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Elli H Burton (1288 KP) rated Snow White and the Huntsman (2012) in Movies
Jun 22, 2019
Acting, what is acting?
The story of Snow White is a classic, it's been told many times yet they still managed to mess that up.
What was the accent Kristen Stewart was doing? I don't know what it was, but it was bad anyway.
Chris Hemsworth is in it which is pretty much why I watched it, he's alright but again, his accent isn't the best.
Ravena keeping snow white all that time in a cell, why though? Ugh so much wrong I can't actually list everything.
What was the accent Kristen Stewart was doing? I don't know what it was, but it was bad anyway.
Chris Hemsworth is in it which is pretty much why I watched it, he's alright but again, his accent isn't the best.
Ravena keeping snow white all that time in a cell, why though? Ugh so much wrong I can't actually list everything.
David McK (3425 KP) rated Snow White and the Huntsman (2012) in Movies
Dec 31, 2019
"Mirror, mirror, on the wall … "
A reworking of the Snow White fairytale, with Kristen Stewart taking the lead role and Chris Hemsworth taking time out from his Thor duties to portray the part of the Huntsman ordered to capture her and bring her back to the evil Queen (here portrayed by Charlize Theron) before instead becoming her protector.
And, yes, there are seven dwarves in this, although Snow White does not live with them at any stage nor are they given names such as Sneezy, Dopey, Grumpy, etc ...
A reworking of the Snow White fairytale, with Kristen Stewart taking the lead role and Chris Hemsworth taking time out from his Thor duties to portray the part of the Huntsman ordered to capture her and bring her back to the evil Queen (here portrayed by Charlize Theron) before instead becoming her protector.
And, yes, there are seven dwarves in this, although Snow White does not live with them at any stage nor are they given names such as Sneezy, Dopey, Grumpy, etc ...
Gareth von Kallenbach (980 KP) rated Irresistible (2020) in Movies
Jun 23, 2020
Jon Stewart has been fairly quiet since his retirement from The Daily Show. In a recent interview with Howard Stern he talked about being content on a farm for rescued animals and enjoying more time with his family. He also sent to that he would be doing projects that interested him. In “Irresistible” Stewart working as both Writer and Director has crafted a funny, informative, and expansive look at the political process.
Steve Carell stars as Gary Zimmer; a senior advisor to the Clinton’s who is still smarting over the recent election particularly his insistence that the “Rust Belt” was firmly in their hands and therefore opted not to devote a significant amount of time campaigning there which in turn was a key reason for their defeat.
An online video from a small farming community in Wisconsin catches Gary’s eye as it shows a former Marine farmer named Jack Hastings (Chris Cooper) challenging the local mayor at a town hall over immigration related issues and other hot topics.
Convinced that he can bring Jack over to the Democratic Party and use him as a starting point to restore the party in Wisconsin; Gary heads to the small town to make his pitch.
He quickly finds himself out of his element as the small-town community with friendly townsfolk to watch out for one another is very different than what he is used to. Gary eventually convinces Jack to run for Mayor and his involvement soon attracts the big money from the opposing side that seem to be rattled by what appears to be an insignificant small-town campaign.
Gary soon realizes that his nemesis Faith (Rose Byrne) who is his opposite for the Republican Party.
Gary and Faith have a clear history with one another and there is clearly plenty of animosity between them as each one is determined to succeed and broke their success in the face of the other.
As the campaign unfolds viewers are given a very direct look at how the political machine works from polling, demographics, special interests, fund raising, campaigning, muckraking, and using the media.
While this is often presented in a humorous way; Stewart uses a lot of simple but direct approaches to the various topics as he did on The Daily Show as a basis for further discussion.
The film takes some unexpected twists as it unfolds and the conclusion helps underscore that all parties involved often have an angle that they’re trying to work. One of the biggest messages that I took from the film was that the amount of money poured into campaigns has become more about one side beating the other rather than addressing the issues and putting the best possible people forward to represent the population.
Stewart handles the very complicated topics of the film through humor but above all used generally likable characters on all sides. Nobody was truly evil and you could clearly see much of their motivations.
The closing credits contains an interview with a political expert who discusses Superpacs and their lack of oversight and how people with ulterior motives can generate large amounts of money by manipulating the system completely within the law.
From a strong cast and entertaining story. Stewart has crafted a very solid and enjoyable film that will make you think.
Steve Carell stars as Gary Zimmer; a senior advisor to the Clinton’s who is still smarting over the recent election particularly his insistence that the “Rust Belt” was firmly in their hands and therefore opted not to devote a significant amount of time campaigning there which in turn was a key reason for their defeat.
An online video from a small farming community in Wisconsin catches Gary’s eye as it shows a former Marine farmer named Jack Hastings (Chris Cooper) challenging the local mayor at a town hall over immigration related issues and other hot topics.
Convinced that he can bring Jack over to the Democratic Party and use him as a starting point to restore the party in Wisconsin; Gary heads to the small town to make his pitch.
He quickly finds himself out of his element as the small-town community with friendly townsfolk to watch out for one another is very different than what he is used to. Gary eventually convinces Jack to run for Mayor and his involvement soon attracts the big money from the opposing side that seem to be rattled by what appears to be an insignificant small-town campaign.
Gary soon realizes that his nemesis Faith (Rose Byrne) who is his opposite for the Republican Party.
Gary and Faith have a clear history with one another and there is clearly plenty of animosity between them as each one is determined to succeed and broke their success in the face of the other.
As the campaign unfolds viewers are given a very direct look at how the political machine works from polling, demographics, special interests, fund raising, campaigning, muckraking, and using the media.
While this is often presented in a humorous way; Stewart uses a lot of simple but direct approaches to the various topics as he did on The Daily Show as a basis for further discussion.
The film takes some unexpected twists as it unfolds and the conclusion helps underscore that all parties involved often have an angle that they’re trying to work. One of the biggest messages that I took from the film was that the amount of money poured into campaigns has become more about one side beating the other rather than addressing the issues and putting the best possible people forward to represent the population.
Stewart handles the very complicated topics of the film through humor but above all used generally likable characters on all sides. Nobody was truly evil and you could clearly see much of their motivations.
The closing credits contains an interview with a political expert who discusses Superpacs and their lack of oversight and how people with ulterior motives can generate large amounts of money by manipulating the system completely within the law.
From a strong cast and entertaining story. Stewart has crafted a very solid and enjoyable film that will make you think.
Gareth von Kallenbach (980 KP) rated The Huntsman: Winter's War (2016) in Movies
Aug 6, 2019
Mirror, mirror on the wall who is the fairest of them all?”
Once again the story that has captivated millions throughout the world returns to the big screen with a prequel and sequel to Snow White and the Huntsman. At the end of the first film, the evil mirror-obsessed queen Ravenna (Charlize Theron) is defeated by Snow White (Kirsten Stewart) and Eric the Huntsman (Chris Hemsworth). The second film begins with the revelation that Ravenna has a sister named Freya (Emily Blunt), who was completely normal until she made the mistake of falling in love and getting pregnant, which endangered the sinister plans of Ravenna. Under unknown circumstances Freya loses the love of her life and her baby, causing so much pain and suffering , she becomes the sad and lonely Snow Queen , leaving her sister to conquer kingdoms on her own .
The Huntsman is related to Ravenna, not only because of Snow White, but because he and his wife Sara (Jessica Chastain) were raised and trained in the kingdom ruled by Snow Queen Freya who, as a survivor of unthinkable heartbreak, has one big rule all her “children” must obey: Do not love. Ever.
Long story short, Freya’s reign threatens Snow White’s kingdom and it’s up to Eric, Sara, and their companions to stop her. And although her role is smaller here than in the original film, Queen Ravenna returns to both aid and manipulate her youngster sister Freya.
There might not be Seven Dwarves this time around, but the four this sequel does include are hilarious and offer some of the cleverest comebacks I have heard in a long time. Nick Frost’s Nion is the only dwarf from the original to return, and he’s joined by his brother Gryff (Rob Brydon) and two females, Mrs. Bromwyn (Sheridan Smith) and Doreena (Alexandra Roache).
I can say that I really liked this film, and as a Charlize Theron fan I most enjoy her work especially as an evil, selfish witch obsessed with eternal beauty. And of course having Chris Hemsworth in the screen is always a delight for our eyes. The special effects are not distracting at all; they’re actually the complete opposite. The quality is outstanding which makes it easier to be transported to a magical world filled with fairies and enchantments.
Although I have to say it is not as family-friendly as the fairy tale inspired film, it is definitely funny, including a lot of action and fight scenes with a story line that entertains the audience.
Once again the story that has captivated millions throughout the world returns to the big screen with a prequel and sequel to Snow White and the Huntsman. At the end of the first film, the evil mirror-obsessed queen Ravenna (Charlize Theron) is defeated by Snow White (Kirsten Stewart) and Eric the Huntsman (Chris Hemsworth). The second film begins with the revelation that Ravenna has a sister named Freya (Emily Blunt), who was completely normal until she made the mistake of falling in love and getting pregnant, which endangered the sinister plans of Ravenna. Under unknown circumstances Freya loses the love of her life and her baby, causing so much pain and suffering , she becomes the sad and lonely Snow Queen , leaving her sister to conquer kingdoms on her own .
The Huntsman is related to Ravenna, not only because of Snow White, but because he and his wife Sara (Jessica Chastain) were raised and trained in the kingdom ruled by Snow Queen Freya who, as a survivor of unthinkable heartbreak, has one big rule all her “children” must obey: Do not love. Ever.
Long story short, Freya’s reign threatens Snow White’s kingdom and it’s up to Eric, Sara, and their companions to stop her. And although her role is smaller here than in the original film, Queen Ravenna returns to both aid and manipulate her youngster sister Freya.
There might not be Seven Dwarves this time around, but the four this sequel does include are hilarious and offer some of the cleverest comebacks I have heard in a long time. Nick Frost’s Nion is the only dwarf from the original to return, and he’s joined by his brother Gryff (Rob Brydon) and two females, Mrs. Bromwyn (Sheridan Smith) and Doreena (Alexandra Roache).
I can say that I really liked this film, and as a Charlize Theron fan I most enjoy her work especially as an evil, selfish witch obsessed with eternal beauty. And of course having Chris Hemsworth in the screen is always a delight for our eyes. The special effects are not distracting at all; they’re actually the complete opposite. The quality is outstanding which makes it easier to be transported to a magical world filled with fairies and enchantments.
Although I have to say it is not as family-friendly as the fairy tale inspired film, it is definitely funny, including a lot of action and fight scenes with a story line that entertains the audience.
Gareth von Kallenbach (980 KP) rated Snow White and the Huntsman (2012) in Movies
Aug 7, 2019
It is easy to be cynical or dismissive regarding the trend in Hollywood to take up beloved gems of the past – namely our childhoods – and adapt them to the big screen with all of the flare and clichés of a summer blockbuster. Yet, what happens when it actually ends up winning you over? There’s a moment in movies like “Snow White and the Huntsman” in which you realize you have let go of those prejudices and notions of incorruptible nostalgia and you’ve actually started to enjoy a new rendition of something old. It’s the directorial debut for the film’s helmer, Rupert Sanders; and to be honest he’s the star of the show. As shallow as it is to say, the visual effects and action overshadow most flaws with characters, acting, or uneven pacing. Not only because his directing ability is well done, but because any flaws with the movie are relatively minor.
The movie retells the familiar story of Snow White (Kristen Stewart), likely popularized by Disney’s adaptation for most of us. Yet, the film takes more influence from the original fairy tale with the additional focus on the Huntsman (Chris Hemsworth). Snow White grows up in a kingdom under the rule of her wicked step-mother, Queen Ravenna (Charlize Theron). The Queen is a narcissistic tyrant obsessed with preserving her physical beauty – at the behest of the entire land and its people. One day, the Queen’s mirror warns that Snow White is fairer than her which leads her to order Snow White’s death. Snow White escapes, and goes on an adventure to save herself and her kingdom with the help of the Huntsman, seven dwarves, and other fantastical allies.
The movie’s framework holds up fairly well. To be honest it was my biggest worry going into the movie – that its plot would break under bloating or simply feeling uninspired. Neither was the case, yet if it were to tip in one side or the other it definitely tips in the direction of a bloated plot. Some characters simply do not get the screentime they require, and with so many characters already it feels like some of them could have been taken out entirely without much effect. Trimming down of characters and irrelevant plot threads could have benefitted the movie greatly. It does, however, do a serviceable job establishing its own identity among fantasy epics. It’s refreshing to see a movie fully embrace two extremes – full-on hard fantasy and the more gritty, realistic and perhaps minimalist fantasy. It strikes a balance with both, so you will see great effects for trolls and fairies while still maintaining a gothic medieval feel. The plot moves forward at a mostly well-paced format, but unfortunately wavers here and there. Sometimes I wished the movie would linger on certain scenes longer – as it can help to have us dwell on great character moments or moments of visual beauty – an unfortunate side effect of a bloated script. While not a problem for the overall plot, the uneven pacing in some scenes can feel a bit rushed. Some questions in the plot went unanswered, but fortunately they aren’t important to the overall understanding of the story.
The only other major issue with the movie is acting. Kristen Stewart as Snow White was an odd choice. Not to say her performance is bad in this film, but it is awkward at points. In some moments she does very well but in others she seems uninspired. It is hard to see her as the titular character instead of just Kristen Stewart in those instances; and in those scenes it feels like she’s as much part of the audience as we are – just with more of a one-note “concerned” facial expression for every instance. While not a breaking element, it leaves more to be desired from her, especially in interactions with others. Chris Hemsworth was much more enjoyable as the Huntsman, and honestly I think his performance along with Theron’s far outbalance any flaws in Kristen Stewart’s acting. The chemistry between the two protagonists seems one sided, as Chris Hemsworth acts well on his side of the equation, but Stewart unfortunately does not reciprocate. Essentially this makes a potential major relationship fall flat. However, Theron completely inhibits the role as the evil Queen. While she may overact in some scenes, she does an excellent job playing a sinister, abusive, powerful and surprisingly tragic villain.
The highlight of the movie is definitely its visual design, cinematography, and action. The only downside in this area is that this movie will definitely remind you of other great movies from long ago. Obvious inspiration from “The Lord of the Rings” echoes while watching, as it even features the same faraway montage shots of the group traversing grand vistas. If you can get passed these obvious influences, it does establish a vibrant and inspired design. That is one of the greatest aspects of the movie – the fact that the director can do so much in a single scene to really draw you in. He does an excellent job using color and pattern contrasts to a striking and awesome effect. There are some great moments that have no action yet are just as enthralling to watch, something difficult to do with just visual style. A great use of color really brings out the themes of the movie – the grey monotones and gothic style bring out a sense of dread and annihilation throughout the Queen’s empire. She truly is a force of parasitism – entirely vampiric in the way she sucks the life out of the entire land around her. She is the embodiment of self-obsession with physical beauty – a force so vain and narcissistic that she acts as a black hole absorbing all beauty around her. Sanders plays this against the vibrant designs of the forest in which Snow White spends most of her time. Alive, colorful, and natural – she embodies natural beauty – and in doing so she seemingly commands nature itself.
Sanders’ directing ability really shines in scenes of action. Instead of lazy overuse of “shaky-cam” to get the effect, he balances it with just enough on-screen choreography so you get intensity without confusion. The movie is truly action packed with familiar medieval-esque battles throughout, but highlighted by truly amazing shots of action and use of fantastical effects. There were a couple instances of eye-rolling wonder at battlefield tactics, but that gets into too much of an area of nitpicking. The action really is one of the best aspects of the movie, and these scenes by themselves outweigh many already mentioned issues.
Overall, “Snow White and the Huntsman” has proven to be a great initial outing for director Rupert Sanders. There are some issues in the flick – namely some instances of uneven pacing and acting issues which leaves some potential to be desired. But even these seemingly huge issues are overshadowed by an excellent use of visual design, cinematography, and action. The plot may be merely serviceable overall, and the movie will remind you of great films long past; yet it still happens to triumph in its main goal – to retell the classic fairly tale of Snow White in the modern Blockbuster sense. In a summer packed with science fiction and superheroes, an entertaining fantasy movie fits in quite nicely.
The movie retells the familiar story of Snow White (Kristen Stewart), likely popularized by Disney’s adaptation for most of us. Yet, the film takes more influence from the original fairy tale with the additional focus on the Huntsman (Chris Hemsworth). Snow White grows up in a kingdom under the rule of her wicked step-mother, Queen Ravenna (Charlize Theron). The Queen is a narcissistic tyrant obsessed with preserving her physical beauty – at the behest of the entire land and its people. One day, the Queen’s mirror warns that Snow White is fairer than her which leads her to order Snow White’s death. Snow White escapes, and goes on an adventure to save herself and her kingdom with the help of the Huntsman, seven dwarves, and other fantastical allies.
The movie’s framework holds up fairly well. To be honest it was my biggest worry going into the movie – that its plot would break under bloating or simply feeling uninspired. Neither was the case, yet if it were to tip in one side or the other it definitely tips in the direction of a bloated plot. Some characters simply do not get the screentime they require, and with so many characters already it feels like some of them could have been taken out entirely without much effect. Trimming down of characters and irrelevant plot threads could have benefitted the movie greatly. It does, however, do a serviceable job establishing its own identity among fantasy epics. It’s refreshing to see a movie fully embrace two extremes – full-on hard fantasy and the more gritty, realistic and perhaps minimalist fantasy. It strikes a balance with both, so you will see great effects for trolls and fairies while still maintaining a gothic medieval feel. The plot moves forward at a mostly well-paced format, but unfortunately wavers here and there. Sometimes I wished the movie would linger on certain scenes longer – as it can help to have us dwell on great character moments or moments of visual beauty – an unfortunate side effect of a bloated script. While not a problem for the overall plot, the uneven pacing in some scenes can feel a bit rushed. Some questions in the plot went unanswered, but fortunately they aren’t important to the overall understanding of the story.
The only other major issue with the movie is acting. Kristen Stewart as Snow White was an odd choice. Not to say her performance is bad in this film, but it is awkward at points. In some moments she does very well but in others she seems uninspired. It is hard to see her as the titular character instead of just Kristen Stewart in those instances; and in those scenes it feels like she’s as much part of the audience as we are – just with more of a one-note “concerned” facial expression for every instance. While not a breaking element, it leaves more to be desired from her, especially in interactions with others. Chris Hemsworth was much more enjoyable as the Huntsman, and honestly I think his performance along with Theron’s far outbalance any flaws in Kristen Stewart’s acting. The chemistry between the two protagonists seems one sided, as Chris Hemsworth acts well on his side of the equation, but Stewart unfortunately does not reciprocate. Essentially this makes a potential major relationship fall flat. However, Theron completely inhibits the role as the evil Queen. While she may overact in some scenes, she does an excellent job playing a sinister, abusive, powerful and surprisingly tragic villain.
The highlight of the movie is definitely its visual design, cinematography, and action. The only downside in this area is that this movie will definitely remind you of other great movies from long ago. Obvious inspiration from “The Lord of the Rings” echoes while watching, as it even features the same faraway montage shots of the group traversing grand vistas. If you can get passed these obvious influences, it does establish a vibrant and inspired design. That is one of the greatest aspects of the movie – the fact that the director can do so much in a single scene to really draw you in. He does an excellent job using color and pattern contrasts to a striking and awesome effect. There are some great moments that have no action yet are just as enthralling to watch, something difficult to do with just visual style. A great use of color really brings out the themes of the movie – the grey monotones and gothic style bring out a sense of dread and annihilation throughout the Queen’s empire. She truly is a force of parasitism – entirely vampiric in the way she sucks the life out of the entire land around her. She is the embodiment of self-obsession with physical beauty – a force so vain and narcissistic that she acts as a black hole absorbing all beauty around her. Sanders plays this against the vibrant designs of the forest in which Snow White spends most of her time. Alive, colorful, and natural – she embodies natural beauty – and in doing so she seemingly commands nature itself.
Sanders’ directing ability really shines in scenes of action. Instead of lazy overuse of “shaky-cam” to get the effect, he balances it with just enough on-screen choreography so you get intensity without confusion. The movie is truly action packed with familiar medieval-esque battles throughout, but highlighted by truly amazing shots of action and use of fantastical effects. There were a couple instances of eye-rolling wonder at battlefield tactics, but that gets into too much of an area of nitpicking. The action really is one of the best aspects of the movie, and these scenes by themselves outweigh many already mentioned issues.
Overall, “Snow White and the Huntsman” has proven to be a great initial outing for director Rupert Sanders. There are some issues in the flick – namely some instances of uneven pacing and acting issues which leaves some potential to be desired. But even these seemingly huge issues are overshadowed by an excellent use of visual design, cinematography, and action. The plot may be merely serviceable overall, and the movie will remind you of great films long past; yet it still happens to triumph in its main goal – to retell the classic fairly tale of Snow White in the modern Blockbuster sense. In a summer packed with science fiction and superheroes, an entertaining fantasy movie fits in quite nicely.
Gareth von Kallenbach (980 KP) rated Take Me Home Tonight (2011) in Movies
Aug 7, 2019
If you’re planning an 80’s party anytime soon, make sure to download the soundtrack to Take Me Home Tonight. The opening montage alone reminded me of everything I loved about the 80’s. It also gave us a glimpse of Matt Franklin’s high school years. Matt, played by Topher Grace, was the kid voted as “Smartest” in his class, one who existed on the outer fringes of high school popularity, who always had his eye on the most popular girl in school, Tori Fredreking, but could never muster up the courage or find that “in” to catch her attention.
Unsure of where his life is taking him, Matt decides to take a break from MIT during the summer of ’88 and ends up working at Suncoast Video. Of course, who should come strolling in to his store one day but Matt’s high school crush herself. Hoping to impress her, Matt ditches his Suncoast nametag, and tells Tori, played by Teresa Palmer (a deadringer for Kristen Stewart, if Kirsten were blond and more animated), that he works for Goldman-Sachs. Tori’s a banker herself, it turns out, and her curiousity is finally piqued and she encourages him to attend Kyle Masterson’s annual Labor Day party.
Matt relies on his twin sister Wendy, played by Anna Faris, and their best friend Barry, an intense Dan Fogler, to help him build on this “in” and finally get Tori’s phone number. But Matt isn’t the only one having to deal with the confusing transition into adulthood. Wendy has to decide if she wants to pursue her Masters or settle down with her boyfriend Kyle, while Barry just got fired from his car salesman job. The three of them decide to attend the end-of-summer party thrown by Wendy’s boyfriend Kyle, played by Parks & Rec’s Chris Pratt, all with the intent of “living in the now.” Apparently living in the now means commiting grand theft auto, experimenting with cocaine, perpetuating a lie and crashing a bankers’ party.
Despite the silly hijinks, Matt isn’t hard to root for, especially given Topher Grace’s signature sympathetic awkwardness. Fogler’s comic foil to Grace’s straight-man dances precariously along the line between funny and WTH? When the movie about Sam Kinnison’s life is ever made, Fogler should be given serious consideration.
There’s good chemistry between the cast and there’s just enough sweet romance to balance out the outrageous situations. Silly, predictable entertainment, made more fun by the nostalgic soundtrack, this movie is tamer than most of the R-rated comedies of recent note. Think any John Hughes movie meets Hot Tub Time Machine.
Unsure of where his life is taking him, Matt decides to take a break from MIT during the summer of ’88 and ends up working at Suncoast Video. Of course, who should come strolling in to his store one day but Matt’s high school crush herself. Hoping to impress her, Matt ditches his Suncoast nametag, and tells Tori, played by Teresa Palmer (a deadringer for Kristen Stewart, if Kirsten were blond and more animated), that he works for Goldman-Sachs. Tori’s a banker herself, it turns out, and her curiousity is finally piqued and she encourages him to attend Kyle Masterson’s annual Labor Day party.
Matt relies on his twin sister Wendy, played by Anna Faris, and their best friend Barry, an intense Dan Fogler, to help him build on this “in” and finally get Tori’s phone number. But Matt isn’t the only one having to deal with the confusing transition into adulthood. Wendy has to decide if she wants to pursue her Masters or settle down with her boyfriend Kyle, while Barry just got fired from his car salesman job. The three of them decide to attend the end-of-summer party thrown by Wendy’s boyfriend Kyle, played by Parks & Rec’s Chris Pratt, all with the intent of “living in the now.” Apparently living in the now means commiting grand theft auto, experimenting with cocaine, perpetuating a lie and crashing a bankers’ party.
Despite the silly hijinks, Matt isn’t hard to root for, especially given Topher Grace’s signature sympathetic awkwardness. Fogler’s comic foil to Grace’s straight-man dances precariously along the line between funny and WTH? When the movie about Sam Kinnison’s life is ever made, Fogler should be given serious consideration.
There’s good chemistry between the cast and there’s just enough sweet romance to balance out the outrageous situations. Silly, predictable entertainment, made more fun by the nostalgic soundtrack, this movie is tamer than most of the R-rated comedies of recent note. Think any John Hughes movie meets Hot Tub Time Machine.
Movie Metropolis (309 KP) rated The Huntsman: Winter's War (2016) in Movies
Jun 11, 2019
Hemsworth and Chastain Disappoint
Snow White & the Huntsman was a film that garnered much more attention than it deserved, purely because of the goings on behind the scenes between Twilight starlet, Kristen Stewart and director Rupert Sanders. The film itself was a hollow take on the classic fairy-tale that lacked the magic and sparkle of Disney’s wonderful animation.
It’s fair to say then that it never really deserved any kind of follow up, despite a charismatic performance from the wonderful Charlize Theron. Nevertheless, Universal Studios approved another film soon after its release. But is The Huntsman: Winter’s War better than what came before it?
Taking place before and directly alongside the events of its predecessor, Winter’s War follows Emily Blunt’s Ice Queen, Freya, as she struggles to come to terms with the death of her baby. She becomes so consumed by rage and guilt that she banishes herself to an ice castle, much like Elsa from Frozen, training an army of kidnapped children to pass her time.
Chris Hemsworth and Jessica Chastain star as two of these warriors, taken from their families at a young age and taught how to fight and how to block out any feelings of love – as per the Queen’s orders. Naturally, this becomes increasingly difficult and provides the film with its romantic subplot.
Unfortunately, the usually excellent Hemsworth and former Oscar-winner Chastain have next-to-no chemistry and their truly dreadful Celtic accents stop the film dead in its tracks. It’s a shame that Winter’s War relies so heavily on these two when Emily Blunt and a sorely underused Charlize Theron are much, much better.
So much better in fact that the screen comes alive whenever they are on screen, whether that is together or flying solo. Blunt suffers slightly due to the nature of her role, after all, she is known to be a bubbly and happy-go-lucky person, but her Ice Queen is mesmerising and heart-breaking to watch nonetheless.
Theron steals the show yet again, despite her lack of screen time and as she did in its predecessor, lifts Winter’s War well above its average plot and dialogue. Elsewhere, British favourite Sheridan Smith is a pleasant comedic break as a foul-mouthed dwarf.
The cinematography is on the whole very good, with pleasant landscapes, reminiscent of Harry Potter dotted alongside CGI castles, polar bears and goblins. The use of practical effects by first-time director Cedric Nicolas-Troyan is also a pleasure to see in this day and age.
Alas, the plot and dialogue of Winter’s War leaves much to be desired and the lack of screen time for Blunt and Theron hampers what could have been an interesting and unique backstory for this particular duo of films.
Overall, The Huntsman: Winter’s War is an average film hampered further by its two leading stars. Fortunately, the inclusion of Blunt and Theron manages to lift it slightly above the standard of its predecessor, but not by enough for it to warrant another follow up. However, the signposts throughout the 115 minute running time confess a sequel is more than likely.
https://moviemetropolis.net/2016/04/07/hemsworth-and-chastain-disappoint-the-huntsman-review/
It’s fair to say then that it never really deserved any kind of follow up, despite a charismatic performance from the wonderful Charlize Theron. Nevertheless, Universal Studios approved another film soon after its release. But is The Huntsman: Winter’s War better than what came before it?
Taking place before and directly alongside the events of its predecessor, Winter’s War follows Emily Blunt’s Ice Queen, Freya, as she struggles to come to terms with the death of her baby. She becomes so consumed by rage and guilt that she banishes herself to an ice castle, much like Elsa from Frozen, training an army of kidnapped children to pass her time.
Chris Hemsworth and Jessica Chastain star as two of these warriors, taken from their families at a young age and taught how to fight and how to block out any feelings of love – as per the Queen’s orders. Naturally, this becomes increasingly difficult and provides the film with its romantic subplot.
Unfortunately, the usually excellent Hemsworth and former Oscar-winner Chastain have next-to-no chemistry and their truly dreadful Celtic accents stop the film dead in its tracks. It’s a shame that Winter’s War relies so heavily on these two when Emily Blunt and a sorely underused Charlize Theron are much, much better.
So much better in fact that the screen comes alive whenever they are on screen, whether that is together or flying solo. Blunt suffers slightly due to the nature of her role, after all, she is known to be a bubbly and happy-go-lucky person, but her Ice Queen is mesmerising and heart-breaking to watch nonetheless.
Theron steals the show yet again, despite her lack of screen time and as she did in its predecessor, lifts Winter’s War well above its average plot and dialogue. Elsewhere, British favourite Sheridan Smith is a pleasant comedic break as a foul-mouthed dwarf.
The cinematography is on the whole very good, with pleasant landscapes, reminiscent of Harry Potter dotted alongside CGI castles, polar bears and goblins. The use of practical effects by first-time director Cedric Nicolas-Troyan is also a pleasure to see in this day and age.
Alas, the plot and dialogue of Winter’s War leaves much to be desired and the lack of screen time for Blunt and Theron hampers what could have been an interesting and unique backstory for this particular duo of films.
Overall, The Huntsman: Winter’s War is an average film hampered further by its two leading stars. Fortunately, the inclusion of Blunt and Theron manages to lift it slightly above the standard of its predecessor, but not by enough for it to warrant another follow up. However, the signposts throughout the 115 minute running time confess a sequel is more than likely.
https://moviemetropolis.net/2016/04/07/hemsworth-and-chastain-disappoint-the-huntsman-review/
Movie Metropolis (309 KP) rated Snow White and the Huntsman (2012) in Movies
Jun 11, 2019
Snow White has certainly been receiving a lot of attention this year and it’s been hard to ignore two films competing with each other to win the accolade of best cinema adaptation.
Julia Roberts has already starred in sickly sweet adaptation Mirror Mirror and here Kristen Stewart of Twilight fame takes on the lead role in the gritty, dramatic adaptation of the fairytale. But is it a good take on a children’s classic?
Snow White & The Huntsman opens as you would expect with a look back at the aforementioned Princess’ traumatic childhood, from the death of her mother, to witnessing the death of her father King Magnus, it seems like any normal child would’ve had a few problems after this but Snow seems a little more reserved.
Snow White’s father is killed at the hands of her wicked stepmother, played wonderfully by Charlize Theron who really gets her teeth into the role she’s been given and plays the character with a nice dose of evil intertwined with brief moments of sincerity. Those of you familiar with the story will no doubt know that Snow White hides with the seven dwarves to escape the clutches of her stepmother, but more on that later.
Chris Hemsworth, who seems to be getting more and more acting jobs these days does a nice job as the widowed, constantly drunk huntsman, though his accent is a little hard to assess, no doubt done to cover his Australian roots.
Hemsworth is sent by the wicked Queen to kill Snow White so that her eternal youth isn’t threatened but things run less than smoothly as he realises that he is being tricked, he and Snow then decide to go on the run, bumping into the seven dwarves along the way.
The Kingdom in which they live is beautifully realised in fabulous CGI, from the dark forest, to the towering stone walls of the castle and then further into the ‘sanctuary’ a place where people can go to relax and unwind. Fairies, badgers, foxes, rabbits, mushrooms with beady little eyes and moss covered tortoises are amongst the creatures here and ruling over them all is the spirit of the forest, a fabulous and very real looking white stag.
This is, however, where Snow White & The Huntsman falls short. Yes, the CGI is impeccable and yes the acting is good, but it all feels a little bit soulless. It’s all about the frills rather than creating a deep and meaningful story. It has the basics right but it’s impossible to care about the characters because there isn’t enough back-story. Each set piece is interspersed with a little bit of emotion, but it’s not really enough and because of this, the entire film feels disjointed.
This is made worse by the fact the film is stretched to over two hours when there isn’t really enough story to create a two hour film.
Unfortunately, these points detract from what is a wonderful and beautifully realised adaptation of a classic children’s fairytale. To compare it to Mirror Mirror would be unfair as they are both so different. Snow White & The Huntsman is like last year’s Alice in Wonderland, it all looks and sounds great, but is ultimately; decidedly average.
https://moviemetropolis.net/2012/06/07/snow-white-the-huntsman-review/
Julia Roberts has already starred in sickly sweet adaptation Mirror Mirror and here Kristen Stewart of Twilight fame takes on the lead role in the gritty, dramatic adaptation of the fairytale. But is it a good take on a children’s classic?
Snow White & The Huntsman opens as you would expect with a look back at the aforementioned Princess’ traumatic childhood, from the death of her mother, to witnessing the death of her father King Magnus, it seems like any normal child would’ve had a few problems after this but Snow seems a little more reserved.
Snow White’s father is killed at the hands of her wicked stepmother, played wonderfully by Charlize Theron who really gets her teeth into the role she’s been given and plays the character with a nice dose of evil intertwined with brief moments of sincerity. Those of you familiar with the story will no doubt know that Snow White hides with the seven dwarves to escape the clutches of her stepmother, but more on that later.
Chris Hemsworth, who seems to be getting more and more acting jobs these days does a nice job as the widowed, constantly drunk huntsman, though his accent is a little hard to assess, no doubt done to cover his Australian roots.
Hemsworth is sent by the wicked Queen to kill Snow White so that her eternal youth isn’t threatened but things run less than smoothly as he realises that he is being tricked, he and Snow then decide to go on the run, bumping into the seven dwarves along the way.
The Kingdom in which they live is beautifully realised in fabulous CGI, from the dark forest, to the towering stone walls of the castle and then further into the ‘sanctuary’ a place where people can go to relax and unwind. Fairies, badgers, foxes, rabbits, mushrooms with beady little eyes and moss covered tortoises are amongst the creatures here and ruling over them all is the spirit of the forest, a fabulous and very real looking white stag.
This is, however, where Snow White & The Huntsman falls short. Yes, the CGI is impeccable and yes the acting is good, but it all feels a little bit soulless. It’s all about the frills rather than creating a deep and meaningful story. It has the basics right but it’s impossible to care about the characters because there isn’t enough back-story. Each set piece is interspersed with a little bit of emotion, but it’s not really enough and because of this, the entire film feels disjointed.
This is made worse by the fact the film is stretched to over two hours when there isn’t really enough story to create a two hour film.
Unfortunately, these points detract from what is a wonderful and beautifully realised adaptation of a classic children’s fairytale. To compare it to Mirror Mirror would be unfair as they are both so different. Snow White & The Huntsman is like last year’s Alice in Wonderland, it all looks and sounds great, but is ultimately; decidedly average.
https://moviemetropolis.net/2012/06/07/snow-white-the-huntsman-review/