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What scares you the most? Ghouls, vampires, slime-fanged aliens ...or something terrible that truly could happen? For me it's definitely the latter.
Our narrator, Jon, is a historian witnessing the most monumental event of humanity but at a great distance. He feels compelled to keep a record of the people isolated with him in a vast hotel. He collects their stories and feelings in the faint hope that some sort of civilisation will survive long enough to rediscover them. Through his journal we experience what it would be like to be aware that the world was ending, billions dying, but be totally disconnected from the horrific events.
Most books set during an apocalypse are fraught with traumatic dashes, violent brushes with death, horror and misery. There are elements of that here but this book mostly poses the question of what you would do if there was little drama but lots of time to dwell on things. The people in the hotel are comparatively safe in an old hotel surrounded by forest. They wait for something to happen, for someone to rescue them, or perhaps just for their food to run out. Jon embarks on a quest to solve one cruel murder, taking him down a path of mistrust and near hysteria.
I enjoyed the blend of dystopia and murder mystery; the first half of the book reads like a modern day progeny of George Orwell and Agatha Christie. Asking your audience to imagine bombs wiping out entire countries but then drastically limiting their focus to one death amongst multitudes is startling. I also liked the references to real people and places, there were definite shades of the Cecil Hotel here for a true-crime/horror podcast junkie like me to appreciate. However, I do feel that the novel lost it's way towards the end - trying to be all things to all people perhaps. It's definitely worth reading and I'm keen to see more from this author.
Our narrator, Jon, is a historian witnessing the most monumental event of humanity but at a great distance. He feels compelled to keep a record of the people isolated with him in a vast hotel. He collects their stories and feelings in the faint hope that some sort of civilisation will survive long enough to rediscover them. Through his journal we experience what it would be like to be aware that the world was ending, billions dying, but be totally disconnected from the horrific events.
Most books set during an apocalypse are fraught with traumatic dashes, violent brushes with death, horror and misery. There are elements of that here but this book mostly poses the question of what you would do if there was little drama but lots of time to dwell on things. The people in the hotel are comparatively safe in an old hotel surrounded by forest. They wait for something to happen, for someone to rescue them, or perhaps just for their food to run out. Jon embarks on a quest to solve one cruel murder, taking him down a path of mistrust and near hysteria.
I enjoyed the blend of dystopia and murder mystery; the first half of the book reads like a modern day progeny of George Orwell and Agatha Christie. Asking your audience to imagine bombs wiping out entire countries but then drastically limiting their focus to one death amongst multitudes is startling. I also liked the references to real people and places, there were definite shades of the Cecil Hotel here for a true-crime/horror podcast junkie like me to appreciate. However, I do feel that the novel lost it's way towards the end - trying to be all things to all people perhaps. It's definitely worth reading and I'm keen to see more from this author.
I have found the series to be lots of fun. It features a spunky heroine who is at home in all the great cities in Europe, is great at her job, and takes the more than occasional murder in stride.
The thing I find most intriguing and also most inviting about this series is the fact that the murder takes place so late in the story that you almost forget that this is supposed to be a murder mystery. Instead, you get to meet all the characters, learn their secrets and affiliations, begin to develop feelings for them. It is very Agatha Christie like and very cool. The great characters added to the brilliant descriptions of European cities, tour stops, and culture makes the reader feel like they are taking part in the tour and gives them a personal stake in discovering whodunnit.
Death of Leprechaun is no exception. Lana has secured a spot on her current tour for dear friends of hers and she is really looking forward to touring Dublin. Unbeknownst to her, almost every member of the tour has a connection to a corrupt reporter who ends up dead. Everyone he has written about or even for has a motive to want him dead, but only Lana’s tour group had access to the murder weapon.
Beyond the search for the murderer, I have to admit my favorite part of this book is when Dottie and later Lana hang a lantern on the fact that guests in Lana’s tours always seem to turn up dead. Though I will give kudos for the switch up here in that the tour group is still suspect, but the victim, is an outsider.
Readers who enjoy travel fiction, epic character development, and clever mysteries will enjoy this series.
⭐⭐⭐⭐⭐
Rating: 4.5 out of 5.
I received an advance review copy for free through Great Escapes Virtual Book Tours, and I am leaving this review voluntarily
The thing I find most intriguing and also most inviting about this series is the fact that the murder takes place so late in the story that you almost forget that this is supposed to be a murder mystery. Instead, you get to meet all the characters, learn their secrets and affiliations, begin to develop feelings for them. It is very Agatha Christie like and very cool. The great characters added to the brilliant descriptions of European cities, tour stops, and culture makes the reader feel like they are taking part in the tour and gives them a personal stake in discovering whodunnit.
Death of Leprechaun is no exception. Lana has secured a spot on her current tour for dear friends of hers and she is really looking forward to touring Dublin. Unbeknownst to her, almost every member of the tour has a connection to a corrupt reporter who ends up dead. Everyone he has written about or even for has a motive to want him dead, but only Lana’s tour group had access to the murder weapon.
Beyond the search for the murderer, I have to admit my favorite part of this book is when Dottie and later Lana hang a lantern on the fact that guests in Lana’s tours always seem to turn up dead. Though I will give kudos for the switch up here in that the tour group is still suspect, but the victim, is an outsider.
Readers who enjoy travel fiction, epic character development, and clever mysteries will enjoy this series.
⭐⭐⭐⭐⭐
Rating: 4.5 out of 5.
I received an advance review copy for free through Great Escapes Virtual Book Tours, and I am leaving this review voluntarily
Whatchareadin (174 KP) rated If I Fall, If I Die in Books
May 10, 2018
Will Cardiel and his mother live together in Thunder Bay. To Will's knowledge, he has never been outside of his house. He has never been to school, never had a friend, and has never been to a family members for the holiday. His mother has taught him everything; how to create masterpieces on canvas, how to write a check and how to answer the door for all the different delivery people who visit their house.
When Will hears a loud bag Outside, he is determined to find out what it is and why his mother insists he stays Inside. Will's Mom, Diane, is agoraphobic and the idea of Will or herself going Outside sends her to a place, Will calls the Black Lagoon. When Will finally makes it Outside, he's not sure what the big deal is. He find himself on the Outside more and his mom gets sucked deeper into the Black Lagoon.
Michael Christie writes an interesting quirky novel that keeps the reader guessing about where they are. While the location of most of the book takes place in the town of Thunder Bay in Canada, but the Cardiel's have named each room in their house after a major city. The Basement is Toronto, the Kitchen is Paris, Will's Room is New York, Diane's Room is San Francisco, the Living Room is Cairo and the Bathroom is Venice. Inside and Outside are capitalized throughout the book as if they also are their own little towns.
I have never met anyone who has agoraphobia before. Diane reminded me of Joan Cusak's character on the show Shameless. When she was first introduced into the show, she could not leave her house.
While Will is Outside, Diane tries all she can to relax. Will these two be able to both live their lives in a reasonable manner? Is there any way for Will to enjoy the Outside without sending his mother so far into the Black Lagoon, she may never return. This is a beautifully written book, but it gave me many mixed emotions throughout.
**I received this book from Blogging for Books in exchange for my honest review.**
When Will hears a loud bag Outside, he is determined to find out what it is and why his mother insists he stays Inside. Will's Mom, Diane, is agoraphobic and the idea of Will or herself going Outside sends her to a place, Will calls the Black Lagoon. When Will finally makes it Outside, he's not sure what the big deal is. He find himself on the Outside more and his mom gets sucked deeper into the Black Lagoon.
Michael Christie writes an interesting quirky novel that keeps the reader guessing about where they are. While the location of most of the book takes place in the town of Thunder Bay in Canada, but the Cardiel's have named each room in their house after a major city. The Basement is Toronto, the Kitchen is Paris, Will's Room is New York, Diane's Room is San Francisco, the Living Room is Cairo and the Bathroom is Venice. Inside and Outside are capitalized throughout the book as if they also are their own little towns.
I have never met anyone who has agoraphobia before. Diane reminded me of Joan Cusak's character on the show Shameless. When she was first introduced into the show, she could not leave her house.
While Will is Outside, Diane tries all she can to relax. Will these two be able to both live their lives in a reasonable manner? Is there any way for Will to enjoy the Outside without sending his mother so far into the Black Lagoon, she may never return. This is a beautifully written book, but it gave me many mixed emotions throughout.
**I received this book from Blogging for Books in exchange for my honest review.**
Bookapotamus (289 KP) rated The Seven Deaths Of Evelyn Hardcastle in Books
May 29, 2018
What a ride! Wow. I'm stumped as to how to even explain how detailed and twisty and turny and clever this book is! I read somewhere that Stuart Turton had to map out an 8-day timeline with post-its marking every 2 minutes so he could keep track of everything - and wow! Just wow. I cannot even imagine the thought and preparation that went into arranging this story!
There is such creativity to this mystery - reminiscent of the best Agatha Christie novels, the book is set at Blackheath, a sprawling ancient estate, which has seen better days. But back in it's glory, almost two decades ago, there was a murder of a little boy. Now, coming up on the 20th anniversary, a whole slew of characters is gathered at the crumbling estate by the matriarch of the family, and yet another murder occurs.
Evelyn Hardcastle is the sister of that little boy, and she will die every single day until Adrian Bishop can solve the murder. He's stuck in an 8-day loop, and needs to figure out the killer and break the cycle. Oh and did I mention that every time her falls asleep, or goes unconscious, he wakes up in the body (and mind!) of a different guest?!
I loved how this all played out - Imagine waking up in an obese body that stinks and can't even get out of a bathtub without assistance! And then in that of a constable with a sharp clever mind and gorgeous fiancé, and then a drug dealer! What a ride this was! I dove right into it not knowing what to expect and breezed through the first 1/3 of it. By 2/3 in I started getting a little bit mixed up. The timeline jumps across and back the span of 8 days and you never know where in the past or future you will end up - or in whose (of 8 guests) mind/body. But by the last 1/3 - I was ravenously flipping pages to find out who killed Evelyn and the end does NOT disappoint! Wow! Again - wow!
What really cool and clever idea. I've never read anything like this and it was seriously one of the most inventive and creative murder mysteries I've ever read.
There is such creativity to this mystery - reminiscent of the best Agatha Christie novels, the book is set at Blackheath, a sprawling ancient estate, which has seen better days. But back in it's glory, almost two decades ago, there was a murder of a little boy. Now, coming up on the 20th anniversary, a whole slew of characters is gathered at the crumbling estate by the matriarch of the family, and yet another murder occurs.
Evelyn Hardcastle is the sister of that little boy, and she will die every single day until Adrian Bishop can solve the murder. He's stuck in an 8-day loop, and needs to figure out the killer and break the cycle. Oh and did I mention that every time her falls asleep, or goes unconscious, he wakes up in the body (and mind!) of a different guest?!
I loved how this all played out - Imagine waking up in an obese body that stinks and can't even get out of a bathtub without assistance! And then in that of a constable with a sharp clever mind and gorgeous fiancé, and then a drug dealer! What a ride this was! I dove right into it not knowing what to expect and breezed through the first 1/3 of it. By 2/3 in I started getting a little bit mixed up. The timeline jumps across and back the span of 8 days and you never know where in the past or future you will end up - or in whose (of 8 guests) mind/body. But by the last 1/3 - I was ravenously flipping pages to find out who killed Evelyn and the end does NOT disappoint! Wow! Again - wow!
What really cool and clever idea. I've never read anything like this and it was seriously one of the most inventive and creative murder mysteries I've ever read.
Chris Sawin (602 KP) rated Death on the Nile (2022) in Movies
Feb 10, 2022
Most of the female cast. (2 more)
Poirot's backstory.
Kenneth Branagh's mustache.
Slow-moving with little payoff. (2 more)
Nothing substantial happens for the first hour.
Not entertaining. Perfect example of first world problems.
A Drowzy Whodunit Loaded with Mediocrity
Death on the Nile is the sequel to 2017’s Murder on the Orient Express with director and lead actor Kenneth Branagh returning. The mystery thriller is based on the 1937 novel of the same name by Agatha Christie. Death on the Nile has been adapted before as a 1978 film and as a 2004 episode of the Poirot television series starring David Suchet.
The 2022 film has been completed since December of 2019. The film was moved around several times due to COVID and was pushed back even further after Armie Hammer’s abuse allegations.
Mostly occurring shortly after the events of Murder on the Orient Express, Death on the Nile offers a bit of a look into the past of Hercule Poirot (Branagh). Taking place on the Yser Bridge in Belgium In 1914, a young Poirot advises his Belgian captain to attack the Germans spontaneously without warning. The attack is a success, but Poirot’s captain triggers an explosive after their victory. The explosion leaves Poirot’s face heavily scarred and offers an explanation as to why he always has a mustache.
Poirot reunites with his friend Bouc (Tom Bateman, who also returns from Murder on the Orient Express) in Egypt. Bouc is traveling with his mother Euphemia (Annette Bening) and their friends as they celebrate the marriage of Linnet Ridgeway (Gal Gadot) and Simon Doyle (Armie Hammer). To make matters more complicated, Simon was originally romantically involved with Jaqueline (Emma Mackey) who was also a former friend of Linnet. She now scornfully follows Simon and Linnet around Egypt.
The party travels on the S. S. Karnak, a steamship, along the river Nile. A murder eventually takes place on the steamship, which ignites a desire within Poirot to discover who the killer is before more suffer the same fate.
CGI and visual effects are used to make Kenneth Branagh look younger in the opening sequence of the film. The issue is he looks almost as bad as Henry Cavill did as Superman during the reshoots for Justice League. Branagh’s upper lip is almost nonexistent during this sequence and his philtrum seems to barely move when he speaks. It’s a visual nightmare and a terrible way to jump start a murder mystery.
Poirot travels to a Jazz nightclub where he’s first introduced to Simon, Jacqueline, and Linnet. Poirot spends much of the film embracing his OCD habits and people watching. This first nightclub sequence is about ten minutes long and you’re basically forced to watch people do nothing but dance for that entire time. Armie Hammer’s overly sexual dancing combined with his heavy breathing and constant sweating with both Gal Gadot and Emma Mackey is nauseating even without taking his sexual allegations into consideration.
Nothing really happens in the film for the first hour. Death on the Nile takes its time getting to the murder as little things begin to disappear (like a tube of paint) and Simon and Linnet are nearly crushed to death by a falling rock as they’re practically mid-coitus while sightseeing some pyramids. Emma Mackey gives a particularly strong performance. She is blinded by one-sided love in the film and her performance is a combination of passion, borderline insanity, and a broken heart.
Annette Bening is so cynical that it’s humorous and Jennifer Saunders adds just enough sarcastic bite to remind us ever so slightly of Absolutely Fabulous. Letitia Wright portrays business manager Rosalie Otterbourne. Her performance is intriguing because she’s always fighting for what she feels like she’s rightfully owed; whether it’s the right amount of money for her services or her happiness away from the limelight.
Like Murder on the Orient Express and other Agatha Christie adaptations, the enticing aspect of Death on the Nile is not only its massive and recognizable cast but also the fact that the story is written in a way that everyone is a suspect. The film’s nonchalant way of meandering towards that first murder is frustrating. A deliberate pace is one thing, but Death on the Nile is boring for the most part. Poirot is asked to take a case involving Jacqueline and the safety of Simon and Linnet, but is then mocked for being heartless and not being able to solve the case sooner. The people on board are likely meant to be scared, but come off as rich people not getting what they want the instant they want it.
Death on the Nile crawls towards a resolution you don’t feel invested in. Poirot’s backstory is interesting and there are some solid performances especially from the female cast, but the film otherwise feels like an unwanted game of Guess Who after you unwillingly chug two bottles of NyQuil and are asked to predict who the killer is after two long hours of tediousness.
The 2022 film has been completed since December of 2019. The film was moved around several times due to COVID and was pushed back even further after Armie Hammer’s abuse allegations.
Mostly occurring shortly after the events of Murder on the Orient Express, Death on the Nile offers a bit of a look into the past of Hercule Poirot (Branagh). Taking place on the Yser Bridge in Belgium In 1914, a young Poirot advises his Belgian captain to attack the Germans spontaneously without warning. The attack is a success, but Poirot’s captain triggers an explosive after their victory. The explosion leaves Poirot’s face heavily scarred and offers an explanation as to why he always has a mustache.
Poirot reunites with his friend Bouc (Tom Bateman, who also returns from Murder on the Orient Express) in Egypt. Bouc is traveling with his mother Euphemia (Annette Bening) and their friends as they celebrate the marriage of Linnet Ridgeway (Gal Gadot) and Simon Doyle (Armie Hammer). To make matters more complicated, Simon was originally romantically involved with Jaqueline (Emma Mackey) who was also a former friend of Linnet. She now scornfully follows Simon and Linnet around Egypt.
The party travels on the S. S. Karnak, a steamship, along the river Nile. A murder eventually takes place on the steamship, which ignites a desire within Poirot to discover who the killer is before more suffer the same fate.
CGI and visual effects are used to make Kenneth Branagh look younger in the opening sequence of the film. The issue is he looks almost as bad as Henry Cavill did as Superman during the reshoots for Justice League. Branagh’s upper lip is almost nonexistent during this sequence and his philtrum seems to barely move when he speaks. It’s a visual nightmare and a terrible way to jump start a murder mystery.
Poirot travels to a Jazz nightclub where he’s first introduced to Simon, Jacqueline, and Linnet. Poirot spends much of the film embracing his OCD habits and people watching. This first nightclub sequence is about ten minutes long and you’re basically forced to watch people do nothing but dance for that entire time. Armie Hammer’s overly sexual dancing combined with his heavy breathing and constant sweating with both Gal Gadot and Emma Mackey is nauseating even without taking his sexual allegations into consideration.
Nothing really happens in the film for the first hour. Death on the Nile takes its time getting to the murder as little things begin to disappear (like a tube of paint) and Simon and Linnet are nearly crushed to death by a falling rock as they’re practically mid-coitus while sightseeing some pyramids. Emma Mackey gives a particularly strong performance. She is blinded by one-sided love in the film and her performance is a combination of passion, borderline insanity, and a broken heart.
Annette Bening is so cynical that it’s humorous and Jennifer Saunders adds just enough sarcastic bite to remind us ever so slightly of Absolutely Fabulous. Letitia Wright portrays business manager Rosalie Otterbourne. Her performance is intriguing because she’s always fighting for what she feels like she’s rightfully owed; whether it’s the right amount of money for her services or her happiness away from the limelight.
Like Murder on the Orient Express and other Agatha Christie adaptations, the enticing aspect of Death on the Nile is not only its massive and recognizable cast but also the fact that the story is written in a way that everyone is a suspect. The film’s nonchalant way of meandering towards that first murder is frustrating. A deliberate pace is one thing, but Death on the Nile is boring for the most part. Poirot is asked to take a case involving Jacqueline and the safety of Simon and Linnet, but is then mocked for being heartless and not being able to solve the case sooner. The people on board are likely meant to be scared, but come off as rich people not getting what they want the instant they want it.
Death on the Nile crawls towards a resolution you don’t feel invested in. Poirot’s backstory is interesting and there are some solid performances especially from the female cast, but the film otherwise feels like an unwanted game of Guess Who after you unwillingly chug two bottles of NyQuil and are asked to predict who the killer is after two long hours of tediousness.
Kristy H (1252 KP) rated The Death of Mrs Westaway in Books
Mar 10, 2019
Spooky & fun read
Things aren't going well for Hal, who has been struggling financially and emotionally since her mother passed away. So when she receives a letter stating that she's a beneficiary to a well-sized inheritance, she thinks it may be the answer to her prayers. She also quickly realizes that the letter was sent to the wrong person, but she hopes to use her abilities as a tarot-card reader to claim the money. Once at the funeral of her supposed "grandmother," Hal finds herself drawn to her fake new family, something she never had growing up. She also starts to feel like something is off about the supposed situation and the odd, imposing home where they are all residing.
This novel wasn't what I was expecting, but that wasn't necessarily a bad thing. It's a creepy, almost gothic book--not your typical whodunit--but more a slow-burning thriller in a Agatha Christie type style. The star of the show is Harriet, aka Hal, whom the book focuses on and who is our narrator for the majority of the novel. We get most of the story from her point of view, with the exception of excerpts of diary entries from the 1990s. Luckily Hal is an interesting character, even if she's in a bit of trouble, having borrowed money from some disreputable sources, and basically just being over her head since the death of her mom a few years ago. She's young and while it seems insane that she'd go off on this quest to claim an inheritance that isn't hers, you can sense and understand her desperation.
Once Hal arrives at Trespassen, the imposing yet decreipt mansion of the woman who is supposed to be her grandmother, the gothic style of the novel ratchets up, and it is really quite eerie at times. We get introduced to a trio of men who should be Hal's uncles, if she was who she claimed. The cast of characters is limited and the story isn't fast-paced, per se, but I found it quite compelling, as the reader, along with Hal, is trying to work out a variety of things. We realize that Hal does have ties to this family, but nothing is truly as it seems, and all is creepy and foreboding.
Overall, I enjoyed this one. It's a bit slow at times, but still quite interesting, and I enjoyed Hal's character. It's spooky and a fun read.
This novel wasn't what I was expecting, but that wasn't necessarily a bad thing. It's a creepy, almost gothic book--not your typical whodunit--but more a slow-burning thriller in a Agatha Christie type style. The star of the show is Harriet, aka Hal, whom the book focuses on and who is our narrator for the majority of the novel. We get most of the story from her point of view, with the exception of excerpts of diary entries from the 1990s. Luckily Hal is an interesting character, even if she's in a bit of trouble, having borrowed money from some disreputable sources, and basically just being over her head since the death of her mom a few years ago. She's young and while it seems insane that she'd go off on this quest to claim an inheritance that isn't hers, you can sense and understand her desperation.
Once Hal arrives at Trespassen, the imposing yet decreipt mansion of the woman who is supposed to be her grandmother, the gothic style of the novel ratchets up, and it is really quite eerie at times. We get introduced to a trio of men who should be Hal's uncles, if she was who she claimed. The cast of characters is limited and the story isn't fast-paced, per se, but I found it quite compelling, as the reader, along with Hal, is trying to work out a variety of things. We realize that Hal does have ties to this family, but nothing is truly as it seems, and all is creepy and foreboding.
Overall, I enjoyed this one. It's a bit slow at times, but still quite interesting, and I enjoyed Hal's character. It's spooky and a fun read.
Lee (2222 KP) rated Knives Out (2019) in Movies
Nov 26, 2019 (Updated Nov 29, 2019)
The morning after his 85th birthday party, millionaire Harlan Thrombey (Christopher Plummer) is found dead in his study. The local police find no evidence of foul play and come to the conclusion that his death was a suicide. However, an anonymous person believes otherwise and has hired celebrity detective Benoit Blanc (Daniel Craig) to try and determine 'whodunit'. When Blanc arrives at the Thrombey residence, it's been a week since Harlan's death, and all members of his large eccentric family have been assembled for further questioning by the police while Blanc looks on, quietly digesting their stories.
The family is portrayed by an impressive cast - Harlan’s daughter Linda (Jamie Lee Curtis) is the matriarch of the family, married to womanizer Richard (Don Johnson) and mother to Ransom (Chris Evans). Harlan's son Walt (Michael Shannon) works for his fathers publishing company and Joni (Toni Collette) is the wife of Harlan's late son. As they each recount their version of events, all slightly different to the others, it becomes clear that none of them is particularly honest, and that all of them had ample reason to want Harlan out of their lives.
The only person seemingly telling the truth, due to the fact that she suffers from a condition whereby she throws up if she doesn't, is Harlan's young nurse and confidante, Marta (Ana de Armas). She was the last to see Harlan the night he died, so her version of the events that took place that evening leading up to his demise are taken as the truth. It's up to Blanc to try and deduce what happened during the few hours that Marta was away from the house until the next morning.
Much of the fun of Knives Out comes from piecing together the various layers of information and working out who the hell is actually telling the truth. It's classic Agatha Christie stuff with a modern twist, a house full of characters that could easily have been lifted straight out of a game of Clue/Cluedo and twists and turns aplenty, keeping you on your toes and guessing at the truth until the very end. I felt it lagged for a while during the second half though, before gathering pace again for the finale, and I didn't find it to be the huge standout hit of the year that many reviewers have claimed it to be either. But, overall, Knives Out is just a hell of a lot of devilish fun.
The family is portrayed by an impressive cast - Harlan’s daughter Linda (Jamie Lee Curtis) is the matriarch of the family, married to womanizer Richard (Don Johnson) and mother to Ransom (Chris Evans). Harlan's son Walt (Michael Shannon) works for his fathers publishing company and Joni (Toni Collette) is the wife of Harlan's late son. As they each recount their version of events, all slightly different to the others, it becomes clear that none of them is particularly honest, and that all of them had ample reason to want Harlan out of their lives.
The only person seemingly telling the truth, due to the fact that she suffers from a condition whereby she throws up if she doesn't, is Harlan's young nurse and confidante, Marta (Ana de Armas). She was the last to see Harlan the night he died, so her version of the events that took place that evening leading up to his demise are taken as the truth. It's up to Blanc to try and deduce what happened during the few hours that Marta was away from the house until the next morning.
Much of the fun of Knives Out comes from piecing together the various layers of information and working out who the hell is actually telling the truth. It's classic Agatha Christie stuff with a modern twist, a house full of characters that could easily have been lifted straight out of a game of Clue/Cluedo and twists and turns aplenty, keeping you on your toes and guessing at the truth until the very end. I felt it lagged for a while during the second half though, before gathering pace again for the finale, and I didn't find it to be the huge standout hit of the year that many reviewers have claimed it to be either. But, overall, Knives Out is just a hell of a lot of devilish fun.
Christina Haynes (148 KP) rated The Hazel Wood in Books
Feb 24, 2018 (Updated Feb 24, 2018)
The Hazel Wood
The Hazel Wood
By Melissa Albert
Review: Christina Haynes
Have you ever wanted to go into the world of fairytales. To see their stories unfold, to learn more about them and not just through the pages of a book?
Alice used to want to know more about them. When your Grandmother is the famous author of the ‘Hinterland’. A world where Fairytales are dark like the story of ‘Alice three times’ of course you would want to know more. Especially when you haven’t met the woman and your mother never talks about her.
But when you do finally enter the Hinderland you see that it’s not all it’s cracked up to be.
Alice and her mother Ella have been on the run all of Alice’s life. Ella grew up on fairytales and Alice grew up on highways. They have both been running from this bad luck that always seems to follow them wherever they go. Which Ella believes comes from her mother, Althea.
Althea Properpine was traveling with a man and when their affair ended she vanished. Alike with Agatha Christie, she returned and no one knew where she had been. Unlike Agatha she remembered – she was in the Hinterland. A place where her stories began.
Althea’s books cannot be found anywhere, she has a huge fan base who never reveal the pages of her book. Everything about her is a mystery, even her home, The Hazel Wood.
Her only known interview was with Vanity Fair and even then no one could say where she lived. Her first husband Ella’s father died when she was young, she then married Greek royalty and then vanished to her home at The Hazel Wood. At eighteen Ella left home with her baby Alice and never stopped running.
One day Ella receives a letter in the post informing her of Althea’s death. To which Ella believes is a miracle, because now her bad luck won’t exist. So she marries and settles down, creates a home they both longed for. Until one day, the bad luck finds them and Ella is taken away, by the Hinterland. Ella leaves Alice a message “STAY AWAY FROM THE HAZEL WOOD” This is the start of the Fairytale that Alice joins.
Alice seeks the help of a boy at school, Ellery Finch who is a super fan of Althea and her stories. Together they travel to where The Hazel Wood is. But is Ellery a friend or just a super fan.
“Look until the leaves turn red, sew the worlds up with thread. If your journey’s left undone, fear the rising of the sun.”
4 ☕ – I REALLY LIKED IT
Love, Christina ?
By Melissa Albert
Review: Christina Haynes
Have you ever wanted to go into the world of fairytales. To see their stories unfold, to learn more about them and not just through the pages of a book?
Alice used to want to know more about them. When your Grandmother is the famous author of the ‘Hinterland’. A world where Fairytales are dark like the story of ‘Alice three times’ of course you would want to know more. Especially when you haven’t met the woman and your mother never talks about her.
But when you do finally enter the Hinderland you see that it’s not all it’s cracked up to be.
Alice and her mother Ella have been on the run all of Alice’s life. Ella grew up on fairytales and Alice grew up on highways. They have both been running from this bad luck that always seems to follow them wherever they go. Which Ella believes comes from her mother, Althea.
Althea Properpine was traveling with a man and when their affair ended she vanished. Alike with Agatha Christie, she returned and no one knew where she had been. Unlike Agatha she remembered – she was in the Hinterland. A place where her stories began.
Althea’s books cannot be found anywhere, she has a huge fan base who never reveal the pages of her book. Everything about her is a mystery, even her home, The Hazel Wood.
Her only known interview was with Vanity Fair and even then no one could say where she lived. Her first husband Ella’s father died when she was young, she then married Greek royalty and then vanished to her home at The Hazel Wood. At eighteen Ella left home with her baby Alice and never stopped running.
One day Ella receives a letter in the post informing her of Althea’s death. To which Ella believes is a miracle, because now her bad luck won’t exist. So she marries and settles down, creates a home they both longed for. Until one day, the bad luck finds them and Ella is taken away, by the Hinterland. Ella leaves Alice a message “STAY AWAY FROM THE HAZEL WOOD” This is the start of the Fairytale that Alice joins.
Alice seeks the help of a boy at school, Ellery Finch who is a super fan of Althea and her stories. Together they travel to where The Hazel Wood is. But is Ellery a friend or just a super fan.
“Look until the leaves turn red, sew the worlds up with thread. If your journey’s left undone, fear the rising of the sun.”
4 ☕ – I REALLY LIKED IT
Love, Christina ?
Steph Freeman (26 KP) rated Altered Carbon in TV
Feb 19, 2018
Excellent character development (2 more)
Phenomenal special effects
Edge of your seat action throughout the plot line, never felt the story lagging.
Phenomenal Show
Contains spoilers, click to show
In this age of technology I am rarely singularly glued to the television when a show is playing; I'm playing Candy Crush, surfing Etsy, creating new glassware designs... From the moment Takeshi Kovacs is apprehended from the Protectorate until the very last scene of the series this show had me glued to the screen. It combines the "locked room" mystery Agatha Christie made famous with a sci-fi Game of Thrones feel that evokes the Red Rising trilogy sense of Golds vs. Reds.
The lack of regard for anyone below them (literally as well as figuratively) makes it easy to hate the Meths and the decadence that surrounds them. Their wealth allows a god-like immortality, and a lack of respect for life and "real death". Kovacs was detained for crimes against the Protectorate and his stack placed "on ice" for 250 years until the meth Laurens Bancroft pays for his release and a new skin. As Kovacs accepts the offer to find Bancrofts murder, and as he searches for the killer he finds friendship in an AI Edgar Allen Poe (one of the best characters in the whole show), a former military drunk and his wife and daughter, who is damaged emotionally trapped in virtual life, and a police officer. There are also several people after Elias Ryker (a police officer who was a little too curious), which causes issue for Kovacs because that is the skin Bancroft selected when he was taken off ice.
The locked room mystery portion of the season ends in episode 7, but that is far from the end of the action. As we learn more about Kovacs' history his interest in the Envoy mission of recapturing humanity and forcing real death on the world is made more evident, as is his love for Quell. His sister, Rei, did not believe in the mission as much as spending eternity with her big brother. While Kovacs was on ice his sister built a meth empire, acquiring wealth and power, becoming everything Quell and Kovacs fought against. The final moments with his sister, and his decision to find Quell's stack were gripping.
The cinematography, costuming, and CGI in this show are phenomenal, and the attention to detail is obvious. As Netflix is transitioning to big budget productions it's clear they have the right people handling the decisions. I didn't realize this series was also a book trilogy written by Richard Morgan, this series has definitely peaked my interest and I will be reading the books before the next season drops.
The lack of regard for anyone below them (literally as well as figuratively) makes it easy to hate the Meths and the decadence that surrounds them. Their wealth allows a god-like immortality, and a lack of respect for life and "real death". Kovacs was detained for crimes against the Protectorate and his stack placed "on ice" for 250 years until the meth Laurens Bancroft pays for his release and a new skin. As Kovacs accepts the offer to find Bancrofts murder, and as he searches for the killer he finds friendship in an AI Edgar Allen Poe (one of the best characters in the whole show), a former military drunk and his wife and daughter, who is damaged emotionally trapped in virtual life, and a police officer. There are also several people after Elias Ryker (a police officer who was a little too curious), which causes issue for Kovacs because that is the skin Bancroft selected when he was taken off ice.
The locked room mystery portion of the season ends in episode 7, but that is far from the end of the action. As we learn more about Kovacs' history his interest in the Envoy mission of recapturing humanity and forcing real death on the world is made more evident, as is his love for Quell. His sister, Rei, did not believe in the mission as much as spending eternity with her big brother. While Kovacs was on ice his sister built a meth empire, acquiring wealth and power, becoming everything Quell and Kovacs fought against. The final moments with his sister, and his decision to find Quell's stack were gripping.
The cinematography, costuming, and CGI in this show are phenomenal, and the attention to detail is obvious. As Netflix is transitioning to big budget productions it's clear they have the right people handling the decisions. I didn't realize this series was also a book trilogy written by Richard Morgan, this series has definitely peaked my interest and I will be reading the books before the next season drops.
Darren (1599 KP) rated Alien Resurrection (1997) in Movies
Jun 20, 2019
Story: Alien: Resurrection starts as we arrive on a US space research facility where General Perez (Hedaya) is working on bringing back the aliens with clones of Ripley (Weaver), the latest number 8 shows incredible strength and development. Waiting for a delivery from Captain Elgyn (Wincott) and his crew Call (Ryder), Vriess (Pinon), Johner (Perlman) Hillard (Flowers) and Christie (Dourdan) a deal is agreed they can spend a couple of days’ rest on the research ship.
After Elgyn’s crew get involved in an altercation with the scientists they must escape but the xenomorphs have escaped onto the ship, joining up with Ripley the crew look for a way off the ship while staying alive.
Thoughts on Alien: Resurrection
Characters/Performance – Ripley is now a clone and the mother of the xenomorphs being created on the ship, she is stronger than before but becomes the best weapon against the xenomorphs. Call is the newest crew member of the pirates but she is harbouring a secret from the rest of the crew. The rest of the characters are your generic group of fighters, the tough one, the gunslinger, the smart one and the captain nothing original comes from these characters.
Performance wise, this isn’t the best Weaver alien performance but she is also brave enough to take it on with a different approach. Ryder is solid enough through the film. the rest of the cast are also solid with Ron Perlman giving his aggressive dick like performance on the good guys team.
Story – The story might not be the greatest, but it does capture what is needed for an alien movie, we have the military wanting to study the aliens for their own good, this happens every single film, we also have the group of soldiers needing to fight them off, but this film does offer a chance to build the relationship between the xenomorphs and Ripley. The problem for a lot of this story telling it that it isn’t original and isn’t on the same levels as the earlier films.
Action/Horror/Sci-Fi – The action is all mindless like you would expect from big budget style sequel too far down the line, the horror is now nearly all gone from the franchise but the sci-fi angle continues on strongly as we see how the aliens are now finding new ways to breed.
Settings – The whole film is set upon the space facility craft which is good because it keeps everything within the one location which is all we want in these films.
Special Effects – The special effects are good in this film and are one of the extra highlights within the film.
Final Thoughts – The weakest part of the Weaver alien films but still a good enjoyable enough watch.
Overall: Enjoyable enough.
https://moviesreview101.com/2017/09/27/alien-resurrection-1997/
After Elgyn’s crew get involved in an altercation with the scientists they must escape but the xenomorphs have escaped onto the ship, joining up with Ripley the crew look for a way off the ship while staying alive.
Thoughts on Alien: Resurrection
Characters/Performance – Ripley is now a clone and the mother of the xenomorphs being created on the ship, she is stronger than before but becomes the best weapon against the xenomorphs. Call is the newest crew member of the pirates but she is harbouring a secret from the rest of the crew. The rest of the characters are your generic group of fighters, the tough one, the gunslinger, the smart one and the captain nothing original comes from these characters.
Performance wise, this isn’t the best Weaver alien performance but she is also brave enough to take it on with a different approach. Ryder is solid enough through the film. the rest of the cast are also solid with Ron Perlman giving his aggressive dick like performance on the good guys team.
Story – The story might not be the greatest, but it does capture what is needed for an alien movie, we have the military wanting to study the aliens for their own good, this happens every single film, we also have the group of soldiers needing to fight them off, but this film does offer a chance to build the relationship between the xenomorphs and Ripley. The problem for a lot of this story telling it that it isn’t original and isn’t on the same levels as the earlier films.
Action/Horror/Sci-Fi – The action is all mindless like you would expect from big budget style sequel too far down the line, the horror is now nearly all gone from the franchise but the sci-fi angle continues on strongly as we see how the aliens are now finding new ways to breed.
Settings – The whole film is set upon the space facility craft which is good because it keeps everything within the one location which is all we want in these films.
Special Effects – The special effects are good in this film and are one of the extra highlights within the film.
Final Thoughts – The weakest part of the Weaver alien films but still a good enjoyable enough watch.
Overall: Enjoyable enough.
https://moviesreview101.com/2017/09/27/alien-resurrection-1997/