looks exactly like the Nutcracker, but not really.
Overall:
When all is said and done, I would have to say that I like the beginning of the movie a lot more than the end. The rules for how the magic works make sense, and the characters are pretty well defined. Clara is competitive with her siblings and thinks they are weird, and she is basically about as active as the material allows her to be. The Nutcracker himself is pretty bland and soft-spoken in comparison, but he does try his best with the situation he’s in, so I can’t dislike him. The Mouse King is somewhat threatening, if one dimensional. There isn’t much to say about the side characters. Clara’s siblings are fine, as are most of the side characters. With the exception of Marie, none of them are particularly annoying.
The music is fine, if occasionally distracting. It is Tschaikowsky, after all.
The animation is pretty good for a direct to VHS movie. The run-cycles are pretty goofy, but it flows and has detail.
I like the obvious nods to the aspects of the book that the writers changed, such as naming the new doll Marie. As someone who read the book recently, it was nice to know that they cared about the material they were adapting.
In the end, I feel that considering the movie is twenty-eight years old, it holds up pretty good. I would definitely watch it again and probably share it with the students in my class, or with my nephew.
izneo BD Comics Manga
Book, Comics and Entertainment
1.0
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Izneo BD Comics Manga is the best app for French-Belgian comics, with thousands of digital comic...
Joypa Colors - Interactive Coloring Game
Games, Education and Stickers
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Welcome to a magical world where coloring pictures brings them to life! Lots of fun combined with...
DOCTOR INSTA: Consult Online
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