"An inspirational, life changing book about an amazing personal journey. I first read it just as I was starting college, and I’d grown up in a pretty poor, rough part of London. At the time I was heavily into music by Public Enemy and loved Spike Lee’s Do The Right Thing. So listening to Chuck D and Spike Lee talking about Malcom X motivated me to search out the book as I wanted to learn about the man for myself."

"I got to love this album when I was 18, working in a second hand clothes shop in Glasgow, where one of the guys I worked with played it constantly. It was the first time I had heard music that felt like genuine contemporary protest music. The combination of Chuck D’s informed eloquence and unashamed confrontational stance was so potent. Here was a guy name-checking Martin Luther King and Malcolm X in the same breath as Coltrane and Anthrax. It was revolutionary in every sense. It felt dangerous. These guys had the FBI tapping their phones and were taking on the behemoth of the US establishment. While in retrospect the S1Ws may be the campest paramilitaries in history, the imagery of guerrilla conflict intensified the sense of resisting persecution. Like the best groups, it felt like a gang, too. Flav the joker, Chuck the boss, Terminator-X voiceless, but ever-present. Tight. Then there was the music. That fragmented repetition. Those bursts of brass and breakbeats, squealing like sirens against stolen guitars. Amazing. It didn’t sound like anything else. While Chuck D and his cartoon foil Flavor Flav had the lyrical articulacy, Terminator-X, Professor Griff and the Bomb Squad matched it musically. Their imagination was in context – how to take something from its original context, place it against something else out of context to create something way more powerful than either in isolation. In many ways, I still see this LP as the pinnacle of rap. Of course it is of its time and sonic trends advanced, but for sheer inventiveness and lyricism it has never been matched. It felt like rap was violently booting the world into a better direction – a brief flash of genius before it became mired in the vocabulary of egoism, misogyny and avarice. There have been great pinnacles since, but nothing matches this moment."

"I can't say this about every song on this list, but with this one I was quite aware of what the band were doing when it came out. I wouldn't say Public Enemy are my favourite band, but it's pretty close, and when this record was released, they were the most important group in the world as far as I was concerned. ""They were the most interesting, the most intelligent, and at the time, nobody was more controversial than Chuck D. They were so original; they were breaking new ground with every recording. Before It Takes a Nation of Millions to Hold Us Back, there just wan't music like this. ""That record came out six months before Fear of a Black Planet, and it still felt so sharply of its time because Chuck was talking about everything he'd gone through in the months leading up to it - the controversy with Professor Griff, and everything else. Later on, he said something like, ""Public Enemy is CNN for black people,"" and you get that with this song. It's totally brutal, totally brilliant, and totally of the moment. In the winter of 1990, they just meant everything. ""I've put this one on plenty of mixtapes. Plus, is that a Frankie Goes to Hollywood reference in the title? It's got to be, right?"