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Suswatibasu (1701 KP) rated American War in Books
Oct 3, 2017
Epic novel about the Second American Civil War
Throughout the entire time reading this, all I could think of is the fact that this would look amazing as a TV series. This dystopian novel explores how the north and south of the United States are divided in the latter half of the 21st century after fossil fuels are banned due to extreme flooding in Florida.
It is written in the perspective of a dying historian in the 22nd century, attempting to recollect the role of his aunt, who essentially was leading the insurgency against the north. She was as much a victim as aggressor in this novel, being groomed as a child soldier and being tortured in prison as a young adult. In the background, a rising Pan-Arab empire helps stoke the fires in the US.
It is slow but relentless, and rather fitting for what is currently happening all over the world. A fascinating read indeed.
It is written in the perspective of a dying historian in the 22nd century, attempting to recollect the role of his aunt, who essentially was leading the insurgency against the north. She was as much a victim as aggressor in this novel, being groomed as a child soldier and being tortured in prison as a young adult. In the background, a rising Pan-Arab empire helps stoke the fires in the US.
It is slow but relentless, and rather fitting for what is currently happening all over the world. A fascinating read indeed.
Suswatibasu (1701 KP) rated The Beguiled (2017) in Movies
Nov 22, 2017 (Updated Nov 22, 2017)
Dull and rather pointless
There was very little that was beguiling about this film apart from the usual fantastic performances from Nicole Kidman and Colin Farrell.
The premise of the film surrounds the American Civil War, in which an injured soldier (Farrell) is taken in quite reluctantly by a group of women and young girls where Kidman is the matriarch. The mysterious circumstances of Farrell is never explicitly revealed, but he begins to attempt to worm his way into staying by charming all of the women and girls creating sexual tension in a rather repressive household.
The problem was that the film is sold as empowering to women yet it was nothing of the sort. Watching the women throw themselves at a man was rather unappealing, and to be honest the entire movie was very dull. I hear the Clint Eastwood version of the same film @The Beguiled (1971) is superb and the one to watch.
The premise of the film surrounds the American Civil War, in which an injured soldier (Farrell) is taken in quite reluctantly by a group of women and young girls where Kidman is the matriarch. The mysterious circumstances of Farrell is never explicitly revealed, but he begins to attempt to worm his way into staying by charming all of the women and girls creating sexual tension in a rather repressive household.
The problem was that the film is sold as empowering to women yet it was nothing of the sort. Watching the women throw themselves at a man was rather unappealing, and to be honest the entire movie was very dull. I hear the Clint Eastwood version of the same film @The Beguiled (1971) is superb and the one to watch.
Suswatibasu (1701 KP) rated Lincoln in the Bardo in Books
Jul 24, 2017
Epic modern Shakespearean tragedy
Listened on Audible.co.uk.
George Saunder's epic historical and existential tragedy seems to resonate on many levels with a variety of readers. Taking the real life account of the death of Abraham Lincoln's son, exploring his grief and creating a magical realistic theatrical piece is a true wonder.
It's a listening experience for all the senses, with the beautiful music and sounds of the Civil War, as well as a host of well known voices - it's haunting in many aspects. The language is rich and variable mixing Shakespearean dialogue with modern slang.
Where it falls short are the constant breaks in the novel through footnotes describing the actual factual account of that time. It is jarring and ruins the experience - it should be left to the end and is only valid when reading. In this case Saunders sounds timid, having to constantly back up his claims. It would have been five stars, but it happened too often.
George Saunder's epic historical and existential tragedy seems to resonate on many levels with a variety of readers. Taking the real life account of the death of Abraham Lincoln's son, exploring his grief and creating a magical realistic theatrical piece is a true wonder.
It's a listening experience for all the senses, with the beautiful music and sounds of the Civil War, as well as a host of well known voices - it's haunting in many aspects. The language is rich and variable mixing Shakespearean dialogue with modern slang.
Where it falls short are the constant breaks in the novel through footnotes describing the actual factual account of that time. It is jarring and ruins the experience - it should be left to the end and is only valid when reading. In this case Saunders sounds timid, having to constantly back up his claims. It would have been five stars, but it happened too often.
Alison Pink (7 KP) rated The Lincoln Myth (Cotton Malone, #9) in Books
Jan 15, 2018
Well as usual Steve Berry does it again, with a little help from Cotton Malone that is! I have yet to read a book by Berry that I had an easy time putting down & I can' imagine that I will ever find one. Malone is one of my favorite characters of all time. And the plots that Berry weaves around him are top notch, fast paced, & not easy to figure out. The Lincoln Myth is no exception to this formula.
The plot of this book centers around Lincoln and a secret deal he may or may have not made with Brigham Young during the Civil War. Calling this The Lincoln Myth is spot on. So many questions are raised & it really makes you think. All of the theories presented are so well researched & written that as a reader you almost forget that it is just a fictitious story & books like that are the best kind to read.
The plot of this book centers around Lincoln and a secret deal he may or may have not made with Brigham Young during the Civil War. Calling this The Lincoln Myth is spot on. So many questions are raised & it really makes you think. All of the theories presented are so well researched & written that as a reader you almost forget that it is just a fictitious story & books like that are the best kind to read.
Suswatibasu (1701 KP) rated The New Jim Crow: Mass Incarceration in Books
Sep 16, 2017
Detailed, disturbing, an absolute must-read
An absolutely staggering and essential read about America's new apartheid / caste system, created under the guise of the War on Drugs.
Since the civil rights movements and traced back to its origins from the Jim Crow laws, Michelle Alexander discusses how the prison and judicial system is basically used to force African Americans into an underclass. They are not entitled to jobs, housing, benefits and even voting in some cases, stripping them of human rights well after punishment. As 'criminals' they are vilified by all alike thus continually treated like scum.
For others, it's a situation of arresting African Americans en masse for drug crimes, also committed by their white counterparts but are conveniently ignored.
And police forces around the country are continually given bigger budgets to carry out such arrests to bolster their credentials. It can be seen as a racket in many situations. Disturbing but a must-read.
Since the civil rights movements and traced back to its origins from the Jim Crow laws, Michelle Alexander discusses how the prison and judicial system is basically used to force African Americans into an underclass. They are not entitled to jobs, housing, benefits and even voting in some cases, stripping them of human rights well after punishment. As 'criminals' they are vilified by all alike thus continually treated like scum.
For others, it's a situation of arresting African Americans en masse for drug crimes, also committed by their white counterparts but are conveniently ignored.
And police forces around the country are continually given bigger budgets to carry out such arrests to bolster their credentials. It can be seen as a racket in many situations. Disturbing but a must-read.
David McK (3233 KP) rated The Rebel Killer in Books
Mar 21, 2019
The latest (at the time of reviewing) of Paul Fraser Collard's Jack Lark series, which I see is still being advertised as 'Sharpe meets The Talented Mt Ripley': while that may have been true of the early novels, I feel - now - that Jack Lark has more of his own identity.
Which is, perhaps, ironic in a series where the central conceit is the main character is an imposter.
In this one Jack is not the only imposter: without giving away too much, he sets himself on a trail of revenge whilst wearing the uniform of a Confederate Officer (as opposed to that of a Union officer he wore in the last novel) during the American Civil War. I say wearing, as that is all it really is to him: simply a means towards an end.
Culminating in the battle of Shiloh, Jack definitely seems to have a knack for finding himself caught up in all the great military happenings of his time!
Which is, perhaps, ironic in a series where the central conceit is the main character is an imposter.
In this one Jack is not the only imposter: without giving away too much, he sets himself on a trail of revenge whilst wearing the uniform of a Confederate Officer (as opposed to that of a Union officer he wore in the last novel) during the American Civil War. I say wearing, as that is all it really is to him: simply a means towards an end.
Culminating in the battle of Shiloh, Jack definitely seems to have a knack for finding himself caught up in all the great military happenings of his time!
I do like a post-apocalyptic kind of book, and this delivered in spades. It was written in a completely believable way, beginning with a second American Civil war, that was ended by the North releasing hundreds of airborne viruses that infected and killed those in the South indiscriminately. And those viruses continue to kill.
Vida meets two brothers, Garrett and Dyce, and they travel together in a world where to travel alone is death, to travel or to be outside when the wind blows is death.
I loved the world building in this. There will always be comparisons to Stephen Kings ‘The Stand’ with books like this, but other than viruses and a complete breakdown of society, I couldn’t actually see a comparison.
I’m looking forward to reading ‘North’, which is the final part of this two part series, and seeing where the authors take us.
Many thanks to NetGalley and the publisher, Corvus, for my copy of this book.
Vida meets two brothers, Garrett and Dyce, and they travel together in a world where to travel alone is death, to travel or to be outside when the wind blows is death.
I loved the world building in this. There will always be comparisons to Stephen Kings ‘The Stand’ with books like this, but other than viruses and a complete breakdown of society, I couldn’t actually see a comparison.
I’m looking forward to reading ‘North’, which is the final part of this two part series, and seeing where the authors take us.
Many thanks to NetGalley and the publisher, Corvus, for my copy of this book.
The Marinated Meeple (1848 KP) rated Gone with the Wind Audiobook in Books
Nov 9, 2018
Accents by the Narrator (1 more)
Historical vantage point
Audio Production is great
I struggled to care about these over privileged people as a whole. The main character especially. I made it through the first half of the book, which is 21 cds, and a ton of time. I felt like i invested a lot of my time into it, and didn't feel rewarded with a great classic piece of literature. That said it was well written for it's time and really provides insight into the thought and minds of the confederate side. It's a great slice of life for Civil war buffs. A lot of the racial language is cringe worthy by today's standards, but was probably very real for the time and even maybe lighter. I do not feel compelled to read the rest of it, one day when I am curious, I will watch the movie and that will probably be enough.
<edit in 2018: yep, it was subtitled such>
Apparently the next Captain America movie in the Marvel Cinematic Universe (the MCU) is to be subtitled 'Civil War'.
With that in mind, obviously they're taking this arc as their inspiration.
In this, and following a tragedy brought about by the actions of a group of young super-heroes, the government has decided to introduce the Superhero Registration Act, forcing all Super-heroes to reveal their secret identity or being branded outlaws.
this, of course, has the effect of splitting the Super-hero community down the middle: the 'for' side headed by the likes of Tony Stark (aka Iron Man), with the 'against' side led Steve Rodgers (a.k.a. Captain America). Both sides, also, eventually find themselves working hand-in-hand with the Super-villain community (is that a thing?) as they pursue their relevant agendas.
I have to say, it's an intriguing idea for a story: which side would you come down on? Would you be 'for', or 'against'?
Apparently the next Captain America movie in the Marvel Cinematic Universe (the MCU) is to be subtitled 'Civil War'.
With that in mind, obviously they're taking this arc as their inspiration.
In this, and following a tragedy brought about by the actions of a group of young super-heroes, the government has decided to introduce the Superhero Registration Act, forcing all Super-heroes to reveal their secret identity or being branded outlaws.
this, of course, has the effect of splitting the Super-hero community down the middle: the 'for' side headed by the likes of Tony Stark (aka Iron Man), with the 'against' side led Steve Rodgers (a.k.a. Captain America). Both sides, also, eventually find themselves working hand-in-hand with the Super-villain community (is that a thing?) as they pursue their relevant agendas.
I have to say, it's an intriguing idea for a story: which side would you come down on? Would you be 'for', or 'against'?
David McK (3233 KP) rated Black Widow (2021) in Movies
Aug 8, 2021
The first Marvel movie out of the stables since the start of the Worldwide Covid-19 pandemic; I believe this was originally to be released before the likes of even WandaVision (shown on Disney+).
This was alos released concurrently on Disney+ (behind a paywall) and in the cinema: indeed, this is the very reason for ScarJo's lawsuit against Disney (she says she was told it would be theatres first, then Disney+ and that she only gets a percentage of box office takings).
Anyway, all that aside: this is actually set pre-snap; the majority of it back just after the events of 'Captain America: Civil War' (and thus before 'Avengers: Infinty War'), with Natasha on the run from the US government having broken the Sokovia Accords. It's not long, however, before she receives a package from a previous safe-house (Budapest. Yes, the Budapest mentioned before with Hawkeye: 'remember Budapest?') that leads her into a further adventure, this time involving her surrogate 'family' from when she was undercover in America as a kid in the mid 1990s.
Her 'dad' (David Harbour) 'Red Guardian' steals the show, while Florence Pugh (as her younger 'sister') and Rachel Weisz (as her 'mum') also provide sterling back-up.
Plenty of action, but the film does, perhaps, fall into the common Marvel trap of having a CGI-heavy ending ...
This was alos released concurrently on Disney+ (behind a paywall) and in the cinema: indeed, this is the very reason for ScarJo's lawsuit against Disney (she says she was told it would be theatres first, then Disney+ and that she only gets a percentage of box office takings).
Anyway, all that aside: this is actually set pre-snap; the majority of it back just after the events of 'Captain America: Civil War' (and thus before 'Avengers: Infinty War'), with Natasha on the run from the US government having broken the Sokovia Accords. It's not long, however, before she receives a package from a previous safe-house (Budapest. Yes, the Budapest mentioned before with Hawkeye: 'remember Budapest?') that leads her into a further adventure, this time involving her surrogate 'family' from when she was undercover in America as a kid in the mid 1990s.
Her 'dad' (David Harbour) 'Red Guardian' steals the show, while Florence Pugh (as her younger 'sister') and Rachel Weisz (as her 'mum') also provide sterling back-up.
Plenty of action, but the film does, perhaps, fall into the common Marvel trap of having a CGI-heavy ending ...