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    ✴WARNING INTENDED FOR ADULT AUDIENCES✴ •★Christmas Sale 33% off for the next 24 hours★•...

The Christmas Chronicles (2018)
The Christmas Chronicles (2018)
2018 | Animation, Comedy, Family
Solid Holiday Film
Two siblings have to help Santa save Christmas after they are responsible for destroying his sleigh.

Acting: 8

Beginning: 8
The movie takes a little bit of time to get ramped up, but it’s a somewhat understandable setup. Director Clay Kaytis is trying to get us emotionally involved in the characters and succeeds to a certain extent. I have to admit, I wasn’t fully invested in the movie after watching the first ten minutes. Once it gets going, though, you’re in for a treat.

Characters: 8
I wasn’t in love with the two main characters Kate (Darby Camp) and Teddy (Judah Lewis). They seemed very cookie-cutter, almost too “Hallmarky” for me. The acting could have something to do with it, I don’t know. I will say that I grew to really like them over time.

Kurt Russell’s Santa Clause was outstanding, hands-down one of the most creative depictions of Santa I have ever seen. He made the entire movie fun. He’s cool, but naive at the same time. He has a big heart, but he doesn’t take any crap either. He stole every moment of every scene he was in to the point where I wouldn’t mind seeing him again running the helm in a sequel. Call me crazy, but I think it’s one of his best roles. I could use another two hours of just him and the elves.

Cinematography/Visuals: 10

Conflict: 10

Genre: 8

Memorability: 9
It’s all about the creativity here as that’s what made the film so memorable. Christmas films have been done and redone so it’s always refreshing to get a new spin on things. While the basics are similar, I can guarantee you this is a Christmas film unlike any you have ever seen. The angry elves were probably my favorite touch, but there are a number of other fun things that stood out as well like Santa’s magic hat.

Pace: 9

Plot: 9

Resolution: 8

Overall: 87
While The Christmas Chronicles does few things exceptionally well, the film succeeds with a solid Santa and a big heart. It’s a solid holiday movie to add to the collection for adults and children alike. Well worth the watch.
  
Black Christmas (1974)
Black Christmas (1974)
1974 | Horror
10
8.4 (12 Ratings)
Movie Rating
Black Christmas is one of those all timers, a horror film that is ground breaking, brimming with well written characters, and most essentially, is still scary as fuck 40+ years after it's release.
Considered by many to be one of the first modern slasher horrors alongside The Texas Chain Saw Massacre (and predating Halloween by 4 years), it's importance can't be understated, and still remains at the top of the pile in terms of quality.

Straight off the bat, Black Christmas is genuinely unsettling. The largely unseen killer makes his presence known mainly through phone calls, but the things he says, and the tone of his voice is genuinely disturbing, and all too realistic. The couple of glimpses we do get are iconic, namely the underside shot during the infamous glass unicorn scene, and then the goosebump inducing moment where lead character Jess spots a singular eye of his staring at her through a crack in a door. It's honestly horrific. Pair that with other creepy shit, such as the corpse in the rocking chair from the poster, and you have some pretty nightmare inducing stuff.
The Christmas setting also provides an unsettling atmosphere, a time that is mostly considered a happy and festive, soured by all of the unpleasantness going on here, and it's all topped off with a pretty bleak ending.

The characters are great - the mostly female cast are all likable, intelligent, well developed protagonists that you want to see win. Stands outs include Olivia Hussey and Margot Kidder, both great actresses who's early career appearances here bring a touch of class to proceedings. It's always nice to see genre favourite John Saxton too.
The narrative is pretty straight forward stuff - little is revealed about the killer so nothing gets bogged down in exposition, and it's perfectly paced. It's never gets boring, and the dialogue centric scenes are engaging. It also deals with heavy topics such as abortion, toxic masculinity, and manages to be subtly feminist, a quality that propels the movie as a whole even further, especially being a 70s film.

Black Christmas is pretty much perfect in my opinion, and easily stands shoulder to shoulder with Halloween in terms of slasher greatness.