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Matthew Krueger (10051 KP) rated Dracula Has Risen From the Grave (1968) in Movies
Nov 17, 2020
Dracula Back From The Grave
Dracula Has Risen From The Grave- is the 4rd Dracula film from Hammer but the 3rd one that stars Christopher Lee.
The plot: A small Transylvanian village receives the full brunt of Dracula's terror after a priest exorcises his castle. Christopher Lee is the arch-bloodsucker whose lust for a beautiful young bishop's niece incurs the wrath of the entire village.
In Australia, the film was the first Hammer Dracula to be passed by the censors; the previous films Dracula and Dracula: Prince of Darkness were banned.
It is better than "Prince of Darkness".
The plot: A small Transylvanian village receives the full brunt of Dracula's terror after a priest exorcises his castle. Christopher Lee is the arch-bloodsucker whose lust for a beautiful young bishop's niece incurs the wrath of the entire village.
In Australia, the film was the first Hammer Dracula to be passed by the censors; the previous films Dracula and Dracula: Prince of Darkness were banned.
It is better than "Prince of Darkness".
Lee (2222 KP) rated Goodbye Christopher Robin (2017) in Movies
Oct 2, 2017
My wife has the entire collection of Winnie the Pooh stories by A.A. Milne, featuring the illustrations by E.H. Shepherd, but they're not something I've ever actually read. I'm probably more familiar with the illustrations than the stories themselves and the fact that Christopher Robin was real, along with the stuffed toys that eventually became the characters and friends we all know and love. But I had no idea that the real Christopher Robin actually grew to hate being Christopher Robin and how much of a negative impact his fathers work had on his early years. Goodbye Christopher Robin tells us that story.
We begin with a brief scene of despair following the receipt of a telegram at the Milne home in 1941. Before we have time to fully understand what's going on, we're whisked back to World War I where A.A. Milne (Domhnall Gleeson) is fighting in the trenches. Following the war, Milne (or "Blue" to his friends) tries to live out a normal life in London, working as a writer with wife Daphne (Margot Robbie) and their young son Christopher Robin. Unfortunately though, Milne suffers from post-traumatic stress disorder, meaning that the bright lights and loud noises of London regularly take him back to the horrors of World War I and begin to effect his life and his work. Deciding to move his family to a farmhouse in Sussex, Milne hopes that the peace and quiet of the countryside will allow him to concentrate on getting back into his writing.
As he struggles to write the book he wants to write, Daphne heads back to London, promising only to return when he begins writing again. At the same time, beloved nanny Olive (Kelly Macdonald) takes time off to look after her mother, meaning that Milne must finally spend some time with Christopher Robin, getting to know his son and enjoying time together in the large woods surrounding their home. It's a slow process though, with the occasional PTSD trigger affecting the already strained father-son relationship, but they soon begin fleshing out stories, characters and habitats for what will become Winnie the Pooh and friends. When Milne invites his friend E.H. Shepherd down to start sketching the woodland and Christopher Robin at play, things really begin to take shape and it's not long before Milne has published his Winnie the Pooh stories. And they're an instant hit.
To the disappoint of A.A. Milne, much of the books attention is focused towards Christopher Robin who is immediately thrust into the limelight. Forced to endure endless photo-shoots and interviews, participating in a tea party with children who have won a competition and being constantly hounded by the press. His parents revel in the success thought, not really acknowledging the effect it's all having on their young son while they swan off to parties and holidays leaving the nanny to look after Christopher Robin and his increasingly busy schedule. Even a telephone call home from Milne to Christopher Robin to see how he is turns out to be part of a radio broadcast. He feels his life isn't his own anymore, and that Christopher Robin is just a character in a book. Even when he heads off to boarding school, he cannot escape the curse of Christopher Robin and is constantly bullied because of it.
It's thanks to the amazing cast, particularly Gleeson and newcomer Will Tilston, that all of this works so well. Building to a highly emotional ending (yeah, I cried!), Goodbye Christopher Robin is a wonderfully touching story. Emotional and hugely enjoyable.
We begin with a brief scene of despair following the receipt of a telegram at the Milne home in 1941. Before we have time to fully understand what's going on, we're whisked back to World War I where A.A. Milne (Domhnall Gleeson) is fighting in the trenches. Following the war, Milne (or "Blue" to his friends) tries to live out a normal life in London, working as a writer with wife Daphne (Margot Robbie) and their young son Christopher Robin. Unfortunately though, Milne suffers from post-traumatic stress disorder, meaning that the bright lights and loud noises of London regularly take him back to the horrors of World War I and begin to effect his life and his work. Deciding to move his family to a farmhouse in Sussex, Milne hopes that the peace and quiet of the countryside will allow him to concentrate on getting back into his writing.
As he struggles to write the book he wants to write, Daphne heads back to London, promising only to return when he begins writing again. At the same time, beloved nanny Olive (Kelly Macdonald) takes time off to look after her mother, meaning that Milne must finally spend some time with Christopher Robin, getting to know his son and enjoying time together in the large woods surrounding their home. It's a slow process though, with the occasional PTSD trigger affecting the already strained father-son relationship, but they soon begin fleshing out stories, characters and habitats for what will become Winnie the Pooh and friends. When Milne invites his friend E.H. Shepherd down to start sketching the woodland and Christopher Robin at play, things really begin to take shape and it's not long before Milne has published his Winnie the Pooh stories. And they're an instant hit.
To the disappoint of A.A. Milne, much of the books attention is focused towards Christopher Robin who is immediately thrust into the limelight. Forced to endure endless photo-shoots and interviews, participating in a tea party with children who have won a competition and being constantly hounded by the press. His parents revel in the success thought, not really acknowledging the effect it's all having on their young son while they swan off to parties and holidays leaving the nanny to look after Christopher Robin and his increasingly busy schedule. Even a telephone call home from Milne to Christopher Robin to see how he is turns out to be part of a radio broadcast. He feels his life isn't his own anymore, and that Christopher Robin is just a character in a book. Even when he heads off to boarding school, he cannot escape the curse of Christopher Robin and is constantly bullied because of it.
It's thanks to the amazing cast, particularly Gleeson and newcomer Will Tilston, that all of this works so well. Building to a highly emotional ending (yeah, I cried!), Goodbye Christopher Robin is a wonderfully touching story. Emotional and hugely enjoyable.
Awix (3310 KP) rated The Horror of Frankenstein (1970) in Movies
Feb 24, 2018
(The other) Young Frankenstein
At the start of the 1970s Hammer tried to relaunch both their main series with new leading men (Ralph Bates replacing Christopher Lee in this case); this was the only reboot which eventually happened. The basics of the Frankenstein story are (just about) retold; young Victor decides to make a man, if not of himself, then from some body parts.
There's no doubt that Ralph Bates could have been a brilliant Frankenstein, but not in a film with a script like this one's. The film attempts to appeal to a hip young audience by including cleavage by the yard and lots of sub-Carry On film humour; script is also thick-headed and repetitive. The moment Frankenstein's experiments included resurrecting a tortoise everyone involved should have realised there was a serious problem here. Not funny, not scary, not interesting, barely worth watching except for Hammer fans. They got Peter Cushing back for the next one.
There's no doubt that Ralph Bates could have been a brilliant Frankenstein, but not in a film with a script like this one's. The film attempts to appeal to a hip young audience by including cleavage by the yard and lots of sub-Carry On film humour; script is also thick-headed and repetitive. The moment Frankenstein's experiments included resurrecting a tortoise everyone involved should have realised there was a serious problem here. Not funny, not scary, not interesting, barely worth watching except for Hammer fans. They got Peter Cushing back for the next one.
AJaneClark (3962 KP) rated Happy! - Season 1 in TV
Aug 9, 2019 (Updated Aug 9, 2019)
Great casting (1 more)
Very funny
It’s no law and order
Happy - a darkly comical crime series with plenty of action and outrageousness!! The series features Christopher Meloni ( looking somewhat ragged compared to his SVU days) we an ex cop turned hitman, that is injured and begins to see a flying blue unicorn.
His irritating blue sidekick takes him on an hilarious journey to rescue a young girl, who is the unicorn’s best friend! Expect a few laughs at this noir-ish style comedy that takes you to the borders of insanity!
His irritating blue sidekick takes him on an hilarious journey to rescue a young girl, who is the unicorn’s best friend! Expect a few laughs at this noir-ish style comedy that takes you to the borders of insanity!
Gareth von Kallenbach (962 KP) rated Christopher Robin (2018) in Movies
Jul 8, 2019
Winnie the Pooh, the much love bear created by A.A. Milne and E.H. Shepard, has been brought by Disney in enchantingly live action in Christopher Robin. The story begins in the hundred acre woods where little Christopher Robin is spending his last day having a picnic with his dear friends: Eeyore(Brad Garrett), Owl(Toby Jones), Rabbit(Peter Capaldi), Kanga(Sophie Okonedo) and Roo(Sara Sheen), Piglet(Nick Mohammed) Tigger and Pooh(Both beautifully voiced by Jim Cummings). The voice actor cast was rather surprising, but quite spot on for each character. I was absolutely drawn into Christopher Robin’s world.
We are transported through Christopher Robin’s journey from boarding school as a child, his teenage years through secondary education, to becoming an adult, meeting Evelyn(Hayley Atwell) who becomes his wife, leaving for World War II, returning from war to his wife and young daughter Madeline(Bronte Carmichael). Christopher Robin(Ewan McGregor) is now a grown man, working for Winslow, making luggage for the travelling set. He has been tasked to find ways to reduce waste for efficiency. Times are tough after the war and not many people are spending money on travel, therefore no one is buying luggage for their trips. His boss, Giles Winslow(Mark Gatiss, who seems to enjoy playing this feckless git) expects him to work through the weekend to come up with ideas to meet an overall 20% reduction or else Winslow will cut the workforce.
The plan was to spend his weekend with his family down at the cottage. The order from his boss has once again upended his plans. Christopher Robin is a grown man indeed and he has not smiled or had any fun for the longest time. He has become so serious even his wife was looking for his smile. While he works through the weekend. Evelyn decides that Madelyn needs to play and proceeds with the visit to the cottage.
While we follow Christopher Robin as he walks through life, we also see Winnie the Pooh at the tree to the hundred acre woods waiting every day for Christopher Robin’s return. One day, Pooh wakes to an empty woods where he cannot find any of his friends. He goes through the door in the tree hoping to find Christopher Robin and get help because he fears that his friends have been taken by the Heffalumps and Woozles.
Ewan McGregor plays Christopher Robin as an adult with such sincerity and honesty, that we all believe that Pooh and his friends truly exist in the film. The hundred acre woods magically come alive in the movie, capturing the colors of autumn and the warmth of the sunshine on the meadows. The score includes favorites that are the signature of the characters. It will have you quietly singing the words to the well known tunes.
For those that love Winnie the Pooh as I do and have fond memories of your own childhood or of your children’s, this movie was so enjoyable, heartwarmingly satisfying. Go as an adult, go with the kids (grown and little) its not a summer action film, but it is such a lovely movie by Disney with such a well told tale of old friends.
We are transported through Christopher Robin’s journey from boarding school as a child, his teenage years through secondary education, to becoming an adult, meeting Evelyn(Hayley Atwell) who becomes his wife, leaving for World War II, returning from war to his wife and young daughter Madeline(Bronte Carmichael). Christopher Robin(Ewan McGregor) is now a grown man, working for Winslow, making luggage for the travelling set. He has been tasked to find ways to reduce waste for efficiency. Times are tough after the war and not many people are spending money on travel, therefore no one is buying luggage for their trips. His boss, Giles Winslow(Mark Gatiss, who seems to enjoy playing this feckless git) expects him to work through the weekend to come up with ideas to meet an overall 20% reduction or else Winslow will cut the workforce.
The plan was to spend his weekend with his family down at the cottage. The order from his boss has once again upended his plans. Christopher Robin is a grown man indeed and he has not smiled or had any fun for the longest time. He has become so serious even his wife was looking for his smile. While he works through the weekend. Evelyn decides that Madelyn needs to play and proceeds with the visit to the cottage.
While we follow Christopher Robin as he walks through life, we also see Winnie the Pooh at the tree to the hundred acre woods waiting every day for Christopher Robin’s return. One day, Pooh wakes to an empty woods where he cannot find any of his friends. He goes through the door in the tree hoping to find Christopher Robin and get help because he fears that his friends have been taken by the Heffalumps and Woozles.
Ewan McGregor plays Christopher Robin as an adult with such sincerity and honesty, that we all believe that Pooh and his friends truly exist in the film. The hundred acre woods magically come alive in the movie, capturing the colors of autumn and the warmth of the sunshine on the meadows. The score includes favorites that are the signature of the characters. It will have you quietly singing the words to the well known tunes.
For those that love Winnie the Pooh as I do and have fond memories of your own childhood or of your children’s, this movie was so enjoyable, heartwarmingly satisfying. Go as an adult, go with the kids (grown and little) its not a summer action film, but it is such a lovely movie by Disney with such a well told tale of old friends.
Matthew Krueger (10051 KP) rated Dracula A.D. 1972 (1972) in Movies
Nov 20, 2020
Christopher Lee (1 more)
Peter Cushing
Dracula Getting With The Times
Dracula A.D. 1972- is the seventh Hammer film featuring Dracula, and the sixth to star Christopher Lee in the title role. It also marked the return of Peter Cushing as Van Helsing for the first time since The Brides of Dracula (1960), and was the first to feature both Lee and Cushing in their respective roles since Dracula (1958).
Unlike earlier films in Hammer's Dracula series, Dracula A.D. 1972 had (at the time of filming) a contemporary setting, in an attempt to update the Dracula story for modern audiences. Dracula is brought back to life in modern London and preys on a group of young partygoers that includes the descendant of his nemesis, Van Helsing.
The plot: Van Helsing despatches Dracula to his grave, only for the dark lord to be reborn in 1972. When the swinging trendies of London decide to experiment with a little devil-worshipping, the Count decides to move to his own bloody groove.
It was followed by the last film in Hammer's Dracula series to star Christopher Lee, The Satanic Rites of Dracula, which similarly utilized a modern setting and featured most of the same central characters.
Dracula A.D. 1972 was marketed with the taglines "Past, present or future, never count out the Count!" and "Welcome back, Drac!"
Its a good film.
Unlike earlier films in Hammer's Dracula series, Dracula A.D. 1972 had (at the time of filming) a contemporary setting, in an attempt to update the Dracula story for modern audiences. Dracula is brought back to life in modern London and preys on a group of young partygoers that includes the descendant of his nemesis, Van Helsing.
The plot: Van Helsing despatches Dracula to his grave, only for the dark lord to be reborn in 1972. When the swinging trendies of London decide to experiment with a little devil-worshipping, the Count decides to move to his own bloody groove.
It was followed by the last film in Hammer's Dracula series to star Christopher Lee, The Satanic Rites of Dracula, which similarly utilized a modern setting and featured most of the same central characters.
Dracula A.D. 1972 was marketed with the taglines "Past, present or future, never count out the Count!" and "Welcome back, Drac!"
Its a good film.
The Chocolate Lady (94 KP) rated Christopher: A Tale of Seduction in Books
Oct 7, 2020
Burnett's debut novel introduces us to us a most interesting protagonist - B. K. Troop - a heavy set, less than aesthetic, aging homosexual man who becomes obsessed with the title character. Christopher is young, handsome, naive and painfully straight. Despite the seemingly hopeless situation, B.K. believes that he can still turn the boy into a conquest by taking advantage of his delicate situation. Christopher is a freshly divorced English teacher who has run away from the pain of losing his ex and suffering his overbearing mother has put him through, in order to write his long suppressed novel. Burnett takes us on a bumpy ride as the relationship develops and changes throughout the year 1984. This character-driven story pulls the reader in, as we start out disgusted and then fascinated by the workings of B.K's mind and his less than savory tactics to reach his goal. Burnett uses the flamboyance of his narrator's personality to embellish his prose with quips and high-brow remarks, making it not only an intelligent read, but one that sparkles with wit and humor.
Lee (2222 KP) rated Christopher Robin (2018) in Movies
Aug 19, 2018
Hayley Atwell is very underused (1 more)
Not really much of a kids movie
A good dose of warm fuzzy feelings
After recently reading a fair few uncomplimentary critic reviews for Christopher Robin, I wasn't sure what to expect from this. But, I was actually pleasantly surprised. And my wife absolutely loved it!
The movie begins with Christopher Robin as the child we all know from the stories. He's having a farewell tea party with Pooh and the gang in the hundred acre wood - a chance to see this latest incarnation of them all, beautifully rendered, different from what we're used to, but still very familiar. Christopher Robin is leaving them to head off to boarding school, so it's going to be a while before we see them all again.
From there we quickly skip through the next few chapters of Christopher's life, while the opening credits play. Boarding school, the death of his father, meeting his wife (Hayley Atwell) and heading off to fight in the war, before returning home. We pick up again with him while working for Winslow, a luggage company. His manager (a brilliant performance from Mark Gatiss) is putting pressure on him to come up with cost saving measures, in order to save the failing company, and demands that he work the whole weekend in order to come up with a solution. Christopher was due to go away with his family that weekend to his childhood home in Sussex, so must let them down once again in favour of work. Hayley Atwell is greatly underused in this movie, but plays the disappointed wife very well. Daughter Madeline doesn't think her dad ever was a child as all he wants her to do is work hard in order to go to boarding school, read her boring books instead of fun books and work instead of play. He's a far cry from the young Christopher Robin we know.
The whole movie is very dark and gloomy looking, with bright vibrant Disney colours rarely to be seen, even more so in this first part of the movie. Aside from some small comedy moments, this isn't really a kids movie at all.
When Pooh arrives in London, seeking out Christopher Robin having lost Tigger and his other friends, the tone of the movie immediately changes. The wonderful, soothing, familiar voice of Jim Cummings bringing this silly old bear to life as he tries to adjust to Lon-don life. There are some wonderfully funny moments, full of heart, even more so when the whole gang are finally reunited and all causing chaos in London.
While never quite reaching the dizzyingly high standard set recently by the amazing Paddington 2, Christopher Robin still manages to provide you with a warm fuzzy feeling inside and a very funny, enjoyable experience. And with a lesson in making sure your embrace your inner child thrown in too!
The movie begins with Christopher Robin as the child we all know from the stories. He's having a farewell tea party with Pooh and the gang in the hundred acre wood - a chance to see this latest incarnation of them all, beautifully rendered, different from what we're used to, but still very familiar. Christopher Robin is leaving them to head off to boarding school, so it's going to be a while before we see them all again.
From there we quickly skip through the next few chapters of Christopher's life, while the opening credits play. Boarding school, the death of his father, meeting his wife (Hayley Atwell) and heading off to fight in the war, before returning home. We pick up again with him while working for Winslow, a luggage company. His manager (a brilliant performance from Mark Gatiss) is putting pressure on him to come up with cost saving measures, in order to save the failing company, and demands that he work the whole weekend in order to come up with a solution. Christopher was due to go away with his family that weekend to his childhood home in Sussex, so must let them down once again in favour of work. Hayley Atwell is greatly underused in this movie, but plays the disappointed wife very well. Daughter Madeline doesn't think her dad ever was a child as all he wants her to do is work hard in order to go to boarding school, read her boring books instead of fun books and work instead of play. He's a far cry from the young Christopher Robin we know.
The whole movie is very dark and gloomy looking, with bright vibrant Disney colours rarely to be seen, even more so in this first part of the movie. Aside from some small comedy moments, this isn't really a kids movie at all.
When Pooh arrives in London, seeking out Christopher Robin having lost Tigger and his other friends, the tone of the movie immediately changes. The wonderful, soothing, familiar voice of Jim Cummings bringing this silly old bear to life as he tries to adjust to Lon-don life. There are some wonderfully funny moments, full of heart, even more so when the whole gang are finally reunited and all causing chaos in London.
While never quite reaching the dizzyingly high standard set recently by the amazing Paddington 2, Christopher Robin still manages to provide you with a warm fuzzy feeling inside and a very funny, enjoyable experience. And with a lesson in making sure your embrace your inner child thrown in too!
A-van-tastic reads (5 KP) rated Christopher Robin (2018) in Movies
Aug 26, 2018
Childhood come alive
This was one of my most anticipated releases of the year although I wasn't a super fan of Winnie-the-Pooh when I was little I did watch it now and then so I was excited to see a part of my childhood come to life. Although this is a family movie it is definitely not a movie for young kids that's not to say it's inappropriate it just wouldn't hold their attention this movie focuses more on Christopher Robin as an adult then it does Winnie the Pooh that being said I really enjoyed this movie it made me very nostalgic and just got back memories of a happy or easier time.
Matthew Krueger (10051 KP) rated The Devil Rides Out (1968) in Movies
Nov 11, 2020
Not Your Average Hammer Film
The Devil Rides Out- is not your average hammer film. It has little sexual or violent content. The film's tone is serious, lacking the intentional camp and tongue-in-cheek style of many other Hammer titles. Which makes the film more intresting. The tone of the flim is serious and focusing on that topic.
The plot: When the Duc de Richleau (Christopher Lee) and Rex Van Ryn (Leon Greene) arrive at a fashionable party thrown by de Richleau's protégé, Simon Aron (Patrick Mower), they soon realize that the party is in fact a gathering of a Satanic cult, led by the high priest Mocata (Charles Gray), that plans to initiate the beautiful Tanith (Nike Arrighi) that night. It's up to de Richleau and Van Ryn to defeat the devil-worshiping Mocata and save innocent young Tanith and the others from a terrible fate.
Its a really good movie and i highly recordmend this film to others. Like i said its not your average hammer film. It takes its topic/subject very serious. And its one of Terence Fisher's best films he has directed.
The plot: When the Duc de Richleau (Christopher Lee) and Rex Van Ryn (Leon Greene) arrive at a fashionable party thrown by de Richleau's protégé, Simon Aron (Patrick Mower), they soon realize that the party is in fact a gathering of a Satanic cult, led by the high priest Mocata (Charles Gray), that plans to initiate the beautiful Tanith (Nike Arrighi) that night. It's up to de Richleau and Van Ryn to defeat the devil-worshiping Mocata and save innocent young Tanith and the others from a terrible fate.
Its a really good movie and i highly recordmend this film to others. Like i said its not your average hammer film. It takes its topic/subject very serious. And its one of Terence Fisher's best films he has directed.