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Leanne Crabtree (480 KP) rated The King's Men (All for the Game, #3) in Books
Jan 11, 2021
4.5 stars
This one picks up a few days after the second book with Neil a battered mess and on his way to the Foxhole Court for training. He has some explaining to do to his team mates about where he disappeared to over Christmas and about the state he's in. Add in the tension that's sparked between Neil and Andrew and the budding friendship between the rest of the group and this is a roller coaster.
Everything was now out in the open and the shit had hit the fan, pitting Neil against his abusive father, and I was honestly waiting for Andrew to come kicking the door down to rescue him. (I'll let you read it to figure out if that actually happened) It was some crazy stuff but God, I was hooked. I'm just glad that nobody I'm come to care about in this series died in this one. Good riddance to the evil ones though.
I haven't been this invested in a series or bunch of characters in a long time. I was literally bouncing in my seat when the final match between the Foxes and the Ravens began, thinking "Come on, guys, you can do it!" and what a ride it was! I actually had to put it on hold while i went to work at 98% and couldn't stop thinking about it on my half hour walk, waiting for when i could finish those last few pages. It was killing me! Luckily I had a little time before I started and binged it and wow! I wish that there had been a separate little epilogue with just Andrew and Neil to see them now that the threat had gone. (I totally understand why people have written fanfic about this series!)
Every single one of the characters grew in one way or another as people, thanks to Neil's urging - okay, maybe not Andrew as such, he's still a little psychotic at times - and I feel like most other people who've read this book that i may have to reread it once a year or so just to relive this amazing series. Yes, it is dark in places but you can't help caring for this team of friends and urging them to come out of the other end after their crappy upbringings.
This one picks up a few days after the second book with Neil a battered mess and on his way to the Foxhole Court for training. He has some explaining to do to his team mates about where he disappeared to over Christmas and about the state he's in. Add in the tension that's sparked between Neil and Andrew and the budding friendship between the rest of the group and this is a roller coaster.
Everything was now out in the open and the shit had hit the fan, pitting Neil against his abusive father, and I was honestly waiting for Andrew to come kicking the door down to rescue him. (I'll let you read it to figure out if that actually happened) It was some crazy stuff but God, I was hooked. I'm just glad that nobody I'm come to care about in this series died in this one. Good riddance to the evil ones though.
I haven't been this invested in a series or bunch of characters in a long time. I was literally bouncing in my seat when the final match between the Foxes and the Ravens began, thinking "Come on, guys, you can do it!" and what a ride it was! I actually had to put it on hold while i went to work at 98% and couldn't stop thinking about it on my half hour walk, waiting for when i could finish those last few pages. It was killing me! Luckily I had a little time before I started and binged it and wow! I wish that there had been a separate little epilogue with just Andrew and Neil to see them now that the threat had gone. (I totally understand why people have written fanfic about this series!)
Every single one of the characters grew in one way or another as people, thanks to Neil's urging - okay, maybe not Andrew as such, he's still a little psychotic at times - and I feel like most other people who've read this book that i may have to reread it once a year or so just to relive this amazing series. Yes, it is dark in places but you can't help caring for this team of friends and urging them to come out of the other end after their crappy upbringings.
colin... (64 KP) rated Uncut Gems (2019) in Movies
Sep 30, 2020
The fact that the Safdie's landed Christmas is still absolutely wild to me. There were so many people in our theater that looked like they just DIDN'T belong there.
First things first, I'd like to get my negatives out of the way really quickly. My issue with this film, and why I view it as lesser than Good Time is one simple reason, and that is heart. I felt every moment of Good Time pulsating through my bones and truly felt for the ride that Connie went through. I saw the pain and remorse and emotion in his eyes grow with every passing moment. In Uncut Gems, I don't get the same gravitas and power of the emotion that is provided in Good Time. I never truly saw any remorse in Howard, nor that he really cared about anything else but himself, so when the emotional beats come when we are supposed to feel bad for him, I have a rather hard time doing that. He's not necessarily an unlikable guy, he just doesn't have that anti-hero vibe that Connie supplied. That is the main facet that significantly detracted from my appreciation for this film.
That being said, everything else is stellar. The grittiness of the cinematography works so well with the world we are being immersed in, with even the long shots being very unsteady and dirty looking in the way that the characters are framed. As everyone else is saying, Sandler puts on a magnificent performance (although if he gets nominated and Robert Pattinson didn't for Good Time, I'll be pretty frustrated) that reminds the public of why he demands the level of respect her does. However, the standout here for me is Julia Fox, who makes this film funnier than it has any right to be. She really carries herself in a way that I felt like I had met her before, or at least someone exactly like her. Going off of that, the humor really really works, so much so that I could argue that this is a black comedy instead of the crime thriller it is listed as. Everything from the situational comedy to the witty lines of dialogue just hits you in the chest.
Overall, a wonderful film that I hope will push the Safdie's into the mainstream like Hereditary did to Aster.
First things first, I'd like to get my negatives out of the way really quickly. My issue with this film, and why I view it as lesser than Good Time is one simple reason, and that is heart. I felt every moment of Good Time pulsating through my bones and truly felt for the ride that Connie went through. I saw the pain and remorse and emotion in his eyes grow with every passing moment. In Uncut Gems, I don't get the same gravitas and power of the emotion that is provided in Good Time. I never truly saw any remorse in Howard, nor that he really cared about anything else but himself, so when the emotional beats come when we are supposed to feel bad for him, I have a rather hard time doing that. He's not necessarily an unlikable guy, he just doesn't have that anti-hero vibe that Connie supplied. That is the main facet that significantly detracted from my appreciation for this film.
That being said, everything else is stellar. The grittiness of the cinematography works so well with the world we are being immersed in, with even the long shots being very unsteady and dirty looking in the way that the characters are framed. As everyone else is saying, Sandler puts on a magnificent performance (although if he gets nominated and Robert Pattinson didn't for Good Time, I'll be pretty frustrated) that reminds the public of why he demands the level of respect her does. However, the standout here for me is Julia Fox, who makes this film funnier than it has any right to be. She really carries herself in a way that I felt like I had met her before, or at least someone exactly like her. Going off of that, the humor really really works, so much so that I could argue that this is a black comedy instead of the crime thriller it is listed as. Everything from the situational comedy to the witty lines of dialogue just hits you in the chest.
Overall, a wonderful film that I hope will push the Safdie's into the mainstream like Hereditary did to Aster.
BankofMarquis (1832 KP) rated Spencer (2021) in Movies
Feb 10, 2022
Stewart's Performance Elevates a Mediocre Film
Pablo Loraine’s SPENCER is not a subtle film, it shows the confinement and suffocation of Lady Diana Spencer under the watchful eye of the British monarchy and is not shy about who the bad guys are.
This sort of one-sided-ness of storytelling does not a compelling film make, but what does make this film compelling is the outstanding performance that is at the center of this film, Kristen Stewart as Lady Diana Spencer.
Telling the tale of the last Christmas that Diana spent as a member of the Royal family, SPENCER shows a a person in mental distress, living an ordered life that leaves little room for spontaneity or originality - things that Diana had in spades.
The only thing that makes this film work is the Oscar Nominated performance of Kristen Stewart as Diana. The way this movie was filmed, it would have been very easy for Stewart to portray Diana as a one-note victim, by she embodies this character with joy, sorrow, love, anger, depression and acceptance - sometimes at the same time. It is a tour-de-force performance that is well deserved of the Oscar nom.
What doesn’t work is the perspective of the film by Director Pablo Larrain (who also Directed Natalie Portman to an Oscar nom in JACKIE). He, clearly, had a vision and the look of the film is strong. What isn’t strong is the characters apart from Diana. The Royal family (especially Jack Farthings’ Prince Charles and Stella Gonet’s Queen Elizabeth) are mustache-twirling villians, Diana’s sons William and Harry look like they came out of the “Weasley Family” casting agency, while terrific character actors like Sally Hawkins, Timothy Spall and Sean Harris have almost (but not quite) interesting characters that don’t quite gel with what is going on.
But that is besides the point, for this is a story about Diana and Stewart is front and center in almost every scene - and is fascinating to watch - especially as she embodies Lady Diana in the marvelous costumes by Jacqueline Durran.
Come for the look at the Royals, stay for the performance by Stewart - one that I would not be suprised is honored come Oscar night.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
This sort of one-sided-ness of storytelling does not a compelling film make, but what does make this film compelling is the outstanding performance that is at the center of this film, Kristen Stewart as Lady Diana Spencer.
Telling the tale of the last Christmas that Diana spent as a member of the Royal family, SPENCER shows a a person in mental distress, living an ordered life that leaves little room for spontaneity or originality - things that Diana had in spades.
The only thing that makes this film work is the Oscar Nominated performance of Kristen Stewart as Diana. The way this movie was filmed, it would have been very easy for Stewart to portray Diana as a one-note victim, by she embodies this character with joy, sorrow, love, anger, depression and acceptance - sometimes at the same time. It is a tour-de-force performance that is well deserved of the Oscar nom.
What doesn’t work is the perspective of the film by Director Pablo Larrain (who also Directed Natalie Portman to an Oscar nom in JACKIE). He, clearly, had a vision and the look of the film is strong. What isn’t strong is the characters apart from Diana. The Royal family (especially Jack Farthings’ Prince Charles and Stella Gonet’s Queen Elizabeth) are mustache-twirling villians, Diana’s sons William and Harry look like they came out of the “Weasley Family” casting agency, while terrific character actors like Sally Hawkins, Timothy Spall and Sean Harris have almost (but not quite) interesting characters that don’t quite gel with what is going on.
But that is besides the point, for this is a story about Diana and Stewart is front and center in almost every scene - and is fascinating to watch - especially as she embodies Lady Diana in the marvelous costumes by Jacqueline Durran.
Come for the look at the Royals, stay for the performance by Stewart - one that I would not be suprised is honored come Oscar night.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Kirk Bage (1775 KP) rated Soul (2020) in Movies
Jan 22, 2021
When Disney Pixar launches a big new title it comes with a lot of expectation – there are just so many titles in the back catalogue now that will forever be considered classics. Movies that raised and re-raised the bar of what animation and family film storytelling can be at the very, very best.
So, when it was announced that Soul would be shown worldwide on the excellent Disney plus channel on Christmas Day, it was something of a coup that made it The movie event of the year, as many of us would now have the shared memory of watching it post lunch, as we struggled to keep our own cosy souls and eyelids awake enough to properly enjoy it.
I must admit that my opinion of it after one watch is tinted by being very close to a complete food coma shutdown. I will need to watch it again to fully appreciate it, I think. The main thing about doing it at all was how perfect and special it felt to be doing it on Christmas Day – nothing has felt more Christmassy to me film-wise since they first aired Indiana Jones and the Last Crusade on BBC1 in 1992. Such a treat with quality assured is rare indeed. The question was how good would it be in comparison to our favourites?
There were rumours from early reviews that it was more mature and adult themed than usual, and this seemed entirely true from the get go. Jazz music, a mellow vibe not racing headlong after easy laughs and the themes of existential angst and, well, death… it is quite grown up, to an extent. Not that young ones won’t enjoy it at all. It is as colourful and busy and joyous as any of them. Even if they can’t take in the concepts of the story in a deeper way, there is plenty to enjoy.
What it seems like Pixar were going for here is a film families of many generations can enjoy together; the older parents and grandparents explaining and reassuring in the deeper moments, and the young ones reminding the older ones to laugh at the silly bits! It was ever thus, but now the ambition to make it really about something significant seems achievable.
The theme of separation, loss and yes, even death is all over Pixar if you look for it. Especially with the recent Coco, which I thought was their best effort for several years. What they did with the theme of death in that one and here also is view it without fear, but as a celebration of the life that came before it, and the people that were touched by that life. It is the perennial Pixar message, that something which at first seems scary and sad is actually beautiful and wonderful if you look closer and choose to see it that way. And to their work in educating kids with that message I can only applaud in awe.
The animation itself is surprising. The “real” world being almost photo real to a jaw dropping degree, whilst the characters remain stylised. But it is the choices of simpler, somehow old fashioned styles in the before and after life sections that are striking. The semi luminous colours are also breath-taking: all calm aquamarine and soft pink, for every bright red and orange of Coco, but just as vibrant.
Pete Doctor who was responsible on this scale for Monster’s Inc, Up and Inside Out, holds the dual reigns of directing and writing expertly yet again, making things that are very hard to achieve look like cracking eggs! The voice talents of Jamie Foxx and Tina Fey do exactly what is needed in the roles without ever standing out as spectacular, as do minor roles for the likes of Graham Norton and Richard Ayoade. Spectacular is not what Soul is about, it is much more about solid qualities with deeper resonance. Personally, I never arrived at the tears in the eyes revelation moment. But that might be more about how warm and full and content I was than any criticism of something missing. There is every chance it is me that missed it.
Look, I don’t think anyone is going to be putting this amongst their top 5 Pixars any time soon, but I also can’t see anyone saying they didn’t enjoy it. The consensus seems to be “hmm, interesting, I need to think about that a while and see it again a few times”. So, for now, that is exactly what I am saying too. It may well be a classic that grows in appreciation over the years, or it may be one where you go, “nah, let’s watch Monster’s Inc. again instead”. Not sure. I’ll add a postscript right here when I have seen it a second time…
So, when it was announced that Soul would be shown worldwide on the excellent Disney plus channel on Christmas Day, it was something of a coup that made it The movie event of the year, as many of us would now have the shared memory of watching it post lunch, as we struggled to keep our own cosy souls and eyelids awake enough to properly enjoy it.
I must admit that my opinion of it after one watch is tinted by being very close to a complete food coma shutdown. I will need to watch it again to fully appreciate it, I think. The main thing about doing it at all was how perfect and special it felt to be doing it on Christmas Day – nothing has felt more Christmassy to me film-wise since they first aired Indiana Jones and the Last Crusade on BBC1 in 1992. Such a treat with quality assured is rare indeed. The question was how good would it be in comparison to our favourites?
There were rumours from early reviews that it was more mature and adult themed than usual, and this seemed entirely true from the get go. Jazz music, a mellow vibe not racing headlong after easy laughs and the themes of existential angst and, well, death… it is quite grown up, to an extent. Not that young ones won’t enjoy it at all. It is as colourful and busy and joyous as any of them. Even if they can’t take in the concepts of the story in a deeper way, there is plenty to enjoy.
What it seems like Pixar were going for here is a film families of many generations can enjoy together; the older parents and grandparents explaining and reassuring in the deeper moments, and the young ones reminding the older ones to laugh at the silly bits! It was ever thus, but now the ambition to make it really about something significant seems achievable.
The theme of separation, loss and yes, even death is all over Pixar if you look for it. Especially with the recent Coco, which I thought was their best effort for several years. What they did with the theme of death in that one and here also is view it without fear, but as a celebration of the life that came before it, and the people that were touched by that life. It is the perennial Pixar message, that something which at first seems scary and sad is actually beautiful and wonderful if you look closer and choose to see it that way. And to their work in educating kids with that message I can only applaud in awe.
The animation itself is surprising. The “real” world being almost photo real to a jaw dropping degree, whilst the characters remain stylised. But it is the choices of simpler, somehow old fashioned styles in the before and after life sections that are striking. The semi luminous colours are also breath-taking: all calm aquamarine and soft pink, for every bright red and orange of Coco, but just as vibrant.
Pete Doctor who was responsible on this scale for Monster’s Inc, Up and Inside Out, holds the dual reigns of directing and writing expertly yet again, making things that are very hard to achieve look like cracking eggs! The voice talents of Jamie Foxx and Tina Fey do exactly what is needed in the roles without ever standing out as spectacular, as do minor roles for the likes of Graham Norton and Richard Ayoade. Spectacular is not what Soul is about, it is much more about solid qualities with deeper resonance. Personally, I never arrived at the tears in the eyes revelation moment. But that might be more about how warm and full and content I was than any criticism of something missing. There is every chance it is me that missed it.
Look, I don’t think anyone is going to be putting this amongst their top 5 Pixars any time soon, but I also can’t see anyone saying they didn’t enjoy it. The consensus seems to be “hmm, interesting, I need to think about that a while and see it again a few times”. So, for now, that is exactly what I am saying too. It may well be a classic that grows in appreciation over the years, or it may be one where you go, “nah, let’s watch Monster’s Inc. again instead”. Not sure. I’ll add a postscript right here when I have seen it a second time…
Sassy Brit (97 KP) rated Shinrin Yoku: The Art of Japanese Forest Bathing in Books
Jun 5, 2019
Do you like slowly wandering around the woods with no particular aim than to take in the surrounding beauty, breathe in the fresh air and be present and at one with nature? Then this book Shinrin-yoku: The Japanese Way of Forest Bathing for Health and Relaxation by Yoshifumi Miyazaki, should definitely be on your bookshelf! Honestly, if you’d asked me if there was such as thing a couple of weeks ago, I would have laughed at you and told you, you were just lazy. But it really is a thing.
Shinrin Yoku or ‘forest bathing’ was developed in Japan in the 1980s and brings together ancient ways and wisdom with cutting edge environmental health science. Believe it not, (oh, you must!) there are now forest bathing stations and walkways scattered throughout Japan, but you don’t have to all the way over there (although I would love to) to experience this simple, calming practice. No! With this book you can learn the art, strap on your walking shoes and get on out there and start your own Shinrin Yoku pathway.
Although, reading the book, it’s got a certain appeal and much more “hippyish” in China, including an itinerary of forest therapy (and tree-hugging), soba-noodle making, pottery workshops and stargazing – and that’s just day one! Can also include mediation, yoga, aromatherapy and forest concerts.
Involving all the senses, and taking all the greenery around you (and green is a very relaxing colour) you will find Shinrin Yoku benefits you in ways you didn’t know were possible. Numerous tests and studies have been made for this book. One example I’d like to share was how subjects were monitored (and properly measured) after just 15 mins walking in the morning, and 15 mins sitting and viewing the greenery in the afternoon. This short break in everyday life – reduced stress, blood pressure, pulse rate and cortisol, and increased a whole range of feelings from comfort and calmness with a decrease in anxiety.
Another great example showed the effects of just staring at a Bonsai tree for 60 seconds. Well, I tell you, I’m getting everyone I know who needs de-stressing a Bonsai tree for Christmas! It will be the best bloody present they could ask for – even if they do look at me as if I’m going mad when I ask them to just do one thing for me. Sit and stare at it for 60 seconds every day…
Now. Are there any Bonsai specialists in the UK? I want one or two.
Shinrin Yoku or ‘forest bathing’ was developed in Japan in the 1980s and brings together ancient ways and wisdom with cutting edge environmental health science. Believe it not, (oh, you must!) there are now forest bathing stations and walkways scattered throughout Japan, but you don’t have to all the way over there (although I would love to) to experience this simple, calming practice. No! With this book you can learn the art, strap on your walking shoes and get on out there and start your own Shinrin Yoku pathway.
Although, reading the book, it’s got a certain appeal and much more “hippyish” in China, including an itinerary of forest therapy (and tree-hugging), soba-noodle making, pottery workshops and stargazing – and that’s just day one! Can also include mediation, yoga, aromatherapy and forest concerts.
Involving all the senses, and taking all the greenery around you (and green is a very relaxing colour) you will find Shinrin Yoku benefits you in ways you didn’t know were possible. Numerous tests and studies have been made for this book. One example I’d like to share was how subjects were monitored (and properly measured) after just 15 mins walking in the morning, and 15 mins sitting and viewing the greenery in the afternoon. This short break in everyday life – reduced stress, blood pressure, pulse rate and cortisol, and increased a whole range of feelings from comfort and calmness with a decrease in anxiety.
Another great example showed the effects of just staring at a Bonsai tree for 60 seconds. Well, I tell you, I’m getting everyone I know who needs de-stressing a Bonsai tree for Christmas! It will be the best bloody present they could ask for – even if they do look at me as if I’m going mad when I ask them to just do one thing for me. Sit and stare at it for 60 seconds every day…
Now. Are there any Bonsai specialists in the UK? I want one or two.
Maddi Zoe (6 KP) rated The Greatest Showman (2017) in Movies
Feb 8, 2018
Soundtrack (phenomenal) (3 more)
Casting/Acting
Choreography
Cinematography
Best original musical in recent days
Michael Gracey’s slick new musical, The Greatest Showman, brings to life the imagination of P.T. Barnum and his creation of the first circus.
Inspired by the legend of P.T. Barnum (Hugh Jackman), The Greatest Showman follows Barnum in a pursuit to piece together a dream-like show.
The film follows the businessman as he desperately tries to support his wife (Michelle Williams), and daughters. However, the urge to make the shower better and better ultimately gets in the way of both his personal and family life.
Barnum knows exactly what he is looking for. He scouts several individuals who he believes are perfect for the show. Each and everyone of them, a spark or magic that completes the circus. His show includes; bearded lady, Lettie (Keala Settle), and ‘the shortest man in the world’, Tom Thumb (Sam Humphrey). Also, a partner in need (or to help his succeed)Phillip Carlyle (Zac Efron).
The performers are part of a close family and stick together despite being ridiculed by the public. They are frequently humiliated and often labelled as 'freaks'. This brings a lot of emotion to the film. It encourages a lot of positivity in that it helps promote individuality and equality.
As a musical, The Greatest Showman comes packed with musical numbers. It features a number of brilliant vocal performers including the likes of Jackman, Settle, Efron and Zendaya (who plays a trapeze artist and pretty much most of the cast). The songs themselves are very moving, through joy or sadness. Many of the songs will also have your feet tapping to the beat! At points, you'll find yourself wanting to join in with the group!
Music is a powerful instrument which can often be emotive. The composers Benj Pasek and Justin Paul, who also worked on the music for La La Land, and Trolls, hit the mark. The songs were outstanding and often bought a tear to the eye.
From the beautiful ballroom-esque dances of Jackman and Williams to the group dances by the circus family, the film was not short of magical moments. The camera angles were also spot on - from the beautifully shot symmetrical aerial shots to the moving steady cam shots.
Already nominated for three Golden Globes, The Greatest Showman is sure to be a hit with everyone. It is almost certain that it'll leave you feeling emotionally drained. On the more positive side, it may even inspire people to spread a little Christmas joy and happiness!
Inspired by the legend of P.T. Barnum (Hugh Jackman), The Greatest Showman follows Barnum in a pursuit to piece together a dream-like show.
The film follows the businessman as he desperately tries to support his wife (Michelle Williams), and daughters. However, the urge to make the shower better and better ultimately gets in the way of both his personal and family life.
Barnum knows exactly what he is looking for. He scouts several individuals who he believes are perfect for the show. Each and everyone of them, a spark or magic that completes the circus. His show includes; bearded lady, Lettie (Keala Settle), and ‘the shortest man in the world’, Tom Thumb (Sam Humphrey). Also, a partner in need (or to help his succeed)Phillip Carlyle (Zac Efron).
The performers are part of a close family and stick together despite being ridiculed by the public. They are frequently humiliated and often labelled as 'freaks'. This brings a lot of emotion to the film. It encourages a lot of positivity in that it helps promote individuality and equality.
As a musical, The Greatest Showman comes packed with musical numbers. It features a number of brilliant vocal performers including the likes of Jackman, Settle, Efron and Zendaya (who plays a trapeze artist and pretty much most of the cast). The songs themselves are very moving, through joy or sadness. Many of the songs will also have your feet tapping to the beat! At points, you'll find yourself wanting to join in with the group!
Music is a powerful instrument which can often be emotive. The composers Benj Pasek and Justin Paul, who also worked on the music for La La Land, and Trolls, hit the mark. The songs were outstanding and often bought a tear to the eye.
From the beautiful ballroom-esque dances of Jackman and Williams to the group dances by the circus family, the film was not short of magical moments. The camera angles were also spot on - from the beautifully shot symmetrical aerial shots to the moving steady cam shots.
Already nominated for three Golden Globes, The Greatest Showman is sure to be a hit with everyone. It is almost certain that it'll leave you feeling emotionally drained. On the more positive side, it may even inspire people to spread a little Christmas joy and happiness!
Mayhawke (97 KP) rated This is Going to Hurt: Secret Diaries of a Junior Doctor in Books
Feb 13, 2018
A Trip tThrough the NHS in Easy, Accessible Anecdotes
On the surface of it this is an engaging and often hilarious collection of anecdotes from someone who worked as a doctor in the NHS for several years. There is an abundance of stories for those who love to hear about the quirks and peculiarities of humanity. Dark and funny things that will make you laugh out loud whilst simultaneously making your toes curl. The de-gloved penis. The dehydrated cocaine users. The homeless man who preferred to go back out on the streets rather than run the risk of MRSA.
Referring to the diaries he was obliged to keep during his years as an obstetrician, Kay has pulled together a raft of stories and thoughts ranging from simple one line 'notes-to-self' to more lengthy tales of patients he cared for. The happy, the funny and the occasional simply uplifting make for an easy and read that clips along nicely. I had this in audio book form and it was a little over six hours long. It is easy to pick up, slightly less easy to put down.
You may also have seen this book referred to as 'heart-breaking'.
And it is. Because in writing a highly entertaining memoir Kay has found the perfect vehicle to deliver some brutal truths about the state of our NHS these days. To highlight the lies being pedalled by the Secretary of State for Health and the government.This is not a treatise on the issues facing the National Health Service and the people who work there-in delivering health care, there is no lengthy analysis - he simply punctuates the usually funny, sometimes tragic stories with brutal realities he has experienced first-hand:
- being told that he would have to come back for a weekend halfway through a two-week holiday abroad because the cover he had had to arrange himself fell through.
- falling asleep in his car in the hospital car park before he even managed to start it and waking up the next morning only to find he'd slept so long he was still late for work. On Christmas Eve.
- working out that with the unpaid overtime he was expected to put in his actual wage was £6.60ph - less than if he'd worked in McDonalds.
This is far more important book than it is really given credit for. It should be mandatory reading for anyone who has ever nodded their head when Jeremy Hunt's lips have been flapping.
Referring to the diaries he was obliged to keep during his years as an obstetrician, Kay has pulled together a raft of stories and thoughts ranging from simple one line 'notes-to-self' to more lengthy tales of patients he cared for. The happy, the funny and the occasional simply uplifting make for an easy and read that clips along nicely. I had this in audio book form and it was a little over six hours long. It is easy to pick up, slightly less easy to put down.
You may also have seen this book referred to as 'heart-breaking'.
And it is. Because in writing a highly entertaining memoir Kay has found the perfect vehicle to deliver some brutal truths about the state of our NHS these days. To highlight the lies being pedalled by the Secretary of State for Health and the government.This is not a treatise on the issues facing the National Health Service and the people who work there-in delivering health care, there is no lengthy analysis - he simply punctuates the usually funny, sometimes tragic stories with brutal realities he has experienced first-hand:
- being told that he would have to come back for a weekend halfway through a two-week holiday abroad because the cover he had had to arrange himself fell through.
- falling asleep in his car in the hospital car park before he even managed to start it and waking up the next morning only to find he'd slept so long he was still late for work. On Christmas Eve.
- working out that with the unpaid overtime he was expected to put in his actual wage was £6.60ph - less than if he'd worked in McDonalds.
This is far more important book than it is really given credit for. It should be mandatory reading for anyone who has ever nodded their head when Jeremy Hunt's lips have been flapping.
Naomi Forrest (42 KP) rated What Lexie Did in Books
Jan 9, 2019
This book was a Christmas book from a friend and I thought it looked quite cute. The first couple of pages were really easy to fall in to and after that, the pace is just perfect.
I know little bits about Greek culture but this book really sucked me in to that way of life and made me a bit jealous! To have such a strong sense of family and heritage must be a truly amazing thing. I like that the relationship between Lexie and Eleni goes one step further and there is even deeper bond that seems both unbreakable and yet incredibly fragile at times. I'm not giving any spoilers but the beginning and ending tie together beautifully and though the ending isn't completely happy, it was satisfying.
Shevah infuses humour throughout the novel, leaning on a truly authentic 9 year old voice and Lexie's perceptions of her family, God and halloumi. The pages were so sweet as well, with doodles around the outside as if it was Lexie's diary we are reading.
On the face of it, this novel is funny and sweet and full of friendship and family yet it digs deeper. The story centres around honesty. Lexie 'snitches' on a new friend and is reprimanded by the adults, who preach telling the truth, and upsets her friends and siblings. When she doesn't tell on a different friend for something else, she is also punished. She is expected to tell the truth by the adults and told to lie by Eleni but when she does lie, it upsets Eleni and has huge consequences. I thought Shevah exploited the notions of deception and truth cleverly through Lexie, who reflects on adults preaching the importance of honesty while lying about things to, if we are quite truthful, manipulate children. It highlighted that the answer is not as black and white as we want it to be and I enjoyed having my perceptions challenged.
All in all, I found this to be a vibrant, contemporary and culturally novel that shows Shevah has researched and engaged with Greek-Cypriot family life to an extremely high standard. Novels such as this are the reason I love Chicken House and the books they publish; their novels and authors are original, cutting edge and excite and engage children. I can't wait to read more of Shevah's work in future and get my year 6's fired up about this.
All in all, I found this to be a vibrant, contemporary and culturally novel that shows Shevah has researched and engaged with Greek-Cypriot family life to an extremely high standard. Novels such as this are the reason I love Chicken House and the books they publish; their novels and authors are original, cutting edge and excite and engage children. I can't wait to read more of Shevah's work in future and get my year 6's fired up about this.
Hazel (1853 KP) rated The Art Therapy Colouring Book in Books
Dec 14, 2018
Doodle and colour your stress away!
See <a href="https://hazelstainer.wordpress.com/2016/02/12/art-therapy-an-anti-stress-colouring-book/">here</a>; and <a href="https://hazelstainer.wordpress.com/2016/04/01/a-middle-fingers-perspective/">here</a>; for image examples:
I was given a copy of this colouring book, Art Therapy, for Christmas a couple of years ago, before they became the latest craze. It was not until during the past half a year that I seriously got into colouring. Some people scoff and ridicule the idea that colouring can relieve stress, however, in my experience, it really can!
This particular book contains drawings from three different illustrators: Hannah Davies, Richard Merritt and Cindy Wilde; however you would not know it as all the pages are a similar style. The images range from animals, flowers and objects, to basic and complicated patterns.
With hundreds of colouring books to choose from, what makes Art Therapy, and others from the same series, different from the rest? Firstly, most of the patterns have been started for you. Some people may argue this is a negative point, yet I find it quite useful. I use the starting colours as a theme to stick to throughout the page (see above for examples). I like structure and rule following therefore this is a great book for me. Secondly, the book is split into to halves: images and patterns to colour in, and unfinished images and patterns. The second part of the book allows the owner of the book to finish the outlines of the colouring pages however they wish before colouring them in. This helps to nurture and develop illustration skills. I have not attempted these pages yet as I am moving through the book methodically (I did say I like structure and rule following!), I will post examples at a later date.
The paper quality is extremely good, a lot better than many other colouring books I have come across. Even though I do not use them (I only use pencils), this book should be suitable for felt tip pens – although I would avoid Sharpies, they go through everything!
Now the downside… it is a hardback. Not the easiest to colour in with it on your lap whilst watching television (although I manage some how). I have only completed 21 pages so far and I am already worried that it is going to fall apart. Having said that, the other day I noticed that The Works were selling a paper back version! Perhaps invest in that format if you are thinking of buying this book.
See <a href="https://hazelstainer.wordpress.com/2016/02/12/art-therapy-an-anti-stress-colouring-book/">here</a>; and <a href="https://hazelstainer.wordpress.com/2016/04/01/a-middle-fingers-perspective/">here</a>; for image examples:
I was given a copy of this colouring book, Art Therapy, for Christmas a couple of years ago, before they became the latest craze. It was not until during the past half a year that I seriously got into colouring. Some people scoff and ridicule the idea that colouring can relieve stress, however, in my experience, it really can!
This particular book contains drawings from three different illustrators: Hannah Davies, Richard Merritt and Cindy Wilde; however you would not know it as all the pages are a similar style. The images range from animals, flowers and objects, to basic and complicated patterns.
With hundreds of colouring books to choose from, what makes Art Therapy, and others from the same series, different from the rest? Firstly, most of the patterns have been started for you. Some people may argue this is a negative point, yet I find it quite useful. I use the starting colours as a theme to stick to throughout the page (see above for examples). I like structure and rule following therefore this is a great book for me. Secondly, the book is split into to halves: images and patterns to colour in, and unfinished images and patterns. The second part of the book allows the owner of the book to finish the outlines of the colouring pages however they wish before colouring them in. This helps to nurture and develop illustration skills. I have not attempted these pages yet as I am moving through the book methodically (I did say I like structure and rule following!), I will post examples at a later date.
The paper quality is extremely good, a lot better than many other colouring books I have come across. Even though I do not use them (I only use pencils), this book should be suitable for felt tip pens – although I would avoid Sharpies, they go through everything!
Now the downside… it is a hardback. Not the easiest to colour in with it on your lap whilst watching television (although I manage some how). I have only completed 21 pages so far and I am already worried that it is going to fall apart. Having said that, the other day I noticed that The Works were selling a paper back version! Perhaps invest in that format if you are thinking of buying this book.
Matthew Krueger (10051 KP) rated MediEvil in Video Games
Oct 29, 2019 (Updated Oct 29, 2019)
Classic
I remember playing this game, on the ps1. It was on a demo disk that had a collection of games and this was one of them. I just remember it being so cool and intresting. I havent played it since childhood, i want to play it again. So lets talk about it..
The game is set in the medieval Kingdom of Gallowmere and centres around the charlatan protagonist, Sir Daniel Fortesque, as he makes an attempt to stop antagonist Zarok's invasion of the kingdom whilst simultaneously redeeming himself.
Development began in 1995 at Millenium Interactive in Cambridge under the working title of Dead Man Dan. The visuals are heavily influenced by Tim Burton's The Nightmare Before Christmas. Originally conceived as an arcade-style shooter for platforms such as Windows and the Sega Saturn, Sony's purchase of SCE Cambridge Studio evolved the game into a PlayStation title.
The game takes place across a variety of levels, many of which require certain objectives to be performed to progress. Sir Daniel Fortesque can use a variety of weapons, consisting of close range weapons such as swords and clubs to long range weapons such as crossbows. When not possessing any items, Dan is able to rip his arm off and use it for both melee and ranged attacks. Dan can equip a shield alongside weapons for defence, but shields have a limited amount of strength and are therefore best used sparingly. Throughout the game, Dan can visit gargoyle heads of two varieties: green ones offer Dan information while blue ones allow Dan to buy services or ammunition by using the treasures he finds.
Lets talk about the plot: In the year 1286, an evil sorcerer named Zarok plotted to take over the kingdom of Gallowmere with his undead army. It is told in legend that the champion, Sir Daniel Fortesque, led the King of Gallowmere's army to victory and managed to kill Zarok before he succumbed to his mortal wounds. In reality, however, Dan was struck down by the first arrow fired in the battle, with the king choosing to cover it up and declare Dan the "Hero of Gallowmere.
It is a classic ps1 underrated game, that people should play, if you havent. Their have recently released it on the ps4. And on that remake you can play the original 1998 game can be unlocked in the remake by completing special objectives. Which is cool.
Lastly shout of to @Kevin Phillipson for getting the hints/clues for this review right.
A must play game.
The game is set in the medieval Kingdom of Gallowmere and centres around the charlatan protagonist, Sir Daniel Fortesque, as he makes an attempt to stop antagonist Zarok's invasion of the kingdom whilst simultaneously redeeming himself.
Development began in 1995 at Millenium Interactive in Cambridge under the working title of Dead Man Dan. The visuals are heavily influenced by Tim Burton's The Nightmare Before Christmas. Originally conceived as an arcade-style shooter for platforms such as Windows and the Sega Saturn, Sony's purchase of SCE Cambridge Studio evolved the game into a PlayStation title.
The game takes place across a variety of levels, many of which require certain objectives to be performed to progress. Sir Daniel Fortesque can use a variety of weapons, consisting of close range weapons such as swords and clubs to long range weapons such as crossbows. When not possessing any items, Dan is able to rip his arm off and use it for both melee and ranged attacks. Dan can equip a shield alongside weapons for defence, but shields have a limited amount of strength and are therefore best used sparingly. Throughout the game, Dan can visit gargoyle heads of two varieties: green ones offer Dan information while blue ones allow Dan to buy services or ammunition by using the treasures he finds.
Lets talk about the plot: In the year 1286, an evil sorcerer named Zarok plotted to take over the kingdom of Gallowmere with his undead army. It is told in legend that the champion, Sir Daniel Fortesque, led the King of Gallowmere's army to victory and managed to kill Zarok before he succumbed to his mortal wounds. In reality, however, Dan was struck down by the first arrow fired in the battle, with the king choosing to cover it up and declare Dan the "Hero of Gallowmere.
It is a classic ps1 underrated game, that people should play, if you havent. Their have recently released it on the ps4. And on that remake you can play the original 1998 game can be unlocked in the remake by completing special objectives. Which is cool.
Lastly shout of to @Kevin Phillipson for getting the hints/clues for this review right.
A must play game.
