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Knight Terrors

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Video Game

Witness the horrifying adventures of a mysterious suit of armor known only as "The Knight." Armed...

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Sounds Like Titanic: A Memoir

Jessica Chiccehitto Hindman

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Book

A young woman leaves Appalachia for life as a classical musician—or so she thinks. When...

Ian Anderson recommended Classic FM Presents... by Alfie Boe in Music (curated)

Classic FM Presents... by Alfie Boe

2006 | Classical

(0 Ratings)

Album Favorite

"Last year I arrived in San Diego at the beginning of a tour, where I was playing the Thick As A Brick material. I ambled down to the theatre in the morning having arrived the night before, where the theatre manager said there was a note for me in my dressing room, left behind by Alfie Boe who they’d had a couple of nights before. I recognised Alfie Boe as a hotshot, super popular opera star who played at the Queen’s Jubilee Concert in Hyde Park. They crop up from time to time, these people who cross over from a more insulated music into wider popular culture, and Alfie Boe has certainly done that in the last couple of years with opera music. You might think he’s just another of the usual not-quite-authentic people who just find themselves singing the odd aria at working men’s clubs, and getting a record deal and a ton of money. But Alfie did his apprenticeship by studying at the Royal Academy of Music, worked with the D’Oyly Carte Opera and spent ten years of his life learning his craft. And he was a man born with enormous natural talent. Rather like Lou Gramm he has this very assured level of control – he knows what he can do. I read his note to me, wishing me a good show and leaving me a phone number. So a few weeks later in England I called Alfie and we had a few chats on the phone, and though we haven’t met we were due on two occasions to have lunch, but he had to cancel because of his mother’s illness. But I hope I do get to meet Alfie because I think he’s a very fine singer. I understand that while his desire is not to leave classical music, he wants to demonstrate he’s got the cojones of a Tom Jones or a Robert Plant or whoever - he wants to be a rock and roll singer. Far be it for me to say that might be mistake, you’ve got to give it a go. So Alfie’s branching out into rather middle-of-the-road pop and rock at the moment. As a classical singer, I think he has the gravitas and vocal expertise, perhaps more vocal expertise, than Pavarotti at his relatively young best. If you listen to Alfie’s ‘Nessun Dorma’, I think you’ll hear something that is sung with enormous technical ability, control, authority and with the right amount of gravitas, it has a weight to it that I think is really great. I hope he doesn’t sell himself short in the realm of middle-of-the-road pop music."

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Awix (3310 KP) rated Creed II (2018) in Movies

Dec 8, 2018 (Updated Dec 8, 2018)

Creed II (2018)

2018 | Action, Drama, Sport

7.4

(42 Ratings)

Movie Rating Watch

Eighth movie in the Rocky series is well-nigh miraculous, not for being a well-made sports drama (though it is that) but for revisiting some of the characters and events of Rocky IV (the silliest of these films) and still producing a credible, involving story. Donnie Creed wins the world title, but is challenged by Viktor Drago, the son of the man who killed his father umpty-tump years ago. What follows is a classical story of hubris, comeuppance, and redemption, with powerful themes of parental responsibility, legacy, and what it means to have the heart of a fighter. Plus lengthy sequences of beefy men bashing the living daylights out of each other, and the odd training montage too.

Really quite good in every department: the fights are as predictable as ever, but the storytelling really makes you feel them, and you care about the characters so much it doesn't really matter anyway. Carl Weathers must still be off somewhere muttering bitterly to himself about the fact that (one presumes) he's not making any money off these things, but Stallone does his latter-day character actor thing, Jordan carries the film well, and Tessa Thompson makes the most of a slightly underwritten part. Almost certainly the best movie in the filmography of Dolph Lundgren (this is not saying much) or Brigitte Nielson (this is probably saying even less).