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    Marvel: Color Your Own

    Marvel: Color Your Own

    Entertainment and Book

    (0 Ratings) Rate It

    App

    Experience the Marvel Universe like never before with MARVEL: COLOR YOUR OWN. Full of action-packed...

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Heather Cranmer (2721 KP) created a post

Nov 3, 2021  
Author Laurie Moore-Moore stops by my blog today to discuss squirrel stew in a highly interesting guest post. I'm also spotlighting her historical fiction novel GONE TO DALLAS: THE STOREKEEPER 1856-1861. Enter the giveaway to win your own signed copy of the book - three winners!

https://alltheupsandowns.blogspot.com/2021/11/book-blog-tour-and-giveaway-gone-to.html

**BOOK SYNOPSIS**
Sara’s husband was a disappointment in life, but she had to admit he was a handsome corpse.

Climb aboard an 1856 Dallas-bound wagon train and join a plucky female protagonist for the journey of a lifetime in Laurie Moore-Moore’s richly entertaining new book, Gone to Dallas: The Storekeeper 1856-1861. Far from your average historical novel or western, Gone to Dallas is a compelling tale of migration, betrayal, death and dreams—peppered with real people, places, and events. With a cast of interesting characters and more bumps and hazards than a wagon trail, Gone to Dallas tells the unforgettable story of a formidable frontier woman in the context of true Texas history.

It had seemed so romantic when Morgan Darnell courted Sara in Tennessee, finally convincing her they should marry and join an 1856 “Gone to Texas” wagon train traveling along the “Trail of Tears,” through Indian territory, and across the Red River into Texas.

In a twist of fate, Sara arrives in Dallas a 19-year-old widow, armed with plenty of pluck, and determined to open a general store in the tiny settlement of log cabins on the Trinity River. Standing in her way as a young woman alone are a host of challenges. Can Sara (with the help of her friends) pull herself up by the bootstraps and overcome uncertainty, vandalism, threats, and even being shot?

Follow Sara as she strives to create her store while living Dallas’ true history — from the beginnings of La Réunion (the European colony across the Trinity) to a mud and muck circus, a grand ball and the mighty fire that burns Dallas to the ground. Dallas is a challenging place, especially with the Civil War looming.

Even with the friendship of a retired Texas Ranger and Dallas’ most important citizen — another woman — is Sara strong enough to meet the challenge? The risks are high. Failure means being destitute in Dallas!

In Gone to Dallas: The Storekeeper 1856-1861, author Laurie Moore-Moore spins a page-turner of a tale salted with historically accurate Texas events and populated with real characters. It’s Portis’ True Grit meets Texas history.
      
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BankofMarquis (1832 KP) rated Belfast (2021) in Movies

Nov 21, 2021  
Belfast (2021)
Belfast (2021)
2021 | Drama
6
8.3 (4 Ratings)
Movie Rating
Underwhelming
The trouble with hearing that a film is a “shoo-in” Oscar film is that I go in with expectations and, sometimes, there is no way the film can live up to the expectations that I have for it.

Such is the case with the new film Written and Directed by Kenneth Branagh, his personal remembrance BELFAST.

Professionally made, with a strong cast and some decent dialogue, BELFAST tells the tale of a young boy growing up in Ireland when “the troubles” (the Irish Civil War between Protestants and Catholics of the late 1960’s) erupts and the family must turn against friends and neighbors and make the difficult decision as to what side of the conflict they should be one - and whether they should stay in Ireland or move to England.

We see this world through the eyes of 9 year old Buddy (Jude Hill). Consequently, we only gets bit and pieces of the story as he starts to understand what is going on. And that is part of the problem with this film. We receive the information in bits and pieces on the level of a child. And the premise just doesn’t work, for his parents and grandparents constantly attempt to shield the child from the goings-on in the world (and thus shield the audience).

Branagh’s script is underwritten and slight - but he turns it over to some tremendous performers who elevate it to something better than it is.

Veteran actors Dame Judi Dench and Ciaran Hinds are fine comic relief in this film as the Grandparents who are wise and seeing that the world that they once knew is changing. These two aging thespians bring a spark to this film, for it is pretty limp otherwise.

The conflict between Pa (Jamie Doran - 50 SHADES OF GREY) and Ma (Citrione Balfe - OUTLANDER) over the families’ reaction to the events outside of their home never really crescendoes with any power. Again, I blame the writing. The conflict between these two is just not interesting enough. So, if I don’t blame the writing, I’ll blame the Directing - which is also by Branagh.

Balfe is being touted as a Best Actress Oscar contender, and I can see how she might get one, as she does have “the Oscar Speech”, but there is not much more to recommend here.

This film is professionally done and acted well enough - there just needed to be more “there” there.

Letter Grade B-

6 Stars (out of 10) and you can take that to the Bank(ofMarquis)