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Dean (6927 KP) created a post in Smashbomb Council

Aug 8, 2022  
Is the site less active at the moment? Keep seeing new cinema releases which are not even on the site yet?
   
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Bird (1704 KP) Aug 9, 2022 (Updated Aug 9, 2022)

We’re working on it. Had an issue where both people who worked on this in left quick succession.

We’re onto it and you will see that improve again now. Thanks!
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Franc Roddam recommended The Wages of Fear (1953) in Movies (curated)

 
The Wages of Fear (1953)
The Wages of Fear (1953)
1953 | Adventure, Thriller
6.3 (3 Ratings)
Movie Favorite

"Clouzot’s version is a cinema tour de force. Tense from beginning to end, perfectly framed and edited, brilliantly acted. A must-see."

Source
  
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David Betteridge (327 KP) rated Ma (2019) in Movies

Apr 19, 2020  
Ma (2019)
Ma (2019)
2019 | Horror, Thriller
6
5.7 (32 Ratings)
Movie Rating Watch
acting (0 more)
So so viewing
I had wanted to watch this when it was out at the cinema but never got chance. Having just watched it on Sky movies I'm glad I didn't go to the cinema. The movie really failed to hold my attention and I ended up reading more about it online than watching.really wouldn't recommend this one!
  
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Laura Mulvey recommended Touki Bouki (1973) in Movies (curated)

 
Touki Bouki (1973)
Touki Bouki (1973)
1973 | Drama
(0 Ratings)
Movie Favorite

"There were a number of key films that taught me that great and startling cinema could come from outside Europe and away from Hollywood. I found Touki bouki (with its anarchic, vigorous style, brilliant colors and sounds, and charismatic heroine) completely surprising when I first saw it—and, more generally, it stands for the eye-opening cinema of Senegal."

Source
  
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Quentin Tarantino recommended Ministry of Illusion: Nazi Cinema and Its Afterlife in Books (curated)

 
Ministry of Illusion: Nazi Cinema and Its Afterlife
Ministry of Illusion: Nazi Cinema and Its Afterlife
Eric Rentschler | 1996 | Essays, Film & TV, History & Politics
(0 Ratings)
Book Favorite

"A wonderful critical reexamination of German cinema under Joseph Goebbels. Rentschler goes far beyond the demonizing approach employed by most writers on this subject (like Susan Tegel in Nazis and the Cinema). His excerpts from Goebbel’s diaries are priceless. And after all these years he dares to make a fair appraisal of Nazi filmmaker Veit Harlan."

Source