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Lee (2222 KP) rated Santa Clarita Diet - Season 3 in TV
Apr 7, 2019
I remember watching season 1 of Santa Clarita Diet and wondering after just a few episodes if it would ever make it to another season. Don't get me wrong, I loved the humour and the craziness of the show, but wasn’t sure how they would ever manage to stretch the idea out any further than that. Well, we're now onto season 3 of what has proven to be one of the funniest and most consistently well written shows around right now, with no signs of it slowing down anytime soon.
Season 2 ended on a bit of a cliffhanger with Sheila (Drew Barrymore) and Joel (Timothy Olyphant) getting caught with a re-animated corpse head out in the desert by their cop neighbour Anne (Natalie Morales). At the same time, daughter Abby (Liv Hewson) and their other neighbour’s son Eric (Skyler Gisondo) blowing up a fracking site. It’s the kind of wild predicament which, despite sounding crazy on paper, has become perfectly normal for this show.
Season 3 picks things up with Anne convinced that Sheila has been sent by god to help rid the world of evildoers, and as a church goer herself, she believes she must dedicate herself to helping Sheila. Meanwhile, the kids find themselves having to dodge an FBI agent who has been assigned to the fracking site case. And as for the re-animated head of Gary? Well, after positioning him back in their basement, the Hammonds decide to equip him with a headset and an Alexa so that he can work as an employee for their brand new realty company. Once again, something which sounds crazy on paper, but totally works on the show. And is also very funny as he turns out to be the perfect employee.
Season 3 also begins heavily expanding the world of the show, and the zombie mythology briefly introduced in previous seasons. A group called the Knights of Serbia are out to rid the world of the undead, and there is a mysterious stranger accompanied by a couple of thugs who also seem to have sinister motives for capturing zombies. As if all of that wasn’t enough, Sheila begins putting pressure on Joel to join her in becoming undead!
The pace of the show is what I love about the show. There’s always a family drama, or bigger issue to try and resolve meaning you never get time to be bored. The way that Sheila and Joel tackle everything like it’s something as mundane as changing a blown light bulb is one of the best things about the show and I particularly love Joel and his calmly frustrated comebacks and subtle one liners. Little things - like Joel discovering that there are separate kitchen drawers, with separate utensils for normal cooking and for more gross purposes - are just perfect.
Although this season isn’t quite as funny as last, there are some very funny new characters this time, most notably, Ron, who appeared last season but is newly undead in season 3. The whole season just breezes by, and once again ends on an exciting cliffhanger. Bring on season 4!
Season 2 ended on a bit of a cliffhanger with Sheila (Drew Barrymore) and Joel (Timothy Olyphant) getting caught with a re-animated corpse head out in the desert by their cop neighbour Anne (Natalie Morales). At the same time, daughter Abby (Liv Hewson) and their other neighbour’s son Eric (Skyler Gisondo) blowing up a fracking site. It’s the kind of wild predicament which, despite sounding crazy on paper, has become perfectly normal for this show.
Season 3 picks things up with Anne convinced that Sheila has been sent by god to help rid the world of evildoers, and as a church goer herself, she believes she must dedicate herself to helping Sheila. Meanwhile, the kids find themselves having to dodge an FBI agent who has been assigned to the fracking site case. And as for the re-animated head of Gary? Well, after positioning him back in their basement, the Hammonds decide to equip him with a headset and an Alexa so that he can work as an employee for their brand new realty company. Once again, something which sounds crazy on paper, but totally works on the show. And is also very funny as he turns out to be the perfect employee.
Season 3 also begins heavily expanding the world of the show, and the zombie mythology briefly introduced in previous seasons. A group called the Knights of Serbia are out to rid the world of the undead, and there is a mysterious stranger accompanied by a couple of thugs who also seem to have sinister motives for capturing zombies. As if all of that wasn’t enough, Sheila begins putting pressure on Joel to join her in becoming undead!
The pace of the show is what I love about the show. There’s always a family drama, or bigger issue to try and resolve meaning you never get time to be bored. The way that Sheila and Joel tackle everything like it’s something as mundane as changing a blown light bulb is one of the best things about the show and I particularly love Joel and his calmly frustrated comebacks and subtle one liners. Little things - like Joel discovering that there are separate kitchen drawers, with separate utensils for normal cooking and for more gross purposes - are just perfect.
Although this season isn’t quite as funny as last, there are some very funny new characters this time, most notably, Ron, who appeared last season but is newly undead in season 3. The whole season just breezes by, and once again ends on an exciting cliffhanger. Bring on season 4!
Maddi Zoe (6 KP) rated MANIA by Fall Out Boy in Music
Feb 8, 2018
feet-tapping tunes (1 more)
light and dark
Fresh new sound, still Fall Out Boy
Fall Out Boy return with their seventh studio album titled 'Mania', which continues to explore their heavy alternative rock sound.
Mania is very similar in sound to Fall Out Boy's previous album from 2015 'American Beauty/American Psycho'. It's a far cry from where they first began with hits such as 'Sugar We're Goin' Down' and 'Dance, Dance'. Although it was classic rock hits such as 'I Don't Care' that brought them out into the spotlight in the first place. But you can clearly see the evolution of their music through each and every album.
They started to turn to heavier rock in their stand out album, 'Save Rock and Roll' in 2013, and continued to explore this style through to their 2015 album. Mania follows again follows this same successful recipe. But it's still fresh, with Pete Wentz describing it as a 'palette cleanse'.
You can tell that Fall Out Boy are passionate about their music. It's taken two years to get this album to a point where they felt happy with the finished product. Patrick Stump and the band started writing the new album during their 2016 tour, and it was originally scheduled for release in September last year. The release was delayed because they felt it was 'too rushed' and they didn't want to give fans something they felt was 'sub-par'.
The lyrics are, as usual, clever and intricate. It is clear that a lot of thought has gone into writing all of these songs. Some songs do again hint towards religion, such as 'Church' and 'Heaven's Gate'. This is becoming a common theme for the band, yet they maintain their heavy ego pop musicality. Fans of the band may also know it is common for the lyrics to sometimes reference other artists or the music industry in general. Anyone with a keen ear will notice the Britney Spears references in 'Young and Menace'.
Stump's voice. It is outstanding. This new album is no different. It is something that makes Fall Out Boy stand out among other bands. It is so crucial, especially in recent years, and Fall Out Boy continue to distance themselves away from bog-standard guitar solos. More often than not they have a bridge that is different to the rest of the song. This gives them more time to show off Stump's incredible and unique voice.
While the album is heavier than the majority of their music, some tracks such as 'Hold Me Tight or Don't', which are a bit lighter, and hint back to their 'old style'. Yet they continue to remain completely fresh. Whilst tracks such as 'Young and Menace' and 'Stay Frosty Royal Milk Tea' almost have a dubstep/dance vibe to them.
All ten tracks on the new album are completely different from one another other. There is something for everyone. It is combines the 'old' Fall Out Boy which we first fell in love with and the 'newer, even fresher' Fall Out Boy. It is yet again, another outstanding album from the band.
Mania is very similar in sound to Fall Out Boy's previous album from 2015 'American Beauty/American Psycho'. It's a far cry from where they first began with hits such as 'Sugar We're Goin' Down' and 'Dance, Dance'. Although it was classic rock hits such as 'I Don't Care' that brought them out into the spotlight in the first place. But you can clearly see the evolution of their music through each and every album.
They started to turn to heavier rock in their stand out album, 'Save Rock and Roll' in 2013, and continued to explore this style through to their 2015 album. Mania follows again follows this same successful recipe. But it's still fresh, with Pete Wentz describing it as a 'palette cleanse'.
You can tell that Fall Out Boy are passionate about their music. It's taken two years to get this album to a point where they felt happy with the finished product. Patrick Stump and the band started writing the new album during their 2016 tour, and it was originally scheduled for release in September last year. The release was delayed because they felt it was 'too rushed' and they didn't want to give fans something they felt was 'sub-par'.
The lyrics are, as usual, clever and intricate. It is clear that a lot of thought has gone into writing all of these songs. Some songs do again hint towards religion, such as 'Church' and 'Heaven's Gate'. This is becoming a common theme for the band, yet they maintain their heavy ego pop musicality. Fans of the band may also know it is common for the lyrics to sometimes reference other artists or the music industry in general. Anyone with a keen ear will notice the Britney Spears references in 'Young and Menace'.
Stump's voice. It is outstanding. This new album is no different. It is something that makes Fall Out Boy stand out among other bands. It is so crucial, especially in recent years, and Fall Out Boy continue to distance themselves away from bog-standard guitar solos. More often than not they have a bridge that is different to the rest of the song. This gives them more time to show off Stump's incredible and unique voice.
While the album is heavier than the majority of their music, some tracks such as 'Hold Me Tight or Don't', which are a bit lighter, and hint back to their 'old style'. Yet they continue to remain completely fresh. Whilst tracks such as 'Young and Menace' and 'Stay Frosty Royal Milk Tea' almost have a dubstep/dance vibe to them.
All ten tracks on the new album are completely different from one another other. There is something for everyone. It is combines the 'old' Fall Out Boy which we first fell in love with and the 'newer, even fresher' Fall Out Boy. It is yet again, another outstanding album from the band.
Gareth von Kallenbach (980 KP) rated Monsters vs. Aliens (2009) in Movies
Aug 14, 2019
Ushering in what they hope will be a bold new era in 3D movie making, Dreamworks has set a very high standard with “Monsters Vs Aliens”. By combining science fiction and monster films, pop culture references, a strong cast, and cutting edge 3D technology, the film is likely to score big with audiences of all ages.
The story involves a bride to be named Susan (Reese Witherspoon), who is struck by a meteor shortly before her nuptials to local anchorman Derek (Paul Rudd). Before she can say “I do” Susan has an amazing growth spurt that soon has her towering over the church and eventually captured and subdued by a cadre of soldiers.
Susan is targeted as a monster by the government and awakens in a strange cell with fellow detainees B.O.B. (Seth Rogan), The Missing Link (Will Arnett), Dr. Cockroach PHD (Hugh Laurie), and Insectasaurus. While shocked and horrified to be in the company of monsters, Susan remains focused on getting back to normal and marrying Derek.
At the same time, an alien probe has arrived on earth and after a first contact effort by President Hathaway (Stephen Colbert), goes very wrong, the military soon realizes they are overmatched, requiring drastic efforts to save the planet.Enter General W.R. Monger, (Kiefer Sutherland), who reveals his captive monsters to the President and his staff with the idea that the only way to save the earth is to turn the monsters loose on the alien threat.
With a promise of freedom, the monsters and Susan (now dubbed Ginormica) seek to save San Francisco from the aliens. However, a greater threat is facing the earth from the alien Gallaxhar (Rainn Wilson), who has designs on Earth and the power Susan possesses, and will stop at nothing to get it. What ensues is a funny adventure that thanks to the stunning 3D visuals is one of the more enjoyable family films in years.
The amazing 3D effects truly allow for the audience to become immersed in the film rather than just occasionally entertained with a few simple gimmicks. The film has plenty to offer children, but parents should note that the film is PG rated due to some clever quips designed for older viewers.The nearly two hour film moves at a brisk pace, ensuring the monsters do not outstay their welcome, but it may still be a bit long for very young viewers. There are dimensions of the characters that I hope get expanded upon in future films, but I do understand that with such lavish visuals, action, not so much character development, takes centerstage, and the film certainly delivers adventure in spades.
The animation is first rate, as is the great ensemble cast, all of which combine to make “Monsters Vs Aliens” a fun viewing experience for the entire family, and a grand new direction for animation.While viewers wishing to see the film in 3D can expect to pay a higher ticket price, I strongly recommend the 3D version to truly enjoy the film and the breathtaking achievements in animation..
The story involves a bride to be named Susan (Reese Witherspoon), who is struck by a meteor shortly before her nuptials to local anchorman Derek (Paul Rudd). Before she can say “I do” Susan has an amazing growth spurt that soon has her towering over the church and eventually captured and subdued by a cadre of soldiers.
Susan is targeted as a monster by the government and awakens in a strange cell with fellow detainees B.O.B. (Seth Rogan), The Missing Link (Will Arnett), Dr. Cockroach PHD (Hugh Laurie), and Insectasaurus. While shocked and horrified to be in the company of monsters, Susan remains focused on getting back to normal and marrying Derek.
At the same time, an alien probe has arrived on earth and after a first contact effort by President Hathaway (Stephen Colbert), goes very wrong, the military soon realizes they are overmatched, requiring drastic efforts to save the planet.Enter General W.R. Monger, (Kiefer Sutherland), who reveals his captive monsters to the President and his staff with the idea that the only way to save the earth is to turn the monsters loose on the alien threat.
With a promise of freedom, the monsters and Susan (now dubbed Ginormica) seek to save San Francisco from the aliens. However, a greater threat is facing the earth from the alien Gallaxhar (Rainn Wilson), who has designs on Earth and the power Susan possesses, and will stop at nothing to get it. What ensues is a funny adventure that thanks to the stunning 3D visuals is one of the more enjoyable family films in years.
The amazing 3D effects truly allow for the audience to become immersed in the film rather than just occasionally entertained with a few simple gimmicks. The film has plenty to offer children, but parents should note that the film is PG rated due to some clever quips designed for older viewers.The nearly two hour film moves at a brisk pace, ensuring the monsters do not outstay their welcome, but it may still be a bit long for very young viewers. There are dimensions of the characters that I hope get expanded upon in future films, but I do understand that with such lavish visuals, action, not so much character development, takes centerstage, and the film certainly delivers adventure in spades.
The animation is first rate, as is the great ensemble cast, all of which combine to make “Monsters Vs Aliens” a fun viewing experience for the entire family, and a grand new direction for animation.While viewers wishing to see the film in 3D can expect to pay a higher ticket price, I strongly recommend the 3D version to truly enjoy the film and the breathtaking achievements in animation..
Gareth von Kallenbach (980 KP) rated Harriet (2019) in Movies
Nov 7, 2019
Harriet Tubman was among one of the most significant abolitionists in United States history. This film tells the story of her life where she was born in Maryland as a plantation slave. Named Araminta at “Minty” Ross, she transforms throughout her journey, becoming Harriet Tubman as well as transforming into Moses, the appropriate name for the person who leads.
The story begins after church services where Minty’s husband John Tubman who was a free slave asks the plantation owner to allow Minty to be freed so their children would be born free instead of slaves. The slave owner, Henry Broadess (Mike Marunde played with a gleeful abundance of entitlement) denies the request. This is the spark where Araminta decides to run away to live as a free person.
Minty was known for her “spells” since the accident, where she was hit in the forehead by a thrown weight. The film interprets seizures as her conversation with God. The film uses these spells as her talks with and messages received from God. That is how Harriett’s visions are explained. That she has an ability to know where to go and what to from what she sees when she has an episode.
Harriet had saved herself from slavery. She made it to the State of Pennsylvania where she would be free. After a year or so, Harriet decided that she would not be able to rest comfortably as a “free slave” without her husband and her family. That is when she decided that she would go get her loved ones.
As we know from history, she saved her family and many others through the Underground Railroad. All her rescues were successful, totaling 70 that she brought to freedom. The Civil War began a few years later. We are shown Harriet, working with the Union Army to save the lives of about 700 slaves.
The film celebrates Harriet Tubman and provides a beautiful biographical film of this amazing woman. Cynthia Erivo should get a nomination or two come award season. Pssst, she already has a Tony from her performance of The Color Purple on Broadway and a Grammy. She is already halfway to an EGOT. The cast of the film is fantastic. Leslie Odom Jr. as William Still, the man who kept the records of each emancipated slave and provided new identities to help them. Then there is Janelle Monae, as Mary Buchanon, born a free woman. She was among the group that helped Harriet make a new life in Philadelphia.
The film tells a brave tale, but it glosses over the dark history of slavery. Yes, it is one of the dark chapters in humanity. The atrocities committed in the name of self-preservation are despicable. The creators of the movie could have provided a more realistic representation of a picture of slavery.
This film is very good. Ms. Erivo performs effortlessly as Harriet. The supporting cast are very good. Harriet Tubman was a hell of a woman back in the day. I liked the movie. I also would have liked to have slavery shown in stark reality, not coated in idealism.
The story begins after church services where Minty’s husband John Tubman who was a free slave asks the plantation owner to allow Minty to be freed so their children would be born free instead of slaves. The slave owner, Henry Broadess (Mike Marunde played with a gleeful abundance of entitlement) denies the request. This is the spark where Araminta decides to run away to live as a free person.
Minty was known for her “spells” since the accident, where she was hit in the forehead by a thrown weight. The film interprets seizures as her conversation with God. The film uses these spells as her talks with and messages received from God. That is how Harriett’s visions are explained. That she has an ability to know where to go and what to from what she sees when she has an episode.
Harriet had saved herself from slavery. She made it to the State of Pennsylvania where she would be free. After a year or so, Harriet decided that she would not be able to rest comfortably as a “free slave” without her husband and her family. That is when she decided that she would go get her loved ones.
As we know from history, she saved her family and many others through the Underground Railroad. All her rescues were successful, totaling 70 that she brought to freedom. The Civil War began a few years later. We are shown Harriet, working with the Union Army to save the lives of about 700 slaves.
The film celebrates Harriet Tubman and provides a beautiful biographical film of this amazing woman. Cynthia Erivo should get a nomination or two come award season. Pssst, she already has a Tony from her performance of The Color Purple on Broadway and a Grammy. She is already halfway to an EGOT. The cast of the film is fantastic. Leslie Odom Jr. as William Still, the man who kept the records of each emancipated slave and provided new identities to help them. Then there is Janelle Monae, as Mary Buchanon, born a free woman. She was among the group that helped Harriet make a new life in Philadelphia.
The film tells a brave tale, but it glosses over the dark history of slavery. Yes, it is one of the dark chapters in humanity. The atrocities committed in the name of self-preservation are despicable. The creators of the movie could have provided a more realistic representation of a picture of slavery.
This film is very good. Ms. Erivo performs effortlessly as Harriet. The supporting cast are very good. Harriet Tubman was a hell of a woman back in the day. I liked the movie. I also would have liked to have slavery shown in stark reality, not coated in idealism.
Hadley (567 KP) rated The Lost Causes of Bleak Creek in Books
Jan 21, 2020
Likable characters (1 more)
Great storyline
If your best friend was sent away to a reform school, what would you do? You'd either let them do their 'time,' or you would come up with a plan to help them escape, and with a pinch of the supernatural, this is what 'The Lost Causes of Bleak Creek' is all about.
When you read this novel by two of the most well-known YouTube personalities (Rhett and Link of Good Mythical Morning), be sure you have plenty of time to spare because this is a book you won't want to put down. The novel follows three best friends of a small town in North Carolina in the early 1990's, when one of them gets sent to a infamous reform school for an accident, they start to uncover mysterious deaths that have taken place there, and begin to fear that their friend is going to be a victim of one.
In 'The Lost Causes of Bleak Creek,' the main characters, Rex, Leif and Alicia, make their debut at a pig roasting to raise funds for a church, whose copper organ pipes had been stolen days before. It's here we learn that the three are making a film called PolterDog, which leads to Alicia getting sent away after a near-deadly accident with the owner and headmaster of the local Whitewood Reform School.
Soon after, Rex and Leif run into an escapee from the school (Ben), who tells them that their friend's life is in danger while she's at Whitewood. While the three come up with a plan to rescue Alicia, a woman who's visiting the town of Bleak Creek, who is trying to film a documentary about kidney stones, becomes a valuable part of their rescue mission.
Not only do we get to see from Rex and Leif's point of view, but we also get to see from inside the Whitewood Reform School from Alicia's view. This view point is much needed to help readers experience the abuse that goes on inside the school (and to realize that Ben was telling the truth) and also to help readers root for the main characters' success in their rescue mission. Even though the majority of the story is the main characters getting everything together for this mission, the writing was done so well that all of it makes sense leading up to the end.
To not give too much away about this book, I have to cut my review short of it. The writing is really good, with the pace continuously keeping the reader going and wanting more.This story also encompasses everything that makes a great novel: best friends trying to save another, small town mysteries, well-placed humor and murder. I found all of the characters likable, and the situations they found themselves in made complete sense in the story. This will be one that readers can pick up more than once and enjoy it each time they read it. As a horror book, this story is high on my scale with scenarios happening that I couldn't see coming.
When you read this novel by two of the most well-known YouTube personalities (Rhett and Link of Good Mythical Morning), be sure you have plenty of time to spare because this is a book you won't want to put down. The novel follows three best friends of a small town in North Carolina in the early 1990's, when one of them gets sent to a infamous reform school for an accident, they start to uncover mysterious deaths that have taken place there, and begin to fear that their friend is going to be a victim of one.
In 'The Lost Causes of Bleak Creek,' the main characters, Rex, Leif and Alicia, make their debut at a pig roasting to raise funds for a church, whose copper organ pipes had been stolen days before. It's here we learn that the three are making a film called PolterDog, which leads to Alicia getting sent away after a near-deadly accident with the owner and headmaster of the local Whitewood Reform School.
Soon after, Rex and Leif run into an escapee from the school (Ben), who tells them that their friend's life is in danger while she's at Whitewood. While the three come up with a plan to rescue Alicia, a woman who's visiting the town of Bleak Creek, who is trying to film a documentary about kidney stones, becomes a valuable part of their rescue mission.
Not only do we get to see from Rex and Leif's point of view, but we also get to see from inside the Whitewood Reform School from Alicia's view. This view point is much needed to help readers experience the abuse that goes on inside the school (and to realize that Ben was telling the truth) and also to help readers root for the main characters' success in their rescue mission. Even though the majority of the story is the main characters getting everything together for this mission, the writing was done so well that all of it makes sense leading up to the end.
To not give too much away about this book, I have to cut my review short of it. The writing is really good, with the pace continuously keeping the reader going and wanting more.This story also encompasses everything that makes a great novel: best friends trying to save another, small town mysteries, well-placed humor and murder. I found all of the characters likable, and the situations they found themselves in made complete sense in the story. This will be one that readers can pick up more than once and enjoy it each time they read it. As a horror book, this story is high on my scale with scenarios happening that I couldn't see coming.
Rosary Deluxe for iPhone/iPad (The Holy Rosary)
Reference and Utilities
6.0
Rate It
App
A best Christmas gift for your family. Rosary Deluxe with complete audio and text for iPhone and...
Alvar Aalto: Architect
Richard Rogers and John Stewart
Book
Alvar Aalto remains Finland's greatest architect, retains his place among the Modern Masters of...
LeftSideCut (3776 KP) rated Resident Evil: Apocalypse (2004) in Movies
Nov 16, 2020
The first 10 or so minutes of Resident Evil: Apocalypse are quite good. Raccoon City in panic, Jill Valentine and Carlos Oliveira, a few mentions of this movies big bad - an adaption of Resident Evil 3: Nemesis is something I am keen for. The whole set up isn't too bad, and then we get to a scene set in a church, Jill Valentine surrounded by Lickers, completely out of ammo, and then...
Like a drunken gym bro shouting and flexing his way through a bar of people just trying to have a nice evening, Alice (Milla Jovovich) comes crashing through the churches paned glass window on a motorcycle, sub machine gun in each hand, whilst shitty rock music starts blasting out of the screen, and I am once again abruptly reminded why I hate these films.
I just about prefer Apocalypse over the first movie, but only because of the Resi 3 vibe. I also think Nemesis looks pretty badass when he finally appears, and the whole thing just feels closer to the source material than before, but other than that I find it hard to get on board with.
For starters, the editing is all over the place, and director Alexander Witt seems hellbent on adding a weird choppy slow motion effect to any scenes involving mass zombies. Later on in the film, Alice and Nemesis engage in hand to hand combat (ridiculous) where there are so many edits, it's genuinely hard to make out what the fuck is happening, and results in a stupidly underwhelming climax. (Some googling revealed to me that Witt's only other directing credits are Land Rover commercials, so this kind of all makes sense).
On the subject of Nemesis, yeah he looks the part, but I remember playing Resi 3 as a kid and it scared the shit out of me, and that was all because of Nemesis. A big, lumbering, unstoppable beast who just wants nothing more than to kill you dead. In this movie, he's more inclined to take the side of the good guys, and is sometime known to be called by his real name, Matt. I know they had to follow through on the "stinger" from the first film but come on, I don't want to hear Nemesis refered to as Matt.
Other than that, everything else is just a bit predictable and meh. It's way more action orientated than horror, and all the set pieces are uninspired and ripped off from other movies. None of the side characters are particularly memorable (and not even surprise Iain Glen can fix that) and in terms of plot, nothing really happens until the last 5 minutes. I will give props to Sienna Guillory who plays Jill Valentine. She honestly feels like she's straight out of the game series, which would usually feel a bit silly, but when she's the best thing Apocalypse has going for it, then I welcome her inclusion with open arms.
In conclusion, Apocalypse is a forgettable film that has fleeting moments of entertainment value. Maybe worth a watch just the once if you're a fan of Resi 3...
Like a drunken gym bro shouting and flexing his way through a bar of people just trying to have a nice evening, Alice (Milla Jovovich) comes crashing through the churches paned glass window on a motorcycle, sub machine gun in each hand, whilst shitty rock music starts blasting out of the screen, and I am once again abruptly reminded why I hate these films.
I just about prefer Apocalypse over the first movie, but only because of the Resi 3 vibe. I also think Nemesis looks pretty badass when he finally appears, and the whole thing just feels closer to the source material than before, but other than that I find it hard to get on board with.
For starters, the editing is all over the place, and director Alexander Witt seems hellbent on adding a weird choppy slow motion effect to any scenes involving mass zombies. Later on in the film, Alice and Nemesis engage in hand to hand combat (ridiculous) where there are so many edits, it's genuinely hard to make out what the fuck is happening, and results in a stupidly underwhelming climax. (Some googling revealed to me that Witt's only other directing credits are Land Rover commercials, so this kind of all makes sense).
On the subject of Nemesis, yeah he looks the part, but I remember playing Resi 3 as a kid and it scared the shit out of me, and that was all because of Nemesis. A big, lumbering, unstoppable beast who just wants nothing more than to kill you dead. In this movie, he's more inclined to take the side of the good guys, and is sometime known to be called by his real name, Matt. I know they had to follow through on the "stinger" from the first film but come on, I don't want to hear Nemesis refered to as Matt.
Other than that, everything else is just a bit predictable and meh. It's way more action orientated than horror, and all the set pieces are uninspired and ripped off from other movies. None of the side characters are particularly memorable (and not even surprise Iain Glen can fix that) and in terms of plot, nothing really happens until the last 5 minutes. I will give props to Sienna Guillory who plays Jill Valentine. She honestly feels like she's straight out of the game series, which would usually feel a bit silly, but when she's the best thing Apocalypse has going for it, then I welcome her inclusion with open arms.
In conclusion, Apocalypse is a forgettable film that has fleeting moments of entertainment value. Maybe worth a watch just the once if you're a fan of Resi 3...
Kurt Vile recommended The Sun Years by Jerry Lee Lewis in Music (curated)
Jesters_folly (230 KP) rated The Quatermass Experiment (2005) in Movies
Sep 14, 2020
The first U.K. Maned mission to space vanishes off course only to return with two two of it's three crew missing and the third unable to communicate. As Professor Quatermass and his team try to find out what happened they discover that they come to realise that the rocket may have returned with more than they first thought.
As remakes go This one is quite good, it follows the same basic script as the original and the modernisation (mostly) works. The film doesn't go for much in the way of monster effects, relying instead on building atmosphere and tension which helps it keep the feel of the original 1955 version. It also helps that the original writer, Nigel Kneale, was also consulted on this remake.
This version of the film does have a very (modern) British feel to it which is mostly from the fact that is was made by the BBC so has actors that have appeared in other BBC sic Fi shows, most noticeably David Tennant and Mark Gatiss.
I do have a couple of problems with this film though, firstly the main set, used though tout the first half of the film does look to much like a,well film set. The hospital ward, MoD offices and press conference room all appear to be in the same building and, in fact in one scene, the camera pans from one room to the next making the whole thing look as if it was set up in a warehouse or large stage, which it probability was for filming but you shouldn't realy notice that in the finished film.
The other issue was some of the costumes. The film seems to be set in time it was filmed (2007) but some of the costumes don't seem to fit. One reporter looks like a 'teddy boy' whilst one looks like she's from the 20's and there's a scene with 80's/90's looking goths (Yes I know there are still goths but the look has changed a bit through the decades, as with most looks).
I can't quite work out if the remake looses anything from the original, in some ways the threat seems bigger but the ending seems less climatic. The final scene takes place in an art gallery instead of a church but this is due to a slight change in some of the symbology in the film (and probably because the BBC have had complainants when they have blown up churches in the past).
The original had scenes that stuck with me ( I was quite young when i first saw it) and I feel that the remake doesn't have this effect, although that could just be my age now. However the remake does up the tension and it does feel that there is more riding on Quatermass' success
Apart from those points the film is good. Fans of the original will recognise it for what it is but new views won't need any knowledge of the original to watch it.
As remakes go This one is quite good, it follows the same basic script as the original and the modernisation (mostly) works. The film doesn't go for much in the way of monster effects, relying instead on building atmosphere and tension which helps it keep the feel of the original 1955 version. It also helps that the original writer, Nigel Kneale, was also consulted on this remake.
This version of the film does have a very (modern) British feel to it which is mostly from the fact that is was made by the BBC so has actors that have appeared in other BBC sic Fi shows, most noticeably David Tennant and Mark Gatiss.
I do have a couple of problems with this film though, firstly the main set, used though tout the first half of the film does look to much like a,well film set. The hospital ward, MoD offices and press conference room all appear to be in the same building and, in fact in one scene, the camera pans from one room to the next making the whole thing look as if it was set up in a warehouse or large stage, which it probability was for filming but you shouldn't realy notice that in the finished film.
The other issue was some of the costumes. The film seems to be set in time it was filmed (2007) but some of the costumes don't seem to fit. One reporter looks like a 'teddy boy' whilst one looks like she's from the 20's and there's a scene with 80's/90's looking goths (Yes I know there are still goths but the look has changed a bit through the decades, as with most looks).
I can't quite work out if the remake looses anything from the original, in some ways the threat seems bigger but the ending seems less climatic. The final scene takes place in an art gallery instead of a church but this is due to a slight change in some of the symbology in the film (and probably because the BBC have had complainants when they have blown up churches in the past).
The original had scenes that stuck with me ( I was quite young when i first saw it) and I feel that the remake doesn't have this effect, although that could just be my age now. However the remake does up the tension and it does feel that there is more riding on Quatermass' success
Apart from those points the film is good. Fans of the original will recognise it for what it is but new views won't need any knowledge of the original to watch it.