"I had a choice of which night to go and see them at the Tate and I chose The Man-Machine, but for this I chose Radio-Activity. I think I chose it because I was trying to think of records that work as complete albums and the mood of this record as a whole is perfect. I’d say it has more in common with the classical music here than it does with some of the pop or rock records, because they are more a collection of songs that are put together, whereas this is more like classical music where you have a motif that repeats itself at different points over the course of the larger piece of music, which is why albums are so wonderful because you listen to them as a whole! Man-Machine is a great pop record probably even Computer World is more pop. The reason I picked this is that we’re back to this melancholia. There are a few pieces of music that make me feel that – how can I put it – I have a strong physical response to. Whenever I listen to Radio-Activity, every muscle in my body slackens and the blood becomes thinner and more fluid in a really beautiful way. It’s almost as if you are relaxing and giving yourself over to the melancholy you feel, but you try to deny in everyday life, but when you hear this music, it allows you to acknowledge it. The other thing I love about this record is that the vocals are very open and unconsidered. Ironically for a band that has such a high conceit about them, the music is very pure and very human. It’s a classic distraction technique as if to say, “Don’t look at these emotions, look at this technology”."

"My Father introduced me to this, he was very passionate about culture, literature and music, especially jazz and classical music and he would take me to see it. I lived in L.A. and on the long drives home he’d put on whatever music he was interested in at the time and was always really passionate about it. “I was a classical and jazz nerd when I was a kid, that’s what was around me and what I was learning about. My older brother started learning the guitar when I was about ten and I started then too, I got really serious about it and he sort of stopped. “I’m of a generation where we really listened to records as records, I’d go extremely deep with symphonies and jazz records and this one was really major. It’s a piece of music that’s stuck with me since I was fourteen years old, it’s the harmonic sensibility in it, the drama and the way it paints this very intense, almost kind of landscape picture. There’s a mid-20th Century sense of harmony to it that’s stuck with me and I’ve continued revisiting it and referencing it in my mind as an example of really rich, really emotive writing, without any words whatsoever. “It was my first experience of a deeply technical piece of music that was deeply emotional and accessed your emotional brain in a really intense and overwhelming way. That’s always been the goal, not to make music that’s cerebral, but to use your technical ability to channel something that hits your emotional brain and takes your entire brain over in almost a trance-like experience. “This was the first piece of music that I heard that had that level of complexity, but it was still as affecting as a Beatles record."

"I chose a live album because you can hear where East meets West. It's obvious Ravi's known for his traditional music with Indian instruments. But with Inside The Kremlin he has the strings going. He's got a very orchestrated formality to mix in with his own Indian-tempered scale melodies. You can also hear the giant strings very clearly, so for me this is heaven. You've got the Indian modality mixed in with classical music. It's part of where we learned to orchestrate - where you can hear the sitars, for instance. It didn't take long for us to think, hey, this is how you put a cool guitar, strings or oboe piece together! Before that - and the same happened on Ocean Rain by Echo & The Bunnymen - it was the first time in a long time that we began to suss out this orchestration thing; it's not rocket science! I know the composers seem like they're physicists but if we can just take the melodies we can already play on the guitar and we put them on these classical instruments, that's orchestration, isn't it? We didn't have to be Mozart to do this. But in my case, this is where I began to figure some of these things out, certainly with Ocean Rain and Ravi Shankar. When I was in The Flaming Lips making the In A Priest Driven Ambulance album, it was very similar in that there was a guitar melody, but there were also strings doing it. That led to the beginnings of the orchestration in Mercury Rev as well as Flaming Lips. Listen to Ravi Shankar, and then listen to modern Bollywood - that's the Western or Hollywood side of Eastern music."

"It's funny because it's one of the first classical records that I would have given some time to. I liked it because it felt obviously about something that I could understand and that it had some good tunes on it, in fact it has just one or two main themes and variations on them, as the name suggests. This one has a special place for me, as it's sort of helped me through. 'Nimrod', where the theme is at its purest, is just one of the most amazing pieces of music in history. It hits every kind of right emotional pitch at the right time. I can only listen to once every couple of years, because it just makes me cry, it's really astonishing. I think I listened to it when I was about 17. I am interested in classical music - I could rattle off... The people that seem to do the most for me are between 1900 and 1940, it's Stravinsky and Ravel, Shostakovich. Fauré is a recent acquisition, but I don't want to sound like a dick-ponce [laughs]! I think it's simply because it's where the Romantic movement is morphing into modernity and after the war, it really goes completely mental and I can't handle most of that. Although I do like a few post-modernists like Brant and Glass, people who are a joy as well. It's that period in the twenties, though, where there was some crazy stuff going on. Where they're really using dissonance and incredible syncopation that had never got a look in - for me, that's really enjoyable, where everything's going a bit mental. But they had still got good tunes, that's very important for me."