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Fifty Shades Darker (2017)
Fifty Shades Darker (2017)
2017 | Drama, Romance
Anastasia Steele (Dakota Johnson) and Christian Grey (Jamie Dornan) have returned in “50 Shades Darker” which looks to continue the massive success of the series.

Picking up shortly after the last film, the newly single Anastasia has begun working her dream job as an assistant in a Seattle publishing company. When she is reunited with Christian at a social event, he pleads with her to take him back and offers to redefine the terms of their relationship agreement.

Although cautions, she takes him back and despite telling him she wants to take it slow, the first of many sex scenes follow.

Although happy to be reunited, the pair are plagued by issues from Christian’s past as well as his own inner demons which constantly pull at them and threaten to undermine their new relationship.

Of course much if it is little more than thinly veiled lip service designed to get them into the bedroom time and time again so the camera can focus on their bodies and Christian resorting to his old ways with all manner of restraints and devices.

One would think that a film that is supposed to be so erotic would be far more exciting and titillating but the film’s sex scenes are so dull and by the numbers you will soon find yourself losing interest. A big part of this goes to the total lack of chemistry between the leads. If you thought it was strained in the first film it is pretty much non-existent this time out. The dialogue is also not much better as it is laughably bad in areas and unintentionally funny. The monotone delivery of the leads does not help much as it seems like there is a competition to see how many shots of the beautiful Seattle area and their bodies can be creamed into the film.

Kim Bassinger does bring the film a bit of intrigue as a woman from Christian’s past, but she is not in the film enough to really make that much of a difference as pretty much all of the supporting characters are paper thin and not given the chance to grow.

I did like the film more than I liked the original film, but I continue to struggle with the appeal of the film series. The leads lack any chemistry and supporters of the BDSM lifestyle have said the series does not portray their lifestyle accurately and that what Christian does is abusive.

I posted the question that how much appeal would the series have if Christian was a struggling musician living in a hovel who could not even afford a Starbucks run. He would be considered a deeply damaged individual who women would run from. But package him up as a young and attractive billionaire, and it seems that common sense goes out the window as far as the ladies in his life go, and he gets a pass on behaviors that would be totally unacceptable to most.

For me the lack of eroticism, chemistry between the leads, and a compelling story could be overlooked as despite the issues, it does entertain. But when the characters are so hard to like, I found myself not having much sympathy for any obstacles they encountered. My advice, wait for the video as there are far more erotic and entertaining films on Netflix.

http://sknr.net/2017/02/09/50-shades-darker/
  
Ready Player One
Ready Player One
Ernest Cline | 2011 | Fiction & Poetry
9
8.9 (161 Ratings)
Book Rating
Great action (3 more)
Cool references
Engaging
Solid detail and character development
Some anti-Christian sentiment (1 more)
What happens after the ending- would love follow up info
A Christian Review Of Ready Player One
I just finished another entertaining romp into the fictional realm with Ernest Cline's, Ready Player One. This was particularly engaging for a former/current video gamer like myself. It also provided a setting that I feel is a potentially realistic outcome of our current technology boom and humanist outlook in society.

The plot centers around Wade and the online game OASIS. The OASIS has expanded such that nearly everyone in society is constantly jacked into the system, neglecting real-life in favor of virtual fantasy and role playing. The OASIS gives users the ability to level up a character (Similar to an MMO like World of Warcraft), and interact virtually with other "Avatars."

The sad reality is that the real world has become a shell of its former self after multiple wars, and no one really seems to mind as they are constantly jacked into the fantasy world of the OASIS.

The OASIS creator dies and leaves his money (multi-billion) to whomever can solve a set of obscure puzzles built into the OASIS, all linked to 1980s trivia.

While it sounds odd on the surface, the first-person narration style gives the feel that you are actually a part of this new reality. The descriptions of the game and Avatar functions are well done.

Spiritually, just like the Hunger Games Trilogy, it is lacking. In what I am calling post-apocalypic humanism, the world is obviously very anti-religion/Christianity in this setting.

My theory would be that the humanistic views that are permeating our society currently eventually led to the decline in civilization as man was not accountable to anyone but himself, and the world suffered for it.

It is clear from the beginning that the protagonist, Wade, has never believed in God (though his friendly neighbor is described as a Christian who spends time logged into the OASIS at a virtual church, worshipping). The way that this is expressed comes across much like the way humanists and atheists of our day express it. With much distaste and an inferior view of God. God is compared to the Easter Bunny and other childhood fantasies, and the characters in the book do not seek any higher power. Still Wade is not an entirely unlikable character, even in light of his lack of faith, and this mindset is not prominently mentioned enough to detract from the book as a whole. Christians will likely feel pity for the characters whose mere existence has no meaning.

For Christians, we know that through our relationship with Christ, this life has meaning, and we have a purpose. There is no randomness, but rather a carefully orchestrated plan for each of us by a God who loves us and longs for us to be with him eternally.

A post-apocalypic world viewed through Christian eyes would be much less dystopian, so I imagine that is why authors in this category of fiction stray from God when possible. It adds to the bleak outlook of characters whose only purpose is living day to day, and trying to get along with one another.

I think Christians who read this type of literature should be aware that it is far from the truth that we know in Christ Jesus. When we see the world through only human eyes, and every man does what is right in his own eyes, we can only expect such a derelict society to be the result.

Ready Player One is an entertaining, albeit bleak story with solid detail and character development. Most Christians can skip this one, but for any gamers or fans of the 1980s out there it could provide a good fiction read.

Discussion Questions for Christians:
Does our society seem to be heading down a path that would lead to this type of world?
How would the worldview in the book be different if the main characters had a focus on Christ?
Can a protagonist that is not Christian, but a "decent guy" be a good role model for us?
Would living in a virtual world the majority of the time give us a distorted view of reality?
  
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Awix (3310 KP) rated Terminator: Dark Fate (2019) in Movies

Oct 25, 2019 (Updated Oct 25, 2019)  
Terminator: Dark Fate (2019)
Terminator: Dark Fate (2019)
2019 | Action, Adventure, Sci-Fi
Expectations for this sixth Terminator movie were so low that even with a breathe-on-it-and-it-collapses plot, this is an startlingly effective sequel. A young girl finds herself the target of an assassination machine from the future, but a cyborg soldier has also been sent back to protect her. But this is not the first time round the time loop, and survivors from a previous version of this story find themselves drawn into the conflict...

So, yes, the plot only just manages to hold together, and the film is saddled with a leadenly reductionist message to put across - but it smartly identifies the one reproducible element of Terminator 2 that was really distinctive (Sarah Connor's transformation into an unhinged bad-ass) and plays that for all it's worth, accompanying it with some cracking action and fight sequences. Arnie doesn't show up until quite late on, but is so effective when he does it really unbalances the film (he plays the comedy inherent in his role as a Terminator who's been living undercover in suburbia for decades with great aplomb). Still not exactly brilliant, but streets ahead of the ones with Christian Bale and Jason Clarke.