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Phillip McSween (751 KP) rated Braveheart (1995) in Movies
Jul 28, 2018
Epic
The Story of Scottish Patriot William Wallace (Mel Gibson) and his quest to unite the clans and rise up against their English oppressors.
Acting: 10
Beginning: 10
The film gets off to a hot start by immediately drawing you into the story. Once the camera pans into the hut with all of the hanging bodies, they had my attention right away. The sheer intrigue was enough to make me want to see more.
Characters: 10
The Scots are a crazy bunch and I LOVE them. Whether old or young, they're all tough guys in their own right. One crazy person is enough to make a film interesting, but you put a bunch of them together and now you're really cooking with fire. William Wallace, of course, takes the cake of all the crazies. His character is easily one of my all-time favorite protagonists from his demeanor to the strong message he carries.
Cinematography/Visuals: 10
You kind of cheat when you shoot a film in Scotland, let's be honest. Beautiful landscapes abound, filled with mountains and lush valleys. I got lost watching William Wallace ride through the countryside on horseback. Made me think, "Damn, am I taking enough vacations?"
It's not the landscapes, however, as the battles are epic and sprawling. You get a taste of a bit of blood or something gory right before it cuts to a new fight. Seeing a fight that probably took hours abbreviated into a couple minutes is jarring and effective. These are some of the best battles captured on film.
Conflict: 10
Genre: 7
Memorability: 8
Braveheart is a film that easily stands the test of time. The brotherhood of the clans alone is memorable in and of itself. These are guys that lay down their lives for each other to advance their nation. The battles that ensue as a result of the stand that these men take are sheer inspiration. "They can take our lives, but they'll never take our freedom!"
Pace: 10
While the film slows down just slightly after the opening scenes, once the fighting starts, things move forward at a breakneck pace. It drives you from one scene to the next with intensity and passion. Just when you think you've had enough action, you're graced with more! Very solid pace.
Plot: 10
Resolution: 5
The ending was a bit deflating, at least for my taste. I respected the realism, but it felt counterintuitive to what the rest of the film was accomplishing. Not horrible, but perhaps a different approach would warrant a better score.
Overall: 90
I never had any interest whatsoever to watch this film and, after finally seeing it, I can't believe I waited this long. Such an inspirational, all-time classic. Loved it.
Acting: 10
Beginning: 10
The film gets off to a hot start by immediately drawing you into the story. Once the camera pans into the hut with all of the hanging bodies, they had my attention right away. The sheer intrigue was enough to make me want to see more.
Characters: 10
The Scots are a crazy bunch and I LOVE them. Whether old or young, they're all tough guys in their own right. One crazy person is enough to make a film interesting, but you put a bunch of them together and now you're really cooking with fire. William Wallace, of course, takes the cake of all the crazies. His character is easily one of my all-time favorite protagonists from his demeanor to the strong message he carries.
Cinematography/Visuals: 10
You kind of cheat when you shoot a film in Scotland, let's be honest. Beautiful landscapes abound, filled with mountains and lush valleys. I got lost watching William Wallace ride through the countryside on horseback. Made me think, "Damn, am I taking enough vacations?"
It's not the landscapes, however, as the battles are epic and sprawling. You get a taste of a bit of blood or something gory right before it cuts to a new fight. Seeing a fight that probably took hours abbreviated into a couple minutes is jarring and effective. These are some of the best battles captured on film.
Conflict: 10
Genre: 7
Memorability: 8
Braveheart is a film that easily stands the test of time. The brotherhood of the clans alone is memorable in and of itself. These are guys that lay down their lives for each other to advance their nation. The battles that ensue as a result of the stand that these men take are sheer inspiration. "They can take our lives, but they'll never take our freedom!"
Pace: 10
While the film slows down just slightly after the opening scenes, once the fighting starts, things move forward at a breakneck pace. It drives you from one scene to the next with intensity and passion. Just when you think you've had enough action, you're graced with more! Very solid pace.
Plot: 10
Resolution: 5
The ending was a bit deflating, at least for my taste. I respected the realism, but it felt counterintuitive to what the rest of the film was accomplishing. Not horrible, but perhaps a different approach would warrant a better score.
Overall: 90
I never had any interest whatsoever to watch this film and, after finally seeing it, I can't believe I waited this long. Such an inspirational, all-time classic. Loved it.
Fred (860 KP) rated Dumbo (2019) in Movies
Jun 19, 2019
This is how you ruin a classic
Dumbo is one of my favorite Disney films. The original, not this crap. When told that his film was not long enough to be considered a full-length movie & that he would have to add 10 more minutes or so, Disney said "No. It's perfect the way it is." And he was right. The people who made this live-action remake apparently never heard that story. It's almost 2 hours long. The original story of the first film is done in about the first 20 minutes of this film, then it's an original sequel, basically.
The first & main problem of the film is the most obvious. The focus on the human characters over the animal characters. There are no talking animals in this one. Sure, Dumbo didn't talk, but he had Timothy mouse with him to speak for him. There's no stork, the bully elephants are gone, even the racist, but very entertaining crows are completely gone.
Second problem: Some of the music from the original film is here, but instrumental versions. Only "Baby Mine" is sung. We hear a clip of "Casey Jr." at the beginning. At the very end of the credits, we hear a bit of "When I See a Elephant Fly", but no "Look Out For Mr. Stork". But the biggest mistake was what they did with "Pink Elephants on Parade" In the original film, Dumbo accidentally drinks some champagne & gets drunk. He then blows bubbles & the bubbles take shape & thus begins one of the greatest scenes in Disney history. The bubbles take the shape of dancing, skating & tromping elephants. The scene is a nightmare & probably scared some kids in the day. The song itself is both fun & creepy. This should be perfect Tim Burton stuff, but in this film, it is not. In this film, circus performers are creating giant bubbles & somehow they are taking the shape of the elephants. In fact, they're copies of the elephants (and camel) from the original film. The song plays, but again, no lyrics. It's also not very well directed. Instead of looking like a nightmare, they keep cutting to Dumbo, watching the performers, with a smile.
And that brings me to another problem. Tim Burton. Like most Tim Burton movies, it looks fantastic, but it's just boring. The story is boring & unoriginal (Free Willy anyone?) I didn't get to like any of the human characters to care. They kind of just go through the motions. Dumbo himself lacks character & I never really felt for him.
I know Disney is set on remaking their classics & I haven't seen any before (and probably will not see anymore after this one). It breaks my heart to see Disney reduced to this sort of thing. I'll stick with the originals, thank you.
The first & main problem of the film is the most obvious. The focus on the human characters over the animal characters. There are no talking animals in this one. Sure, Dumbo didn't talk, but he had Timothy mouse with him to speak for him. There's no stork, the bully elephants are gone, even the racist, but very entertaining crows are completely gone.
Second problem: Some of the music from the original film is here, but instrumental versions. Only "Baby Mine" is sung. We hear a clip of "Casey Jr." at the beginning. At the very end of the credits, we hear a bit of "When I See a Elephant Fly", but no "Look Out For Mr. Stork". But the biggest mistake was what they did with "Pink Elephants on Parade" In the original film, Dumbo accidentally drinks some champagne & gets drunk. He then blows bubbles & the bubbles take shape & thus begins one of the greatest scenes in Disney history. The bubbles take the shape of dancing, skating & tromping elephants. The scene is a nightmare & probably scared some kids in the day. The song itself is both fun & creepy. This should be perfect Tim Burton stuff, but in this film, it is not. In this film, circus performers are creating giant bubbles & somehow they are taking the shape of the elephants. In fact, they're copies of the elephants (and camel) from the original film. The song plays, but again, no lyrics. It's also not very well directed. Instead of looking like a nightmare, they keep cutting to Dumbo, watching the performers, with a smile.
And that brings me to another problem. Tim Burton. Like most Tim Burton movies, it looks fantastic, but it's just boring. The story is boring & unoriginal (Free Willy anyone?) I didn't get to like any of the human characters to care. They kind of just go through the motions. Dumbo himself lacks character & I never really felt for him.
I know Disney is set on remaking their classics & I haven't seen any before (and probably will not see anymore after this one). It breaks my heart to see Disney reduced to this sort of thing. I'll stick with the originals, thank you.
Gareth von Kallenbach (962 KP) rated Call of Duty: Black Ops III - Eclipse in Video Games
Jun 19, 2019 (Updated Jun 19, 2019)
The second of four DLC packs for Call of Duty Black Ops 3 has arrived for PC and Xbox One after making its debut for the PS4. Eclipse offers four new maps and a new Zombie mode for gamers. As with previous DLC for the series, the collection can be purchased by itself or as part of a season pass.
The four maps are as follows…
Rift
Set in a futuristic military compound, Rift pushes players forwards and keeps the action moving, The focus is on close quarters fighting and explosives fly when the players become packed in. The
Verge
This is reimagined version of the classic Banzai map and one of the more distinctive maps in recent memory. The setting is a post apocalypse world filled with a water source and bridge and plenty of semi-demolished buildings to take cover. I noted that snipers seemed to like it but I actually did fairly well with my run and gun style of play.
Spire
Set in high altitude airport terminal of the future, this map is great fun. From balconies, open courtyards, and platforms with nothing but tons of air below you, this is a map that will put all of your skills to the test. I had more than one extended battle in this setting where numerous kill and combat zones could erupt at any time.
Knockout
Set in a Shaolin temple, this is a beautiful map that offers a distinct look and plenty of action. I first played it in an Uplink game and picking up the satellite on a martial arts arena and racing past Cherry Blossoms and other captivating setting to reach the goal was great fun. The action was intense due to several bridges and paths that would lead to open areas where the enemy was waiting.
Zombie lovers will enjoy Zetsubou No Shima which is set on a Pacific Island where the four characters must work with one another to battle never ending waves of undead. As with previous chapters players must gather items and assemble things to help their chances for survival. I liked the use of radiated water to power generators and grow plants that would yield useful items and weapons once harvested.
The other nice feature of this map was the inclusion of spider waves and other special creatures that would show up to menace players.
In all Eclipse is a solid pack that offers new value and gameplay options for Call of Duty: Black Ops 3. While it is not anything radically different or groundbreaking, it does offer what you would expect in a DLC in the serious, more maps, more options, more fun, and more action.
http://sknr.net/2016/05/28/call-duty-black-ops-3-eclipse-dlc/
The four maps are as follows…
Rift
Set in a futuristic military compound, Rift pushes players forwards and keeps the action moving, The focus is on close quarters fighting and explosives fly when the players become packed in. The
Verge
This is reimagined version of the classic Banzai map and one of the more distinctive maps in recent memory. The setting is a post apocalypse world filled with a water source and bridge and plenty of semi-demolished buildings to take cover. I noted that snipers seemed to like it but I actually did fairly well with my run and gun style of play.
Spire
Set in high altitude airport terminal of the future, this map is great fun. From balconies, open courtyards, and platforms with nothing but tons of air below you, this is a map that will put all of your skills to the test. I had more than one extended battle in this setting where numerous kill and combat zones could erupt at any time.
Knockout
Set in a Shaolin temple, this is a beautiful map that offers a distinct look and plenty of action. I first played it in an Uplink game and picking up the satellite on a martial arts arena and racing past Cherry Blossoms and other captivating setting to reach the goal was great fun. The action was intense due to several bridges and paths that would lead to open areas where the enemy was waiting.
Zombie lovers will enjoy Zetsubou No Shima which is set on a Pacific Island where the four characters must work with one another to battle never ending waves of undead. As with previous chapters players must gather items and assemble things to help their chances for survival. I liked the use of radiated water to power generators and grow plants that would yield useful items and weapons once harvested.
The other nice feature of this map was the inclusion of spider waves and other special creatures that would show up to menace players.
In all Eclipse is a solid pack that offers new value and gameplay options for Call of Duty: Black Ops 3. While it is not anything radically different or groundbreaking, it does offer what you would expect in a DLC in the serious, more maps, more options, more fun, and more action.
http://sknr.net/2016/05/28/call-duty-black-ops-3-eclipse-dlc/
Matthew Krueger (10051 KP) rated the Xbox 360 version of BioShock in Video Games
Oct 21, 2019
Would You Kindly
Contains spoilers, click to show
Bioshock- is a horrorfying game, it has adventure, chills, thrills, twist, turns and so much more. It is a fantasic game to play. If you havent not played it, than i would highly reccordmend it. Lets talk about it...
The Plot: BioShock is set in 1960. The player guides the protagonist, Jack, after his airplane crashes in the ocean near the bathysphere terminus that leads to the underwater city of Rapture. Built by the business magnate Andrew Ryan, the city was intended to be an isolated utopia, but the discovery of ADAM, a genetic material which can be used to grant superhuman powers, initiated the city's turbulent decline. Jack tries to find a way to escape, fighting through hordes of ADAM-obsessed enemies, and the iconic, deadly Big Daddies, while engaging with the few sane humans that remain and eventually learning of Rapture's past.
The player, as Jack, can defeat foes in several ways by using weapons, utilizing plasmids that give unique powers, and by turning Rapture's defenses against them.
The twist is unexpected and once you find out, it is so unexpected. It's revealed that Atlas is actually the gangster Frank Fontaine, who'd smuggled Jack to the surface several years earlier with the intention of bringing him back as a weapon, as "your" DNA can operate a lot of Rapture's systems that only Ryan would otherwise have access to. Jack has been abused, hypnotized to carry fabricated memories and respond to a key phrase: "Would you kindly." Fontaine has been, to this point in the game, using it to control Jack's progression through Rapture.
Bioshock aslo has two different ends: The ending depends on how the player interacted with the Little Sisters:
1. If the player rescues all of the Little Sisters (or harvests only one of them), Jack takes them back to the surface with him and adopts five of them as his daughters, and Tenenbaum happily narrates how they go on to live full lives under his care, eventually surrounding him on his deathbed. This ending is consideredc anon in BioShock Infinite: Burial at Sea.
2. If the player harvests more than one Little Sister, Jack turns on the Little Sisters to harvest their ADAM. Tenenbaum sadly narrates what occurred, condemning Jack and his actions. A US Navy submarine then comes across the wreckage of the plane and finds itself suddenly surrounded by bathyspheres containing Splicers who attack the crew and take control of it. The submarine is revealed to be carrying nuclear missiles, with Tenenbaum claiming that Jack has now "stolen the terrible secrets of the world": the more Little Sisters are harvested, the harsher and more furious Tenenbaum's narrative becomes.
Dont forget about the big daddy.
I love this game, it is a classic. I wouls highly reccordmend playing this game.
The Plot: BioShock is set in 1960. The player guides the protagonist, Jack, after his airplane crashes in the ocean near the bathysphere terminus that leads to the underwater city of Rapture. Built by the business magnate Andrew Ryan, the city was intended to be an isolated utopia, but the discovery of ADAM, a genetic material which can be used to grant superhuman powers, initiated the city's turbulent decline. Jack tries to find a way to escape, fighting through hordes of ADAM-obsessed enemies, and the iconic, deadly Big Daddies, while engaging with the few sane humans that remain and eventually learning of Rapture's past.
The player, as Jack, can defeat foes in several ways by using weapons, utilizing plasmids that give unique powers, and by turning Rapture's defenses against them.
The twist is unexpected and once you find out, it is so unexpected. It's revealed that Atlas is actually the gangster Frank Fontaine, who'd smuggled Jack to the surface several years earlier with the intention of bringing him back as a weapon, as "your" DNA can operate a lot of Rapture's systems that only Ryan would otherwise have access to. Jack has been abused, hypnotized to carry fabricated memories and respond to a key phrase: "Would you kindly." Fontaine has been, to this point in the game, using it to control Jack's progression through Rapture.
Bioshock aslo has two different ends: The ending depends on how the player interacted with the Little Sisters:
1. If the player rescues all of the Little Sisters (or harvests only one of them), Jack takes them back to the surface with him and adopts five of them as his daughters, and Tenenbaum happily narrates how they go on to live full lives under his care, eventually surrounding him on his deathbed. This ending is consideredc anon in BioShock Infinite: Burial at Sea.
2. If the player harvests more than one Little Sister, Jack turns on the Little Sisters to harvest their ADAM. Tenenbaum sadly narrates what occurred, condemning Jack and his actions. A US Navy submarine then comes across the wreckage of the plane and finds itself suddenly surrounded by bathyspheres containing Splicers who attack the crew and take control of it. The submarine is revealed to be carrying nuclear missiles, with Tenenbaum claiming that Jack has now "stolen the terrible secrets of the world": the more Little Sisters are harvested, the harsher and more furious Tenenbaum's narrative becomes.
Dont forget about the big daddy.
I love this game, it is a classic. I wouls highly reccordmend playing this game.
Ryan Hill (152 KP) rated The Amazing Spider-Man (2012) in Movies
Jul 20, 2019
"You know in the future if you're gonna steal cars, don't dress like a car thief man"
So Sony had two choices, either sell the Spider-Man rights back to Marvel or press the reboot button on the Spider-Man franchise, so we got this and I see a lot of mixed opinions about this film, some love it, some don't, I think it's a good film but it's not as good as Sam Raimi's 2002 classic Spider-Man.
After Peter Parker (Andrew Garfield) is bitten by a genetically altered spider, he gains newfound, spider-like powers and ventures out to solve the mystery of his parent's mysterious death.
The action scenes in this film are enjoyable, especially the High School fight scene between Spidey and the Lizard and make for an enjoyable film, Andrew Garfield and Emma Stone have better chemistry than Tobey Maguire and Kirsten Dunst did, seeing as Garfield and Stone where dating at the time which made for a better on screen relationship between the two.
I do like Gwen Stacy more than Mary Jane thanks to Emma Stone seeing as Gwen is useful in this film and doesn't always need rescuing, also I like how they gave Spidey some quips to dish out in the film but it was only done for one scene.
There are a lot of problems with this film, I personally don't like the photographic style of the film, it's too dark and grainy for a Spider-Man film and I prefer the style Raimi used, speaking of Raimi, the director Marc Webb repeated a lot of stuff Raimi did in the first film, I'd much rather he had added something new to the blend.
I didn't really like Garfield as Peter Parker, he was just bland and I couldn't care for him due to bad writing, he is alright as Spidey but he's not the best, Rhys Ifans does a decent job as Dr. Curt Connors / The Lizard but he is just a forgettable villain, you can see the writing isn't up too scratch along with the story, the story isn't that good sadly and because most of the scenes where rushed characters suffer as a result along with the emotional and powerful scenes.
I can see why people might prefer this to the Raimi trilogy because of it's darker approach to Spider-Man but I prefer the light hearted approach Raimi took, overall I did like The Amazing Spider-Man, it's a good film but it was done so much better by Sam Raimi 17 years ago.
After Peter Parker (Andrew Garfield) is bitten by a genetically altered spider, he gains newfound, spider-like powers and ventures out to solve the mystery of his parent's mysterious death.
The action scenes in this film are enjoyable, especially the High School fight scene between Spidey and the Lizard and make for an enjoyable film, Andrew Garfield and Emma Stone have better chemistry than Tobey Maguire and Kirsten Dunst did, seeing as Garfield and Stone where dating at the time which made for a better on screen relationship between the two.
I do like Gwen Stacy more than Mary Jane thanks to Emma Stone seeing as Gwen is useful in this film and doesn't always need rescuing, also I like how they gave Spidey some quips to dish out in the film but it was only done for one scene.
There are a lot of problems with this film, I personally don't like the photographic style of the film, it's too dark and grainy for a Spider-Man film and I prefer the style Raimi used, speaking of Raimi, the director Marc Webb repeated a lot of stuff Raimi did in the first film, I'd much rather he had added something new to the blend.
I didn't really like Garfield as Peter Parker, he was just bland and I couldn't care for him due to bad writing, he is alright as Spidey but he's not the best, Rhys Ifans does a decent job as Dr. Curt Connors / The Lizard but he is just a forgettable villain, you can see the writing isn't up too scratch along with the story, the story isn't that good sadly and because most of the scenes where rushed characters suffer as a result along with the emotional and powerful scenes.
I can see why people might prefer this to the Raimi trilogy because of it's darker approach to Spider-Man but I prefer the light hearted approach Raimi took, overall I did like The Amazing Spider-Man, it's a good film but it was done so much better by Sam Raimi 17 years ago.
Sensitivemuse (246 KP) rated The Hunting Party in Books
Jul 3, 2019
Not what it's hyped up to be
I somewhat liked the mystery aspect of the novel. That’s what got me into reading this one in the first place. However it wasn’t what I thought it would and I finished the novel only because I wanted to know who it was that did the murder and the story behind it.
The plot itself could use a little more as it’s lackluster and not interesting. If you’re looking for a murder mystery that’s a classic whodunit it’s not here. There may be slight similarities to it but it’s really more of a bunch of thirty somethings in a house and something bad happens. The events leading up to the murder are each told in a point of view of a character.
At first it may be difficult to tell which one is which. You rather forget who is who as the characters are rather bland and uninteresting. Miranda stands out the most but even she’s not that likable. She’s a resentful spiteful twit who likes to step over others and hates their successes as she’s amounted to pretty much nothing. I’ve never seen such a spoiled brat as Miranda. Then you have Katie and Emma who aren’t that interesting either. Although if I had to choose, it’ll be Katie who was somewhat interesting. Until of course, she decides to do something extremely stupid and she ends up being just as spiteful as Miranda. Goodness, I didn’t think I was watching one of those soap operas or reality shows where they have this much drama.
Then there’s Heather and Doug who aren’t a part of the group of friends but they each had their own story to tell. Well not really. Not much was revealed from them except they had horrible pasts. Okay. Details please. It’s nice to have well rounded characters but they ended up being vacant and lifeless.
The mystery element (what little of it) was there and it came and went throughout the chapters. When all is final and revealed well, it’s all right but it’s not the best either. There’s not much in the way of background information and if there was, not much is given and the characters have no substance at all. The plot comes up empty and the whole thing with Iain, was that meant to be a red herring? This entire story just didn’t amount to what I thought it would. It’s disappointing as I wanted to like the book and was hyped for it.
Don’t really recommend this one. If you really want to read it, I suggest library take out. Otherwise skip this one entirely.
The plot itself could use a little more as it’s lackluster and not interesting. If you’re looking for a murder mystery that’s a classic whodunit it’s not here. There may be slight similarities to it but it’s really more of a bunch of thirty somethings in a house and something bad happens. The events leading up to the murder are each told in a point of view of a character.
At first it may be difficult to tell which one is which. You rather forget who is who as the characters are rather bland and uninteresting. Miranda stands out the most but even she’s not that likable. She’s a resentful spiteful twit who likes to step over others and hates their successes as she’s amounted to pretty much nothing. I’ve never seen such a spoiled brat as Miranda. Then you have Katie and Emma who aren’t that interesting either. Although if I had to choose, it’ll be Katie who was somewhat interesting. Until of course, she decides to do something extremely stupid and she ends up being just as spiteful as Miranda. Goodness, I didn’t think I was watching one of those soap operas or reality shows where they have this much drama.
Then there’s Heather and Doug who aren’t a part of the group of friends but they each had their own story to tell. Well not really. Not much was revealed from them except they had horrible pasts. Okay. Details please. It’s nice to have well rounded characters but they ended up being vacant and lifeless.
The mystery element (what little of it) was there and it came and went throughout the chapters. When all is final and revealed well, it’s all right but it’s not the best either. There’s not much in the way of background information and if there was, not much is given and the characters have no substance at all. The plot comes up empty and the whole thing with Iain, was that meant to be a red herring? This entire story just didn’t amount to what I thought it would. It’s disappointing as I wanted to like the book and was hyped for it.
Don’t really recommend this one. If you really want to read it, I suggest library take out. Otherwise skip this one entirely.
LeftSideCut (3778 KP) rated American Horror Story - Season 4 in TV
Nov 18, 2019 (Updated Nov 18, 2019)
Season 4 of AHS, subtitled 'Freak Show' gets a bad wrap in my opinion.
It doesn't reach the lofty heights of the first two seasons, but there's plenty to love and it tries something new.
The bulk of the series revolves around Elsa Mars (Jessica Lange) and her group of travelling sideshow performers, all who have some sort of abnormality. As they arrive in 1951 Florida to set up shop and make a living amongst a world that fears and targets them, they are also being eyed up by Richard Spencer (Denis O'Hare), a shady businessman attempting to profit from their misfortune, and Dandy Mott (Finn Wittrock), who harbours an unhealthy obsession with the Freak Show, and in particular, conjoined twins Bette and Dot Tattler (Sarah Paulson).
All the while, a murderous and sinister clown called Twisty (John Carroll Lynch) is on the loose, causing the finger to be pointed at another Freak Show member, Jimmy Darling (Evan Peters).
All of these plot lines running at once actually run side by side pretty smoothly, making for an engaging narrative, with plenty of plot twists along the way.
The Twisty plot line is proper classic slasher horror, and is unfortunately tied up pretty quickly, but it makes way for a surprisingly touching story about family, and what it means to be different.
I found myself caring about almost everybody during Freak Show. It's very well written.
The cast are as usual, pretty great. As well as the cast members mentioned above, we have returning AHS in the likes of Kathy Bates, Francis Conroy, Emma Roberts, Angela Bassett, and Naomi Grossman, as well as some new blood in the form of Michael Chiklis, Erika Ervin, Mat Fraser, Wes Bentley, and Neil Patrick-Harris.
Sarah Paulson is the undisputed highlight during this season, playing two characters at once, with some fantastic effects work going on.
The only character I really struggled to get on board with here was Elsa, which is a shame as she's front and centre. No fault of the great Jessica Lange of course.
The season drags for a while in the mid section, but with so many likable characters, it's not a huge issue.
Freak Show is also the first season that has a concrete connection to other seasons in the AHS story, confirming finally that all the seasons take place in the same universe, which is incredibly exciting, and opens the door for a lot of possibilities.
The gore effects and horror elements continue to be a big plus for AHS, and as always, the anthology format keeps it feeling fresh. Another win for Ryan Murphy and co.
It doesn't reach the lofty heights of the first two seasons, but there's plenty to love and it tries something new.
The bulk of the series revolves around Elsa Mars (Jessica Lange) and her group of travelling sideshow performers, all who have some sort of abnormality. As they arrive in 1951 Florida to set up shop and make a living amongst a world that fears and targets them, they are also being eyed up by Richard Spencer (Denis O'Hare), a shady businessman attempting to profit from their misfortune, and Dandy Mott (Finn Wittrock), who harbours an unhealthy obsession with the Freak Show, and in particular, conjoined twins Bette and Dot Tattler (Sarah Paulson).
All the while, a murderous and sinister clown called Twisty (John Carroll Lynch) is on the loose, causing the finger to be pointed at another Freak Show member, Jimmy Darling (Evan Peters).
All of these plot lines running at once actually run side by side pretty smoothly, making for an engaging narrative, with plenty of plot twists along the way.
The Twisty plot line is proper classic slasher horror, and is unfortunately tied up pretty quickly, but it makes way for a surprisingly touching story about family, and what it means to be different.
I found myself caring about almost everybody during Freak Show. It's very well written.
The cast are as usual, pretty great. As well as the cast members mentioned above, we have returning AHS in the likes of Kathy Bates, Francis Conroy, Emma Roberts, Angela Bassett, and Naomi Grossman, as well as some new blood in the form of Michael Chiklis, Erika Ervin, Mat Fraser, Wes Bentley, and Neil Patrick-Harris.
Sarah Paulson is the undisputed highlight during this season, playing two characters at once, with some fantastic effects work going on.
The only character I really struggled to get on board with here was Elsa, which is a shame as she's front and centre. No fault of the great Jessica Lange of course.
The season drags for a while in the mid section, but with so many likable characters, it's not a huge issue.
Freak Show is also the first season that has a concrete connection to other seasons in the AHS story, confirming finally that all the seasons take place in the same universe, which is incredibly exciting, and opens the door for a lot of possibilities.
The gore effects and horror elements continue to be a big plus for AHS, and as always, the anthology format keeps it feeling fresh. Another win for Ryan Murphy and co.
Phillip McSween (751 KP) rated Baby Driver (2017) in Movies
Feb 1, 2020
Will Baby Get Out of the Game?
A young getaway driver finds himself in over his head when he tries to get out of the crime game.
Acting: 10
Beginning: 10
Characters: 10
It’s really hard not to love main character Baby (Ansel Elgort). Sure he’s helping criminals do criminal things but he has a great story and a solid motive. From the minute he shows up on screen beating his steering wheel to the music, you immediately want to root for this guy. Baby answers to Doc played by Kevin Spacey who reads the role with a controlled seriousness that forces you to focus on his every word. Doc along with an interesting gang of thugs make for a solid supporting cast.
Cinematography/Visuals: 10
Whether it’s two lovebirds in a diner talking or a death-defying car chase, I really appreciate the way Edgar Wright uses different angles to capture the perfect moment. I don’t know how he did it, but the movie has an 80’s feel to it even though it takes place in modern day. The action sequences play out in amazing fashion on screen and keep the story moving.
Conflict: 10
So many angles to consider here. Will Baby get out of the game? Does he get the girl? Will the next heist be a success? Something seems to always be happening whether at the forefront or in the background. This is a movie where you can get up to grab a drink and totally miss something you wish you hadn’t. Not to mention Baby Driver seriously has some of the best car chases in film period.
Entertainment Value: 10
It’s a movie that makes The French Connection car chase look like amateur night. There is so much going on, so many layers, that you will be hardpressed to be bored. It has the feel of an indie with blockbuster moments.
Memorability: 10
Pace: 10
Moves at an extremely high clip. Even the dialogue scenes can feel action-driven at times due to the intensity of the conversation. It’s a movie that never really lets you get too comfortable, but rather continues to hit you repeatedly with more.
Plot: 10
Resolution: 8
While the ending is the weakest point of the movie, it doesn’t detract from the overall greatness of Baby Driver. I wasn’t blown away by the resolution, but it was complete enough to get a pass from me. Good, but not lifechanging.
Overall: 98
In addition to having great action, Baby Driver’s love story helps drive the movie (pun intended) as a whole. It’s movies like these I wish would get more love from the Academy as they help to keep the population in love with film. Proud to call this movie a classic.
Acting: 10
Beginning: 10
Characters: 10
It’s really hard not to love main character Baby (Ansel Elgort). Sure he’s helping criminals do criminal things but he has a great story and a solid motive. From the minute he shows up on screen beating his steering wheel to the music, you immediately want to root for this guy. Baby answers to Doc played by Kevin Spacey who reads the role with a controlled seriousness that forces you to focus on his every word. Doc along with an interesting gang of thugs make for a solid supporting cast.
Cinematography/Visuals: 10
Whether it’s two lovebirds in a diner talking or a death-defying car chase, I really appreciate the way Edgar Wright uses different angles to capture the perfect moment. I don’t know how he did it, but the movie has an 80’s feel to it even though it takes place in modern day. The action sequences play out in amazing fashion on screen and keep the story moving.
Conflict: 10
So many angles to consider here. Will Baby get out of the game? Does he get the girl? Will the next heist be a success? Something seems to always be happening whether at the forefront or in the background. This is a movie where you can get up to grab a drink and totally miss something you wish you hadn’t. Not to mention Baby Driver seriously has some of the best car chases in film period.
Entertainment Value: 10
It’s a movie that makes The French Connection car chase look like amateur night. There is so much going on, so many layers, that you will be hardpressed to be bored. It has the feel of an indie with blockbuster moments.
Memorability: 10
Pace: 10
Moves at an extremely high clip. Even the dialogue scenes can feel action-driven at times due to the intensity of the conversation. It’s a movie that never really lets you get too comfortable, but rather continues to hit you repeatedly with more.
Plot: 10
Resolution: 8
While the ending is the weakest point of the movie, it doesn’t detract from the overall greatness of Baby Driver. I wasn’t blown away by the resolution, but it was complete enough to get a pass from me. Good, but not lifechanging.
Overall: 98
In addition to having great action, Baby Driver’s love story helps drive the movie (pun intended) as a whole. It’s movies like these I wish would get more love from the Academy as they help to keep the population in love with film. Proud to call this movie a classic.
JT (287 KP) rated Let Me In (2010) in Movies
Mar 10, 2020
t’s a hard thing remaking or rebooting a classic, whatever you want to call it, you have to make sure of one thing…don’t balls it up! Thankfully director Matt Reeves doesn’t do that, in fact he takes a brilliant original and puts his own spin on it.
The story of course is very much the same, Owen (Kodi Smit-McPhee) is a shy and slightly reclusive young boy who is struggling to come to terms with his parents impending divorce. On top of that he is viciously bullied at school and has no one to turn to but the imaginations of his own doing and personality.
When he befriends Abby (Chloë Grace Moretz) who is equally as shy as him a friendship blossoms between them against the backdrop of a cold and at times sinister winter. Abby is not quite what she seems deep down, that much is clear from the outset as her father (Richard Jenkins) goes out on nightly rampages to forage for the one thing that will keep her alive, blood.
Reeves does well to take the story in some new subtle directions such as the revelation that her so called father might well have started out as a mere boy himself and is purely by Abby’s side through need rather than wanting.
It doesn’t overshadow what is a true story of friendship and standing up in the face of adversity
There are some scenes however that stay true to Let the Right One In which of course would be lost if not included, but also the addition of new ones that are very much welcomed.
The acting is exceptional from the young leading man and woman. Smit-McPhee whose run out in the apocalyptic journey The Road only showcased his acting stature, and Moretz proves that she has a great future, if not already, having made her mark.
Reeves keeps this film focused on the young pairing with Owen’s mother being reduced to a mere blur even when she stands only a few feet away, his Dad just a voice on the end of the phone. Unlike the original Let Me In is very much a horror flick for the blood thirsty millennial generation, and the gore is well used and timed to perfection. It doesn’t overshadow what is a true story of friendship and standing up in the face of adversity.
There is no reason to compare this film with the original, despite the story and protagonists all being the same Reeves conducts his approach with originality that makes this equally brilliant.
We should all applaud Reeves for doing something that is incredibly hard in a fast changing industry that craves money from remaking or rebooting films to satisfy a new generation of film goers. He’s made a remake that was actually good!
The story of course is very much the same, Owen (Kodi Smit-McPhee) is a shy and slightly reclusive young boy who is struggling to come to terms with his parents impending divorce. On top of that he is viciously bullied at school and has no one to turn to but the imaginations of his own doing and personality.
When he befriends Abby (Chloë Grace Moretz) who is equally as shy as him a friendship blossoms between them against the backdrop of a cold and at times sinister winter. Abby is not quite what she seems deep down, that much is clear from the outset as her father (Richard Jenkins) goes out on nightly rampages to forage for the one thing that will keep her alive, blood.
Reeves does well to take the story in some new subtle directions such as the revelation that her so called father might well have started out as a mere boy himself and is purely by Abby’s side through need rather than wanting.
It doesn’t overshadow what is a true story of friendship and standing up in the face of adversity
There are some scenes however that stay true to Let the Right One In which of course would be lost if not included, but also the addition of new ones that are very much welcomed.
The acting is exceptional from the young leading man and woman. Smit-McPhee whose run out in the apocalyptic journey The Road only showcased his acting stature, and Moretz proves that she has a great future, if not already, having made her mark.
Reeves keeps this film focused on the young pairing with Owen’s mother being reduced to a mere blur even when she stands only a few feet away, his Dad just a voice on the end of the phone. Unlike the original Let Me In is very much a horror flick for the blood thirsty millennial generation, and the gore is well used and timed to perfection. It doesn’t overshadow what is a true story of friendship and standing up in the face of adversity.
There is no reason to compare this film with the original, despite the story and protagonists all being the same Reeves conducts his approach with originality that makes this equally brilliant.
We should all applaud Reeves for doing something that is incredibly hard in a fast changing industry that craves money from remaking or rebooting films to satisfy a new generation of film goers. He’s made a remake that was actually good!
Gareth von Kallenbach (962 KP) rated A Very Harold & Kumar Christmas (2011) in Movies
Aug 7, 2019
A Very Harold and Kumar 3D Christmas is the third movie in the Harold and Kumar series. This movie takes place six years after the events of Escape from Guantanamo Bay. Harold Lee (John Cho) and Kumar Patel (Kal Penn) have fallen out of touch since Harold got married, got a job on Wall Street and moved to the suburbs. Kumar is still smoking tons of weed. Harold on the other hand has stopped smoking weed and is desperately trying to find a way to impress his father in-law, Mr. Perez, played by Danny Trejo. Mr. Perez is obsessed with Christmas. Every year his family uses a Christmas tree that he has grown. This year he brought his home grown tree to Harold’s house for Christmas. In an attempt to win Mr. Perez over, Harold encourages Mr. Perez to take the family to midnight mass while Harold decorates the tree while they are gone.
Kumar is still living in the same apartment that he shared with Harold. He has let the place go a bit while he has been living on his own. His ex-girlfriend shows up to tell him she is pregnant, but since Kumar is high he doesn’t act very mature about it. Later, as Kumar is getting ready to go to a party with his new friend, he finds a mysterious package at his door addressed to Harold. Kumar decides to take it by Harold’s house on his way to the party. When he gets there Harold and Kumar catch up a little bit over some egg nog. Harold opens the package and discovers it is a giant joint, which Kumar proceeds to light it up. Harold gets upset and throws the joint out of the window. It then magically comes back inside and burns down the tree. Of course this freaks Harold out and a desperate search for a new tree begins
This is the beginning of a hysterical journey . This roller coaster ride is filled with drugs, sex, gangsters and even more drugs. Of course Neil Patrick Harris comes back to be his crude self. This movie has a lot of good Christmas moments, but it is only for a mature audience. Fans of the first two Harold and Kumar movies will love the third installment. A Very Harold and Kumar 3D Christmas is a non stop laugh fest. The 3D in this movie was surprisingly good. Movie goers will be impressed by the two different kinds of snow and the weed smoke going out over the audience. A Very Harold and Kumar 3D Christmas is bound to become a Christmas classic that you will want to watch every year.
Kumar is still living in the same apartment that he shared with Harold. He has let the place go a bit while he has been living on his own. His ex-girlfriend shows up to tell him she is pregnant, but since Kumar is high he doesn’t act very mature about it. Later, as Kumar is getting ready to go to a party with his new friend, he finds a mysterious package at his door addressed to Harold. Kumar decides to take it by Harold’s house on his way to the party. When he gets there Harold and Kumar catch up a little bit over some egg nog. Harold opens the package and discovers it is a giant joint, which Kumar proceeds to light it up. Harold gets upset and throws the joint out of the window. It then magically comes back inside and burns down the tree. Of course this freaks Harold out and a desperate search for a new tree begins
This is the beginning of a hysterical journey . This roller coaster ride is filled with drugs, sex, gangsters and even more drugs. Of course Neil Patrick Harris comes back to be his crude self. This movie has a lot of good Christmas moments, but it is only for a mature audience. Fans of the first two Harold and Kumar movies will love the third installment. A Very Harold and Kumar 3D Christmas is a non stop laugh fest. The 3D in this movie was surprisingly good. Movie goers will be impressed by the two different kinds of snow and the weed smoke going out over the audience. A Very Harold and Kumar 3D Christmas is bound to become a Christmas classic that you will want to watch every year.