"My Cousin Vinny. No doubt about it. Classic movie, never have seen Joe Pesci or Marisa Tomei better. Everybody was great. The writing was great. It just goes to show you how character-driven movies are always the best, for me. I love character-driven, well-written, great storytelling types of films and I think that My Cousin Vinny just hit the nail on the head with everything. It’s one of those movies that, if I’m flipping through the channels, no matter what part it’s on, I can watch it. It’s just one of my favorites."

"Another classic foundation piece of modern cinema. My personal favorite thing about this film is the relatable dynamic of the two main characters’ somewhat undefined relationship, a dynamic that after fifty years still feels as modern as ever. For different reasons, I’m also a big fan of the widely panned 1983 remake starring Richard Gere, in arguably the coolest role of his career. The remake is no Godard—really it’s a different film—but I challenge anyone to forget that they’ve ever seen the original for ninety minutes, revisit the remake, and not admit its criminally overlooked qualities!"

"It’s hard to pick which of Kurosawa’s films is my favorite, since they’re pretty much all top-ten worthy. But for sheer spectacle and beauty, Ran is pretty hard to beat. The cinematography is unreal, the acting heightened and emotional, and his use of music and sound (and the sometimes dramatic lack of it) shows a master at the top of his game. I’ve lived my life by the Kurosawa quote “An artist is one who never averts his eyes.” Make sure you don’t avert your eyes from this classic! (Yes, I just said that. You’re welcome, Criterion!)"

"Our developed world is bursting with screens and projections pumping out an incessant stream of what’s real, and what’s represented to be real. In this moment when we are witnessing the evolution of virtual reality, I find Baudrillard’s classic work of semiotics especially relevant. It has been hugely influential for me as a basis from which to explore important concepts and ethics around what our relationship with art and meaning will become. In the future, we will increasingly view the world through representations of reality, which will become so realistic that our brains could become completely deceived."

"This one. A nostalgia that will never go away. I went back and forth between this, and BIG with Tom Hanks but I ultimately chose this film for sheer entertainment, and for how outlandish the story is, and just how much fun the whole thing is. I saw it recently again, and it just doesn’t date. Michael J Fox, who I loved already from Family Ties, was the coolest thing on two heels for me. I just wanted to be him. The DeLorean. Doc Brown. Time Travel. A bit of young love. All these things played out with such light. A true classic."