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Awix (3310 KP) rated Seberg (2019) in Movies

Jan 14, 2020  
Seberg (2019)
Seberg (2019)
2019 | Biography, Drama, Thriller
Tonally awkward drama-thriller hybrid about the troubled life of 60s film star Jean Seberg (ask your grandparents, probably). Didn't know much about her (actually thought she was French), expected something arty and significant about the French New Wave - actually this borders on being another film about the Plight of Black America. Seberg (Kristen Stewart, watchable as usual) strives for significance, gets mixed up with the civil rights movement, finds herself surveilled and then tormented by the FBI.

Starts off quite interesting - Seberg is largely a forgotten figure nowadays, so the story is obscure - but as the thriller elements recede and it becomes more of a downbeat drama, the vitality and interest of the movie fades somewhat. If there is an irony in Stewart choosing to play a movie star looking to be more than just a pretty face in commercial schlock, the movie seems unaware of it. Pretty good performances, especially from Vince Vaughn (now quite well-established as a character heavy), but fizzles out a bit.
  
United States of America by The United States of America
United States of America by The United States of America
1968 | Rock
(0 Ratings)
Album Favorite

"This band were in a similar-shaped box to Silver Apples. The nucleus of the band – Joe Byrd – was from an academic background; he was part of the Fluxus movement at the same time as Yoko Ono. He looked like a freak but wasn't druggy. The band were definitely writing lyrics that were less utopian than a lot of the stuff the hippies were writing at the time; there's a subversive edge seeping through the record that's evocative of what was going on in the States at the time – Vietnam, conscription, campus violence, the civil rights movement. You can really imagine this lot playing at a proper happening. A track like 'Love Song For The Dead Ché' is one of the most beautiful songs ever written, whereas some of the rest of it has a real jagged edge, a violence almost, that seems to come from Byrd's more experimental side. It's a very political record. Their second album even more so. I could easily have chosen that; this one just edged it for me today."

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