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Sarah (7800 KP) rated Terminal (2018) in Movies
Jan 13, 2019
Such a bore
I’d never really heard of this film until I saw it on Prime, I’m not even sure it’s been out at the cinema over here but I figured it couldn’t be that bad.... I was wrong.
This film is trying to be a sort of neon version of Sin City, but sadly it fails in every aspect that film succeeded. The plot is just dull and boring, with every predictable plot twist that you could think of thrown into a short 90 minute run time. The script is terrible, and I’m not sure some of the acting is any better. The usually fantastic Margot Robbie is bad in this, and her accent is downright terrible. It’s always pleasant to see Simon Pegg and it was nice to see Mike Myers back, but both were let down by the rest of this very poor film. For a film with such a short run time too, it didn’t half drag on and seems to have taken most of its plot points from other more well known (and much better) films. Now I know why this didn’t get shown in cinemas.
This film is trying to be a sort of neon version of Sin City, but sadly it fails in every aspect that film succeeded. The plot is just dull and boring, with every predictable plot twist that you could think of thrown into a short 90 minute run time. The script is terrible, and I’m not sure some of the acting is any better. The usually fantastic Margot Robbie is bad in this, and her accent is downright terrible. It’s always pleasant to see Simon Pegg and it was nice to see Mike Myers back, but both were let down by the rest of this very poor film. For a film with such a short run time too, it didn’t half drag on and seems to have taken most of its plot points from other more well known (and much better) films. Now I know why this didn’t get shown in cinemas.
David McK (3562 KP) rated The Dark Tower (2017) in Movies
Jul 7, 2019
Well, that was nothing at all like I expected.
I've read the first book in Stephen King's Dark Tower series, and (honestly) hadn't really thought it was all that great or understood what all the fuss was about - for my money, David Gemmell did a far better job in his Jon Shannow trilogy of novels.
Having said that, I recognise that Gemmell's name may not have quite the same resonance, the same 'pull' as Stephen King.
I wanted to see this when it came in the cinema, and now haven't watched it on Netflix, honestly? I'm glad I didn't waste my money.
Having only read the first book in Stephen King's series, I can't say how true (or otherwese) this is to the novel(s), but I've always thought the best book and movie adaptations compliment each other: watching (or reading) one, say, would make you want to hunt out the other. This was far from the ideal: only an hour and a half long, but felling MUCH longer, I found this to be slow, plodding, and lacking any real originality or flair or excitement.
One to avoid!
I've read the first book in Stephen King's Dark Tower series, and (honestly) hadn't really thought it was all that great or understood what all the fuss was about - for my money, David Gemmell did a far better job in his Jon Shannow trilogy of novels.
Having said that, I recognise that Gemmell's name may not have quite the same resonance, the same 'pull' as Stephen King.
I wanted to see this when it came in the cinema, and now haven't watched it on Netflix, honestly? I'm glad I didn't waste my money.
Having only read the first book in Stephen King's series, I can't say how true (or otherwese) this is to the novel(s), but I've always thought the best book and movie adaptations compliment each other: watching (or reading) one, say, would make you want to hunt out the other. This was far from the ideal: only an hour and a half long, but felling MUCH longer, I found this to be slow, plodding, and lacking any real originality or flair or excitement.
One to avoid!
Sarah (7800 KP) rated Colossal (2016) in Movies
Nov 2, 2019
An interesting idea
I remember seeing a trailer for this film when it was first released, and as didn’t play at my local cinema I hadn’t seen anything from it since until it popped up on Netflix recently.
It’s a very interesting idea and a great take on the traditional monster movie. Without going into too much detail, this film really doesn’t pan out the way I was expecting. It took me a little while to adjust to this, but I actually really enjoyed it and the ending was beyond satisfying. It was great to see Jason Sudeikis play something other than his usual type of comedy character, and Anne Hathaway was wonderful as always. I do think Dan Steven was ridiculously underused and they really could’ve given him a much better part.
The effects are a tad dodgy at times but given the low budget, it’s not a massive surprise or issue. I do think there are some slightly irritating plot holes and it does drag a little at times, but overall still a rather good film and a refreshing change to the traditional “Godzilla” style films.
It’s a very interesting idea and a great take on the traditional monster movie. Without going into too much detail, this film really doesn’t pan out the way I was expecting. It took me a little while to adjust to this, but I actually really enjoyed it and the ending was beyond satisfying. It was great to see Jason Sudeikis play something other than his usual type of comedy character, and Anne Hathaway was wonderful as always. I do think Dan Steven was ridiculously underused and they really could’ve given him a much better part.
The effects are a tad dodgy at times but given the low budget, it’s not a massive surprise or issue. I do think there are some slightly irritating plot holes and it does drag a little at times, but overall still a rather good film and a refreshing change to the traditional “Godzilla” style films.
Kirk Bage (1775 KP) rated The Fury (1978) in Movies
Mar 3, 2020 (Updated Mar 5, 2020)
In the last of this list we skip forward 16 years and some 25 film credits. Not that there wasn’t any work of quality in that period, but because the edge that existed in the younger man had undoubtedly waned, with Douglas often miscast or out of his depth. Aged 62 he stumbles upon a role in a psychological horror movie that is quintessentially 70s. The reason I believe this is the last movie of real note he made is that it was a committed performance that returned him to the idea of being an angry underdog. Essentially a thriller, Douglas revels in the fear and anguish of a father pushed to the edge of his abilities to save his son. Even though he would go on to make many more films, you feel the last of his real fire was given to this role. It also proves to me that despite a lifetime of activity the real grist of his career lasted only 16 years: 1946 – 1962. The rest was a man who knew cinema better than anyone, but couldn’t always outrun his own type-casting.
Fantabulously Disappointing
Having seen trailers for this film quite a while ago I had high hopes for Birds Of Prey. Unfortunately, this is one of those movies that cram packs all the decent and semi decent action sequences into 3-4 minute trailers to try and entice people into watching. So sad.
While Suicide Squad had left me feeling rather lukewarm, there were enough good points in it so that I hadn't left the cinema feeling like I'd completely wasted my money. Birds Of Prey on the other hand... My God!
It seemed more akin to a comic book version of Thelma And Louise (with a couple more tag alongs thrown in to try and simulate the girl power vibe) than anything vaguely resembling how Harley had been portrayed in Suicide Squad- or in the graphic novels for that matter.
It truly is a shame as I think Margot Robbie is quite good an actress, but I think when she'd been handed this script by her agent she should have just chucked it in the bin without a second thought.
While Suicide Squad had left me feeling rather lukewarm, there were enough good points in it so that I hadn't left the cinema feeling like I'd completely wasted my money. Birds Of Prey on the other hand... My God!
It seemed more akin to a comic book version of Thelma And Louise (with a couple more tag alongs thrown in to try and simulate the girl power vibe) than anything vaguely resembling how Harley had been portrayed in Suicide Squad- or in the graphic novels for that matter.
It truly is a shame as I think Margot Robbie is quite good an actress, but I think when she'd been handed this script by her agent she should have just chucked it in the bin without a second thought.
Awix (3310 KP) rated Parasite (2019) in Movies
Feb 14, 2020
Dazzling Korean jet-black comedy-thriller lives up to the hype. A clan of Seoul low-lives insert themselves with ruthless ingenuity into the comfortable lives of a wealthy family. Soon they are living much larger than they could ever have dreamt - what could possibly go wrong? (Well, plenty, of course.)
Obviously this is a film about issues of wealth and class and all the tensions and resentments that come with them, and as such it has a universal resonance regardless of whether or not it has those little words at the bottom of the screen. However, it is also an exhilarating piece of pure cinema, written and directed with great skill and creativity and well-played by the ensemble cast. At first you are drawn into rooting for the hangers-on despite their dubious enterprises, but slowly the story becomes more and more ambiguous and fraught. (Possibly the only Oscar and Palme D'Or winning film where body odour is a key plot point.) Gripping, symbolically powerful (the invisibility of the poor to their wealthier compatriots is another central theme), tremendously entertaining: pretty much everything you want from a movie.
Obviously this is a film about issues of wealth and class and all the tensions and resentments that come with them, and as such it has a universal resonance regardless of whether or not it has those little words at the bottom of the screen. However, it is also an exhilarating piece of pure cinema, written and directed with great skill and creativity and well-played by the ensemble cast. At first you are drawn into rooting for the hangers-on despite their dubious enterprises, but slowly the story becomes more and more ambiguous and fraught. (Possibly the only Oscar and Palme D'Or winning film where body odour is a key plot point.) Gripping, symbolically powerful (the invisibility of the poor to their wealthier compatriots is another central theme), tremendously entertaining: pretty much everything you want from a movie.
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