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Gene Simmons recommended Their Satanic Majesties Request by The Rolling Stones in Music (curated)

 
Their Satanic Majesties Request by The Rolling Stones
Their Satanic Majesties Request by The Rolling Stones
1967 | Rock
(0 Ratings)
Album Favorite

"An underrated Stones record. You know, they had a sound. They originally started off and covered the Beatles' songs and other covers, because they didn't know how to write songs. Everybody hung out in the same clubs back then and they'd see each other socially. So, early on, the Beatles gave them 'I Wanna Be Your Man', which the Beatles recorded, but the Stones did as a single. Their manager Andrew Loog Oldham told them that they had to write their own songs, so they went down and developed that sound. Then eventually they saw the Beatles doing Sgt. Pepper's and all this experimental stuff and the Stones decided to go outside of their comfort zone. That's what I find interesting, whether Satanic Majesties is the Stones trying to do Sgt. Pepper's and ripping off the Beatles or not, it has production value and songwriting that isn't found on any other Stones records. '2000 Light Years From Home', '2000 Man'; I mean, we covered '2000 Man'. It's talking about computers and the year 2000, it's so interesting. I can remember being at school in the 60s and reading 1984 by George Orwell, which is all about how in the future the government would be spying on us. Of course this was written well before 1984, which now sounds like a long time has passed. So it's all relative. With the Stones' music, the strings and backwards stuff, there is some very very good material on that record. They happen not to like the record. I think it's a unique record that shows that the Stones have some depth. There is some bad, out-of-key background singing because they were never the best singers, they didn't have harmonies like the Beatles. The thing about it is that they were blues-based and they veered away from it on that record and went into almost Celtic and classical areas. It was a pastiche, a multi-coloured quilt! You can look at a band like a coin and say, 'I see everything, I don't need to see anything more', but there is that other side. That other side is what I think is more interesting. The depth."

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LoganCrews (2861 KP) rated The Curious Case of Benjamin Button (2008) in Movies

Sep 20, 2020 (Updated Nov 29, 2020)  
The Curious Case of Benjamin Button (2008)
The Curious Case of Benjamin Button (2008)
2008 | Drama, Romance, Sci-Fi
8
7.7 (16 Ratings)
Movie Rating Watch
Every so often I think something along the lines of: "There's no way this literal-as-possible, mostly one-note, kind of cringe, and honestly really derivative Oscar bait should work". And that's true, I do have my reservations about this - mainly, the choice to make the titular character this, like Bagger Vance-esque sage wanderer who only speaks in 'wise narrator' tropes (starts every other sentence with "we", seemingly omniscient even though there's no reason for him to be, etc.) and emotes on only one or two levels restricts a lot of the emotional palpability here imo. But Fincher and Pitt sell the absolute *hell* out of it - this looks and sounds all kinds of incredible, and thankfully never goes overboard with the period elements (they're used just right, a rarity with these types of films). Pitt is flat-out exceptional, and so is Blanchett - and oddly enough the makeup effects look less convincing when Pitt's supposed to be a 50-something year old man as opposed to an elderly child lmao, but they still look superb. I can't even act like I'm being objective to a point anymore, the cry porn just inexplicably works hardcore for me here - had a lump in my throat practically the entire runtime (which, by the way, flows together each vignette flawlessly and doesn't sag for a second). For the (minor) gripes listed above I think it works best when you look at it as a classical epic fairy tail as opposed to the human drama it could have perhaps succeeded even more in; and if there's any nuance at all I would say it's the way this works as a treatise towards appreciating 'the good times' while you're actually still in them ("I wanna remember us just as we are now") and the way it shows how we slowly become more and more desensitized towards death, even as we come closer to our own. As full of magnetic imagery and waterworks moments as this is I honestly can't act like I didn't adore it, but I fully understand why so many people are averse to it.
  
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