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Dick Cavett recommended Notorious (1946) in Movies (curated)
Matthew Krueger (10051 KP) rated The Invisible Man (1933) in Movies
Mar 4, 2020
Universal Monster
This movie is such a classic, it came out after dracula, frankenstein and the mummy. Out of all the universal monster movies, i like this one the most. It combines sci-fi, horror, psychological espects, and overall the invisible man just being a dick/asshole to everybody in his pathway. This classic movie is based off of a H.G. Wells novel, and if you dont know who that is, look him up..."The War of the Worlds".
The plot: While researching a new drug, Dr. Jack Griffin (Claude Rains) stumbles on a potion that can make him invisible. When he reveals his new ability to his old mentor (Henry Travers) and his fiancée (Gloria Stuart), it's clear that a side effect of the potion is insanity. Jack goes on a violent rampage, and the police struggle to hunt him down, unable to see their target, while his mentor and his former partner (William Harrigan) desperately try to devise a plan to capture him.
You have Claude Rains playing "The Invisible Man", he is excellent in this film. Cause like i said his charcter is just a dick/asshole to everybody in his pathway but has a heart of gold for his love.
If you havent seen this film, i would highly recordmend it, cause it is fantasic and phenomenal.
The plot: While researching a new drug, Dr. Jack Griffin (Claude Rains) stumbles on a potion that can make him invisible. When he reveals his new ability to his old mentor (Henry Travers) and his fiancée (Gloria Stuart), it's clear that a side effect of the potion is insanity. Jack goes on a violent rampage, and the police struggle to hunt him down, unable to see their target, while his mentor and his former partner (William Harrigan) desperately try to devise a plan to capture him.
You have Claude Rains playing "The Invisible Man", he is excellent in this film. Cause like i said his charcter is just a dick/asshole to everybody in his pathway but has a heart of gold for his love.
If you havent seen this film, i would highly recordmend it, cause it is fantasic and phenomenal.
BankofMarquis (1832 KP) rated Casablanca (1942) in Movies
May 6, 2019
A Classic in Every Sense of the Word
"Of all the gin joints, in all the towns, in all the world, she walks into mine."
"We'll always have Paris."
"Here's looking at you, kid."
"Louis, I think this is the beginning of a beautiful friendship."
And many, many, many other iconic lines were featured in the brilliant 1942 all-time Classic CASABLANCA. Listed as "Warner Brothers Project #410", this film was supposed to be "just another film", but it turned out to be something more.
Starring Humphrey Bogart, Ingrid Bergman and Claude Rains, CASABLANCA tells the story of refugees trying to flee Nazi controlled France (via Casablanca) in WWII. Amongst the denizens of Casablanca, there is Rick Blain, proprieter of Rick's Cafe American - a place where one can buy documents needed to escape, as well as escape - through a bottle.
Humphrey Bogart is perfectly cast as the jaded, "I stick my neck out for no one", Rick. He is cynical, corrupt, selfish...but he also has a heart of gold underneath it all. Bogie plays all of these layers - richly - at once, and was rewarded with an Academy Award nomination. He would lose to Paul Lukas for WATCH ON THE RHINE - a film I haven't seen, so can't judge as to the merits of his win. But...based on Bogart's performance...I'd say he was robbed.
Rick's "partner in crime' is Capt. Louis Renault of the Casablanca police. He is cheerfully and unapologetic-ally played by Claude Rains, who also was nominated (but didn't win) for his performance. These two play off each other brilliantly and the chemistry between these two is evident and I would have LOVED to see another film featuring these two fine performers. I'd say the chemistry between these two actors is a high point in this film, if it weren't for...
Ingrid Bergman as Ilse Lund - a past romance of Rick's. When Ilse and her husband, Viktor Laszlo enters Rick's seeking transit papers to flee the Nazi's, the instant spark and chemistry between Bogart and Bergman is palatable. You can feel the heat between the two of them through the screen and the longing and regret for "what could have been" is heartbreaking. If you were to show an example of "screen chemistry" the scenes between Bogart in Bergman in this film would be "Exhibit A".
Credit for all of this - and for keeping the plot machinations moving forward - is Warner Brothers "contract director" Michael Curtiz - one of the greatest Directors of "old Hollywood." His credits include the Errol Flynn ROBIN HOOD, James Cagney's Oscar turn as George M. Cohan in YANKEE DOODLE DANDY, CASABLANCA, the Bing Crosby/Danny Kaye WHITE CHRISTMAS and John Wayne in THE COMMANCHERO'S - all big budget, big expectations films that delivered the goods. Curtiz won the Oscar for his work in this film.
Assisting him are the two men who wrote so many memorable lines...twin brothers Julius and Phillip Epstein. They (deservedly) won an Oscar for their screenplay - the only set of Twins to win the Oscar.
The supporting cast - including Paul Henreid, Sydney Greenstreet and Peter Lorre - are exceptional as well, as are great scene after great scene - including the "Marseilles" scene and, of course, the fog covered airport scene at the end.
If you haven't seen this film in awhile, do yourself a favor and check it out. If you have NEVER seen it, I envy you the experience of seeing this wonderful black and white film for the first time. It is consistently listed as one of the top 5 films of all time - and earns that ranking. It truly is one of the greatest films - with some of the greatest performances - of all time.
Certainly, if you wanted just one example of Studio "Old Hollywood" movie making, this would be the one movie to watch.
Letter Grade: A+
10 stars (out of 10) and you can take that to the Bank(ofMarquis)
"We'll always have Paris."
"Here's looking at you, kid."
"Louis, I think this is the beginning of a beautiful friendship."
And many, many, many other iconic lines were featured in the brilliant 1942 all-time Classic CASABLANCA. Listed as "Warner Brothers Project #410", this film was supposed to be "just another film", but it turned out to be something more.
Starring Humphrey Bogart, Ingrid Bergman and Claude Rains, CASABLANCA tells the story of refugees trying to flee Nazi controlled France (via Casablanca) in WWII. Amongst the denizens of Casablanca, there is Rick Blain, proprieter of Rick's Cafe American - a place where one can buy documents needed to escape, as well as escape - through a bottle.
Humphrey Bogart is perfectly cast as the jaded, "I stick my neck out for no one", Rick. He is cynical, corrupt, selfish...but he also has a heart of gold underneath it all. Bogie plays all of these layers - richly - at once, and was rewarded with an Academy Award nomination. He would lose to Paul Lukas for WATCH ON THE RHINE - a film I haven't seen, so can't judge as to the merits of his win. But...based on Bogart's performance...I'd say he was robbed.
Rick's "partner in crime' is Capt. Louis Renault of the Casablanca police. He is cheerfully and unapologetic-ally played by Claude Rains, who also was nominated (but didn't win) for his performance. These two play off each other brilliantly and the chemistry between these two is evident and I would have LOVED to see another film featuring these two fine performers. I'd say the chemistry between these two actors is a high point in this film, if it weren't for...
Ingrid Bergman as Ilse Lund - a past romance of Rick's. When Ilse and her husband, Viktor Laszlo enters Rick's seeking transit papers to flee the Nazi's, the instant spark and chemistry between Bogart and Bergman is palatable. You can feel the heat between the two of them through the screen and the longing and regret for "what could have been" is heartbreaking. If you were to show an example of "screen chemistry" the scenes between Bogart in Bergman in this film would be "Exhibit A".
Credit for all of this - and for keeping the plot machinations moving forward - is Warner Brothers "contract director" Michael Curtiz - one of the greatest Directors of "old Hollywood." His credits include the Errol Flynn ROBIN HOOD, James Cagney's Oscar turn as George M. Cohan in YANKEE DOODLE DANDY, CASABLANCA, the Bing Crosby/Danny Kaye WHITE CHRISTMAS and John Wayne in THE COMMANCHERO'S - all big budget, big expectations films that delivered the goods. Curtiz won the Oscar for his work in this film.
Assisting him are the two men who wrote so many memorable lines...twin brothers Julius and Phillip Epstein. They (deservedly) won an Oscar for their screenplay - the only set of Twins to win the Oscar.
The supporting cast - including Paul Henreid, Sydney Greenstreet and Peter Lorre - are exceptional as well, as are great scene after great scene - including the "Marseilles" scene and, of course, the fog covered airport scene at the end.
If you haven't seen this film in awhile, do yourself a favor and check it out. If you have NEVER seen it, I envy you the experience of seeing this wonderful black and white film for the first time. It is consistently listed as one of the top 5 films of all time - and earns that ranking. It truly is one of the greatest films - with some of the greatest performances - of all time.
Certainly, if you wanted just one example of Studio "Old Hollywood" movie making, this would be the one movie to watch.
Letter Grade: A+
10 stars (out of 10) and you can take that to the Bank(ofMarquis)
Connor Sheffield (293 KP) rated The Wolf Man (1941) in Movies
May 25, 2017
A classic Universal Monster Movie (2 more)
Lon Chaney Jr
Claude Rains
Even a Man who is pure of heart....
Even a man who is pure of heart, and says his prayers by night, may become a wolf when the wolfsbane blooms, and the Autumn moon is bright.
Heard that before in other werewolf movies, well this was it's origin. Created purely for the film, this poem even had some people believing it was an original folklore saying. If you have watched a handful of werewolf movies, then you will have noticed a lot of similarities;
- Silver bullets
- Wolfsbane
- Full Moon
- Not being able to retreat their acts from their loved ones
- Pentagrams
- Gypsies
- Gypsy Curses
- A Bite or scratch from the werewolf turns you
Some of these were originally created by the writers working on this film, and have become stereotypes that inspire many other werewolf films, TV Shows, Books, and Games etc.
The portrayal of Lawrence Talbot, by Lon Chaney Jr. is one that makes the classic Universal Monsters so special. Just like Frankenstein's Monster, the audiences of the 40's would have been frightened and horrified by these creatures, enough so that they wouldn't realise that they are in actual fact, suppose to sympathize with them, because when you watch the creatures being chased and hunted,the angry mobs fail to understand that these creatures never wanted this. Frankenstein's Monster never asked to be created, or to have the brain of a criminal mistakenly placed into his head instead of that of a civilized man. Larry Talbot never asked for the Wolf Man's curse, which he encountered whilst trying to save the life of a young female friend of his love interest.
With a great story and, at the time, revolutionary stop motion effects for the wolf man transformation, but of course the most important aspect, the beautifully crafted practical effects, the makeup that brings the creature to life, is incredible. My favourite of the classic Universal Monster Movies and one of my favourite movies of all time.
Heard that before in other werewolf movies, well this was it's origin. Created purely for the film, this poem even had some people believing it was an original folklore saying. If you have watched a handful of werewolf movies, then you will have noticed a lot of similarities;
- Silver bullets
- Wolfsbane
- Full Moon
- Not being able to retreat their acts from their loved ones
- Pentagrams
- Gypsies
- Gypsy Curses
- A Bite or scratch from the werewolf turns you
Some of these were originally created by the writers working on this film, and have become stereotypes that inspire many other werewolf films, TV Shows, Books, and Games etc.
The portrayal of Lawrence Talbot, by Lon Chaney Jr. is one that makes the classic Universal Monsters so special. Just like Frankenstein's Monster, the audiences of the 40's would have been frightened and horrified by these creatures, enough so that they wouldn't realise that they are in actual fact, suppose to sympathize with them, because when you watch the creatures being chased and hunted,the angry mobs fail to understand that these creatures never wanted this. Frankenstein's Monster never asked to be created, or to have the brain of a criminal mistakenly placed into his head instead of that of a civilized man. Larry Talbot never asked for the Wolf Man's curse, which he encountered whilst trying to save the life of a young female friend of his love interest.
With a great story and, at the time, revolutionary stop motion effects for the wolf man transformation, but of course the most important aspect, the beautifully crafted practical effects, the makeup that brings the creature to life, is incredible. My favourite of the classic Universal Monster Movies and one of my favourite movies of all time.
Darren (1599 KP) rated The Invisible Man (1933) in Movies
Mar 2, 2020
Verdict: Classic
Story: The Invisible Man starts as the heavily bandaged man Dr Jack Griffin (Rains) stumbles through a snow storm to a tavern demanding a room to try and fix the problem he faces, the fact he is now invisible, which strikes fear into the tavern and town.
Dr Cranley (Travers) and Dr Kemp (Harrigan) are trying to figure out what happened to Jack, even though he has started to become insane with the side effects of becoming invisible, showing just how dangerous he has become.
Thoughts on The Invisible Man
Characters – Dr Jack Griffin has become invisible after performing an experiment on himself, he covers himself up not to scare people, making himself look like an injured man, as he tries to find a cure, only it makes him act crazier become a psycho that is willing to kill to escape. Flora is the partner of Jack’s who is trying to make sure he is safe, getting worried believing he will still having good in him. Dr Kemp is one of the scientists that gets caught up in the middle of trying to help Jack and being scared of what he could be, unlike Dr Cranley that knows more of the secrets of the substance he has been using.
Performances – Claude Rains is haunting and disturbing in the leading role, he shows how easily he can snap and how desperate he has been to fix himself. Elsewhere the cast are strong, most reacting to the action more than anything else.
Story – The story follows a man that has become invisible and is desperately trying to recover from his experiment, which has caused him to get more aggressive towards people in life, causing the locals to go in search for him to get stop him. This is an interesting story that shows how people will come together to solve a problem and will be left in fear of the unexplained. While the story might show a villainous figure, it would have been nice to see the science behind what caused what happened, only this might have been difficult to achieve for the time this was made. This is a story that does show hunting for what can’t be seen is interesting to see.
Horror/Sci-Fi – The horror comes from the shock value of seeing Jack without the bandages for the first time and just what he could get up to without being seen, while the sci-fi side of the film does show us just how the unexplained could become terrifying.
Settings – The film does use the settings to show how Jack can go into hiding, or where he could go for answers.
Special Effects – The effects are amazing for the time, when we see the unbandaging sequence it is truly shocking to see.
Scene of the Movie – Jack shows us beneath the bandages.
That Moment That Annoyed Me – We don’t learn enough of the science.
Final Thoughts – This is a true classic of cinema, bringing us one of the first horror icons in the genre in the 1930s and is a film you need to check out.
Overall: Horror Classic.
Story: The Invisible Man starts as the heavily bandaged man Dr Jack Griffin (Rains) stumbles through a snow storm to a tavern demanding a room to try and fix the problem he faces, the fact he is now invisible, which strikes fear into the tavern and town.
Dr Cranley (Travers) and Dr Kemp (Harrigan) are trying to figure out what happened to Jack, even though he has started to become insane with the side effects of becoming invisible, showing just how dangerous he has become.
Thoughts on The Invisible Man
Characters – Dr Jack Griffin has become invisible after performing an experiment on himself, he covers himself up not to scare people, making himself look like an injured man, as he tries to find a cure, only it makes him act crazier become a psycho that is willing to kill to escape. Flora is the partner of Jack’s who is trying to make sure he is safe, getting worried believing he will still having good in him. Dr Kemp is one of the scientists that gets caught up in the middle of trying to help Jack and being scared of what he could be, unlike Dr Cranley that knows more of the secrets of the substance he has been using.
Performances – Claude Rains is haunting and disturbing in the leading role, he shows how easily he can snap and how desperate he has been to fix himself. Elsewhere the cast are strong, most reacting to the action more than anything else.
Story – The story follows a man that has become invisible and is desperately trying to recover from his experiment, which has caused him to get more aggressive towards people in life, causing the locals to go in search for him to get stop him. This is an interesting story that shows how people will come together to solve a problem and will be left in fear of the unexplained. While the story might show a villainous figure, it would have been nice to see the science behind what caused what happened, only this might have been difficult to achieve for the time this was made. This is a story that does show hunting for what can’t be seen is interesting to see.
Horror/Sci-Fi – The horror comes from the shock value of seeing Jack without the bandages for the first time and just what he could get up to without being seen, while the sci-fi side of the film does show us just how the unexplained could become terrifying.
Settings – The film does use the settings to show how Jack can go into hiding, or where he could go for answers.
Special Effects – The effects are amazing for the time, when we see the unbandaging sequence it is truly shocking to see.
Scene of the Movie – Jack shows us beneath the bandages.
That Moment That Annoyed Me – We don’t learn enough of the science.
Final Thoughts – This is a true classic of cinema, bringing us one of the first horror icons in the genre in the 1930s and is a film you need to check out.
Overall: Horror Classic.
BankofMarquis (1832 KP) rated Casablanca (1942) in Movies
Feb 13, 2019
A classic in every sense of the word
"Of all the gin joints in all the towns, in all the world, she had to walk into mine."
If there was only 1 movie that could be shown to show off "classic", old time Hollywood of the 1930's, '40's and early '50s, look no further than Michael Curtiz' 1942 classic CASABLANCA. While well known for the performances of the leads, the multiple quoted lines, Sam singing AS TIME GOES BY and the iconic ending, this film also is a time capsule to a Hollywood of another year - one that just doesn't exist today.
Starring the great Humphrey Bogart in an Academy Award nominated performance (inexplicably, losing to Paul Lukas for WATCH ON THE RHINE), CASABLANCA tells the tale of Rick Blaine the owner/operator of "Rick's Place" a bar in Casablanca, Morocco in the early days of WWII. He is world-weary, beaten and cynical and is well known as someone who can get things done (for a price) but also one who will not stick his neck out for anyone. When a couple on the run from the Nazi's (Paul Henreid, Ingrid Bergman) enter's Rick's Place, Blaine (for reasons that are revealed in the film) decides to help.
"Here's looking at your kid."
Bogart is marvelous as Blaine, you can see every inch of his world-weariness on his well-worn, craggy face. He is perfectly cast as Rick and his mannerisms and vocal patterns depict a heaviness within. Bogart is often criticized for his lack of acting talent - nothing could be further from the truth here. He is perfectly paired with Bergman as Ilse - a former love of Rick's, who is now the wife of Freedom Fighter Victor Laszlo (Henreid). There is real chemistry between Bogart and Bergman in this film and you can tell that they are former lovers that still has a flame burning inside.
"We'll always have Paris."
But it's not just the leads who are terrific in this, it's the "who's who" of character actors that make up the Supporting Cast that really brings this film to life. From Peter Lorre to Sydney Greenstreet to Conrad Veidt to S.Z. Sakall to Dooley Wilson as Sam (who plays and sings AS TIME GOES BY), all bring interesting faces and characters to Casablanca (and Rick's Place) but the standout is Claude Rains (nominated for Best Supporting Actor - losing, inexplicably, to Charles Coburn in THE MORE THE MERRIER) as Louis, the corrupt Police Captain of Casablanca who becomes an uneasy ally of Rick's. Did I say that Bogart and Bergman had good chemistry? Check out the chemistry between Bogart and Rains, there was talk of a sequel to Casablance featuring these two - I, for one, would love to have seen that buddy flick.
Director Michael Curtiz won an Oscar for his work - and it is richly deserved. Nary a shot is wasted on this film, each picture a rich black and white portrait. It is interesting to note that this entire film was shot in California (not Casablanca), mostly on the Warner Brothers lot, but Curtiz was able to give the look and (more importantly) the feel of the place through the sets, costumes, lighting and atmosphere.
But it's the words that these characters got to say that really brought home the feel and atmosphere of the time, so credit needs to go to Screenwriters Julius and Phillip Epstein as well as Howard Koch who won Oscars for their work here. This is a masterful, classic work. One that stands up to this day. If you haven't seen this film in awhile, do yourself a favor and check it out - you'll be glad you did.
"Louie, I think this is the beginning of a beautiful friendship."
Letter Grade: A+
A rare 10 (out of 10) stars and you can take that to the Bank(ofMarquis)
If there was only 1 movie that could be shown to show off "classic", old time Hollywood of the 1930's, '40's and early '50s, look no further than Michael Curtiz' 1942 classic CASABLANCA. While well known for the performances of the leads, the multiple quoted lines, Sam singing AS TIME GOES BY and the iconic ending, this film also is a time capsule to a Hollywood of another year - one that just doesn't exist today.
Starring the great Humphrey Bogart in an Academy Award nominated performance (inexplicably, losing to Paul Lukas for WATCH ON THE RHINE), CASABLANCA tells the tale of Rick Blaine the owner/operator of "Rick's Place" a bar in Casablanca, Morocco in the early days of WWII. He is world-weary, beaten and cynical and is well known as someone who can get things done (for a price) but also one who will not stick his neck out for anyone. When a couple on the run from the Nazi's (Paul Henreid, Ingrid Bergman) enter's Rick's Place, Blaine (for reasons that are revealed in the film) decides to help.
"Here's looking at your kid."
Bogart is marvelous as Blaine, you can see every inch of his world-weariness on his well-worn, craggy face. He is perfectly cast as Rick and his mannerisms and vocal patterns depict a heaviness within. Bogart is often criticized for his lack of acting talent - nothing could be further from the truth here. He is perfectly paired with Bergman as Ilse - a former love of Rick's, who is now the wife of Freedom Fighter Victor Laszlo (Henreid). There is real chemistry between Bogart and Bergman in this film and you can tell that they are former lovers that still has a flame burning inside.
"We'll always have Paris."
But it's not just the leads who are terrific in this, it's the "who's who" of character actors that make up the Supporting Cast that really brings this film to life. From Peter Lorre to Sydney Greenstreet to Conrad Veidt to S.Z. Sakall to Dooley Wilson as Sam (who plays and sings AS TIME GOES BY), all bring interesting faces and characters to Casablanca (and Rick's Place) but the standout is Claude Rains (nominated for Best Supporting Actor - losing, inexplicably, to Charles Coburn in THE MORE THE MERRIER) as Louis, the corrupt Police Captain of Casablanca who becomes an uneasy ally of Rick's. Did I say that Bogart and Bergman had good chemistry? Check out the chemistry between Bogart and Rains, there was talk of a sequel to Casablance featuring these two - I, for one, would love to have seen that buddy flick.
Director Michael Curtiz won an Oscar for his work - and it is richly deserved. Nary a shot is wasted on this film, each picture a rich black and white portrait. It is interesting to note that this entire film was shot in California (not Casablanca), mostly on the Warner Brothers lot, but Curtiz was able to give the look and (more importantly) the feel of the place through the sets, costumes, lighting and atmosphere.
But it's the words that these characters got to say that really brought home the feel and atmosphere of the time, so credit needs to go to Screenwriters Julius and Phillip Epstein as well as Howard Koch who won Oscars for their work here. This is a masterful, classic work. One that stands up to this day. If you haven't seen this film in awhile, do yourself a favor and check it out - you'll be glad you did.
"Louie, I think this is the beginning of a beautiful friendship."
Letter Grade: A+
A rare 10 (out of 10) stars and you can take that to the Bank(ofMarquis)
Emma @ The Movies (1786 KP) rated Valerian and the City of a Thousand Planets (2017) in Movies
Sep 25, 2019
The story of Valerian is a good one. We open on Mül, a idyllic place of peace and a simple life. But this peace is shattered when fire rains from the sky devastating the entire planet. The last moment of Mül sees the Princess, doomed to die in the explosion, release her energy into the universe, through time and space.
Valerian, sunning himself on his ship, is hit with a sudden vision of the cataclysm on Mül. Unsure about it's meaning he goes back to the task at hand, retrieving a relic from some disreputable people on the black market. The "converter" is the last of it's kind in the universe, it will eat anything and rapidly replicate it, and as such is a very valuable commodity.
The mission is to return the converter to Alpha station. But when they arrive they discover that the station has been infected with something right at its heart. It's spreading, and all those that enter do not come back. When events lead to Valerian being drawn into the infected area, Laureline isn't willing to give up hope, and she battles her way in. Once she's reunited with Valerian they work travel to the centre of the station and discover the shocking truth about how the infection began...
The film is based on Valerian and Laureline, a French sci-fi comic series written by Pierre Christin and illustrated by Jean-Claude Mézières. I have got the first one to read, but as is my tradition, I have yet to do so. The first one is available free on Kindle at the moment if anybody is that way inclined. I expect that it will get a much better reaction in Europe than it seem to have done in the States, which is a bit of a shame. Possibly the way to go would have been with bigger stars, but *shrugs shoulders* it's too late now.
As I said, the story itself is a good one, and while people are nit picking and saying there are plot holes... there aren't if you don't look for them. I have this horrible ability to just watch a film for what it is, if you just go and see something to have some fun you don't notice any of that. It's a horribly nice way to be able to live my life, I enjoy a lot more things that way.
What I'm about to say is going to contradict my overall feeling for the film... I didn't really enjoy Dane DeHaan or Cara Delevingne. I had originally thought that I hadn't seen DeHaan in anything before, but was soon getting recollections of The Amazing Spider-Man 2. Scrolling through Delevingne's few years of films I've only seen Suicide Squad, and her acting as a "real person" is quite a small piece in that. While I can't think of anyone who would have perfectly suited either role, I feel like many other actors could have done an equal, or better, performance.
You get a wonderful introduction to what the station is, and has become. And we're treated to the potted history of alien species, several of which would sit quite nicely in the Whoniverse. I'm quite looking forward to reading the graphic novel. I can see stories unfolding in the different sections of the station, and that works. It almost feels like it would have made an amazing TV series, because it is essentially Star Trek with glitzier aliens and ecosystems.
As far as the secondary characters go we're treated to several memorable moments. Including Ethan Hawke as Jolly the Pimp, which is as flamboyant as you'd expect. Clive Owen as Commander Filitt, stern and ruthless, the sort who would stab you in the back (or the front) for his own gain. Sam Spruell as General Okto-Bar, who acted his part incredibly well... I'm honestly surprised I've not seen any of the other things he's been in, but I will be checking them out. Rihanna as Bubble, I'm a little surprised about how much I heard about her being in this considering how short her role is. But the same is true of a few things I've seen recently. We first meet her at Jolly's den of iniquity, where the music video training definitely came in handy.
As a whole the film moves along smoothly, with only a few little bits that seemed like they didn't belong, or could have been cut out. Unlike other films though, these little additions didn't harm the overall product.
Here is where my love for the film takes a steep nose-drive. Imagine crying with joy to resting bitch-face in the space of a few seconds. The 3D was hideous. I can't even think of a nice thing to say about it.
When the scenes were general crowd shots or indoors, everything was fine... although these shots didn't really benefit from the effect. The exterior shots however, in my not so expert opinion, were a terrible idea. I found some of them actually painful to watch, particularly long range shots of Alpha with ships coming in to dock. It was near on impossible to deal with the perspective as there was so much happening. For the last half of the film I took my 3D glasses off every time these shots appeared on screen as my head was rapidly starting to hurt, and I wasn't the only one having trouble.
If it wasn't for the painful exterior shots I honestly would have forgotten I was watching the film in 3D. Unlike other 3D films, you weren't aware that things were coming out of the screen at you. Not once.
I really don't want to be so negative about this film, it was an enjoyable watch (without the optical illusion created by the 3D). I would recommend it to anyone who has a passing interest in sci-fi and adaptations of comics. And I feel like, if nothing else, it might get the graphic novels themselves more circulation outside of Europe.
But please... watch it in 2D.
Valerian, sunning himself on his ship, is hit with a sudden vision of the cataclysm on Mül. Unsure about it's meaning he goes back to the task at hand, retrieving a relic from some disreputable people on the black market. The "converter" is the last of it's kind in the universe, it will eat anything and rapidly replicate it, and as such is a very valuable commodity.
The mission is to return the converter to Alpha station. But when they arrive they discover that the station has been infected with something right at its heart. It's spreading, and all those that enter do not come back. When events lead to Valerian being drawn into the infected area, Laureline isn't willing to give up hope, and she battles her way in. Once she's reunited with Valerian they work travel to the centre of the station and discover the shocking truth about how the infection began...
The film is based on Valerian and Laureline, a French sci-fi comic series written by Pierre Christin and illustrated by Jean-Claude Mézières. I have got the first one to read, but as is my tradition, I have yet to do so. The first one is available free on Kindle at the moment if anybody is that way inclined. I expect that it will get a much better reaction in Europe than it seem to have done in the States, which is a bit of a shame. Possibly the way to go would have been with bigger stars, but *shrugs shoulders* it's too late now.
As I said, the story itself is a good one, and while people are nit picking and saying there are plot holes... there aren't if you don't look for them. I have this horrible ability to just watch a film for what it is, if you just go and see something to have some fun you don't notice any of that. It's a horribly nice way to be able to live my life, I enjoy a lot more things that way.
What I'm about to say is going to contradict my overall feeling for the film... I didn't really enjoy Dane DeHaan or Cara Delevingne. I had originally thought that I hadn't seen DeHaan in anything before, but was soon getting recollections of The Amazing Spider-Man 2. Scrolling through Delevingne's few years of films I've only seen Suicide Squad, and her acting as a "real person" is quite a small piece in that. While I can't think of anyone who would have perfectly suited either role, I feel like many other actors could have done an equal, or better, performance.
You get a wonderful introduction to what the station is, and has become. And we're treated to the potted history of alien species, several of which would sit quite nicely in the Whoniverse. I'm quite looking forward to reading the graphic novel. I can see stories unfolding in the different sections of the station, and that works. It almost feels like it would have made an amazing TV series, because it is essentially Star Trek with glitzier aliens and ecosystems.
As far as the secondary characters go we're treated to several memorable moments. Including Ethan Hawke as Jolly the Pimp, which is as flamboyant as you'd expect. Clive Owen as Commander Filitt, stern and ruthless, the sort who would stab you in the back (or the front) for his own gain. Sam Spruell as General Okto-Bar, who acted his part incredibly well... I'm honestly surprised I've not seen any of the other things he's been in, but I will be checking them out. Rihanna as Bubble, I'm a little surprised about how much I heard about her being in this considering how short her role is. But the same is true of a few things I've seen recently. We first meet her at Jolly's den of iniquity, where the music video training definitely came in handy.
As a whole the film moves along smoothly, with only a few little bits that seemed like they didn't belong, or could have been cut out. Unlike other films though, these little additions didn't harm the overall product.
Here is where my love for the film takes a steep nose-drive. Imagine crying with joy to resting bitch-face in the space of a few seconds. The 3D was hideous. I can't even think of a nice thing to say about it.
When the scenes were general crowd shots or indoors, everything was fine... although these shots didn't really benefit from the effect. The exterior shots however, in my not so expert opinion, were a terrible idea. I found some of them actually painful to watch, particularly long range shots of Alpha with ships coming in to dock. It was near on impossible to deal with the perspective as there was so much happening. For the last half of the film I took my 3D glasses off every time these shots appeared on screen as my head was rapidly starting to hurt, and I wasn't the only one having trouble.
If it wasn't for the painful exterior shots I honestly would have forgotten I was watching the film in 3D. Unlike other 3D films, you weren't aware that things were coming out of the screen at you. Not once.
I really don't want to be so negative about this film, it was an enjoyable watch (without the optical illusion created by the 3D). I would recommend it to anyone who has a passing interest in sci-fi and adaptations of comics. And I feel like, if nothing else, it might get the graphic novels themselves more circulation outside of Europe.
But please... watch it in 2D.