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Movie Metropolis (309 KP) rated Thor: The Dark World (2013) in Movies
Jun 10, 2019
The departure of Kenneth Branagh and the subsequent trouble finding a director landed Thor: The Dark World in hot water before filming had even commenced. Helmed by Alan Taylor who went on to direct Terminator Genisys (oh dear), Thor: The Dark World is one of the weakest films in the entire MCU.
Plagued by a dull script and another phoned-in performance by Natalie Portman, it lacks the humour and sheer sense of madness that the god of thunder’s story requires. Christopher Eccleston also wins the prize for the MCU’s very worst villain – Malekith. May god help us all.
https://moviemetropolis.net/2018/04/21/the-entire-marvel-cinematic-universe-ranked/
Plagued by a dull script and another phoned-in performance by Natalie Portman, it lacks the humour and sheer sense of madness that the god of thunder’s story requires. Christopher Eccleston also wins the prize for the MCU’s very worst villain – Malekith. May god help us all.
https://moviemetropolis.net/2018/04/21/the-entire-marvel-cinematic-universe-ranked/
Suswatibasu (1701 KP) rated Inception (2010) in Movies
Aug 1, 2017
Cast is incredible (1 more)
Visually stunning
Nolan is a master of dark plots and cinematography
This is a psychological mind-bend of a film bringing together dreamlike sequences as well as action shots. Director Christopher Nolan gives you bits and pieces of information, and as the movie plays out the viewer begins to put the pieces together and the picture gradually becomes clearer. It's intelligent and engrossing, not your average Hollywood blockbuster.
Darker Projects: Sword of Windsor
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Ellen Fox recommended Gone With the Wind (1939) in Movies (curated)
Burke & Hare (2010)
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Pet Sematary (2019)
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Blazing Minds (92 KP) rated Dead In A Week (Or Your Money Back) (2018) in Movies
Nov 1, 2021 (Updated Nov 3, 2021)
The pure brilliance of Dead in a Week is the film never really takes the idea of an assassin being paid to kill their client too seriously and the dark humour isn’t an all-out laugh-fest, but it works on the darker side of humour.
As things go along Leslie’s attempts on William become a little harder than he first thought and he starts to doubt himself in his profession and even worse his boss, Christopher Eccleston, is also considering that it’s time that Leslie retires from the only life he knows!
As things go along Leslie’s attempts on William become a little harder than he first thought and he starts to doubt himself in his profession and even worse his boss, Christopher Eccleston, is also considering that it’s time that Leslie retires from the only life he knows!
Matthew Krueger (10051 KP) rated Dracula: Prince of Darkness (1966) in Movies
Nov 10, 2020
King Not Prince
Dracula: Prince of Darkness- is a slowburn film. It takes it time to build of Dracula and once Dracula shows than it really gets started. Christopher Lee isnt in this movie very much even though he is Dracula himself, but once he is one screen, he stills the show.
The plot: Four English travellers arrive at a tiny hamlet in the Carpathian Mountains and ignore warnings from the locals not to travel to Carlsbad, the domain of Count Dracula. A dark, driverless carriage arrives to take them to the sinister castle, but they discover too late that they have been lured there to provide the blood which will allow Dracula to rise from the grave once more.
Dracula does not speak in the film, save for a few hisses. According to Christopher Lee: "I didn't speak in that picture. The reason was very simple. I read the script and saw the dialogue! I said to Hammer, if you think I'm going to say any of these lines, you're very much mistaken.
Screenwriter Jimmy Sangster disputed that account in his memoir Inside Hammer, writing that "Vampires don't chat. So I didn't write him any dialogue. Christopher Lee has claimed that he refused to speak the lines he was given...So you can take your pick as to why Christopher Lee didn't have any dialogue in the picture. Or you can take my word for it. I didn't write any.
The film was made back to back with Rasputin, the Mad Monk, using many of the same sets and cast, including Lee, Shelley, Matthews and Farmer. Shelley later remembered accidentally swallowing one of her fangs in one scene, and having to drink salt water to bring it back up again because of the tight shooting schedule, as well as there being no spare set of fangs.
Its a decent Dracula film.
The plot: Four English travellers arrive at a tiny hamlet in the Carpathian Mountains and ignore warnings from the locals not to travel to Carlsbad, the domain of Count Dracula. A dark, driverless carriage arrives to take them to the sinister castle, but they discover too late that they have been lured there to provide the blood which will allow Dracula to rise from the grave once more.
Dracula does not speak in the film, save for a few hisses. According to Christopher Lee: "I didn't speak in that picture. The reason was very simple. I read the script and saw the dialogue! I said to Hammer, if you think I'm going to say any of these lines, you're very much mistaken.
Screenwriter Jimmy Sangster disputed that account in his memoir Inside Hammer, writing that "Vampires don't chat. So I didn't write him any dialogue. Christopher Lee has claimed that he refused to speak the lines he was given...So you can take your pick as to why Christopher Lee didn't have any dialogue in the picture. Or you can take my word for it. I didn't write any.
The film was made back to back with Rasputin, the Mad Monk, using many of the same sets and cast, including Lee, Shelley, Matthews and Farmer. Shelley later remembered accidentally swallowing one of her fangs in one scene, and having to drink salt water to bring it back up again because of the tight shooting schedule, as well as there being no spare set of fangs.
Its a decent Dracula film.
David McK (3188 KP) rated Batman: The Long Halloween in Books
Jan 30, 2019
Of all the Superhero's around, I personally think that Batman has the best Rogue's gallery of villains: Superman, for instance, has Lex Luthor And (to a lesser extent) General Zod, while Spiderman has, what, Green Goblin? Dr Octopus? Venom?
Batman, on the other hand (and purely off the top of my head): The Joker. The Penguin. Poison Ivy. The Riddler. Catwoman (on/off as a villain). Scarecrow. Bane. And Two-Face.
Admittedly, some of those characters are now more famous than they used to be before due to the various Batman films, with the last four (And the first) mentioned in my list all appearing in the more-recent Christopher Nolan 'Dark Knight' series of Batman films. Of that trilogy, the second movie concerned itself principally with two main villains: The Joker, and Harvey Dent (aka Two-Face) and, in particular, the circumstances that led District Attorney Dent to become Two-Face.
Those circumstances are also the subject of this graphic novel, which also has a foreword/introduction by the director and writer of 'The Dark Knight', Christopher Nolan and David Goyer, in which they acknowledge the huge debt their movie owes to this novel.
This is also commonly cited as one of the better Batman stories, and is set during the early days of Batman's crusade against criminality in Gotham - there's no Robin here, nor Oracle (well, there is, but only as a baby), for instance.
As such, it makes a good intro (IMO) into the Batman mythos, not far behind the futuristic The Dark Knight Returns or the early-set Year One.
Batman, on the other hand (and purely off the top of my head): The Joker. The Penguin. Poison Ivy. The Riddler. Catwoman (on/off as a villain). Scarecrow. Bane. And Two-Face.
Admittedly, some of those characters are now more famous than they used to be before due to the various Batman films, with the last four (And the first) mentioned in my list all appearing in the more-recent Christopher Nolan 'Dark Knight' series of Batman films. Of that trilogy, the second movie concerned itself principally with two main villains: The Joker, and Harvey Dent (aka Two-Face) and, in particular, the circumstances that led District Attorney Dent to become Two-Face.
Those circumstances are also the subject of this graphic novel, which also has a foreword/introduction by the director and writer of 'The Dark Knight', Christopher Nolan and David Goyer, in which they acknowledge the huge debt their movie owes to this novel.
This is also commonly cited as one of the better Batman stories, and is set during the early days of Batman's crusade against criminality in Gotham - there's no Robin here, nor Oracle (well, there is, but only as a baby), for instance.
As such, it makes a good intro (IMO) into the Batman mythos, not far behind the futuristic The Dark Knight Returns or the early-set Year One.