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Midge (525 KP) rated The Songbird Girls in Books
Dec 15, 2018
Really Enjoyable!
Wow, this book is amazing! I generally enjoy a good thriller but this one had me enthralled from the very first page.
Detective Tom Fabian’s past is catching up with him. It has been years since the most famous case of his career – when his evidence put infamous serial killer Christopher Wisher behind bars forever. But when Wisher summons a reluctant Fabian to his prison cell to hand over a diary, he realises that Wisher’s twisted games are far from over.
Shortly after Fabian’s visit, Wisher is found dead in his cell. And a few days later, the police find a woman's body bearing Wisher’s signature, a dead songbird. But the police never released this detail to the public … so who has Wisher been talking to? Did Wisher have an accomplice? He had a number of regular visitors whilst in prison. Why are they visiting a serial killer?
The Songbird Girls has a very clever plotline that I really enjoyed. It was intriguing from the beginning and although this is not the first book in the series, I found it a good stand-alone read, as there was plenty of back history.
There are many twists and turns throughout this well-written novel. I simply had to keep reading on with this fascinating thriller and the ending left me very happy. I believe there is definitely scope for a follow-on book. It has an impressive, well-thought-out storyline that culminates in some very tense closing chapters.
I highly recommend reading The Songbird Girls and I am looking forward to reading another book from this author!
I would like to thank NetGalley, Bookouture and the author, Richard Parker, for a copy of this book in return for a review.
Detective Tom Fabian’s past is catching up with him. It has been years since the most famous case of his career – when his evidence put infamous serial killer Christopher Wisher behind bars forever. But when Wisher summons a reluctant Fabian to his prison cell to hand over a diary, he realises that Wisher’s twisted games are far from over.
Shortly after Fabian’s visit, Wisher is found dead in his cell. And a few days later, the police find a woman's body bearing Wisher’s signature, a dead songbird. But the police never released this detail to the public … so who has Wisher been talking to? Did Wisher have an accomplice? He had a number of regular visitors whilst in prison. Why are they visiting a serial killer?
The Songbird Girls has a very clever plotline that I really enjoyed. It was intriguing from the beginning and although this is not the first book in the series, I found it a good stand-alone read, as there was plenty of back history.
There are many twists and turns throughout this well-written novel. I simply had to keep reading on with this fascinating thriller and the ending left me very happy. I believe there is definitely scope for a follow-on book. It has an impressive, well-thought-out storyline that culminates in some very tense closing chapters.
I highly recommend reading The Songbird Girls and I am looking forward to reading another book from this author!
I would like to thank NetGalley, Bookouture and the author, Richard Parker, for a copy of this book in return for a review.
BankofMarquis (1832 KP) rated Promising Young Woman (2020) in Movies
Apr 10, 2021
Powerful
Emerald Fennell’s feature length motion picture Directing debut, PROMISING YOUNG WOMAN, is a difficult film to categorize. Is it a Dark Comedy? A RomCom? A family drama? A portrait of a character’s descent? A hard critique of sexism and sexual predators? A revenge fantasy?
The answer is - it is ALL of these and thanks to a wonderful script (by Fennell), strong Direction (again, by Ferrell) and a terrific, Oscar-worthy performance in the lead role (by Carey Mulligan) it is a very effective, very powerful film.
PROMISING YOUNG WOMAN tells the tale of Cassandra who we are introduced to at a bar, obviously drunk, getting picked up (and taken advantage of) by a “nice guy” at the bar. Once back at his place, it is clear that she is NOT drunk and she confronts the “nice guy”.
To say anything else would spoil this wonderful film.
At the center of this film is Carey Mulligan (deservedly) Oscar nominated turn as Cassandra. This is a tortured soul who is looking for some sort of catharsis from a previous trauma and seeks various ways to achieve this. You see an intelligence and sadness in Cassandra at every turn and Mulligan’s performance seemed rooted in reality and was, ultimately, an effective, chillingly and (yes) sad character brought to life. It is the type of performance that I will be rooting for in the Oscar race, it’s that good.
Most of the other characters in this film fleet in and out of Cassandra’s life but all are strong performances, seemingly willing to bring their “A” game to match Mulligan’s performance and the strong script. Kudos to Jennifer Coolidge, Alison Brie, Laverne Cox, Bo Burnham, Christopher Mintz-Plasse (yes, a McLovin’ sighting!), Alfred Molina, Moly Shannon, Connie Britton and, especially, the great Clancy Brown. They all enhanced the film with their performances, working off of Mulligan effectively.
But, credit to all of this must go to Writer/Director Emerald Fennell (probably best known for playing Camilla Parker Bowles in THE CROWN) who's script is smart and thought-provoking and who’s Direction is crisp and sure. She clearly had a certain type of film in her head - the type of film that does not easily lend itself to definition/classification and packs a powerful punch at it’s conclusion. Without spoiling anything, she “ups her game” at the end of this film and I sat in thoughtful silence as the end credits ran.
Fennell is up for the Oscar for both Best Director and Best Original Screenplay and I, for one, would vote for her Screenplay hands-down.
An intriguing film that is sticking with me a few days later…always a mark of quality.
Letter Grade: A
9 Stars (out of 10) and you can take that to the Bank(ofMarquis)
The answer is - it is ALL of these and thanks to a wonderful script (by Fennell), strong Direction (again, by Ferrell) and a terrific, Oscar-worthy performance in the lead role (by Carey Mulligan) it is a very effective, very powerful film.
PROMISING YOUNG WOMAN tells the tale of Cassandra who we are introduced to at a bar, obviously drunk, getting picked up (and taken advantage of) by a “nice guy” at the bar. Once back at his place, it is clear that she is NOT drunk and she confronts the “nice guy”.
To say anything else would spoil this wonderful film.
At the center of this film is Carey Mulligan (deservedly) Oscar nominated turn as Cassandra. This is a tortured soul who is looking for some sort of catharsis from a previous trauma and seeks various ways to achieve this. You see an intelligence and sadness in Cassandra at every turn and Mulligan’s performance seemed rooted in reality and was, ultimately, an effective, chillingly and (yes) sad character brought to life. It is the type of performance that I will be rooting for in the Oscar race, it’s that good.
Most of the other characters in this film fleet in and out of Cassandra’s life but all are strong performances, seemingly willing to bring their “A” game to match Mulligan’s performance and the strong script. Kudos to Jennifer Coolidge, Alison Brie, Laverne Cox, Bo Burnham, Christopher Mintz-Plasse (yes, a McLovin’ sighting!), Alfred Molina, Moly Shannon, Connie Britton and, especially, the great Clancy Brown. They all enhanced the film with their performances, working off of Mulligan effectively.
But, credit to all of this must go to Writer/Director Emerald Fennell (probably best known for playing Camilla Parker Bowles in THE CROWN) who's script is smart and thought-provoking and who’s Direction is crisp and sure. She clearly had a certain type of film in her head - the type of film that does not easily lend itself to definition/classification and packs a powerful punch at it’s conclusion. Without spoiling anything, she “ups her game” at the end of this film and I sat in thoughtful silence as the end credits ran.
Fennell is up for the Oscar for both Best Director and Best Original Screenplay and I, for one, would vote for her Screenplay hands-down.
An intriguing film that is sticking with me a few days later…always a mark of quality.
Letter Grade: A
9 Stars (out of 10) and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated Spider-Man: Across the Spider-Verse (2023) in Movies
Jun 8, 2023
A Feast for the Eyes and the Heart
In 2018, Producer/Writers Phil Lord and Christopher Miller (THE LEGO MOVIE) presented the animated film SPIDER-MAN INTO THE SPIDERVERSE to unsuspecting audiences and this film burst onto the scene - and into our senses - with a visual cornucopia of comic-book styles that ushered in a new way to present a comic-book movie. In this film, multiple Spider-Mans from different “SpiderVerses” came to the home universe of the lead Spiderman (in this Universe, Spiderman is NOT Peter Parker, but rather Miles Morales), and they kept the comic book styles of their own universes while in the home universe of Miles.
Get it? If not, hang onto your hats, for these two just took it to a whole new level.
In SPIDER-MAN ACROSS THE SPIDER-VERSE, our hero, Miles Morales (voiced again by Shameik Moore) leaves his home universe and travels TO multiple other Spider-verses with multiple other animated styles - as well as meeting a plethora of other Spider-folk.
The result of this is a visual feast that should be seen on the big screen. The artistry at work here is “next level” as the differing styles blend seamlessly with each other without becoming head-ache inducing. It is a master class of “Going for it” but wisely knowing how to “not go too far” and the filmmakers of this animated gem thread that the needle expertly.
But…that isn’t the best part of this film.
There is an underlying storyline that sets Miles off on his adventure and this part of the film is built upon relationships, love, duty and devotion. This film delves deeper into Miles’ relationship with his parents (voiced by Brian Tyree Henry, off of his Oscar Nominated role in CAUSEWAY and Luna Lauren Velez best known as Lt. LaGuerta on DEXTER) and this gives the film some heart.
But…that isn’t the best part of the film.
The best part of this film is Miles’ relationship with another Spider-person, Spider Gwen (Stacy) - voiced by Hailee Steinfeld (THE EDGE OF SEVENTEEN), this film wisely (there’s that word again) decide to have 1/2 of this film shown from her perspective and the depth of performance of love, loss and longing from Steinfeld is surprisingly deep and moving for an animated film and it is THIS relationship that really cements this film as something special.
Oh…and did I fail to mention the wonderful voice work by Jake Johnson, Jason Schwartzman, Issa Rae, Daniel Kaluuya and Oscar Isaac (amongst many, many others)? They all brought their “A” game to what is a tremendous movie going experience.
One does not need to see the first SPIDERVERSE film to enjoy this one - but it does help and one very much will need to see this film to enjoy the NEXT one (the 3rd film of the trilogy, SPIDER-MAN BEYOND THE SPIDERVERSE is set to be released next year), so if one is going to invest in these films, one should probably go “all-in”.
The filmmakers certainly did that - and the audience is the winner for their efforts.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Get it? If not, hang onto your hats, for these two just took it to a whole new level.
In SPIDER-MAN ACROSS THE SPIDER-VERSE, our hero, Miles Morales (voiced again by Shameik Moore) leaves his home universe and travels TO multiple other Spider-verses with multiple other animated styles - as well as meeting a plethora of other Spider-folk.
The result of this is a visual feast that should be seen on the big screen. The artistry at work here is “next level” as the differing styles blend seamlessly with each other without becoming head-ache inducing. It is a master class of “Going for it” but wisely knowing how to “not go too far” and the filmmakers of this animated gem thread that the needle expertly.
But…that isn’t the best part of this film.
There is an underlying storyline that sets Miles off on his adventure and this part of the film is built upon relationships, love, duty and devotion. This film delves deeper into Miles’ relationship with his parents (voiced by Brian Tyree Henry, off of his Oscar Nominated role in CAUSEWAY and Luna Lauren Velez best known as Lt. LaGuerta on DEXTER) and this gives the film some heart.
But…that isn’t the best part of the film.
The best part of this film is Miles’ relationship with another Spider-person, Spider Gwen (Stacy) - voiced by Hailee Steinfeld (THE EDGE OF SEVENTEEN), this film wisely (there’s that word again) decide to have 1/2 of this film shown from her perspective and the depth of performance of love, loss and longing from Steinfeld is surprisingly deep and moving for an animated film and it is THIS relationship that really cements this film as something special.
Oh…and did I fail to mention the wonderful voice work by Jake Johnson, Jason Schwartzman, Issa Rae, Daniel Kaluuya and Oscar Isaac (amongst many, many others)? They all brought their “A” game to what is a tremendous movie going experience.
One does not need to see the first SPIDERVERSE film to enjoy this one - but it does help and one very much will need to see this film to enjoy the NEXT one (the 3rd film of the trilogy, SPIDER-MAN BEYOND THE SPIDERVERSE is set to be released next year), so if one is going to invest in these films, one should probably go “all-in”.
The filmmakers certainly did that - and the audience is the winner for their efforts.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (971 KP) rated Miles Ahead (2016) in Movies
Aug 6, 2019
If you’ve ever found yourself in a coffee shop, bookstore, or perhaps even a jazz club in the 21st century you can’t NOT have heard either the name ‘Miles Davis’, his music, or perhaps both. If you’ve been living under a rock your whole life and by some miracle you have a smartphone, computer, or a radio find a jazz station and it’s almost a sure thing you’ll here his music within minutes. The man is no myth although the man and his music are so legendary there is almost a mythical presence to him. He is one of the greats. No question. No argument.
‘Miles Ahead’ is a biopic about the legendary jazz musician directed by and staring Don Cheadle who also co-wrote the film with Steven Baigelman, Christopher Wilkinson, and Steven J. Rivele.
Emayatzy Corinealdi, Ewan McGregor, Michael Stuhlbarg, and Keith Stanfield. Rather than focus on the entire life of the great jazz musician which could encompass several films and take up an entire archive, the film focuses mainly on a period in Davis’s life where he is living in relative seclusion in his home in New York City after having retreated from the public spotlight five years previously. Miles endeavors to begin recording and playing music once again after combating addictions to alcohol and cocaine which he indulged in to deal with his wife leaving him and the heavy stress brought upon him by a loss of inspiration to compose music. At about this same time ‘Rolling Stone’ reporter Dave Braden (McGregor), a borderline paparazzi of the time but not quite, calls upon Davis begging him to let him write about Davis’s great comeback. After several futile attempts on the part of Braden, Davis reluctantly agrees after Braden introduces him to a new dealer willing to supply him with high-grade cocaine. What follows is something thats almost out of a Hunter S. Thompson book as the two attempt to recover a demo tape of Davis’s most recent recordings from a low level gangster/manager/agent who stole the from Davis’s home. Amongst the drugs and the booze and the gun fights and car chases there are brief flashbacks into Miles’s past where he relives times good and bad with his wife Frances (Corinealdi). How they met, how they lived, and how she inspired some of his greatest works through her graceful dancing and their mutual love for classical music like Eric Satie, Chopin, and Stravinsky and how he eventually lost her due to his addictions and indulgences.
For such a brief glimpse into the life of one of music’s greatest, the movie was quite well done. It was clearly a labor of love for Mr. Cheadle who had his hands in nearly every aspect of the movie and went so far as to learn to play the trumpet so he could actually play the music himself in the movie. The actor, who is amongst the best and most underrated of our time, reportedly spent six years making this film. The background music is mostly comprised of tracks from arguably one of Davis’s best albums ‘Sketches Of Spain’ and selections of his work is played by Cheadle himself. It’s sometimes difficult to tell whether the movie is more about the music or the man himself. Does it honestly matter though? In many ways, they’re one in the same are they not? The movie is rated R for scenes with violence, adult language, and intimate scenes. I’d give it 4 out of 5 stars. The only negative thing I have to say about is that I wish there had been more about the life of the man. His beginnings. Like when he was accepted into the Juilliard School of Music in New York only to drop out. His days spent jamming with Charlie Parker. Again, that would encompass far more time than one would consider ‘feasible’ for a movie.
‘Miles Ahead’ is a biopic about the legendary jazz musician directed by and staring Don Cheadle who also co-wrote the film with Steven Baigelman, Christopher Wilkinson, and Steven J. Rivele.
Emayatzy Corinealdi, Ewan McGregor, Michael Stuhlbarg, and Keith Stanfield. Rather than focus on the entire life of the great jazz musician which could encompass several films and take up an entire archive, the film focuses mainly on a period in Davis’s life where he is living in relative seclusion in his home in New York City after having retreated from the public spotlight five years previously. Miles endeavors to begin recording and playing music once again after combating addictions to alcohol and cocaine which he indulged in to deal with his wife leaving him and the heavy stress brought upon him by a loss of inspiration to compose music. At about this same time ‘Rolling Stone’ reporter Dave Braden (McGregor), a borderline paparazzi of the time but not quite, calls upon Davis begging him to let him write about Davis’s great comeback. After several futile attempts on the part of Braden, Davis reluctantly agrees after Braden introduces him to a new dealer willing to supply him with high-grade cocaine. What follows is something thats almost out of a Hunter S. Thompson book as the two attempt to recover a demo tape of Davis’s most recent recordings from a low level gangster/manager/agent who stole the from Davis’s home. Amongst the drugs and the booze and the gun fights and car chases there are brief flashbacks into Miles’s past where he relives times good and bad with his wife Frances (Corinealdi). How they met, how they lived, and how she inspired some of his greatest works through her graceful dancing and their mutual love for classical music like Eric Satie, Chopin, and Stravinsky and how he eventually lost her due to his addictions and indulgences.
For such a brief glimpse into the life of one of music’s greatest, the movie was quite well done. It was clearly a labor of love for Mr. Cheadle who had his hands in nearly every aspect of the movie and went so far as to learn to play the trumpet so he could actually play the music himself in the movie. The actor, who is amongst the best and most underrated of our time, reportedly spent six years making this film. The background music is mostly comprised of tracks from arguably one of Davis’s best albums ‘Sketches Of Spain’ and selections of his work is played by Cheadle himself. It’s sometimes difficult to tell whether the movie is more about the music or the man himself. Does it honestly matter though? In many ways, they’re one in the same are they not? The movie is rated R for scenes with violence, adult language, and intimate scenes. I’d give it 4 out of 5 stars. The only negative thing I have to say about is that I wish there had been more about the life of the man. His beginnings. Like when he was accepted into the Juilliard School of Music in New York only to drop out. His days spent jamming with Charlie Parker. Again, that would encompass far more time than one would consider ‘feasible’ for a movie.