"I could choose any of Woody Allen’s movies and would be able to sleep well at night. A true master of cinema and way more of a director’s director than people give him credit for, especially in his collaborations with the great cameraman Gordon Willis. With the exception of Hannah and Her Sisters and Manhattan, Stardust Memories has always left me the most emotional."

"I’m not the first person who felt he’d found a soul mate upon first encountering Cassavetes’s work, but it’s a testament to how immensely personal and humane his cinema is that it seems to be speaking directly to the soul of whoever is taking it in. I will carry this astounding body of work in my heart until the day it stops beating. My hero."

"I’m not the first person who felt he’d found a soul mate upon first encountering Cassavetes’s work, but it’s a testament to how immensely personal and humane his cinema is that it seems to be speaking directly to the soul of whoever is taking it in. I will carry this astounding body of work in my heart until the day it stops beating. My hero."

"I’m not the first person who felt he’d found a soul mate upon first encountering Cassavetes’s work, but it’s a testament to how immensely personal and humane his cinema is that it seems to be speaking directly to the soul of whoever is taking it in. I will carry this astounding body of work in my heart until the day it stops beating. My hero."

"This is an absolutely glorious film. I adore Juliette Binoche and have had very confusing feelings in my tummy about her ever since I saw the The Unbearable Lightness Of Being. She is amazing in this film and it’s a really heartbreaking tale of loss and hurt. The scene where she water-skis up the Seine is one of my favorite spectacles in all of cinema."

"Having now seen it about ten times, I'm convinced that Andrew Haigh's brilliant ghost story is one of the best films I've ever seen. It also has one of the most perfect final shots in all of cinema. Pair this one with the also-perfect The Age of Innocence (1993) (which serves as the opposite side of the same thematic coin) for a pummeling double feature."

"I’m not the first person who felt he’d found a soul mate upon first encountering Cassavetes’s work, but it’s a testament to how immensely personal and humane his cinema is that it seems to be speaking directly to the soul of whoever is taking it in. I will carry this astounding body of work in my heart until the day it stops beating. My hero."

"I’m not the first person who felt he’d found a soul mate upon first encountering Cassavetes’s work, but it’s a testament to how immensely personal and humane his cinema is that it seems to be speaking directly to the soul of whoever is taking it in. I will carry this astounding body of work in my heart until the day it stops beating. My hero."

"I’m not the first person who felt he’d found a soul mate upon first encountering Cassavetes’s work, but it’s a testament to how immensely personal and humane his cinema is that it seems to be speaking directly to the soul of whoever is taking it in. I will carry this astounding body of work in my heart until the day it stops beating. My hero."