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Phillip McSween (751 KP) rated Hercules (1997) in Movies
Sep 5, 2020
Great Combo of Action and Hilarity
Disney’s animated retelling of the classic story of the Greek demi-god. The fun spin that was put on it just happens to make it my favorite. You can’t help but have a good time while watching Disney’s Hercules.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
Hercules is beautiful from a visual standpoint. I love the contrast of bright colors against dark backgrounds. My favorite scene is when Hercules is battling the hydra in the rain while flying on his pegasus. It’s so grand in scale as he soars in and out of the dozens of heads. Oh, and I haven’t even touched on the beauty of Hades. It’s gorgeous even in its weird creepiness. So much attention to detail that it’s hard not to appreciate.
Conflict: 9
Entertainment Value: 9
From the opening scene where the awesome divas are singing the setup, I knew I was going to be watching something original and new. With a combo of action-packed sequences and a number of hilarious moments from a great cast, I was invested in the movie from beginning to end. It’s a damn good ride.
Memorability: 8
Pace: 10
Hercules moves extremely efficiently through its story which I find some stories hard to do when singing is involved. There is very little lingering if any as scenes get their point across and you’re off to the next thing. I respect films that can do that as I know a number of movies that overstay their welcome.
Plot: 8
Resolution: 8
Overall: 92
Not only does it have action and comedy, but there is also a love story in true Disney fashion within Hercules. And it all works. I do wish that they would have jumped into Hercules’ hero aspect a smidge earlier, but overall I think the movie is fantastic. Great job yet again by Disney.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
Hercules is beautiful from a visual standpoint. I love the contrast of bright colors against dark backgrounds. My favorite scene is when Hercules is battling the hydra in the rain while flying on his pegasus. It’s so grand in scale as he soars in and out of the dozens of heads. Oh, and I haven’t even touched on the beauty of Hades. It’s gorgeous even in its weird creepiness. So much attention to detail that it’s hard not to appreciate.
Conflict: 9
Entertainment Value: 9
From the opening scene where the awesome divas are singing the setup, I knew I was going to be watching something original and new. With a combo of action-packed sequences and a number of hilarious moments from a great cast, I was invested in the movie from beginning to end. It’s a damn good ride.
Memorability: 8
Pace: 10
Hercules moves extremely efficiently through its story which I find some stories hard to do when singing is involved. There is very little lingering if any as scenes get their point across and you’re off to the next thing. I respect films that can do that as I know a number of movies that overstay their welcome.
Plot: 8
Resolution: 8
Overall: 92
Not only does it have action and comedy, but there is also a love story in true Disney fashion within Hercules. And it all works. I do wish that they would have jumped into Hercules’ hero aspect a smidge earlier, but overall I think the movie is fantastic. Great job yet again by Disney.
David McK (3204 KP) rated Star Trek (2009) in Movies
Aug 23, 2020 (Updated Jan 22, 2023)
JJ Abrams prepares for Star Wars
"Space. The Final Frontier. These are the voyages ..."
2009 big screen reimagining of the iconic 60s TV series, and I use that as the touchpoint deliberately: we're back to a (recast) Kirk and co instead of the Next Generation crew, or even those from Voyager/Enterprise/Discovery.
In retrospect, it also somewhat comes across as director JJ Abrams pitch for making a Star Wars movie: this is also lens flare and slow motion, with the action ramped up considerably from the TV series or even most of the previous movies. it's also the first of the three Kelvin-verse Star Trek movies: I'm unsure whether we'll get any more in that timeline, what with the tragic death of some of the (young) key actors - I'm looking at you, Anton Yelchin (Chekov) - and with others of the cast moving on to other bigger (?) sci-fi things - yep, that's you Zoe Saldana (Uhura).
The plot, as alluded to above, involves time travel, with the events thus kicking off an entire new timeline, that here sees Chris Pine taking on the role of James T Kirk - initially introduced as a kid, driving his step fathers classic car off a cliff (talk about setting out your stall early!) - and Zachary Quinto (then more famous as the villain Sylar from TVs 'Heroes') talking on the role of a younger Spock.
Most of the cast, I felt, was pretty much spot on - the only one that really rubbed me up the wrong way was Simon Pegg as Scotty, although even he grew on me a bit (I'm also not entirely sold on the aesthetics of the USS Enterprise here - more like USS Chibiprise!). We also have the 'passing of the torch' (as it were) from one character to another, with the inclusion of a certain key half-human actor who will forever be associated with that role ...
2009 big screen reimagining of the iconic 60s TV series, and I use that as the touchpoint deliberately: we're back to a (recast) Kirk and co instead of the Next Generation crew, or even those from Voyager/Enterprise/Discovery.
In retrospect, it also somewhat comes across as director JJ Abrams pitch for making a Star Wars movie: this is also lens flare and slow motion, with the action ramped up considerably from the TV series or even most of the previous movies. it's also the first of the three Kelvin-verse Star Trek movies: I'm unsure whether we'll get any more in that timeline, what with the tragic death of some of the (young) key actors - I'm looking at you, Anton Yelchin (Chekov) - and with others of the cast moving on to other bigger (?) sci-fi things - yep, that's you Zoe Saldana (Uhura).
The plot, as alluded to above, involves time travel, with the events thus kicking off an entire new timeline, that here sees Chris Pine taking on the role of James T Kirk - initially introduced as a kid, driving his step fathers classic car off a cliff (talk about setting out your stall early!) - and Zachary Quinto (then more famous as the villain Sylar from TVs 'Heroes') talking on the role of a younger Spock.
Most of the cast, I felt, was pretty much spot on - the only one that really rubbed me up the wrong way was Simon Pegg as Scotty, although even he grew on me a bit (I'm also not entirely sold on the aesthetics of the USS Enterprise here - more like USS Chibiprise!). We also have the 'passing of the torch' (as it were) from one character to another, with the inclusion of a certain key half-human actor who will forever be associated with that role ...
Merissa (11704 KP) rated Through His Touch (Mind's Eye #2) in Books
Apr 11, 2023
Book 2 starts just before the ending of Book 1, Through His Eyes, which helps to lead you gently back into the story. Be prepared though, as that's probably the most gentle thing about this book. It is full of Levi and Trudy and the problems their relationship faces, most of which are caused by Levi to be fair! That book was a Paranormal Romantic Suspense. This book I would label this as Romantic Suspense with a bit of Paranormal thrown in. There is far less emphasis on the abilities of Levi and Trudy in this one than the first which I found to be slightly disappointing as I loved reading about them. HOWEVER, that said, this is still a fantastic story that is full of stalkers, murderers, history, and manipulators.
Levi and Trudy work hard in this book to overcome some of the difficulties and obstacles placed in their way. The ending, whilst not as shocking as the end of the first one, will still leave you wanting to know more straight away. Personally, I can't wait to read book 3 as soon as it is available. Levi is working to deal with his past and Trudy is likewise working at it. She shows her backbone in this book which I loved. One of my favourite quotes is when she tells Levi to watch his tone as they left the dog back at the penthouse! Classic!
I have deliberately kept this review as generic as possible because I know that Debbie will kill me if I give away any spoilers. So let me just finish by saying that I highly recommend this book and enjoyed it as much as the first, albeit in a slightly different manner.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
July 20, 2016
Levi and Trudy work hard in this book to overcome some of the difficulties and obstacles placed in their way. The ending, whilst not as shocking as the end of the first one, will still leave you wanting to know more straight away. Personally, I can't wait to read book 3 as soon as it is available. Levi is working to deal with his past and Trudy is likewise working at it. She shows her backbone in this book which I loved. One of my favourite quotes is when she tells Levi to watch his tone as they left the dog back at the penthouse! Classic!
I have deliberately kept this review as generic as possible because I know that Debbie will kill me if I give away any spoilers. So let me just finish by saying that I highly recommend this book and enjoyed it as much as the first, albeit in a slightly different manner.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
July 20, 2016
BankofMarquis (1832 KP) rated Lake Placid (1999) in Movies
Jan 7, 2022
Betty White Steals This Film
I have to admit, I actually saw LAKE PLACID in the movie theaters when it came out in 1999. I am a huge JAWS fan and am a sucker for any film that takes the elements of Jaws (or some of them, anyway) and tries to rip-off that classic film.
And, that is what Lake Placid does (is). It’s “Jaws with a Crocodile”. The residents of Black Lake are being picked off one-by-one by a killer croc and a ragtag group of heroes put aside their differences to save the day.
The “ragtag group” features an a few “B-Listers” (at the time) and one “up-and-comer”. Bill Pullman (fresh off INDEPENDENCE DAY) scores a lead role while Bridget Fonda (beginning to fade from view) is the “femme-fatale” and character actor Oliver Platt (currently on CHICAGO MED) eats the screen as the “eccentric, philanthropist Croc hunter” (I can’t think of a philanthropist croc hunter that isn’t eccentric). It also features a then unknown Brendan Gleeson (a few years before his turn as Mad-Eye Moody in the Harry Potter series) as the Sherriff of the town - the Roy Scheider/Sherriff Brody role from Jaws.
But the character that steals this film is, of course, Betty White as a foul-mouthed resident of the community. Flipping the coin on her wholesome image garnered from her turns on THE GOLDEN GIRLS and THE MARY TYLER MOORE show, Ms. White is - as should be expected - hilarious in her raunchiness.
While this movie is the very definition of “B-Movie” (maybe even “C” flick), it’s worth watching just for Betty White’s turn.
Rest in Peace, Ms. White. And THANKS FOR THE MEMORIES.
Letter Grade on Lake Placid: B (and I’m being generous)
Letter Grade on Betty White: A+
And you can take that to the Bank(ofMarquis)
And, that is what Lake Placid does (is). It’s “Jaws with a Crocodile”. The residents of Black Lake are being picked off one-by-one by a killer croc and a ragtag group of heroes put aside their differences to save the day.
The “ragtag group” features an a few “B-Listers” (at the time) and one “up-and-comer”. Bill Pullman (fresh off INDEPENDENCE DAY) scores a lead role while Bridget Fonda (beginning to fade from view) is the “femme-fatale” and character actor Oliver Platt (currently on CHICAGO MED) eats the screen as the “eccentric, philanthropist Croc hunter” (I can’t think of a philanthropist croc hunter that isn’t eccentric). It also features a then unknown Brendan Gleeson (a few years before his turn as Mad-Eye Moody in the Harry Potter series) as the Sherriff of the town - the Roy Scheider/Sherriff Brody role from Jaws.
But the character that steals this film is, of course, Betty White as a foul-mouthed resident of the community. Flipping the coin on her wholesome image garnered from her turns on THE GOLDEN GIRLS and THE MARY TYLER MOORE show, Ms. White is - as should be expected - hilarious in her raunchiness.
While this movie is the very definition of “B-Movie” (maybe even “C” flick), it’s worth watching just for Betty White’s turn.
Rest in Peace, Ms. White. And THANKS FOR THE MEMORIES.
Letter Grade on Lake Placid: B (and I’m being generous)
Letter Grade on Betty White: A+
And you can take that to the Bank(ofMarquis)
Purple Phoenix Games (2266 KP) rated Cult of the Deep in Tabletop Games
Feb 24, 2021
You see that cultist in the foreground of the box art about to dab? If I knew being in a cult was THIS cool… Well, I have never been in a cult. At least not that I am aware. However, if I ever were to be in a cult, I certainly wouldn’t wish it to be one that is intent on reviving or calling upon the scourges of the earth. I would rather be in one of those happy cults that take wisdom from a prophet and make delicious breads or something. But how does the Cult of the Deep operate and would I want to join?
Cult of the Deep is a dice-driven, fantasy horror, hidden role game with similarities to some classic games. In it players will be donning the personas (personae?) of cultists with different roles and agendas. Players will be forming alliances with other cultists of unknown roles and possibly having their character perish and return to play as a Wraith with a totally new agenda. Each cultist’s role will have their own victory conditions to fulfill and the game ends once a player (or players) have fulfilling their victory conditions.
DISCLAIMER: We were provided a prototype copy of this game for the purposes of this review. These are preview copy components, and I do not know for sure if the final components will be any different from these shown. Also, it is not my intention to detail every rule in the game, as there are just too many. You are invited to download the rulebook, back the game through the Kickstarter campaign, or through any retailers stocking it after fulfillment. -T
Setup involves placing out the Altar Boards and Ritual Cards upon them. Players will also receive one Role, Character, Sigil, and Reference Card to use during play. Players will reveal their Character Cards and collect enough Life Tokens to equal what is shown upon these cards. Each set of dice and the coins are to be set on the table within reach. The player who received the High Priest Role Card reveals it, takes extra Life Counters, and becomes the first player. They take five Cultist Dice and the game may begin!
Each turn is divided into four phases: Roll, Commit, Response, Resolve. During the Roll phase the active player will roll five dice, and any dice may be re-rolled another two times. Once all re-rolls are complete or the player decides to stop, they will take each die and Commit them to other players, altars, or themselves. For example, if the player rolls two blood drop icons they may wish to heal themselves by two, so they can commit these dice to themselves. Should this player also have rolled any dagger icons they may commit these dice to other players in order to attack them for one life per icon. If any player has a special ability that can be enacted during the Response phase, they must now use it. One such ability may be turning a one-dagger icon into a two-dagger icon, or other abilities. Once all players have had a chance to activate any abilities during this phase, the dice must now be Resolved in any order of the active player’s choosing. So now the player can regain life counters (or even surpass their starting life total), attack other players’ life points, or activate any Altar abilities if dice were placed on Ritual Cards on altars.
The Resolve phase is where the action happens, and can lead to some serious actions. Players can be killed, Rituals can be activated, and players can be healed. If a Ritual is completed (no more activation slots remaining) during this phase, the active player becomes the Keeper of the Ritual and collects its card from the altar to be used for an immediate effect, or an ongoing effect for the rest of the game. Should a player be slain, they may return to the game as a Wraith, and thus draws a Wraith card (shown below) to now represent their altered state. Wraiths play the game differently, as they will not be able to commit any dice during their turn, but rather have their dice to be used during other cultists’ Response phases.
Play continues in this fashion of taking turns around the table until victory conditions have been met for a player or group of players. The game may be over, but the lasting effects of the results will remain in each player’s heart for some time.
Components. Again, this is a prototype copy of the game, so not all components are as they will be in the finished version. That said, we received an excellent prototype copy of the game. The cards are great, the cardboard components are equally great, and I know we were provided with examples of the Kickstarter exclusive add-on metal coins, but I certainly would spring for them. These coins are the real deal and just feel amazing to handle. I know the dice will be different upon a successful campaign, as stickered dice simply will not hold up to many plays (and I see on the KS page that the d4s will have numbers ON TOP, which is where they should be). So once all is said and done, I believe this will be a beautiful, if not dark, game with excellent components and art style.
I mentioned in my open that this game reminds me of bits of other classic games. Perhaps you were able to discern these in my description, but here are my thoughts. I enjoy dice-based hidden-role games like BANG! The Dice Game. Cult of the Deep feels similar in that players may suss out roles of other players simply by attacking them until roles are revealed or cultists slain. This is not the ideal strategy, as I have been repeatedly told by my wife, but it certain is effective. What is improved here is that players come back as Wraiths and really are not ever out of the game. This is very good, as I usually am the player who is ganged up on and first to exit any game of this type.
Secondly, rolling dice and then committing them to certain areas of the game feels extremely reminiscent of the classic Biblios. Biblios uses cards and each turn the different areas MUST be committed to, but here again Cult of the Deep improves on this mechanic by allowing the player to choose every location to which they wish to commit their dice. Maybe every turn a player will commit daggers to one player (more than likely the High Priest), or certain dice faces to heal another player, but it is not necessary, and always being aware of what faces the Rituals need to progress will also dissuade players from ganging on one player each turn.
I didn’t mention it in my description, but each player is also given a Sigil card that can be used once per game, and they are especially powerful. Having so many choices available during a turn, or even during other players’ turns makes this game unique and incredibly enjoyable.
If you are looking for a game that has that Cthulhu-esque theme, hints of other classic game mechanics, and a deluxe look, then Cult of the Deep is certainly highly recommended. It is a notch more difficult than BANG! The Dice Game, and utilizes Biblios’s resource allocation mechanic better, thus creating a great blend of each. I do think you should check out the Kickstarter campaign ending Wednesday, March 3, 2021 to back it and add it to your collection. Obviously, this isn’t for everyone, but if you have read this far, I will assume at least a small measure of interest. I believe it will be a great game to have available for the right group of people who can handle the theme and don’t mind dying and becoming a character in Lord of the Rings.
Cult of the Deep is a dice-driven, fantasy horror, hidden role game with similarities to some classic games. In it players will be donning the personas (personae?) of cultists with different roles and agendas. Players will be forming alliances with other cultists of unknown roles and possibly having their character perish and return to play as a Wraith with a totally new agenda. Each cultist’s role will have their own victory conditions to fulfill and the game ends once a player (or players) have fulfilling their victory conditions.
DISCLAIMER: We were provided a prototype copy of this game for the purposes of this review. These are preview copy components, and I do not know for sure if the final components will be any different from these shown. Also, it is not my intention to detail every rule in the game, as there are just too many. You are invited to download the rulebook, back the game through the Kickstarter campaign, or through any retailers stocking it after fulfillment. -T
Setup involves placing out the Altar Boards and Ritual Cards upon them. Players will also receive one Role, Character, Sigil, and Reference Card to use during play. Players will reveal their Character Cards and collect enough Life Tokens to equal what is shown upon these cards. Each set of dice and the coins are to be set on the table within reach. The player who received the High Priest Role Card reveals it, takes extra Life Counters, and becomes the first player. They take five Cultist Dice and the game may begin!
Each turn is divided into four phases: Roll, Commit, Response, Resolve. During the Roll phase the active player will roll five dice, and any dice may be re-rolled another two times. Once all re-rolls are complete or the player decides to stop, they will take each die and Commit them to other players, altars, or themselves. For example, if the player rolls two blood drop icons they may wish to heal themselves by two, so they can commit these dice to themselves. Should this player also have rolled any dagger icons they may commit these dice to other players in order to attack them for one life per icon. If any player has a special ability that can be enacted during the Response phase, they must now use it. One such ability may be turning a one-dagger icon into a two-dagger icon, or other abilities. Once all players have had a chance to activate any abilities during this phase, the dice must now be Resolved in any order of the active player’s choosing. So now the player can regain life counters (or even surpass their starting life total), attack other players’ life points, or activate any Altar abilities if dice were placed on Ritual Cards on altars.
The Resolve phase is where the action happens, and can lead to some serious actions. Players can be killed, Rituals can be activated, and players can be healed. If a Ritual is completed (no more activation slots remaining) during this phase, the active player becomes the Keeper of the Ritual and collects its card from the altar to be used for an immediate effect, or an ongoing effect for the rest of the game. Should a player be slain, they may return to the game as a Wraith, and thus draws a Wraith card (shown below) to now represent their altered state. Wraiths play the game differently, as they will not be able to commit any dice during their turn, but rather have their dice to be used during other cultists’ Response phases.
Play continues in this fashion of taking turns around the table until victory conditions have been met for a player or group of players. The game may be over, but the lasting effects of the results will remain in each player’s heart for some time.
Components. Again, this is a prototype copy of the game, so not all components are as they will be in the finished version. That said, we received an excellent prototype copy of the game. The cards are great, the cardboard components are equally great, and I know we were provided with examples of the Kickstarter exclusive add-on metal coins, but I certainly would spring for them. These coins are the real deal and just feel amazing to handle. I know the dice will be different upon a successful campaign, as stickered dice simply will not hold up to many plays (and I see on the KS page that the d4s will have numbers ON TOP, which is where they should be). So once all is said and done, I believe this will be a beautiful, if not dark, game with excellent components and art style.
I mentioned in my open that this game reminds me of bits of other classic games. Perhaps you were able to discern these in my description, but here are my thoughts. I enjoy dice-based hidden-role games like BANG! The Dice Game. Cult of the Deep feels similar in that players may suss out roles of other players simply by attacking them until roles are revealed or cultists slain. This is not the ideal strategy, as I have been repeatedly told by my wife, but it certain is effective. What is improved here is that players come back as Wraiths and really are not ever out of the game. This is very good, as I usually am the player who is ganged up on and first to exit any game of this type.
Secondly, rolling dice and then committing them to certain areas of the game feels extremely reminiscent of the classic Biblios. Biblios uses cards and each turn the different areas MUST be committed to, but here again Cult of the Deep improves on this mechanic by allowing the player to choose every location to which they wish to commit their dice. Maybe every turn a player will commit daggers to one player (more than likely the High Priest), or certain dice faces to heal another player, but it is not necessary, and always being aware of what faces the Rituals need to progress will also dissuade players from ganging on one player each turn.
I didn’t mention it in my description, but each player is also given a Sigil card that can be used once per game, and they are especially powerful. Having so many choices available during a turn, or even during other players’ turns makes this game unique and incredibly enjoyable.
If you are looking for a game that has that Cthulhu-esque theme, hints of other classic game mechanics, and a deluxe look, then Cult of the Deep is certainly highly recommended. It is a notch more difficult than BANG! The Dice Game, and utilizes Biblios’s resource allocation mechanic better, thus creating a great blend of each. I do think you should check out the Kickstarter campaign ending Wednesday, March 3, 2021 to back it and add it to your collection. Obviously, this isn’t for everyone, but if you have read this far, I will assume at least a small measure of interest. I believe it will be a great game to have available for the right group of people who can handle the theme and don’t mind dying and becoming a character in Lord of the Rings.
BankofMarquis (1832 KP) rated Aladdin (2019) in Movies
May 25, 2019
Succeeds...mostly...thanks to the charm and charisma of Will Smith
Unnecessary...a money grab...what was Will Smith thinking...why would Disney do this?
All complaints that were written regarding the live action remake of the beloved 1992 Animated classic, ALADDIN.
And...they would be wrong...as this ALADDIN is fun, fanciful, fast(ish) paced and fantastical. It also has something that I was surprised by...heart.
For those of you living in the "Cave of Wonder" for the past 20+ years, Aladdin follows the adventures of a street urchin who falls in love with a Princess and battles the evil Vizier, Jafar, for power via an enchanted lamp that houses a Genie that will grant 3 wishes.
Disney has shown it can do these remakes well when sticking to the source material (as was evidenced by the 2016 live action remake of the 1967 animated classic THE JUNGLE BOOK), but also has failed when it takes the characters, but not the story (the recent DUMBO), so Writer/Director Guy Ritchie (of all people) was smart to "just take the animated movie" and remake it as live action.
And...it works! Ritchie (SNATCH, the Robert Downey SHERLOCK HOLMES) seems to be an odd choice to helm this film, but he acquits himself quite well, relying on the pageantry and spectacle of it all to carry the day. The chase scenes are serviceable, but Ritchie's direction does get a bit clunky when the film slows down and focuses on the central love story.
Using performers - for the most part - of Middle Eastern descent, Ritchie coaxes "good enough" performances from Mena Massoud as Aladdin and Naomi Scott as Jasmine. They are pleasant enough on screen but was stronger apart than together. I wouldn't call it "lack of chemstry", but rather, "medium chemistry". But when they are paired with others - or get the chance to shine on their own - they do quite well.
Scott plays well against Navid Negahban who brings a deepness of heart to his character of Jasmine's father, the Sultan and, especially, Nasim Pedrad (so that's what she's been doing since leaving SNL) as her handmaiden, Dalia (a character not in the animated film).
Massoud, of course, spends a great deal of this film playing off the Genie character. So let's talk about Will Smith's performance in the iconic Robin Williams role. EVERYONE (including myself) was asking why Smith would take on this role. It's a "lose/lose" proposition, trying to fill the shoes of one of the wildest, wackiest and most frenetic performances in screen history. So Smith does a very smart thing - he doesn't even try. He makes this Genie "his own" not trying to mimic Williams' performance, but rather creating a charming, friendly and funny Genie with heart (there's that word again) behind his eyes. It is a strong performance by Smith - one that only a performer with his charm and charisma could pull off. His presence in this film elevates the proceedings and I wanted more of this character.
The music you know and love is all there - and they are welcome presences in this film - though they felt abbreviated (maybe it's just because I'm more familiar with the Soundtrack performances of these songs and not how they were used in the original film) and there is an Original number, a "girl power" song for Jasmine that felt a little too "Disney Channel" to me - but I don't think I'm the target audience for that song, so I'll cut it some slack.
A slight downgrade in the final rating of this film needs to be made because of the "meh" characterization and performance of the main villain, Jafar. As played by Marwan Kenzari, this Jafar was seething and menacing but never really bigger than life and threatening - qualities that make Jafar one of the better villains in the Disney animated canon.
But, ultimately, this film will succeed or fail, I think, by your reaction to Smith's interpretation of the Genie. It's NOT Robin Williams, and that's a good thing. For me, Smith...and this film...succeeds.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
All complaints that were written regarding the live action remake of the beloved 1992 Animated classic, ALADDIN.
And...they would be wrong...as this ALADDIN is fun, fanciful, fast(ish) paced and fantastical. It also has something that I was surprised by...heart.
For those of you living in the "Cave of Wonder" for the past 20+ years, Aladdin follows the adventures of a street urchin who falls in love with a Princess and battles the evil Vizier, Jafar, for power via an enchanted lamp that houses a Genie that will grant 3 wishes.
Disney has shown it can do these remakes well when sticking to the source material (as was evidenced by the 2016 live action remake of the 1967 animated classic THE JUNGLE BOOK), but also has failed when it takes the characters, but not the story (the recent DUMBO), so Writer/Director Guy Ritchie (of all people) was smart to "just take the animated movie" and remake it as live action.
And...it works! Ritchie (SNATCH, the Robert Downey SHERLOCK HOLMES) seems to be an odd choice to helm this film, but he acquits himself quite well, relying on the pageantry and spectacle of it all to carry the day. The chase scenes are serviceable, but Ritchie's direction does get a bit clunky when the film slows down and focuses on the central love story.
Using performers - for the most part - of Middle Eastern descent, Ritchie coaxes "good enough" performances from Mena Massoud as Aladdin and Naomi Scott as Jasmine. They are pleasant enough on screen but was stronger apart than together. I wouldn't call it "lack of chemstry", but rather, "medium chemistry". But when they are paired with others - or get the chance to shine on their own - they do quite well.
Scott plays well against Navid Negahban who brings a deepness of heart to his character of Jasmine's father, the Sultan and, especially, Nasim Pedrad (so that's what she's been doing since leaving SNL) as her handmaiden, Dalia (a character not in the animated film).
Massoud, of course, spends a great deal of this film playing off the Genie character. So let's talk about Will Smith's performance in the iconic Robin Williams role. EVERYONE (including myself) was asking why Smith would take on this role. It's a "lose/lose" proposition, trying to fill the shoes of one of the wildest, wackiest and most frenetic performances in screen history. So Smith does a very smart thing - he doesn't even try. He makes this Genie "his own" not trying to mimic Williams' performance, but rather creating a charming, friendly and funny Genie with heart (there's that word again) behind his eyes. It is a strong performance by Smith - one that only a performer with his charm and charisma could pull off. His presence in this film elevates the proceedings and I wanted more of this character.
The music you know and love is all there - and they are welcome presences in this film - though they felt abbreviated (maybe it's just because I'm more familiar with the Soundtrack performances of these songs and not how they were used in the original film) and there is an Original number, a "girl power" song for Jasmine that felt a little too "Disney Channel" to me - but I don't think I'm the target audience for that song, so I'll cut it some slack.
A slight downgrade in the final rating of this film needs to be made because of the "meh" characterization and performance of the main villain, Jafar. As played by Marwan Kenzari, this Jafar was seething and menacing but never really bigger than life and threatening - qualities that make Jafar one of the better villains in the Disney animated canon.
But, ultimately, this film will succeed or fail, I think, by your reaction to Smith's interpretation of the Genie. It's NOT Robin Williams, and that's a good thing. For me, Smith...and this film...succeeds.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
Movie Metropolis (309 KP) rated Jumanji: Welcome to the Jungle (2017) in Movies
Jun 10, 2019
I'm a celebrity... Get me out of here
It’s been 22 years since Joe Johnston thrilled cinemagoers with a little film called Jumanji. Starring the late, great Robin Williams, it has amassed a huge following over the years and has become nearly as loved as its leading star.
What’s surprising given the film’s success is the lack of a sequel. For over 20 years the non-franchise stayed completely dormant until now. Jumanji: Welcome to the Jungle sees Columbia Pictures resurrect this classic property for a high-action, CGI-filled blockbuster. But is it actually any good?
Four high school kids discover an old video game console and are drawn into the game’s jungle setting, literally becoming the adult avatars they chose. What they discover is that you don’t just play Jumanji – you must survive it. To beat the game and return to the real world, they’ll have to go on the most dangerous adventure of their lives, discover what Alan Parrish left 20 years ago, and change the way they think about themselves – or they’ll be stuck in the game forever.
Considering the overwhelmingly negative response to the film’s first trailer, it’s a pleasant surprise to see an enjoyable romp that has likeable characters and some nicely filmed set pieces. The problem is, it really doesn’t feel anything like Jumanji and regularly feels like the producers down at Sony had dollar signs in their eyes more than anything else.
There’s only one reference to its now classic predecessor, an homage to Robin William’s Alan Parrish but this is such a fleeting indication of any connection to the 1995 film, it’s barely noticeable. The film may as well lose the Jumanji tag from its name and be done with it: of course that wouldn’t sell half as many tickets now would it?
Of the school-age characters, none of them make any impact before being sucked into Jumanji, now a video game, and director Jake Kasdan (Bad Teacher) wisely focusses on their avatar characters instead. Dwayne Johnson is always reliable and plays the fish-out-of-water nerd surprisingly well. He also has great chemistry with Kevin Hart and the two share some of the film’s best sequences.
Jack Black is hilarious as his inner female tries to break through at numerous points throughout the movie and Karen Gillan shows particular warmth as the awkward Martha. Nick Jonas also stars in a role originally destined for Tom Holland and continues to prove what a versatile actor he has become.
It’s a pleasant surprise to see an enjoyable romp that has likeable characters and some nicely filmed set pieces.
Jake Kasdan films the action confidently and with visual panache but the CGI at times is left wanting, disappointing in this day and age. A helicopter ride across a rhino-infested canyon is particularly fun to watch and the way in which the writers write the film around video game lore is exciting and makes for a pleasant distraction from an otherwise mediocre script.
What the film does have in abundance however is laughs. Indeed, they are of the Dairylea variety, cheesy, but sometimes that’s exactly what you need. Jumanji: Welcome to the Jungle is a very funny film that knows how to squeeze every last drop of humour from its writing.
It’s also very well paced. Apart from a few lapses in judgement where the screenwriters desperately try to make us feel emotion towards the characters – we don’t – the film really doesn’t have a boring moment to its name and at 119 minutes, that’s a real achievement.
Overall, Jumanji: Welcome to the Jungle is a film that is fun to watch, if a little lacking in originality. All the lead actors perform their roles well, with Jack Black being a particular highlight. Unfortunately, while I’m not usually one for sickly nostalgia, the film really needed to provide a few more tasteful references to its predecessor, especially considering its link to the wonderful Robin Williams.
https://moviemetropolis.net/2017/12/10/jumanji-welcome-to-the-jungle-review-im-a-celebrity-get-me-out-of-here/
What’s surprising given the film’s success is the lack of a sequel. For over 20 years the non-franchise stayed completely dormant until now. Jumanji: Welcome to the Jungle sees Columbia Pictures resurrect this classic property for a high-action, CGI-filled blockbuster. But is it actually any good?
Four high school kids discover an old video game console and are drawn into the game’s jungle setting, literally becoming the adult avatars they chose. What they discover is that you don’t just play Jumanji – you must survive it. To beat the game and return to the real world, they’ll have to go on the most dangerous adventure of their lives, discover what Alan Parrish left 20 years ago, and change the way they think about themselves – or they’ll be stuck in the game forever.
Considering the overwhelmingly negative response to the film’s first trailer, it’s a pleasant surprise to see an enjoyable romp that has likeable characters and some nicely filmed set pieces. The problem is, it really doesn’t feel anything like Jumanji and regularly feels like the producers down at Sony had dollar signs in their eyes more than anything else.
There’s only one reference to its now classic predecessor, an homage to Robin William’s Alan Parrish but this is such a fleeting indication of any connection to the 1995 film, it’s barely noticeable. The film may as well lose the Jumanji tag from its name and be done with it: of course that wouldn’t sell half as many tickets now would it?
Of the school-age characters, none of them make any impact before being sucked into Jumanji, now a video game, and director Jake Kasdan (Bad Teacher) wisely focusses on their avatar characters instead. Dwayne Johnson is always reliable and plays the fish-out-of-water nerd surprisingly well. He also has great chemistry with Kevin Hart and the two share some of the film’s best sequences.
Jack Black is hilarious as his inner female tries to break through at numerous points throughout the movie and Karen Gillan shows particular warmth as the awkward Martha. Nick Jonas also stars in a role originally destined for Tom Holland and continues to prove what a versatile actor he has become.
It’s a pleasant surprise to see an enjoyable romp that has likeable characters and some nicely filmed set pieces.
Jake Kasdan films the action confidently and with visual panache but the CGI at times is left wanting, disappointing in this day and age. A helicopter ride across a rhino-infested canyon is particularly fun to watch and the way in which the writers write the film around video game lore is exciting and makes for a pleasant distraction from an otherwise mediocre script.
What the film does have in abundance however is laughs. Indeed, they are of the Dairylea variety, cheesy, but sometimes that’s exactly what you need. Jumanji: Welcome to the Jungle is a very funny film that knows how to squeeze every last drop of humour from its writing.
It’s also very well paced. Apart from a few lapses in judgement where the screenwriters desperately try to make us feel emotion towards the characters – we don’t – the film really doesn’t have a boring moment to its name and at 119 minutes, that’s a real achievement.
Overall, Jumanji: Welcome to the Jungle is a film that is fun to watch, if a little lacking in originality. All the lead actors perform their roles well, with Jack Black being a particular highlight. Unfortunately, while I’m not usually one for sickly nostalgia, the film really needed to provide a few more tasteful references to its predecessor, especially considering its link to the wonderful Robin Williams.
https://moviemetropolis.net/2017/12/10/jumanji-welcome-to-the-jungle-review-im-a-celebrity-get-me-out-of-here/
Heather Cranmer (2721 KP) rated Infinite Sky (Infinite Sky, #1) in Books
Jun 7, 2018
(This review can also be found on my blog (<a href="http://themisadventuresofatwentysomething.blogspot.co.uk">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
When I first heard of Infinite Sky by C.J. Flood, I knew it was a book that I was going to have to read as soon as possible. Firstly, because I have a thing for Irish travellers. I find them fascinating. Secondly, it sounded like a really good read. I must say that I fell in love with this story.
Infinite Sky is a coming of age story told by thirteen year old Iris. Iris' mother has left her, her brother, and her dad behind so she can go to traveling. Iris' brother, Sam, takes this extremely hard and starts to become a moody, violent person. To top it off, travellers, or gypsies as Iris's dad and brother call them, have moved into their field. Sam and Iris' dad are enraged about this, but Iris in intrigued especially when she catches a glimpse of fourteen year old Trick. Day by day, Trick and Iris spend time together and just talking about life. Irish begins to fall in love with Trick. However, Sam and Iris' dad aren't going to make it easy for the two love birds to spend time together. Due to prejudices, someone close to Iris ends up dead.
I love the title of this book. Infinite Sky sounds so innocent and makes me think of a world of possibilities. For a middle grade/young adult book, I don't think the title could've been any better.
I do like the cover of Infinite Sky. It has a sort of classic look about it. It looks like it'd be a happy book, but after reading the synopsis, we know it's not all full of sunshine and rainbows, or in this case, cornfields and birds. I really do hope the author sticks to this cover as I think adding or taking anything away from it would ruin it.
The world building/setting of Infinite Sky was done very well. The story mostly takes place in a cornfield and around it. C.J. Flood makes the world of Infinite Sky come alive with her writing. I was able to clearly picture every bit of the story in my mind quite easily.
Pacing wise, the story starts out just a bit slow but quickly, the pacing picks up, and the story is very easy to follow. It's not too fast and not too slow, but stays at a steady pace throughout. Sometimes I did feel as if the chapters ended rather abruptly though.
The dialogue/wording in this story is beautiful. C.J. Flood has a fine gift when it comes to her writing. I was really happy that Irish spoke like a thirteen year old girl as well as the other characters speaking like their age instead of sounding older. I loved how the dialogue between Trick and Iris didn't come across as being forced. It sounded just like two young teens having a conversation.
The characters felt very real to me. Iris speaks and acts like a thirteen year old girl. She has a somewhat innocent quality about her that is quite subtle in the book but still apparent. Trick is more street-wise and cares a lot about Iris. Sam is a chav (someone who dresses a certain way and is usually just a menace to society), but there is back story about why he became one that is quite heart wrenching.
The ending of the story is quite an emotional one, and C.J. Flood does a fantastic job in her writing to pull at the reader's heart strings. I felt like crying after reading how Iris is feeling.
Over all, Infinite Sky is a sweet coming of age story that is beautifully written and tugs at your heartstrings. This is one of those books that is destined and should be a classic.
I'd recommend this book to everyone aged 12+ as it's a really little gem of a book.
Infinite Sky by C.J. Flood gets a 4.5 out of 5 from me.
When I first heard of Infinite Sky by C.J. Flood, I knew it was a book that I was going to have to read as soon as possible. Firstly, because I have a thing for Irish travellers. I find them fascinating. Secondly, it sounded like a really good read. I must say that I fell in love with this story.
Infinite Sky is a coming of age story told by thirteen year old Iris. Iris' mother has left her, her brother, and her dad behind so she can go to traveling. Iris' brother, Sam, takes this extremely hard and starts to become a moody, violent person. To top it off, travellers, or gypsies as Iris's dad and brother call them, have moved into their field. Sam and Iris' dad are enraged about this, but Iris in intrigued especially when she catches a glimpse of fourteen year old Trick. Day by day, Trick and Iris spend time together and just talking about life. Irish begins to fall in love with Trick. However, Sam and Iris' dad aren't going to make it easy for the two love birds to spend time together. Due to prejudices, someone close to Iris ends up dead.
I love the title of this book. Infinite Sky sounds so innocent and makes me think of a world of possibilities. For a middle grade/young adult book, I don't think the title could've been any better.
I do like the cover of Infinite Sky. It has a sort of classic look about it. It looks like it'd be a happy book, but after reading the synopsis, we know it's not all full of sunshine and rainbows, or in this case, cornfields and birds. I really do hope the author sticks to this cover as I think adding or taking anything away from it would ruin it.
The world building/setting of Infinite Sky was done very well. The story mostly takes place in a cornfield and around it. C.J. Flood makes the world of Infinite Sky come alive with her writing. I was able to clearly picture every bit of the story in my mind quite easily.
Pacing wise, the story starts out just a bit slow but quickly, the pacing picks up, and the story is very easy to follow. It's not too fast and not too slow, but stays at a steady pace throughout. Sometimes I did feel as if the chapters ended rather abruptly though.
The dialogue/wording in this story is beautiful. C.J. Flood has a fine gift when it comes to her writing. I was really happy that Irish spoke like a thirteen year old girl as well as the other characters speaking like their age instead of sounding older. I loved how the dialogue between Trick and Iris didn't come across as being forced. It sounded just like two young teens having a conversation.
The characters felt very real to me. Iris speaks and acts like a thirteen year old girl. She has a somewhat innocent quality about her that is quite subtle in the book but still apparent. Trick is more street-wise and cares a lot about Iris. Sam is a chav (someone who dresses a certain way and is usually just a menace to society), but there is back story about why he became one that is quite heart wrenching.
The ending of the story is quite an emotional one, and C.J. Flood does a fantastic job in her writing to pull at the reader's heart strings. I felt like crying after reading how Iris is feeling.
Over all, Infinite Sky is a sweet coming of age story that is beautifully written and tugs at your heartstrings. This is one of those books that is destined and should be a classic.
I'd recommend this book to everyone aged 12+ as it's a really little gem of a book.
Infinite Sky by C.J. Flood gets a 4.5 out of 5 from me.
Gareth von Kallenbach (968 KP) rated Drag Me to Hell (2009) in Movies
Aug 14, 2019
I’m just going to be honest. Drag Me To Hell is the movie we would have seen 22 years ago had Sam Raimi been given several million dollars, had Bruce Campbell been a woman and had there been no chainsaws handy. Not that this is a bad thing. I believe that Raimi fans will be quite pleased to see the cult and blockbuster director’s return to his roots.
Christine Brown (Alison Lohman) is a soft-spoken loan officer competing for the open position of assistant manager at the bank branch she works for. She has a predominantly sunny life with her boyfriend, Clay Dalton, (Justin Long) and a new kitten.
When an old woman in an Oldsmobile (Lorna Raver) comes to beg for an extension on her mortgage, Christine is unaware of how much her ideal life is about to change.
Desperate to impress her boss and prove her prowess over the only other candidate, Christine refuses the woman help. Angered and shamed, the woman curses Christine, calling upon the demon Lamia (voiced by Art Kimbro) to torment her for three days and then damn her soul.
Acting upon the advice of a Seer (Dileep Rao), Christine struggles to free herself from this terrible fate. She alienates herself from Clay’s parents, sacrifices her cat, participates in a séance, crashes a funeral, defiles the dead and is eventually forced to choose whether or not she can in turn damn her business rival.
But I wouldn’t want you to start thinking that you’re dealing with some far-too-serious classic horror revival (not that that would be a bad thing). Let’s not forget the projectile blood and vomit, the mud and maggots, the stapler to the face and ruler to the back of the throat; all done in that comical slapstick that only Raimi can produce. The utterly gory, disgusting images that make you laugh hysterically while simultaneously cringeing in disbelief. This is the stuff that made him a cult hero.
There are certainly some creepy moments, quite a few in fact. Things that pleased the horror fan in me very much. And there are plenty of scares to be had as creatures and characters launch themselves from the shadows. I only jumped a couple of times (and I scare easily) but that might have been due more to the people sitting around us than the movie itself.
Drag Me To Hell opens with a classic Universal logo, one that hasn’t been seen since the 70s. It was so appropriate that as soon as I saw it I was sure I was going to walk away happy. Then the opening credits began and I was blown away. They are so absolutely gorgeous that they almost deserve to be a short of their own rather than find themselves pinned to a feature. The special effects continue to be a remarkable strong point throughout the rest of the movie. Several scenes blew me away with their execution and look.
When it comes down to what was missing, characterization was the one thing this film lacked. I didn’t feel very connected to any of the characters and certainly didn’t care about their plight. It seemed rather two dimensional. The characters are barely introduced and we aren’t ushered into their lives and minds before the action begins. We are just expected to care.
On top of this, Lohman’s acting wasn’t the greatest and Long, while doing a decent job, didn’t seem to fit the role terribly well. The cat-sacrificing didn’t go far for making me feel any sympathy toward Christine or her dilemma. This was all very disappointing since I feel as though everything else was so strong that had this been reinforced rather than left flat it would have been exceedingly excellent.
But it is worth a watch. If you love anything by Sam Raimi you will not be disappointed and if you’ve never seen any of his work then you might find yourself pleasantly surprised. This is one of the few things I have ever watched that was exactly what it promised to be.
Thank you, Mr. Raimi, for this excellent return to horror. We are all grateful.
Christine Brown (Alison Lohman) is a soft-spoken loan officer competing for the open position of assistant manager at the bank branch she works for. She has a predominantly sunny life with her boyfriend, Clay Dalton, (Justin Long) and a new kitten.
When an old woman in an Oldsmobile (Lorna Raver) comes to beg for an extension on her mortgage, Christine is unaware of how much her ideal life is about to change.
Desperate to impress her boss and prove her prowess over the only other candidate, Christine refuses the woman help. Angered and shamed, the woman curses Christine, calling upon the demon Lamia (voiced by Art Kimbro) to torment her for three days and then damn her soul.
Acting upon the advice of a Seer (Dileep Rao), Christine struggles to free herself from this terrible fate. She alienates herself from Clay’s parents, sacrifices her cat, participates in a séance, crashes a funeral, defiles the dead and is eventually forced to choose whether or not she can in turn damn her business rival.
But I wouldn’t want you to start thinking that you’re dealing with some far-too-serious classic horror revival (not that that would be a bad thing). Let’s not forget the projectile blood and vomit, the mud and maggots, the stapler to the face and ruler to the back of the throat; all done in that comical slapstick that only Raimi can produce. The utterly gory, disgusting images that make you laugh hysterically while simultaneously cringeing in disbelief. This is the stuff that made him a cult hero.
There are certainly some creepy moments, quite a few in fact. Things that pleased the horror fan in me very much. And there are plenty of scares to be had as creatures and characters launch themselves from the shadows. I only jumped a couple of times (and I scare easily) but that might have been due more to the people sitting around us than the movie itself.
Drag Me To Hell opens with a classic Universal logo, one that hasn’t been seen since the 70s. It was so appropriate that as soon as I saw it I was sure I was going to walk away happy. Then the opening credits began and I was blown away. They are so absolutely gorgeous that they almost deserve to be a short of their own rather than find themselves pinned to a feature. The special effects continue to be a remarkable strong point throughout the rest of the movie. Several scenes blew me away with their execution and look.
When it comes down to what was missing, characterization was the one thing this film lacked. I didn’t feel very connected to any of the characters and certainly didn’t care about their plight. It seemed rather two dimensional. The characters are barely introduced and we aren’t ushered into their lives and minds before the action begins. We are just expected to care.
On top of this, Lohman’s acting wasn’t the greatest and Long, while doing a decent job, didn’t seem to fit the role terribly well. The cat-sacrificing didn’t go far for making me feel any sympathy toward Christine or her dilemma. This was all very disappointing since I feel as though everything else was so strong that had this been reinforced rather than left flat it would have been exceedingly excellent.
But it is worth a watch. If you love anything by Sam Raimi you will not be disappointed and if you’ve never seen any of his work then you might find yourself pleasantly surprised. This is one of the few things I have ever watched that was exactly what it promised to be.
Thank you, Mr. Raimi, for this excellent return to horror. We are all grateful.
BankofMarquis (1832 KP) rated The Lion King (2019) in Movies
Jul 21, 2019
Middle of the Road
I have to give the Walt Disney Company credit, with their Live Action remakes of their classic animated movies, they have developed a very lucrative profit stream with properties that they already own - and are well known to audiences. Some are successful (THE JUNGLE BOOK, ALADDIN), some are not quite so successful (DUMBO, ALICE IN WONDERLAND).
And...somewhere in the middle...is the LION KING.
Directed by Jon Favreau (THE JUNGLE BOOK, IRON MAN), this Lion King is a fairly faithful reproduction of the animated movie - and that is a blessing and a curse - and it, ultimately, keeps this remake squarely in the middle in terms of quality, interest and achievement.
What works: the CGI animation of the animals and scenery. Favreau shot CGI-fest films like THE JUNGLE BOOK and IRON MAN, so he knows how to do these things and they work here in a very workmanlike way. The are all professionally done - there's not a bad shot in the film. But the "wow" moments are few and far between in this film as well
The story is a timeless classic (kind of an "animal adventure Hamlet") and that works as do OME of the voice cast (more on that later)...and...of course...the songs - especially the faithful recreation of the CIRCLE OF LIFE opening - one of the best opening musical numbers in movie history.
What doesn't work: The first 1/2 of the film's pacing. It drags pretty badly early on and the songs in that part of the film (like I CAN'T WAIT TO BE KING) just don't have the energy and pizzazz that is needed. And SOME of the voice work is just plain bland and boring and (in one case) I found irritating.
So...let's talk about the voice cast. James Earl Jones (reprising Mufasa) is terrific (of course) as is John Oliver's Zazu (a much bigger presence in this film than the animated film), Chiwetel Ejiofor's Scar is appropriately menacing, if a bit bland, but "good enough" as is Beyonce's grown up Nala. I would have liked to see/feel a bit more of her "presence" in this character's voice, but that might be a Director choice and not an actress choice. John Kani's Rafiki is quite good as is the always steady/credible Alfre Woodward as Sarabi.
What doesn't work is the two voice actors cast to play Simba. Donald Glover (TV's ATLANTA) is just too bland and boring as the adult Simba. He doesn't really bring anything interesting to his voice work of this character (but does hold his own in the musical duet "Can You Feel The Love Tonight" opposite the great Beyonce).
I usually don't comment on child performances that I don't like (they are kids after all), so I won't really comment much on JD McCrary's voice performance as the young Simba except to say I didn't really how much MORE the young Simba is in this film as opposed to the older Simba - or at least it felt to me that the weakest voice performance in this film was on screen for far longer than I remembered from the animated film.
As for the best voice performances in this film - that is easy - Billy Eichner and Seth Rogan's performance as Simba's pals Timon and Pumbaa. They had big shoes to fill in comparison to the voice work in the animated film from Nathan Lane and Ernie Sabella, so they did the smart thing - they didn't even try. Much like Will Smith not trying to imitate Robin Williams in the live action ALADDIN earlier this year (another voice performance that worked well) Eichner and Rogan make these characters their own and succeeded well - these two characters/performances are the high point in the film and bring much needed life and energy to a movie that was sagging under it's own weight by the time they show up.
This Lion King will be THE Lion King for this generation - and that is "fine" - if the youngsters in my life want to watch this, I won't complain. But... I will try to steer them towards the much better animated version of this film from the 1990's.
Letter Grade: a solid B
7 stars (out of 10) and you can take that to the Bank(OfMarquis)
And...somewhere in the middle...is the LION KING.
Directed by Jon Favreau (THE JUNGLE BOOK, IRON MAN), this Lion King is a fairly faithful reproduction of the animated movie - and that is a blessing and a curse - and it, ultimately, keeps this remake squarely in the middle in terms of quality, interest and achievement.
What works: the CGI animation of the animals and scenery. Favreau shot CGI-fest films like THE JUNGLE BOOK and IRON MAN, so he knows how to do these things and they work here in a very workmanlike way. The are all professionally done - there's not a bad shot in the film. But the "wow" moments are few and far between in this film as well
The story is a timeless classic (kind of an "animal adventure Hamlet") and that works as do OME of the voice cast (more on that later)...and...of course...the songs - especially the faithful recreation of the CIRCLE OF LIFE opening - one of the best opening musical numbers in movie history.
What doesn't work: The first 1/2 of the film's pacing. It drags pretty badly early on and the songs in that part of the film (like I CAN'T WAIT TO BE KING) just don't have the energy and pizzazz that is needed. And SOME of the voice work is just plain bland and boring and (in one case) I found irritating.
So...let's talk about the voice cast. James Earl Jones (reprising Mufasa) is terrific (of course) as is John Oliver's Zazu (a much bigger presence in this film than the animated film), Chiwetel Ejiofor's Scar is appropriately menacing, if a bit bland, but "good enough" as is Beyonce's grown up Nala. I would have liked to see/feel a bit more of her "presence" in this character's voice, but that might be a Director choice and not an actress choice. John Kani's Rafiki is quite good as is the always steady/credible Alfre Woodward as Sarabi.
What doesn't work is the two voice actors cast to play Simba. Donald Glover (TV's ATLANTA) is just too bland and boring as the adult Simba. He doesn't really bring anything interesting to his voice work of this character (but does hold his own in the musical duet "Can You Feel The Love Tonight" opposite the great Beyonce).
I usually don't comment on child performances that I don't like (they are kids after all), so I won't really comment much on JD McCrary's voice performance as the young Simba except to say I didn't really how much MORE the young Simba is in this film as opposed to the older Simba - or at least it felt to me that the weakest voice performance in this film was on screen for far longer than I remembered from the animated film.
As for the best voice performances in this film - that is easy - Billy Eichner and Seth Rogan's performance as Simba's pals Timon and Pumbaa. They had big shoes to fill in comparison to the voice work in the animated film from Nathan Lane and Ernie Sabella, so they did the smart thing - they didn't even try. Much like Will Smith not trying to imitate Robin Williams in the live action ALADDIN earlier this year (another voice performance that worked well) Eichner and Rogan make these characters their own and succeeded well - these two characters/performances are the high point in the film and bring much needed life and energy to a movie that was sagging under it's own weight by the time they show up.
This Lion King will be THE Lion King for this generation - and that is "fine" - if the youngsters in my life want to watch this, I won't complain. But... I will try to steer them towards the much better animated version of this film from the 1990's.
Letter Grade: a solid B
7 stars (out of 10) and you can take that to the Bank(OfMarquis)