Search
Search results
Bob Mann (459 KP) rated Hell or High Water (2016) in Movies
Sep 29, 2021
“Sometimes a blind pig finds a truffle”.
One of the joys (and stresses) of the run up to the Oscar weekend is to try to catch all the major award films before the big event. As I bitched about in my BAFTA write-up, UK release dates do NOT make this an easy task, with some films like Paul Verhoeven’s “Elle”, featuring Best Actress nominee Isabelle Huppert, not released until mid March.
This week I have had the chance to catch up on two of the films with award potential that I missed at the cinema, and this is the write up of the first of those: “Hell or High Water”, was first released in September 2016, and what an excellent film it is.
Bank robberies have been featured in many hundreds of films since the early days of cinema: The Great Train Robbery for example dates back to 1903! More recent heist classics such as “Oceans 11”, “Die Hard”, “Run Lola Run” and “The Dark Knight Rises” tend towards the stylised end of the act. Where this film delivers interest is in aligning the protagonists’ drivers with the banking and mortgage ‘crimes’ featured in last year’s “The Big Short”. Add in to the movie Nutribullet a soupçon of the West Texan setting from Arthur Penn’s 1967 “Bonnie and Clyde”, turn it on and you have “Hell or High Water”.
Chris Pine (“Star Trek”) and Ben Foster (“Inferno“, “The Program“) play brothers Toby and Tanner Howard trying to rescue their deceased mother’s ranch from being foreclosed on by Texas Midlands bank. Rather than taking one of the “get out of debt” offers advertised on billboards – cleverly and insistently introduced in long panning highway shots – the brothers have their own financial plan: a scheme that involves early morning raids of the cash drawers of small-town Texas Midlands branches. But the meticulous planning of Toby, as the calm and intelligent one, are constantly at risk of upset by the unpredictable and violent actions of the loose-cannon Tanner.
Since the amounts of cash stolen are in the thousands rather than the millions, the FBI aren’t interested and the case is handed instead by aged and grumpy Texas Ranger Marcus Hamilton (Jeff Bridges, “True Grit”) and his partner Alberto (Gil Birmingham). The pair have a respectful relationship but one built around racial banter, with Hamilton constantly referring to Alberto’s Mexican/Comanche heritage. A cat and mouse game ensues with the lawmen staking out the most likely next hits. The sonorous cello strings of the soundtrack portend a dramatic finale, and we as viewers are not disappointed.
The performances of the main leads are all excellent, with Chris Pine given the chance to show more acting chops than he has had chance to with his previous Kirk/Jack Ryan characters. His chemistry with Ben Foster is just sublime. Similarly, Jeff Bridges and Gil Birmingham make for a formidable double act. It is Jeff Bridges though who has the standout performance and one that is Oscar nominated for Best Supporting Actor. (In fact with Michael Shannon also getting nominated in the same category for “Nocturnal Animals”, we can add ‘West Texan lawman’ to ‘Holocaust movies’ (a Winslet “Extras” reference there!) as the prime bait for Oscar nomination glory!)
The real winner here though is the whip-smart screenplay by Taylor Sheridan (“Sicario“) which sizzles with great lines: lines that make you grin inanely at the screen regularly through the running time.”In your last days in the nursing home, you’ll think of me and giggle” schmoozes Tanner to the pretty hotel check-in girl: a come-on clearly worth remembering as it delivers the goods, as it were.
The trick here is in building up a degree of empathy and sympathy for the characters on both sides. The ‘bad guys’ here are successfully portrayed as the banks. At the moment you can get 25/1 odds on this winning the Best Original Screenplay Oscar – but I would personally rate it right up there with “Manchester by the Sea“.
Deftly directed by Scot David Mackenzie (“Starred Up”) this is a film (the first of two!) that might well have elbowed it’s way into my Top 10 of 2016 if I’d seen it during its cinema release. Well worth catching on the small screen.
This week I have had the chance to catch up on two of the films with award potential that I missed at the cinema, and this is the write up of the first of those: “Hell or High Water”, was first released in September 2016, and what an excellent film it is.
Bank robberies have been featured in many hundreds of films since the early days of cinema: The Great Train Robbery for example dates back to 1903! More recent heist classics such as “Oceans 11”, “Die Hard”, “Run Lola Run” and “The Dark Knight Rises” tend towards the stylised end of the act. Where this film delivers interest is in aligning the protagonists’ drivers with the banking and mortgage ‘crimes’ featured in last year’s “The Big Short”. Add in to the movie Nutribullet a soupçon of the West Texan setting from Arthur Penn’s 1967 “Bonnie and Clyde”, turn it on and you have “Hell or High Water”.
Chris Pine (“Star Trek”) and Ben Foster (“Inferno“, “The Program“) play brothers Toby and Tanner Howard trying to rescue their deceased mother’s ranch from being foreclosed on by Texas Midlands bank. Rather than taking one of the “get out of debt” offers advertised on billboards – cleverly and insistently introduced in long panning highway shots – the brothers have their own financial plan: a scheme that involves early morning raids of the cash drawers of small-town Texas Midlands branches. But the meticulous planning of Toby, as the calm and intelligent one, are constantly at risk of upset by the unpredictable and violent actions of the loose-cannon Tanner.
Since the amounts of cash stolen are in the thousands rather than the millions, the FBI aren’t interested and the case is handed instead by aged and grumpy Texas Ranger Marcus Hamilton (Jeff Bridges, “True Grit”) and his partner Alberto (Gil Birmingham). The pair have a respectful relationship but one built around racial banter, with Hamilton constantly referring to Alberto’s Mexican/Comanche heritage. A cat and mouse game ensues with the lawmen staking out the most likely next hits. The sonorous cello strings of the soundtrack portend a dramatic finale, and we as viewers are not disappointed.
The performances of the main leads are all excellent, with Chris Pine given the chance to show more acting chops than he has had chance to with his previous Kirk/Jack Ryan characters. His chemistry with Ben Foster is just sublime. Similarly, Jeff Bridges and Gil Birmingham make for a formidable double act. It is Jeff Bridges though who has the standout performance and one that is Oscar nominated for Best Supporting Actor. (In fact with Michael Shannon also getting nominated in the same category for “Nocturnal Animals”, we can add ‘West Texan lawman’ to ‘Holocaust movies’ (a Winslet “Extras” reference there!) as the prime bait for Oscar nomination glory!)
The real winner here though is the whip-smart screenplay by Taylor Sheridan (“Sicario“) which sizzles with great lines: lines that make you grin inanely at the screen regularly through the running time.”In your last days in the nursing home, you’ll think of me and giggle” schmoozes Tanner to the pretty hotel check-in girl: a come-on clearly worth remembering as it delivers the goods, as it were.
The trick here is in building up a degree of empathy and sympathy for the characters on both sides. The ‘bad guys’ here are successfully portrayed as the banks. At the moment you can get 25/1 odds on this winning the Best Original Screenplay Oscar – but I would personally rate it right up there with “Manchester by the Sea“.
Deftly directed by Scot David Mackenzie (“Starred Up”) this is a film (the first of two!) that might well have elbowed it’s way into my Top 10 of 2016 if I’d seen it during its cinema release. Well worth catching on the small screen.
Gaspar Noe recommended Eraserhead (1977) in Movies (curated)
Jesters_folly (230 KP) rated Blinded by the Light (2019) in Movies
Jul 10, 2019
One of the joys of having a cinema card are the previews, because you chose to pay monthly or yearly for unlimited films you get to see some films early, this can be anything from a day to a month. Then there are the secret films, a preview that can be a few months early but you only find out what you are seeing when the certificate card comes up. This is how I came to see Blinded by the Light. As the title came up I dug through my memory to see if I'd seen any trailers, I thought I had but couldn't remember anything about it. Five people left cinema so there must have been some trailers but people leaving doesn't really tell you much, there's always some one who leaves and it's better than the people who stay and mumble about how rubbish it is. After the title came the words ‘Inspired by real events.’ Which still doesn't give to much away, it could be an over the top farce like ‘I Tonya', a black comedy like ‘Three Billboards’ or a dull trudge like ‘The Post'.
It turns out that 'Blinded by the Light' is not really any of these, it's more of a 'slice of life' it the slice is a couple of years. The film centres on Javed, a Pakistani teen living in Luton, England in the late 1980s. Javed has written diaries and poems for most of his life but, due to his family life he has always kept them to himself. Not long after starting his A levels Javed is introduced to the music of Bruce Springsteen and finds that the lyrics speak to him in a way he's never felt before.
Blinded by the Light is a film about family, friends and finding your place. Javed starts off as a quiet, bookish character who, thanks to the people around him and his growing love of Bruce Springsteen records manages to find himself. However, this change leaded to problems as he clash’s with family and friends.
Being set in 80s and being about a Pakistani family the film also touches on the problem of racism and, from the clips I remembered from the trailer I found myself wondering if it was going to erupt into violence in the style of films like 'Made in England'. However, 'blinded by the Light' takes a more family friendly view, it does show some racism but less ‘violent’ and more personal making ‘Blinded by the Light’ a more family friendly film.
Although music plays a large part of the film it is not the music itself that’s important but the effect that it has on Javed, showing how the right music can change someone’s life.
It turns out that 'Blinded by the Light' is not really any of these, it's more of a 'slice of life' it the slice is a couple of years. The film centres on Javed, a Pakistani teen living in Luton, England in the late 1980s. Javed has written diaries and poems for most of his life but, due to his family life he has always kept them to himself. Not long after starting his A levels Javed is introduced to the music of Bruce Springsteen and finds that the lyrics speak to him in a way he's never felt before.
Blinded by the Light is a film about family, friends and finding your place. Javed starts off as a quiet, bookish character who, thanks to the people around him and his growing love of Bruce Springsteen records manages to find himself. However, this change leaded to problems as he clash’s with family and friends.
Being set in 80s and being about a Pakistani family the film also touches on the problem of racism and, from the clips I remembered from the trailer I found myself wondering if it was going to erupt into violence in the style of films like 'Made in England'. However, 'blinded by the Light' takes a more family friendly view, it does show some racism but less ‘violent’ and more personal making ‘Blinded by the Light’ a more family friendly film.
Although music plays a large part of the film it is not the music itself that’s important but the effect that it has on Javed, showing how the right music can change someone’s life.
John Garrett (27 KP) rated Sing Street (2016) in Movies
Jul 11, 2017
Great music (1 more)
Great acting
The new commitments
This unashamedly small but brilliant movie set in 80s Ireland was the film of 2016 for me. Due to the size and marketing of this movie it sadly didn't receive the audience in cinema it deserved. Thank God for Netflix.
This follows the tale of Connor who's struggling working class parents pull him from private school and into the harsh reality of 80s public school run by a hard nosed priest and bullys. He meets a young beauty Raphina and convinces her he has a band to try and win her over.
This movie does not try and be something it's not and almost having a small budget and unknown cast helps make everything seem real. the acting is fantastic which is something indie films usually lack performances are great especially from Brendon the older brother.
the real star of this film however is the original music used by the titular band. It is 2 parts 80s nostalgia and 1 part genius. I truly belive the song Drive it like you stole it is Oscar worthy and deserves a nod in the least.
I would recommend this film to anyone and suggest people of all ages to watch this film with lots of heart and lots of great music.
This follows the tale of Connor who's struggling working class parents pull him from private school and into the harsh reality of 80s public school run by a hard nosed priest and bullys. He meets a young beauty Raphina and convinces her he has a band to try and win her over.
This movie does not try and be something it's not and almost having a small budget and unknown cast helps make everything seem real. the acting is fantastic which is something indie films usually lack performances are great especially from Brendon the older brother.
the real star of this film however is the original music used by the titular band. It is 2 parts 80s nostalgia and 1 part genius. I truly belive the song Drive it like you stole it is Oscar worthy and deserves a nod in the least.
I would recommend this film to anyone and suggest people of all ages to watch this film with lots of heart and lots of great music.
Luke (278 KP) rated La La Land (2016) in Movies
Jul 21, 2017
The Songs Are Very Good (1 more)
It Can't Decide What Kind Of Film It Wants To Be
The People Handing Out Awards & Praise For This Film Are In La La Land
As a man that loves musicals, I do not love this. There are amazing musicals such as Les Mis which is breath taking in everyway, then theres disappointments like this.
Its a shame becuase i love emma stone, any film she does automatically drags it up to a better standard. However the style of singing at parts was not her best, she has a beautiful voice when she sings, slow talk singing doesnt work best for her.
When me and my wife first saw the trailer we said "Deffinatly not watching that it looks like a mess" but after all the awards we thought we would give it a go.
The best way to summarise would be to describe the cinema, There a lot of people of all different ages. I look around near the end and i can see people putting there jackets on wanting to leave, as soon as it ends a older man stands up and turns to his wife and says "What a crock of S*%&"... I laughed quite hard that he said it that loud we heard it across the room, but that was the feel of the room
Its a shame becuase i love emma stone, any film she does automatically drags it up to a better standard. However the style of singing at parts was not her best, she has a beautiful voice when she sings, slow talk singing doesnt work best for her.
When me and my wife first saw the trailer we said "Deffinatly not watching that it looks like a mess" but after all the awards we thought we would give it a go.
The best way to summarise would be to describe the cinema, There a lot of people of all different ages. I look around near the end and i can see people putting there jackets on wanting to leave, as soon as it ends a older man stands up and turns to his wife and says "What a crock of S*%&"... I laughed quite hard that he said it that loud we heard it across the room, but that was the feel of the room
Colin Campbell (25 KP) rated Braveheart (1995) in Movies
Apr 28, 2019
Action (2 more)
Swordplay
Freedom
Historically inaccurate (1 more)
Gibson's accent
Hold... Hold... HOOOLLLLDDDD!
Contains spoilers, click to show
As a story this is a great film, unfortunately people who have limited or no knowledge of Scottish History take this film as a portrayal of all things Scottish around this time.
So to save some confusion:
Longshanks died well after Wallace
The French Princess did not exist
The Bruce wasn't a traitor
Wallace wasn't the leader until after Stirling Bridge
Woad hadn't been worn for about 1000 years
It didn't start with the death of his wife
So now I have this off my chest, to the film itself. It is an epic and one of the films that you must see before you die, just like Shawshank, High Noon and Inside Out.
The story of the one group persecuting another, and a man coming back to his village after spending time abroad learning taking revenge on the death of his secret wife cumulating in open rebellion and war is a common story told many times in cinema history. What makes this is the scenery and the cinematography.
The fight scenes show the brutality and barbarity of war in this era in history. This does it expertly!
If you want something more historically accurate look at Rob Roy with Liam Neeson, if you want a chill film this is the one for you.
So to save some confusion:
Longshanks died well after Wallace
The French Princess did not exist
The Bruce wasn't a traitor
Wallace wasn't the leader until after Stirling Bridge
Woad hadn't been worn for about 1000 years
It didn't start with the death of his wife
So now I have this off my chest, to the film itself. It is an epic and one of the films that you must see before you die, just like Shawshank, High Noon and Inside Out.
The story of the one group persecuting another, and a man coming back to his village after spending time abroad learning taking revenge on the death of his secret wife cumulating in open rebellion and war is a common story told many times in cinema history. What makes this is the scenery and the cinematography.
The fight scenes show the brutality and barbarity of war in this era in history. This does it expertly!
If you want something more historically accurate look at Rob Roy with Liam Neeson, if you want a chill film this is the one for you.
Sarah (7798 KP) rated Mission: Impossible - Fallout (2018) in Movies
Aug 2, 2018
They keep getting better
The Mission Impossible films seem to always keep doing the impossible - they keep getting better and better, which is so unusual for sequels.
This has a very long run time, but its so entertaining and interesting that you can't tell it's been on for nearly 3 hours. The plot is intriguing with lots of twists and turns, although some of these twists were slightly predictable and/or spoilt by the trailers. The action and stunts are fantastic, it's nice to see action sequences that don't rely on shaky camera to mask any dodgy choreography. Great cast and one of the few films where I can actually tolerate (and even like) Tom Cruise.
I do have a few minor criticisms. Some areas of the plot are almost verging on the unbelievable, and some character motivations are a little weak or aren't explained very well. I also wish it didn't quite rely on certain action film cliches (I.e. defusing a bomb at the last second).
My viewing of this film was spoilt quite a lot by a large amount of noise in the cinema, so I really need a repeat (quiet) viewing to really appreciate it a little more and potentially mark it a bit higher. But it still was a very good, high quality action film - the best I've seen in a while.
This has a very long run time, but its so entertaining and interesting that you can't tell it's been on for nearly 3 hours. The plot is intriguing with lots of twists and turns, although some of these twists were slightly predictable and/or spoilt by the trailers. The action and stunts are fantastic, it's nice to see action sequences that don't rely on shaky camera to mask any dodgy choreography. Great cast and one of the few films where I can actually tolerate (and even like) Tom Cruise.
I do have a few minor criticisms. Some areas of the plot are almost verging on the unbelievable, and some character motivations are a little weak or aren't explained very well. I also wish it didn't quite rely on certain action film cliches (I.e. defusing a bomb at the last second).
My viewing of this film was spoilt quite a lot by a large amount of noise in the cinema, so I really need a repeat (quiet) viewing to really appreciate it a little more and potentially mark it a bit higher. But it still was a very good, high quality action film - the best I've seen in a while.
Sarah (7798 KP) rated Bohemian Rhapsody (2018) in Movies
Nov 16, 2018
Great performances & music, but drags
I asked my usual cinema friend to come and watch this with me, and her response was no because she “doesn’t like Queen”... I was astounded. How is it possible to dislike Queen?!
From the very start of this film, the music made this worth watching. From opening with Somebody to Love and going through all of the hits and classics, to the final set at LiveAid, I was struggling not to dance around and sing along. This film really does Queen’s music justice, it sounded fantastic. And the performances in this are brilliant. Rami Malek truly shines and is amazing as Freddie, I can’t imagine Sacha Baron Cohen doing this well, and the rest of the cast are great too. I loved the cameo from Mike Myers and the reference to Wayne’s World was a really nice touch.
The problem with this film is I found towards the second half, it dragged quite a lot. Freddie’s story is fascinating and I enjoyed watching it, but I think some scenes were overly long and I was getting a little bored. They could have easily cut out a good 20 minutes without having a detrimental effect on the story, and if it was a little shorter I probably would’ve scored it higher!
From the very start of this film, the music made this worth watching. From opening with Somebody to Love and going through all of the hits and classics, to the final set at LiveAid, I was struggling not to dance around and sing along. This film really does Queen’s music justice, it sounded fantastic. And the performances in this are brilliant. Rami Malek truly shines and is amazing as Freddie, I can’t imagine Sacha Baron Cohen doing this well, and the rest of the cast are great too. I loved the cameo from Mike Myers and the reference to Wayne’s World was a really nice touch.
The problem with this film is I found towards the second half, it dragged quite a lot. Freddie’s story is fascinating and I enjoyed watching it, but I think some scenes were overly long and I was getting a little bored. They could have easily cut out a good 20 minutes without having a detrimental effect on the story, and if it was a little shorter I probably would’ve scored it higher!
Lee (2222 KP) rated Mary Poppins Returns (2018) in Movies
Dec 22, 2018
Good but not as memorable as the original
To be honest, I'm kind of struggling to know what to say about this. The main thing is, I enjoyed it, and the rest of my family loved it too. It just wasn't enough to leave any big lasting impression on me. The songs are all good, usually accompanied by some wonderful visuals and fun choreography, but none of the songs are particularly memorable. There's nothing that I can imagine being as repeatable, or as catchy as 'A spoonful of sugar' for example. Emily Blunt is wonderful as always and the movie does a fantastic job of paying homage to the original Mary Poppins and keeping to the style and tone of the movie, there's just something missing that I can't quite put my finger on. I can remember leaving the cinema after seeing The Greatest Showman a year ago, having the songs stuck in my head, downloading the soundtrack and wanting to see the movie again. I didn't really feel like that at all with Mary Poppins Returns.
That being said, this is still a good fun family movie and if you enjoyed the original you should find enjoyment in this. With all the doom and gloom in the world right now, the world definitely needs something like this for all the family to enjoy at Christmas time.
That being said, this is still a good fun family movie and if you enjoyed the original you should find enjoyment in this. With all the doom and gloom in the world right now, the world definitely needs something like this for all the family to enjoy at Christmas time.
Andy K (10821 KP) rated The Favourite (2018) in Movies
Dec 23, 2018
Wickedly fiendish, clever and funny!
After nearly a year, I finally made it out to the cinema and decided this would be my film of choice. I wasn't disappointed.
Director Yorgos Lanthimos is quickly becoming one of my new favorites. After directing interesting wisp films like The Lobster and The Killing of a Sacred Deer, I was anxious to see this film for sure.
The story involves the increasingly ill Queen Anne and the two women who vie for her affections. Their efforts start civil but eventually become more deranged both trying to outdo each other with their fiendishly clever and diabolical deeds.
I found the film quite funny as well as some of the dialogue is really quite gaudy, scandalous and rude. (Don't watch if you don't like the "C" word).
Other than the screenplay, the trio of Olivia Colman, Emma Stone, and Rachel Weisz are all a joy to watch, especially Emma Stone who you really haven't seen play a tart before like this. Her striking beauty comes through as well even when she is covered in dirt or without any make up.
The sets, locations and classic film score all add to the majesty of this magical film which will undoubtedly be nominated numerous times throughout this award season.
Certainly not for everyone, but I loved it!
Director Yorgos Lanthimos is quickly becoming one of my new favorites. After directing interesting wisp films like The Lobster and The Killing of a Sacred Deer, I was anxious to see this film for sure.
The story involves the increasingly ill Queen Anne and the two women who vie for her affections. Their efforts start civil but eventually become more deranged both trying to outdo each other with their fiendishly clever and diabolical deeds.
I found the film quite funny as well as some of the dialogue is really quite gaudy, scandalous and rude. (Don't watch if you don't like the "C" word).
Other than the screenplay, the trio of Olivia Colman, Emma Stone, and Rachel Weisz are all a joy to watch, especially Emma Stone who you really haven't seen play a tart before like this. Her striking beauty comes through as well even when she is covered in dirt or without any make up.
The sets, locations and classic film score all add to the majesty of this magical film which will undoubtedly be nominated numerous times throughout this award season.
Certainly not for everyone, but I loved it!
