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An Elephant Sitting Still (2018)
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An Elephant Sitting Still (2018) In the northern Chinese city of Manzhouli, they say there is an...
An elephant sitting still Bo hu China Chinese Chinese cinema
The Big Goodbye: Chinatown and the Last Years of Hollywood
Book
Chinatown is the Holy Grail of 1970s cinema. Its ending is the most notorious in American film and...
Brutality Garden: Tropicalla and the Emergence of a Brazilian Counterculture
Book
In the late 1960s, Brazilian artists forged a watershed cultural movement known as Tropicália....
Mercury
Book
"This astonishing young poet--still in her twenties--is surely destined to be one of the crucial...
Portale FRECCE
Travel
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With the Portale FRECCE app of Trenitalia, your trip is more enjoyable thanks to the various...
Kevin Phillipson (10072 KP) rated Scream (2022) in Movies
Jan 20, 2022
Melissa Barrera (1 more)
The gore
Hello Sidney
Watched today I liked it it alot as a long time fan of the scream movies going back to to 1997 when I first saw the first one and loving it even getting the twist after the first half an hour and seeing all the sequels as well at the cinema over the years the second film is still my favourite of all the five. When I heard the team behind ready or not was gonna make this movie I was excited cause I loved that movie so I knew what I was gonna get with one. Any way on to the film everything I would expect from a scream movie the gore the creepy voice on the phone played once again by Roger l jackson all the talk about sequels reboots and other stuff not forgetting the return of Sidney Gail and dewey it wouldn't be the without them . I also liked at the end when they put for wes a fitting tribute to wes craven. Also once again worked out the twist again but I won't give it away here spoilers
David McK (3562 KP) rated Tenet (2020) in Movies
Sep 30, 2022
Massive letdown from Christopher Nolan
Christopher Nolan has a bit of a name for himself, and a bit of a following.
While I haven't seen all of his films, I have (mostly) quite enjoyed the ones I have seen - The Dark Knight trilogy, Inception, The Prestige, Insomnia, Dunkirk and Interstellar - so it's always an event when he releases a new movie.
This particular one had the mis(?)fortune to be released in the middle of the Covid-19 pandemic in 2020, when large gatherings put health at risk and when cinemas were struggling after being closed for months on end.
I never saw it on the big screen as a result.
Having now seen it (on Amazon Prime), I'm quite glad that I didn't pay (and put my health at risk) to see it in the cinema - honestly, I found it mostly dull, incomprehensible (in that I couldn't make out half the dialogue) and interminable in length, despite the occasional 'money-on-the-screen' sequence
If you want to see a good 'backwards' story, watch the Backwards episode of Red Dwarf (season 3, episode 1) instead.
While I haven't seen all of his films, I have (mostly) quite enjoyed the ones I have seen - The Dark Knight trilogy, Inception, The Prestige, Insomnia, Dunkirk and Interstellar - so it's always an event when he releases a new movie.
This particular one had the mis(?)fortune to be released in the middle of the Covid-19 pandemic in 2020, when large gatherings put health at risk and when cinemas were struggling after being closed for months on end.
I never saw it on the big screen as a result.
Having now seen it (on Amazon Prime), I'm quite glad that I didn't pay (and put my health at risk) to see it in the cinema - honestly, I found it mostly dull, incomprehensible (in that I couldn't make out half the dialogue) and interminable in length, despite the occasional 'money-on-the-screen' sequence
If you want to see a good 'backwards' story, watch the Backwards episode of Red Dwarf (season 3, episode 1) instead.
David McK (3562 KP) rated Infinite (2021) in Movies
Mar 11, 2023
I'm not sure this ever got a theatrical release - at least, it flew beneath my radar if so - with me only seeing it when it was shown on channel 4 relatively recently.
I have to say that - while the bigger screen of the cinema may have helped somewhat - I don't really feel that I missed all that much.
The plot revolves around Mark Wahlberg's character of Evan McCauley, who learns that the hallucinations he has been having throughout his lifetime are actually glimpses of past lives he has lived (and of which he retains the muscle memory) and that there are actually others like him throughout the world: the Nihilists (who want to bring about Armageddon so they can finally die) and the Faithful (out to stop them).
Despite the somewhat intriguing premise, It's not the best of movies, I'm afraid, with some of the action scenes looking somewhat ludicrous even on the small screen and with plot holes big enough to drive a truck through (if the bad guy has a gun that can trap those being reincarnated in limbo and just wants to die, why not just use it on himself?).
I have to say that - while the bigger screen of the cinema may have helped somewhat - I don't really feel that I missed all that much.
The plot revolves around Mark Wahlberg's character of Evan McCauley, who learns that the hallucinations he has been having throughout his lifetime are actually glimpses of past lives he has lived (and of which he retains the muscle memory) and that there are actually others like him throughout the world: the Nihilists (who want to bring about Armageddon so they can finally die) and the Faithful (out to stop them).
Despite the somewhat intriguing premise, It's not the best of movies, I'm afraid, with some of the action scenes looking somewhat ludicrous even on the small screen and with plot holes big enough to drive a truck through (if the bad guy has a gun that can trap those being reincarnated in limbo and just wants to die, why not just use it on himself?).
Kevin Phillipson (10072 KP) rated Barbie (2023) in Movies
Jul 21, 2023
Margot robbie (1 more)
Ryan gosling
Barbie
Watched today in a packed cinema which doesn't happen often this year but this one definitely was full anyway the movie itself based on the well known children's doll barbie it starts off with a nod 2001 a space odyssey won't say anymore on that part plus u have helen mirren as the narrator of the movie and then the movie the really start robbies barbie getting up meeting all the barbies and there are alot as there's alot of Kens especially Ryan gosling Ken who thinks he's got a chance with barbie and for some reason they have to visit the real world and I won't say anymore u will have to watch the movie
This wouldn't normally be my type of movie but I did laugh thruout the movie it is cheesey but also fun robbie was born to play barbie I don't think no one else could same goes to gosling as Ken shout out goes to kate mckinnon who steals every scene she's in.
Overall good movie not sure if some of the scenes are okay for little ones but older ones will find it ok
This wouldn't normally be my type of movie but I did laugh thruout the movie it is cheesey but also fun robbie was born to play barbie I don't think no one else could same goes to gosling as Ken shout out goes to kate mckinnon who steals every scene she's in.
Overall good movie not sure if some of the scenes are okay for little ones but older ones will find it ok
Movie Metropolis (309 KP) rated Joker (2019) in Movies
Oct 14, 2019
I’ve never left the cinema more unnerved than I did after watching Todd Phillips’ first foray in the superhero genre. Joker is a frequently violent, often grotesque and regularly intense portrayal of the iconic character that’s already receiving praise and backlash in equal measure from those in the critic community.
With development originally beginning way back in 2016, Joaquin Phoenix walking out of interviews and the press junket being cancelled altogether, it’s safe to say that the path to release has not been easy, but what’s the finished product like?
Forever alone in a crowd, failed comedian Arthur Fleck (Phoenix) seeks connection as he walks the streets of Gotham City. Arthur wears two masks, the one he paints for his day job as a clown, and the guise he projects in a futile attempt to feel like he’s part of the world around him. Isolated, bullied and disregarded by society, Fleck begins a slow descent into madness as he transforms into the criminal mastermind known as the Joker.
Director of The Hangover trilogy, you’d be forgiven for thinking that Phillips is an odd choice to helm a picture like this, but his darkly comedic roots shine through in Joker and add a much-needed lightness of touch over the course of the running time. Without these pockets of humour, Joker would just be far too murky, more so than it already is.
Phoenix is absolutely astounding and his physical transformation defies words. Alongside Heath Ledger, these two very different portrayals of this iconic character are fully deserving of as much recognition as possible. Arguably however, Phoenix delivers the best iteration yet and one that perhaps needed even more commitment – this is a two-hour film dedicated to the character, whereas the Joker has always been a supporting part of previous films.
From the frame devoid of any muscle, dark circles under his eyes and wrinkles etched on his face, Phoenix’s dedication to this role is on another level to anything we have seen before. As his transformation from troubled Arthur Fleck to criminal mastermind gets underway, this only serves to highlight the acting prowess of this incredible performer. Elsewhere, supporting cast members like Robert De Niro, Frances Conroy and Zazie Beets are also wonderful in their roles of varying screen-time, but as Joker is a film about the singular character, they stay in the background, and rightly so.
The script too is exceptionally written. Phillips and co-writer Scott Silver, who also wrote 8 Mile, deliver a tightly wound screenplay that is at times just too tense for its own good. This is never a film you can sit back and relax to, it feels like you’re on the edge of your seat for the full two hours. The comedic notes that I alluded to earlier nicely round off some of the sharp edges however, but make no mistake, this is a brutal and unforgiving film.
The comedic notes… nicely round off some of the sharp edges
Criticism has been levelled already about the significance this film may have on those who already actively promote the character’s actions, and it’s easy to see why people are concerned. However, as an art form, Joker doesn’t need to be processed in such a way. Yes, it’s brutal, yes, it’s bloody and yes it sometimes hits too close to home about the issues we face in the real world, but cinema is escapism and that’s what it offers.
To look at it’s clear that the very modest of budget of $55million has been put to good use. The city of Gotham feels dirty, grimy and about to erupt and this is exactly how we as the audience want it to be. The uprising is coming and with each grimace from Phoenix’s face, we get closer and closer to that critical moment.
For me that critical moment occurs a little too late into the film and with not a lot of time left after this point, Joker tries to wrap up its loose ends too quickly, but this is a miniscule criticism in a deeply impressive and immersive cinema experience.
The score too is excellent. Icelandic composer Hildur Ingveldardóttir Guðnadóttir has worked on films like The Revenant and Sicario 2 and that gritty realism she brought to those films has been replicated here. It’s a soaring orchestral score populated with some sharp string solos that work perfectly with the character.
Overall, Joker is a masterpiece. Phoenix’s performance is one of the best I’ve ever had the pleasure of witnessing in the cinema and to go alongside that commitment the audience is treated to an engrossing script and beautiful score. Where DC has failed in the past is in forgetting to carve their own niche. Marvel has the 12A game all sewn up and there’s no point in competing there. Joker is the direction that should have been taken from the very beginning and it’s one of the best films I’ve seen in years.
Brutal? Yes. Beautiful? Absolutely.
With development originally beginning way back in 2016, Joaquin Phoenix walking out of interviews and the press junket being cancelled altogether, it’s safe to say that the path to release has not been easy, but what’s the finished product like?
Forever alone in a crowd, failed comedian Arthur Fleck (Phoenix) seeks connection as he walks the streets of Gotham City. Arthur wears two masks, the one he paints for his day job as a clown, and the guise he projects in a futile attempt to feel like he’s part of the world around him. Isolated, bullied and disregarded by society, Fleck begins a slow descent into madness as he transforms into the criminal mastermind known as the Joker.
Director of The Hangover trilogy, you’d be forgiven for thinking that Phillips is an odd choice to helm a picture like this, but his darkly comedic roots shine through in Joker and add a much-needed lightness of touch over the course of the running time. Without these pockets of humour, Joker would just be far too murky, more so than it already is.
Phoenix is absolutely astounding and his physical transformation defies words. Alongside Heath Ledger, these two very different portrayals of this iconic character are fully deserving of as much recognition as possible. Arguably however, Phoenix delivers the best iteration yet and one that perhaps needed even more commitment – this is a two-hour film dedicated to the character, whereas the Joker has always been a supporting part of previous films.
From the frame devoid of any muscle, dark circles under his eyes and wrinkles etched on his face, Phoenix’s dedication to this role is on another level to anything we have seen before. As his transformation from troubled Arthur Fleck to criminal mastermind gets underway, this only serves to highlight the acting prowess of this incredible performer. Elsewhere, supporting cast members like Robert De Niro, Frances Conroy and Zazie Beets are also wonderful in their roles of varying screen-time, but as Joker is a film about the singular character, they stay in the background, and rightly so.
The script too is exceptionally written. Phillips and co-writer Scott Silver, who also wrote 8 Mile, deliver a tightly wound screenplay that is at times just too tense for its own good. This is never a film you can sit back and relax to, it feels like you’re on the edge of your seat for the full two hours. The comedic notes that I alluded to earlier nicely round off some of the sharp edges however, but make no mistake, this is a brutal and unforgiving film.
The comedic notes… nicely round off some of the sharp edges
Criticism has been levelled already about the significance this film may have on those who already actively promote the character’s actions, and it’s easy to see why people are concerned. However, as an art form, Joker doesn’t need to be processed in such a way. Yes, it’s brutal, yes, it’s bloody and yes it sometimes hits too close to home about the issues we face in the real world, but cinema is escapism and that’s what it offers.
To look at it’s clear that the very modest of budget of $55million has been put to good use. The city of Gotham feels dirty, grimy and about to erupt and this is exactly how we as the audience want it to be. The uprising is coming and with each grimace from Phoenix’s face, we get closer and closer to that critical moment.
For me that critical moment occurs a little too late into the film and with not a lot of time left after this point, Joker tries to wrap up its loose ends too quickly, but this is a miniscule criticism in a deeply impressive and immersive cinema experience.
The score too is excellent. Icelandic composer Hildur Ingveldardóttir Guðnadóttir has worked on films like The Revenant and Sicario 2 and that gritty realism she brought to those films has been replicated here. It’s a soaring orchestral score populated with some sharp string solos that work perfectly with the character.
Overall, Joker is a masterpiece. Phoenix’s performance is one of the best I’ve ever had the pleasure of witnessing in the cinema and to go alongside that commitment the audience is treated to an engrossing script and beautiful score. Where DC has failed in the past is in forgetting to carve their own niche. Marvel has the 12A game all sewn up and there’s no point in competing there. Joker is the direction that should have been taken from the very beginning and it’s one of the best films I’ve seen in years.
Brutal? Yes. Beautiful? Absolutely.