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Maddi Zoe (6 KP) rated MANIA by Fall Out Boy in Music
Feb 8, 2018
feet-tapping tunes (1 more)
light and dark
Fresh new sound, still Fall Out Boy
Fall Out Boy return with their seventh studio album titled 'Mania', which continues to explore their heavy alternative rock sound.
Mania is very similar in sound to Fall Out Boy's previous album from 2015 'American Beauty/American Psycho'. It's a far cry from where they first began with hits such as 'Sugar We're Goin' Down' and 'Dance, Dance'. Although it was classic rock hits such as 'I Don't Care' that brought them out into the spotlight in the first place. But you can clearly see the evolution of their music through each and every album.
They started to turn to heavier rock in their stand out album, 'Save Rock and Roll' in 2013, and continued to explore this style through to their 2015 album. Mania follows again follows this same successful recipe. But it's still fresh, with Pete Wentz describing it as a 'palette cleanse'.
You can tell that Fall Out Boy are passionate about their music. It's taken two years to get this album to a point where they felt happy with the finished product. Patrick Stump and the band started writing the new album during their 2016 tour, and it was originally scheduled for release in September last year. The release was delayed because they felt it was 'too rushed' and they didn't want to give fans something they felt was 'sub-par'.
The lyrics are, as usual, clever and intricate. It is clear that a lot of thought has gone into writing all of these songs. Some songs do again hint towards religion, such as 'Church' and 'Heaven's Gate'. This is becoming a common theme for the band, yet they maintain their heavy ego pop musicality. Fans of the band may also know it is common for the lyrics to sometimes reference other artists or the music industry in general. Anyone with a keen ear will notice the Britney Spears references in 'Young and Menace'.
Stump's voice. It is outstanding. This new album is no different. It is something that makes Fall Out Boy stand out among other bands. It is so crucial, especially in recent years, and Fall Out Boy continue to distance themselves away from bog-standard guitar solos. More often than not they have a bridge that is different to the rest of the song. This gives them more time to show off Stump's incredible and unique voice.
While the album is heavier than the majority of their music, some tracks such as 'Hold Me Tight or Don't', which are a bit lighter, and hint back to their 'old style'. Yet they continue to remain completely fresh. Whilst tracks such as 'Young and Menace' and 'Stay Frosty Royal Milk Tea' almost have a dubstep/dance vibe to them.
All ten tracks on the new album are completely different from one another other. There is something for everyone. It is combines the 'old' Fall Out Boy which we first fell in love with and the 'newer, even fresher' Fall Out Boy. It is yet again, another outstanding album from the band.
Mania is very similar in sound to Fall Out Boy's previous album from 2015 'American Beauty/American Psycho'. It's a far cry from where they first began with hits such as 'Sugar We're Goin' Down' and 'Dance, Dance'. Although it was classic rock hits such as 'I Don't Care' that brought them out into the spotlight in the first place. But you can clearly see the evolution of their music through each and every album.
They started to turn to heavier rock in their stand out album, 'Save Rock and Roll' in 2013, and continued to explore this style through to their 2015 album. Mania follows again follows this same successful recipe. But it's still fresh, with Pete Wentz describing it as a 'palette cleanse'.
You can tell that Fall Out Boy are passionate about their music. It's taken two years to get this album to a point where they felt happy with the finished product. Patrick Stump and the band started writing the new album during their 2016 tour, and it was originally scheduled for release in September last year. The release was delayed because they felt it was 'too rushed' and they didn't want to give fans something they felt was 'sub-par'.
The lyrics are, as usual, clever and intricate. It is clear that a lot of thought has gone into writing all of these songs. Some songs do again hint towards religion, such as 'Church' and 'Heaven's Gate'. This is becoming a common theme for the band, yet they maintain their heavy ego pop musicality. Fans of the band may also know it is common for the lyrics to sometimes reference other artists or the music industry in general. Anyone with a keen ear will notice the Britney Spears references in 'Young and Menace'.
Stump's voice. It is outstanding. This new album is no different. It is something that makes Fall Out Boy stand out among other bands. It is so crucial, especially in recent years, and Fall Out Boy continue to distance themselves away from bog-standard guitar solos. More often than not they have a bridge that is different to the rest of the song. This gives them more time to show off Stump's incredible and unique voice.
While the album is heavier than the majority of their music, some tracks such as 'Hold Me Tight or Don't', which are a bit lighter, and hint back to their 'old style'. Yet they continue to remain completely fresh. Whilst tracks such as 'Young and Menace' and 'Stay Frosty Royal Milk Tea' almost have a dubstep/dance vibe to them.
All ten tracks on the new album are completely different from one another other. There is something for everyone. It is combines the 'old' Fall Out Boy which we first fell in love with and the 'newer, even fresher' Fall Out Boy. It is yet again, another outstanding album from the band.
Daniel Boyd (1066 KP) rated the PlayStation 4 version of The Evil Within 2 in Video Games
Mar 5, 2018 (Updated Mar 5, 2018)
Gameplay mechanics (2 more)
Horrifically beautiful graphics
A fantastic antagonist
Some odd voice acting (1 more)
Some duff lines of dialogue
A Gruesomely Good Time
Contains spoilers, click to show
I was a fan of the first Evil Within game, which I felt was criminally underrated. However, I must admit I slept on this game. This was due to all of the fantastic games that were released in 2017 that I was trying to catch up on at the time of this game's release.
4 months after the game's initial release, I finally got my hands on it and I loved the time I spent in this insane world.
The Evil Within 2 does what all great sequels should aim to do, which is to take the best concepts and systems from the first game and expand on them, while adding in some fresh concepts and discarding a lot of the excess fat that dragged the first game down.
This game is a much more streamlined action-horror adventure than the first entry and while it starts out with some creepy and uneasy moments, it focuses more on the action element than the horror side of things in comparison with the first game. I do however feel that the game finds a nice equal balance of horror and action, in a way that feels reminiscent of the modern classic, Resident Evil 4. Even though Shinji Mikami didn't direct this game as he did the first entry, this one actually feels more like a traditional Shinji Mikami game.
The villain that torments you for the first third of the game is brilliant, he is engaging, threatening and over the top in all of the best possible ways. The one issue I have with him is, (SPOILERS,) they kill him off far too early and replace him with a more bland, less entertaining villain.
There is also some ropey voice acting present, they changed the actor playing Kidman and the new VO artist isn't as engaging in her performance. The actor playing the protagonist's daughter Lily, is also, quite awkward and stilted sounding. There are also some strange lines of dialogue that don't feel very natural and come across a bit pantomime, but you must remember that this is a Japanese game, written in Japanese and then translated into English. I did experience some technical issues whilst playing through the final third of the game, mostly to do with the use of the radio transmitter and I experienced one slight hiccup with the in-game physics. Unfortunately, although these weren't game-breaking issues, they are still present 4 months after the game's initial release, meaning I am forced to knock a point off of my overall score.
Overall though, this is a damn good time for any horror fan out there. The fact that this game is a great deal easier than the first may bother some hardcore gamers out there, but for me it was fine as I was mostly playing for the story anyway rather than the challenge. The optional first person mode is also a nice addition and adds a cool incentive to play through the New Game Plus.
4 months after the game's initial release, I finally got my hands on it and I loved the time I spent in this insane world.
The Evil Within 2 does what all great sequels should aim to do, which is to take the best concepts and systems from the first game and expand on them, while adding in some fresh concepts and discarding a lot of the excess fat that dragged the first game down.
This game is a much more streamlined action-horror adventure than the first entry and while it starts out with some creepy and uneasy moments, it focuses more on the action element than the horror side of things in comparison with the first game. I do however feel that the game finds a nice equal balance of horror and action, in a way that feels reminiscent of the modern classic, Resident Evil 4. Even though Shinji Mikami didn't direct this game as he did the first entry, this one actually feels more like a traditional Shinji Mikami game.
The villain that torments you for the first third of the game is brilliant, he is engaging, threatening and over the top in all of the best possible ways. The one issue I have with him is, (SPOILERS,) they kill him off far too early and replace him with a more bland, less entertaining villain.
There is also some ropey voice acting present, they changed the actor playing Kidman and the new VO artist isn't as engaging in her performance. The actor playing the protagonist's daughter Lily, is also, quite awkward and stilted sounding. There are also some strange lines of dialogue that don't feel very natural and come across a bit pantomime, but you must remember that this is a Japanese game, written in Japanese and then translated into English. I did experience some technical issues whilst playing through the final third of the game, mostly to do with the use of the radio transmitter and I experienced one slight hiccup with the in-game physics. Unfortunately, although these weren't game-breaking issues, they are still present 4 months after the game's initial release, meaning I am forced to knock a point off of my overall score.
Overall though, this is a damn good time for any horror fan out there. The fact that this game is a great deal easier than the first may bother some hardcore gamers out there, but for me it was fine as I was mostly playing for the story anyway rather than the challenge. The optional first person mode is also a nice addition and adds a cool incentive to play through the New Game Plus.
Zuky the BookBum (15 KP) rated The Book Of Mirrors in Books
Mar 15, 2018
This novel may have been slow but I found its mystery so enticing that I loved moving and learning with each character. So many theories run through this novel that youre never sure what to think, its a great classic murder mystery.
Its only taken me almost a year to knock this book off my Netgalley shelf, but I finally got there! Id seen lots of hype for this one at the beginning of 2017 but I still didnt feel inclined to pick it up back then. Now Ive read it, Im glad that I waited. I think this one would have disappointed me if I had read it in its prime due to its slow nature, but I can appreciate slow books far more now than I could back then.
Like so many other reviewers, I did think this one was pretty slow paced, but I actually quite liked that about the plot. A cold case of over 20 years isnt going to get solved overnight, so it was practical that it took a while to find out what really went on that night. I do think there were some sections of the book that were unnecessary and added to the slowness of the plot, for example when one narrator gets on a plane and theres a whole segment about an irrelevant salesman talking to him and flirting with a girl. That bit wasnt needed in any way for the plot to progress and did just feel like filler bumf, but Ive read books with far worse filler scenes.
This story is told in a few different ways. Its told in the perspective of 3 different people and then also as a book within a book. I really liked the way this was laid out and think having the 3 different tones of voice gave the story some character it could have missed out on had it just stayed with the one narrator.
Each character in this was interesting in their own way, and I liked that each person had their own story to tell while also moving the main mystery along.
In terms of plot, this one wasnt the most innovative or astounding, but there was something enchanting about it. There were a few different theories as to Professor Weiders demise and I liked that it kept you guessing all along. I was actually quite surprised and impressed by the end of the book, the conclusion to the mystery was cleverly thought out and well executed.
Looking at the reviews of this book I think people are being a little harsh. There are lots of books that are slow mysteries but this one seems to be pissing people off more than most. I know its down to everyones own opinion but I dont see what the big issue with this one was. Personally, I enjoyed it.
<i>Thanks to Netgalley and Arrow for giving me the opportunity to read this in exchange for an honest review.</i>
Its only taken me almost a year to knock this book off my Netgalley shelf, but I finally got there! Id seen lots of hype for this one at the beginning of 2017 but I still didnt feel inclined to pick it up back then. Now Ive read it, Im glad that I waited. I think this one would have disappointed me if I had read it in its prime due to its slow nature, but I can appreciate slow books far more now than I could back then.
Like so many other reviewers, I did think this one was pretty slow paced, but I actually quite liked that about the plot. A cold case of over 20 years isnt going to get solved overnight, so it was practical that it took a while to find out what really went on that night. I do think there were some sections of the book that were unnecessary and added to the slowness of the plot, for example when one narrator gets on a plane and theres a whole segment about an irrelevant salesman talking to him and flirting with a girl. That bit wasnt needed in any way for the plot to progress and did just feel like filler bumf, but Ive read books with far worse filler scenes.
This story is told in a few different ways. Its told in the perspective of 3 different people and then also as a book within a book. I really liked the way this was laid out and think having the 3 different tones of voice gave the story some character it could have missed out on had it just stayed with the one narrator.
Each character in this was interesting in their own way, and I liked that each person had their own story to tell while also moving the main mystery along.
In terms of plot, this one wasnt the most innovative or astounding, but there was something enchanting about it. There were a few different theories as to Professor Weiders demise and I liked that it kept you guessing all along. I was actually quite surprised and impressed by the end of the book, the conclusion to the mystery was cleverly thought out and well executed.
Looking at the reviews of this book I think people are being a little harsh. There are lots of books that are slow mysteries but this one seems to be pissing people off more than most. I know its down to everyones own opinion but I dont see what the big issue with this one was. Personally, I enjoyed it.
<i>Thanks to Netgalley and Arrow for giving me the opportunity to read this in exchange for an honest review.</i>
BankofMarquis (1832 KP) rated A Wrinkle in Time (2018) in Movies
Mar 25, 2018
Need to iron out this Wrinkle
The target audience for Ava DuVernay's adaptation of the 1962 classic novel A WRINKLE IN TIME are youth ages 10-14.
I am not a youth ages 10-14.
A WRINKLE IN TIME follows the story of Meg, a young girl who's father has gone missing. With the help of mysterious figures Mrs. Which, Mrs. Whatsit and Mrs. Who, Meg goes in searching for her father - through space and time - and ends up helping to save the universe in the process.
As Directed by DuVernay (SELMA), this WRINKLE is fantastical in all ways, starting with the visuals I don't know how much was spent on this film, but all of it is on the screen as the images - and imagery - are fascinating to look at, the costumes are unique (to say the least) and the story is simple enough for even a young person to follow.
And that might be enough to hold the attention of a 10-14 youth - it wasn't enough for me.
If you start to really follow the plot (what there was of it) and the intentions in the scenes, items start to not add up at all. While I understood Meg's motivations - to find her Dad - well enough, NONE of the other character's motivations - and intentions - were clear, or made sense. At one point, a character turns from good to bad (or was it vica-versa) and it just didn't make any sense.
I think a lot of this issue was the 3 big stars that were cast as the benevolent overseers for Meg's journey. Reese Witherspoon, Mindy Kahling and, yes, Oprah Winfrey as Mrs. Whatsit, Mrs. Who and Mrs. Which (respectively). Their role in this adventure (I guess) is to guide and help Meg on her adventure, so they were supposed to be loving, caring and gentle with just a hint of secretness (so, I guess that Meg can figure things out for herself - kind of like Glinda the Good Witch in the Wizard of Oz). But, instead, they come off as smug, annoying know-it-alls who are purposely keeping key information from this young girl - if I was around, I would have called the police on them. Also...they all seemed to be acting in their own movies, so their styles just didn't mesh, as well as the acting styles of other "stars" like Michael Pena and (especially) Zach Galifinakas - I don't know what they heck he was doing, but Director DuVernay did a poor job of reigning him in or helping him to create any kind of semblance of character.
A fantastical feature with eye-popping visuals and, I'm afraid, poorly written, acted and directed. This might be enough for an enjoyable afternoon in the theater for the target audience.
It wasn't for me - and, I think, my front runner for WORST FILM OF 2018.
Letter Grade C (for the visuals and the always appealing performance of Chris Pine, who - I have to admit - I have a man crush on).
4 (out of 10) stars and you can take that to the Bank (OfMarquis)
I am not a youth ages 10-14.
A WRINKLE IN TIME follows the story of Meg, a young girl who's father has gone missing. With the help of mysterious figures Mrs. Which, Mrs. Whatsit and Mrs. Who, Meg goes in searching for her father - through space and time - and ends up helping to save the universe in the process.
As Directed by DuVernay (SELMA), this WRINKLE is fantastical in all ways, starting with the visuals I don't know how much was spent on this film, but all of it is on the screen as the images - and imagery - are fascinating to look at, the costumes are unique (to say the least) and the story is simple enough for even a young person to follow.
And that might be enough to hold the attention of a 10-14 youth - it wasn't enough for me.
If you start to really follow the plot (what there was of it) and the intentions in the scenes, items start to not add up at all. While I understood Meg's motivations - to find her Dad - well enough, NONE of the other character's motivations - and intentions - were clear, or made sense. At one point, a character turns from good to bad (or was it vica-versa) and it just didn't make any sense.
I think a lot of this issue was the 3 big stars that were cast as the benevolent overseers for Meg's journey. Reese Witherspoon, Mindy Kahling and, yes, Oprah Winfrey as Mrs. Whatsit, Mrs. Who and Mrs. Which (respectively). Their role in this adventure (I guess) is to guide and help Meg on her adventure, so they were supposed to be loving, caring and gentle with just a hint of secretness (so, I guess that Meg can figure things out for herself - kind of like Glinda the Good Witch in the Wizard of Oz). But, instead, they come off as smug, annoying know-it-alls who are purposely keeping key information from this young girl - if I was around, I would have called the police on them. Also...they all seemed to be acting in their own movies, so their styles just didn't mesh, as well as the acting styles of other "stars" like Michael Pena and (especially) Zach Galifinakas - I don't know what they heck he was doing, but Director DuVernay did a poor job of reigning him in or helping him to create any kind of semblance of character.
A fantastical feature with eye-popping visuals and, I'm afraid, poorly written, acted and directed. This might be enough for an enjoyable afternoon in the theater for the target audience.
It wasn't for me - and, I think, my front runner for WORST FILM OF 2018.
Letter Grade C (for the visuals and the always appealing performance of Chris Pine, who - I have to admit - I have a man crush on).
4 (out of 10) stars and you can take that to the Bank (OfMarquis)
Gareth von Kallenbach (974 KP) rated the PlayStation 4 version of Atari Flashback Classics Volume 1 in Video Games
Jun 19, 2019
As a child I fondly remember going to Arcades and how exciting it was to see new games arrive. IN the pre-Internet days, you would only learn of new games through word of mouth, a magazine article, or seeing them in an arcade, so naturally gamers would check out a few locales on a regular basis to help ensure that they were up to date with all of the gaming options available to them.
Atari established itself early and often as one of the leading companies for Arcade Games and classics such as Asteroids, Centipede, Missile, Command, Tempest, and countless others always drew eager gamers who would place their quarters down to experience what the company had to offer.
In time Atari released the Atari 2600 system which allowed gamers to play 100s of titles at home even though the graphics and gameplay were far from the standards of the Arcade Games and were comically primitive by today’s gaming standards.
Atari released subsequent systems but never gained the impact on the market that their original system did largely due to increased competition, the decline of the Arcades, and the rise of PC gaming, but many fondly remember that era of gaming well and the classics that installed an early love of gaming in us.
Thankfully a good dose of nostalgia and fun has arrived for the Nintendo Switch in the form of the Atari Flashback Classics Collection. While there have been other collections of classic Atari games before, this collection offers 150 games taken from the best of their Arcade, Atari 2600, and Atari 5200 catalogs. Being able to play Arcade versions of beloved classics like Lunar Lander and the blister inducing Trac-Ball games like Football and Baseball is a nostalgic trip down memory lane.
The games are faithfully captured but do require some patience as in the mobile version; the gaming screen is often only a portion of the screen leaving gaps on either side. Some games as well also must be played vertically which requires some adjustments.
The controls can take some getting used to as some are too responsive which makes controlling the games an exercise in patience and frustration. It does help to change the sensitivity but I can see how some players will not want to do this for each game they encounter issues with.
With a collection this large some titles did not make the cut as I would have loved to have seen Battlezone and Kangaroo be included as I think gamers should truly be able to have every Atari Arcade game in one collection but of course there are often numerous reasons behind their absence so we can only hope that the collection will prove popular enough to spawn a second collection down the road.
For now the Atari Flashback Collection offers an impressive collection of beloved and obscure Atari games from the days of old which is a must-own for fans of that era and those who love retro gaming.
http://sknr.net/2019/01/05/atari-flashback-classics/
Atari established itself early and often as one of the leading companies for Arcade Games and classics such as Asteroids, Centipede, Missile, Command, Tempest, and countless others always drew eager gamers who would place their quarters down to experience what the company had to offer.
In time Atari released the Atari 2600 system which allowed gamers to play 100s of titles at home even though the graphics and gameplay were far from the standards of the Arcade Games and were comically primitive by today’s gaming standards.
Atari released subsequent systems but never gained the impact on the market that their original system did largely due to increased competition, the decline of the Arcades, and the rise of PC gaming, but many fondly remember that era of gaming well and the classics that installed an early love of gaming in us.
Thankfully a good dose of nostalgia and fun has arrived for the Nintendo Switch in the form of the Atari Flashback Classics Collection. While there have been other collections of classic Atari games before, this collection offers 150 games taken from the best of their Arcade, Atari 2600, and Atari 5200 catalogs. Being able to play Arcade versions of beloved classics like Lunar Lander and the blister inducing Trac-Ball games like Football and Baseball is a nostalgic trip down memory lane.
The games are faithfully captured but do require some patience as in the mobile version; the gaming screen is often only a portion of the screen leaving gaps on either side. Some games as well also must be played vertically which requires some adjustments.
The controls can take some getting used to as some are too responsive which makes controlling the games an exercise in patience and frustration. It does help to change the sensitivity but I can see how some players will not want to do this for each game they encounter issues with.
With a collection this large some titles did not make the cut as I would have loved to have seen Battlezone and Kangaroo be included as I think gamers should truly be able to have every Atari Arcade game in one collection but of course there are often numerous reasons behind their absence so we can only hope that the collection will prove popular enough to spawn a second collection down the road.
For now the Atari Flashback Collection offers an impressive collection of beloved and obscure Atari games from the days of old which is a must-own for fans of that era and those who love retro gaming.
http://sknr.net/2019/01/05/atari-flashback-classics/
Gareth von Kallenbach (974 KP) rated Strike Force Heroes 3 in Video Games
Jun 19, 2019
The world of Free to Play Games has a fantastic new entry with the arrival of Strike Force Heroes 3. The game is harkens back to the classic side scrolling action games of the past but incorporates modern graphics, sound, and physics in a winning combination.
Players pick a squad character and then enter a mission armed with a variety of weapons such as an automatic rifle and a pistol. Players can switch between weapons as needed with a single key press and use the mouse to get a full 360 degree range of fire and vision as the leap between the various platforms to dispatch enemies, gain power ups, and avoid traps.
The campaign of the game offers 50 new missions and there are also new weapons and perks such as an aim bot that greatly help combat available for players compared to the previous game in the series.
The game also offers some solid music and sound effects, much better than one would come to expect in a free to play game and really helps ramp up the intensity of the game.
The high number of weapons and perks that become available to players as the game unfolds is really amazing as players have the freedom to find a loadout that best reflects their style of play rather than being forced to adapt to a rigid in game standard.
The game is played on a PC so that means that players will have to use a keyboard for movement. The W, A, S, D, as well as the Q key and other selected keys as the game unfolds for perks. Players will need to use a mouse as well as the ability to face left, right, up and fire in all directions is based upon the mouse to move the position of the gun and the mouse buttons to fire and reload. It can take some getting used to at first as well as the hang time that is associated with the jumps, but after a few moments it will be second nature for most players.
Players can also use the arrow keys in order to navigate the maps which involve lots of jumping and ducking and cover multiple levels. My first mission involved crawling the shafts, jumping over a trap frequently and climbing up a truck to leap to snow covered ledges as an example.
The enemies of the game are fierce as right off the bat I was forced to contend with shotgun and sword wielding bad guys who even coming at me one at a time were a challenge and took repeated and sustained fire in order to defeat. Let us also not forget that the enemies get harder as players advanced and that there are Boss Battles as well for players to deal with.
In Summary, Strike Force Heroes 3 is fun and challenging game that offers plenty of great things for fans of action games and who love to have a bit of retro gameplay as well.
http://sknr.net/2017/01/08/game-review-strike-force-heroes-3-free-online-game/
Players pick a squad character and then enter a mission armed with a variety of weapons such as an automatic rifle and a pistol. Players can switch between weapons as needed with a single key press and use the mouse to get a full 360 degree range of fire and vision as the leap between the various platforms to dispatch enemies, gain power ups, and avoid traps.
The campaign of the game offers 50 new missions and there are also new weapons and perks such as an aim bot that greatly help combat available for players compared to the previous game in the series.
The game also offers some solid music and sound effects, much better than one would come to expect in a free to play game and really helps ramp up the intensity of the game.
The high number of weapons and perks that become available to players as the game unfolds is really amazing as players have the freedom to find a loadout that best reflects their style of play rather than being forced to adapt to a rigid in game standard.
The game is played on a PC so that means that players will have to use a keyboard for movement. The W, A, S, D, as well as the Q key and other selected keys as the game unfolds for perks. Players will need to use a mouse as well as the ability to face left, right, up and fire in all directions is based upon the mouse to move the position of the gun and the mouse buttons to fire and reload. It can take some getting used to at first as well as the hang time that is associated with the jumps, but after a few moments it will be second nature for most players.
Players can also use the arrow keys in order to navigate the maps which involve lots of jumping and ducking and cover multiple levels. My first mission involved crawling the shafts, jumping over a trap frequently and climbing up a truck to leap to snow covered ledges as an example.
The enemies of the game are fierce as right off the bat I was forced to contend with shotgun and sword wielding bad guys who even coming at me one at a time were a challenge and took repeated and sustained fire in order to defeat. Let us also not forget that the enemies get harder as players advanced and that there are Boss Battles as well for players to deal with.
In Summary, Strike Force Heroes 3 is fun and challenging game that offers plenty of great things for fans of action games and who love to have a bit of retro gameplay as well.
http://sknr.net/2017/01/08/game-review-strike-force-heroes-3-free-online-game/
Gareth von Kallenbach (974 KP) rated the PlayStation 4 version of Call of Duty: Black Ops III in Video Games
Jun 19, 2019
The latest in the incredibly popular Call of Duty Series has arrived and Call of Duty: Black Ops 3 is a nice mix of old and new that goes a long way to combating those who say that each game is basically the same thing with new maps.
Set in a future where combat technology is now imbedded into soldiers, allowing them to hack systems, control machines, and release all manner of electronic warfare, Black Ops 3 is a very ambitious entry into the series. The game also has a great feature that allows players to customize their appearance, weapons, and special features in the campaign instead of just relegating that feature to the multiplayer portion.
As if that was not enough, the game also allows up to four human players to play through the campaign as one unit, which is great for those with new players in the Call of Duty universe in tow.
The campaign is a mixed bag as at times the story is convoluted and the virtual reality based campaigns towards the end become frustrating as well as at times overly difficult.
Graphically the game shines and it is clear that the artists spent considerable love and effort on the game. Just walking around the ready room before missions alone lets one see the incredible level of detail in the game. The levels are pretty impressive as well from secret laboratories in Singapore to high rise locales in Egypt; the future is truly captivating and terrifying as envisioned by Treyarch.
The campaign despite the issues I had with it is not really the selling point of the series, as the multiplayer is where the game truly shines. With multiple formats of online play available as well as numerous maps and the ability to once again customize your weapon loadouts and killstreak rewards, comes a new class system. This allows players to play as a unique character with a special weapon or ability that becomes available to them after a certain amount of time.
While lots of fun, the old Call of Duty imbalances are there which become highly annoying. For instance, you unload a magazine into the chest of an oncoming enemy point blank. You hear the hits taking place, and while being hit, they can stop, draw a bow, and shoot you dead, all the while taking a barrage of machine gun fire. This sort of thing becomes highly frustrating as does the never ending barrage of hackers with their aim bots and other annoyances.
The Zombie mode of the game is a true classic With Jeff Goldblum and other Hollywood stars providing their voices and likenesses to a retro-locale where players can battle the undead.
In all, the game is a nice step forward as if the story of the campaign matched the customization it would really be something epic. But fans of the series know what to expect and Black Ops 3 gives them what they love about the series as well as some new features to push the series forward.
http://sknr.net/2015/11/21/call-of-duty-black-ops-3/
Set in a future where combat technology is now imbedded into soldiers, allowing them to hack systems, control machines, and release all manner of electronic warfare, Black Ops 3 is a very ambitious entry into the series. The game also has a great feature that allows players to customize their appearance, weapons, and special features in the campaign instead of just relegating that feature to the multiplayer portion.
As if that was not enough, the game also allows up to four human players to play through the campaign as one unit, which is great for those with new players in the Call of Duty universe in tow.
The campaign is a mixed bag as at times the story is convoluted and the virtual reality based campaigns towards the end become frustrating as well as at times overly difficult.
Graphically the game shines and it is clear that the artists spent considerable love and effort on the game. Just walking around the ready room before missions alone lets one see the incredible level of detail in the game. The levels are pretty impressive as well from secret laboratories in Singapore to high rise locales in Egypt; the future is truly captivating and terrifying as envisioned by Treyarch.
The campaign despite the issues I had with it is not really the selling point of the series, as the multiplayer is where the game truly shines. With multiple formats of online play available as well as numerous maps and the ability to once again customize your weapon loadouts and killstreak rewards, comes a new class system. This allows players to play as a unique character with a special weapon or ability that becomes available to them after a certain amount of time.
While lots of fun, the old Call of Duty imbalances are there which become highly annoying. For instance, you unload a magazine into the chest of an oncoming enemy point blank. You hear the hits taking place, and while being hit, they can stop, draw a bow, and shoot you dead, all the while taking a barrage of machine gun fire. This sort of thing becomes highly frustrating as does the never ending barrage of hackers with their aim bots and other annoyances.
The Zombie mode of the game is a true classic With Jeff Goldblum and other Hollywood stars providing their voices and likenesses to a retro-locale where players can battle the undead.
In all, the game is a nice step forward as if the story of the campaign matched the customization it would really be something epic. But fans of the series know what to expect and Black Ops 3 gives them what they love about the series as well as some new features to push the series forward.
http://sknr.net/2015/11/21/call-of-duty-black-ops-3/
Gareth von Kallenbach (974 KP) rated Kong: Skull Island (2017) in Movies
Jun 19, 2019
The legendary King Kong returns in an all new adventure that gives the classic tale a much needed update and new setting. Unlike Perter Jackson’s retelling of the original Black and White film, “Kong: Skull Island” eschews the old for the new and in doing so breathes a much needed new life and vitality into the franchise.
The film is set in 1973 when William Randa (John Goodman), informs the government that they have detected a previously unknown island and need to investigate it before the Soviets learn of it and beat them to whatever the island my hold.
William recruits a team which includes a former British officer named James Conrad (Tom Hiddleston), and Photographer Mason Weaver (Brie Larson), to assist his team lead by Houston Brooks (Corey Hawkins), in mapping the island.
William also asks for a military escort and the government enlists Lt. Colonel Preston Packard (Samuel L. Jackson), and his team to accompany the mission. Packard is trying to find his place in the world as he and his helicopter combat team are dealing with the recent end of the Vietnam War. His men are looking forward to going home and resuming their lives, but a dour Packard jumps at the chance for another mission over the uncertainty of the future.
Upon arriving on the mysterious island and starting their survey mission by using seismic charges, the team attract the attention of Kong who is not at all pleased with the intrusion on his island. Kong makes short work of the copters and the team finds themselves scattered about the dangerous island. They soon learn that Kong is not the only danger on the island and must find a way to rejoin each other and make it to their extraction point alive.
Naturally some of the characters have a hidden agenda and there are dangerous and action around every corner. Further complicating matters is the appearance of Marlow (John C. Reilly), a downed WWII pilot who has been stranded on the island for 23 years and warns of dangers far greater than Kong that are ahead of the team.
The film combines a solid cast with state of the art special effects to take a new twist on the standard adventure fare. While many parts of the film remain silly Popcorn entertainment, the quality of the assembled cast allows the film to move beyond being just an assembly of potential victims for a menagerie of CGI creatures to dispatch.
While the story is more in lines with the linear and thin plots of adventure films of old, the sum of the parts does add up to an enjoyable film experience for those who like the giant creature films. You will want to make sure to stay after the credits as there is a very good scene that shows a setup for a future film that had those in attendance at our press screening cheering.
The film may be a bit intense for younger viewers but if you are looking for a touch of nostalgia and action, you may find the film just what you need.
http://sknr.net/2017/03/08/kong-skull-island/
The film is set in 1973 when William Randa (John Goodman), informs the government that they have detected a previously unknown island and need to investigate it before the Soviets learn of it and beat them to whatever the island my hold.
William recruits a team which includes a former British officer named James Conrad (Tom Hiddleston), and Photographer Mason Weaver (Brie Larson), to assist his team lead by Houston Brooks (Corey Hawkins), in mapping the island.
William also asks for a military escort and the government enlists Lt. Colonel Preston Packard (Samuel L. Jackson), and his team to accompany the mission. Packard is trying to find his place in the world as he and his helicopter combat team are dealing with the recent end of the Vietnam War. His men are looking forward to going home and resuming their lives, but a dour Packard jumps at the chance for another mission over the uncertainty of the future.
Upon arriving on the mysterious island and starting their survey mission by using seismic charges, the team attract the attention of Kong who is not at all pleased with the intrusion on his island. Kong makes short work of the copters and the team finds themselves scattered about the dangerous island. They soon learn that Kong is not the only danger on the island and must find a way to rejoin each other and make it to their extraction point alive.
Naturally some of the characters have a hidden agenda and there are dangerous and action around every corner. Further complicating matters is the appearance of Marlow (John C. Reilly), a downed WWII pilot who has been stranded on the island for 23 years and warns of dangers far greater than Kong that are ahead of the team.
The film combines a solid cast with state of the art special effects to take a new twist on the standard adventure fare. While many parts of the film remain silly Popcorn entertainment, the quality of the assembled cast allows the film to move beyond being just an assembly of potential victims for a menagerie of CGI creatures to dispatch.
While the story is more in lines with the linear and thin plots of adventure films of old, the sum of the parts does add up to an enjoyable film experience for those who like the giant creature films. You will want to make sure to stay after the credits as there is a very good scene that shows a setup for a future film that had those in attendance at our press screening cheering.
The film may be a bit intense for younger viewers but if you are looking for a touch of nostalgia and action, you may find the film just what you need.
http://sknr.net/2017/03/08/kong-skull-island/
Darren (1599 KP) rated An Officer and a Gentleman (1982) in Movies
Jun 20, 2019
Thoughts on An Officer and a Gentleman
Characters – Zack Mayo has grown up under his father that never believed he could achieve anything, he decides to sign up for the navy to follow his dreams of being a pilot, he believes he can just coast through the training alone, only for his way to see him needing to learn to let people in, meet a girl decide whether love is the most important thing in his life or whether he can balance everything together. Paula is a factory worker that goes for parties around the naval candidates, she meets Zack seeing him as different from the rest and gets left constantly wondering if he is willing to change his lone wolf nature. Sid is fellow naval candidate that becomes Zack’s best friend, he pushes him to open up and is the brains that could help Zack through the side that he is struggling through. Sgt Emil Foley is drill sergeant that is training the candidates, he is strict and doesn’t like how Zack thinks he can breeze through the training.
Performances – Richard Gere in this leading role shows us all that he was going on to have a wonderful run as a leading actor, he could play the loveable rogue that wants to find his place in the world. Debra Winger is great here showing how her character is going through a difficult lifetime, where love can make things even more difficult. David Keith brings us a performance which does show us how depression can be hidden from the world. Louis Gossett Jr does bring us one of the best drill sergeants in film here that did get him an Oscar.
Story – The story here follows a rebellious young man that finds his place in the navy, where he learns to work with others and to fall in love, to motivate and find himself a career along the way, he will need to overcome life challenges which will shape his future. We do get to see many different challenges that young people could face when they reach a certain age, this will show us just how difficult people will need to overcome to be the people they were always meant to be. We do get to see the darker side of the services because they will show us just how people can hide the emotional troubles which could bring a life changing moment in their life.
Romance – The love story in this film shows how a rebel meets a girl searching for hope and fall madly in love either though neither of them were really looking for it.
Settings – The film uses a couple of main settings, with the training camp being one of the most iconic for the film, the most iconic comes from warehouse where Paula works, which will be the shot everybody remembers from this film.
Scene of the Movie – Zack breaks to learn to help others.
That Moment That Annoyed Me – Lynette wouldn’t still be Paula’s friend by the end of the film.
Final Thoughts – This is one of the classic romantic films out there, one that everybody knows and can enjoy.
Overall: Romance to enjoy.
Characters – Zack Mayo has grown up under his father that never believed he could achieve anything, he decides to sign up for the navy to follow his dreams of being a pilot, he believes he can just coast through the training alone, only for his way to see him needing to learn to let people in, meet a girl decide whether love is the most important thing in his life or whether he can balance everything together. Paula is a factory worker that goes for parties around the naval candidates, she meets Zack seeing him as different from the rest and gets left constantly wondering if he is willing to change his lone wolf nature. Sid is fellow naval candidate that becomes Zack’s best friend, he pushes him to open up and is the brains that could help Zack through the side that he is struggling through. Sgt Emil Foley is drill sergeant that is training the candidates, he is strict and doesn’t like how Zack thinks he can breeze through the training.
Performances – Richard Gere in this leading role shows us all that he was going on to have a wonderful run as a leading actor, he could play the loveable rogue that wants to find his place in the world. Debra Winger is great here showing how her character is going through a difficult lifetime, where love can make things even more difficult. David Keith brings us a performance which does show us how depression can be hidden from the world. Louis Gossett Jr does bring us one of the best drill sergeants in film here that did get him an Oscar.
Story – The story here follows a rebellious young man that finds his place in the navy, where he learns to work with others and to fall in love, to motivate and find himself a career along the way, he will need to overcome life challenges which will shape his future. We do get to see many different challenges that young people could face when they reach a certain age, this will show us just how difficult people will need to overcome to be the people they were always meant to be. We do get to see the darker side of the services because they will show us just how people can hide the emotional troubles which could bring a life changing moment in their life.
Romance – The love story in this film shows how a rebel meets a girl searching for hope and fall madly in love either though neither of them were really looking for it.
Settings – The film uses a couple of main settings, with the training camp being one of the most iconic for the film, the most iconic comes from warehouse where Paula works, which will be the shot everybody remembers from this film.
Scene of the Movie – Zack breaks to learn to help others.
That Moment That Annoyed Me – Lynette wouldn’t still be Paula’s friend by the end of the film.
Final Thoughts – This is one of the classic romantic films out there, one that everybody knows and can enjoy.
Overall: Romance to enjoy.
Gareth von Kallenbach (974 KP) rated Far Cry (2008) in Movies
Aug 14, 2019
On a remote island in the Pacific Northwest, a scientist named Dr. Krieger (Udo Kier) is conducting horrific genetic experiments in his secret facility.
Krieger is attempting to create the ultimate soldier for his financial backers and is not above using his own men as test subjects and fodder for his experiments as the morally lacking Krieger only cares about his work and his funding.
In the film “Far Cry”, Director Uwe Boll has taken the classic 3D shooter from Ubisoft and given it his own unique interpretation.
The film stars Til Schweiger as Jack Carver, a former special forces operative who spends his days as a boat captain chartering tourists on whale watching expeditions when he is not enjoying a beer and sleeping the day away.
Jack is hired by a determined investigative reporter named Valerie Cardinal (Emmanuelle Vaugier), to take her to the island so she can get further proof for her story about the bizarre experiments taking place on the island. Valerie has a personal interest in the story as her uncle Max (Ralf Moeller), is one of those stationed at the island facility.
While Jack is reluctant to go near the island he does agree to anchor of the coast and pick up Valerie in a few hours. Of course things do not go as planned as Valerie is captured and Jack’s boat is destroyed leaving him believed to be dead by the Doctor and his forces.
Jack is not one to let this go, and rescues Valerie and looks to find a way off the island while avoiding the ever present troops. The stubborn Valerie is unwilling to leave until she has the information she needs for her story and ignores the dangers.
As if the Doctor and his soldiers were not trouble enough, the super soldiers have escaped and have caused various factions within the Dr’s forces to turn against one another which results in a pitched battle between the factions and the super soldiers.
What follows is a lot of action that is hampered by a weak plot and bad dialogue, and sadly very disappointing monsters.
The leads in the film have very little chemistry with one another and the characters are wafer thin, even by action movie standards. There are attempts at romance and playful banter that fizzle badly leaving only the action sequences to carry the film. Sadly while they are decent enough, especially a good car chase, they cannot overcome the plot issues and the creatures that do not live up to the hype.
Boll has taken a step back here as his recent films have shown progress especially the solid
“Seed” and “1968 Tunnel Rats”. When I visited the set I learned that the production was not allowed to use large aspects of the game and that aside from names, title, and settings, they had to create a new story that was inspired by the game. While the effort is there, the results come up lacking and do not do justice to the game, premise, or talent assembled.
Krieger is attempting to create the ultimate soldier for his financial backers and is not above using his own men as test subjects and fodder for his experiments as the morally lacking Krieger only cares about his work and his funding.
In the film “Far Cry”, Director Uwe Boll has taken the classic 3D shooter from Ubisoft and given it his own unique interpretation.
The film stars Til Schweiger as Jack Carver, a former special forces operative who spends his days as a boat captain chartering tourists on whale watching expeditions when he is not enjoying a beer and sleeping the day away.
Jack is hired by a determined investigative reporter named Valerie Cardinal (Emmanuelle Vaugier), to take her to the island so she can get further proof for her story about the bizarre experiments taking place on the island. Valerie has a personal interest in the story as her uncle Max (Ralf Moeller), is one of those stationed at the island facility.
While Jack is reluctant to go near the island he does agree to anchor of the coast and pick up Valerie in a few hours. Of course things do not go as planned as Valerie is captured and Jack’s boat is destroyed leaving him believed to be dead by the Doctor and his forces.
Jack is not one to let this go, and rescues Valerie and looks to find a way off the island while avoiding the ever present troops. The stubborn Valerie is unwilling to leave until she has the information she needs for her story and ignores the dangers.
As if the Doctor and his soldiers were not trouble enough, the super soldiers have escaped and have caused various factions within the Dr’s forces to turn against one another which results in a pitched battle between the factions and the super soldiers.
What follows is a lot of action that is hampered by a weak plot and bad dialogue, and sadly very disappointing monsters.
The leads in the film have very little chemistry with one another and the characters are wafer thin, even by action movie standards. There are attempts at romance and playful banter that fizzle badly leaving only the action sequences to carry the film. Sadly while they are decent enough, especially a good car chase, they cannot overcome the plot issues and the creatures that do not live up to the hype.
Boll has taken a step back here as his recent films have shown progress especially the solid
“Seed” and “1968 Tunnel Rats”. When I visited the set I learned that the production was not allowed to use large aspects of the game and that aside from names, title, and settings, they had to create a new story that was inspired by the game. While the effort is there, the results come up lacking and do not do justice to the game, premise, or talent assembled.