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The Birth of a Nation (2016)
The Birth of a Nation (2016)
2016 | Drama
9
7.7 (3 Ratings)
Movie Rating
America was not born with the landing of the Mayflower. It was not born at Jamestown. It was not born with the Declaration of Independence or Treaty of Paris. It wasn’t born on the battlefields of the Civil War, nor was it born with D.W. Griffith’s Birth of a Nation in 1915. America was born in the fire and spilt blood from the institution of slavery and revolts by slaves seeking to break free. Nat Turner’s revolt was an omen to America signifying that human beings would no longer tolerate being subjugated, dehumanized, brutalized, and degraded without some form of pushback.

Nate Parker’s The Birth of a Nation tells a full story of Nat Turner and does not simply rely on the revolt to convey his message of a call for equality and fighting injustice. It is emblematic of resistance to the many sins this nation has committed. The film and story are a punch to the gut reminding Americans that there is much left unfinished with respect to telling the full story of slavery and American history as a whole. There is much of our past that we must reconcile with no matter how uncomfortable. Parker’s film demonstrates the power film has as historical record and permitting audiences to have a greater idea and picture of the past.

The Birth of A Nation allows audiences to become consumed with the horrors of slavery, but it is not limited to that aspect. It humanizes the slaves and demonstrates cultural aspects and relationships that have often gone ignored or overlooked with previous films. It does not rely on sensationalizing events in order to drive the points home. There is subtlety and honesty in the portrayal of the events and circumstances.

This is a film that will have audiences speechless at the end as the come to terms with their emotions about events as they unfold and coming to terms with what the witnessed onscreen. There is nothing that can prepare audiences for this film. It is a work of art that you cannot help but feel compelled to reflect on what you witnessed.

There are those who will not see the film due to the subject matter. There are others who won’t see it because of the sexual assault allegations against Nate Parker. There are many who won’t see it out of a pure lack of interest. Regardless of your stance, this is a film that needs to be seen. It is essential to telling a more complete story about America.
  
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Heather Cranmer (2721 KP) created a post

Nov 3, 2021  
Author Laurie Moore-Moore stops by my blog today to discuss squirrel stew in a highly interesting guest post. I'm also spotlighting her historical fiction novel GONE TO DALLAS: THE STOREKEEPER 1856-1861. Enter the giveaway to win your own signed copy of the book - three winners!

https://alltheupsandowns.blogspot.com/2021/11/book-blog-tour-and-giveaway-gone-to.html

**BOOK SYNOPSIS**
Sara’s husband was a disappointment in life, but she had to admit he was a handsome corpse.

Climb aboard an 1856 Dallas-bound wagon train and join a plucky female protagonist for the journey of a lifetime in Laurie Moore-Moore’s richly entertaining new book, Gone to Dallas: The Storekeeper 1856-1861. Far from your average historical novel or western, Gone to Dallas is a compelling tale of migration, betrayal, death and dreams—peppered with real people, places, and events. With a cast of interesting characters and more bumps and hazards than a wagon trail, Gone to Dallas tells the unforgettable story of a formidable frontier woman in the context of true Texas history.

It had seemed so romantic when Morgan Darnell courted Sara in Tennessee, finally convincing her they should marry and join an 1856 “Gone to Texas” wagon train traveling along the “Trail of Tears,” through Indian territory, and across the Red River into Texas.

In a twist of fate, Sara arrives in Dallas a 19-year-old widow, armed with plenty of pluck, and determined to open a general store in the tiny settlement of log cabins on the Trinity River. Standing in her way as a young woman alone are a host of challenges. Can Sara (with the help of her friends) pull herself up by the bootstraps and overcome uncertainty, vandalism, threats, and even being shot?

Follow Sara as she strives to create her store while living Dallas’ true history — from the beginnings of La Réunion (the European colony across the Trinity) to a mud and muck circus, a grand ball and the mighty fire that burns Dallas to the ground. Dallas is a challenging place, especially with the Civil War looming.

Even with the friendship of a retired Texas Ranger and Dallas’ most important citizen — another woman — is Sara strong enough to meet the challenge? The risks are high. Failure means being destitute in Dallas!

In Gone to Dallas: The Storekeeper 1856-1861, author Laurie Moore-Moore spins a page-turner of a tale salted with historically accurate Texas events and populated with real characters. It’s Portis’ True Grit meets Texas history.