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Night Reader Reviews (683 KP) rated I'm Lost I'm Lost in Books

Jan 9, 2020

Im Lost Im Lost by Ruth Passmore is a little bit on the misleading side. The cover of this book depicts animals and a train. Potential readers should be aware that although the front cover depicts a train the book has absolutely nothing to do with them (a big disappointment to my two-year-old who loves trains). I know you should never judge a book by its cover by a childrens book may not be the best idea to practice that idea. At the same time, this is a counting book and aside from the numbers on the train cars, the front cover does not hint at this at all, although the back of the book dose.

Baby animals are lost and trying to find their way home in this short counting book. Readers start with a classical animal issue, a cat stuck in a tree. With the aid of very simple illustrations, readers are introduced to nine other animal species, ending with ten baby kangaroos.

What I liked best it that the idea behind this book is great. Counting is a fundamental skill that all children must learn and this book does so in a fun way. Children frequently have a fascination with animals and this book mixes animals with learning in a way children would not notice. The repetitive pattern is also nice for children. What I did not like is that some of the choices in animal types are questionable as they could be difficult for young children to read such as tortoises, hedgehogs, and kangaroos. Also on six out of ten pages, a specific number of animals is given but technically it is wrong. For example page, one says there is one cat stuck and a friend (witch according to the picture is also a cat) helps it, the same issue arises on multiple pages (page three has four fish on it not just the three that are lost). This is very confusing to young children.

Toddlers and their parents are the target readers for this book. Parents will enjoy reading this counting book to their young children. Young readers will enjoy the repetitive pattern of the story. The names of some animals may prove difficult to some young readers and they may need help if reading it on their own. I give this book a 1 out of 2 rating. Although a cute book, I would not necessarily recommend it as an educational book. While there is nothing wrong with the text, the illustrations could be confusing when it comes to counting.

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"You asked for albums, but albums are already a bit away from pop because of they're a more serious proposition, so all of these are albums that I own on vinyl, and because I'm of a certain age that's what I think of as a record. We didn't have a big record collection in our house when I was growing up, but my mum had three Beatles albums, Sgt Pepper, Revolver and Abbey Road. Even though I was a kid I could tell that Sgt Pepper and Revolver sounded like music that had happened a while ago, but Abbey RoadM sounded more modern. It still does sound quite modern, because on second side where all the songs run into each other, that's quite a thing, not many people had done that since and not many have since. There's an art to an album. If you've got an album that's got a shit song on it, especially if it's in the middle of a side, you're not going to play it as much because you know you're going to have to get up and skip that track. That's what I've tried to do with these, it's records that I don't mind putting on then you can relax or talk to people or whatever, but you know you're not going to get some kind of fucking horrible shitty stinker of a song on it. Abbey Road - I was young at the time, 10, 11, 12, whatever, and the track that ends side one, 'I Want You (She's So Heavy)' that was mind-blowing to me, the way it went on and on and on at the end, with this big synthy wooshy noise. I've since found out its Ringo playing this machine that sounds like wind that you get in classical orchestras. It was a psychedelic experience in a living room in a normal part of Sheffield in the early 70s, where, you know, psychedelic experiences weren't that common. I'll always remember it, that song in particularly took me somewhere. And that's the end of that side - if you had Abbey Road on CD it wouldn't be right, it only really works as a statement if you listen to it for ages and then it suddenly stops and then you're left in silence for a while until you can be bothered to get up and start again. I started with this because it plays with what an album can be. It's great. "

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