"I never tire of using this film in the classroom, because there’s always more to glean from it, and I say this as someone who has seen it many, many times. Before I saw it, I had already read Todd’s script, and I did not have any understanding of what it was going to be. I just remember seeing it in New York City at a small screening, and I was in the movie for so long after that—I couldn’t shake it. I came out so hyperaware of every little thing. At the time I was living above a dry cleaner, and I became obsessed with every smell around me. Julianne Moore is amazing in the movie—is there a better performance? This is a film that, if you don’t know anything about it, you certainly won’t know where it’s going. I remember riding in a cab with some big film critic at the time who said, “You won’t believe what I saw today! Some story about a housewife who gets sick—can you believe it?” He had no idea what to make of it, but people have really revised their opinions since then. It’s so masterful, and it’s some of my favorite Todd Haynes writing—it’s so darkly funny."

"Oasis definitely did change my life when I first heard them! [Bell later played bass and rhythm guitar in Oasis, 1999-2009.] They were like a breath of fresh air. To put it into context, Ride were working on the third album, Carnival Of Light, and we were taking a bit of a break. We were starting to get a bit frayed at the edges and we were starting to pull in different directions musically, too. “We were really shooting for a kind of West Coast Byrdsy California sound mixed with a little bit of Led Zeppelin and a little bit of classic rock. I think we were also subconsciously trying to make a cleaner record, because we’d stopped getting played on the radio… but then along comes Oasis sounding like the Jesus And Mary Chain meets the Sex Pistols and just completely blew everything out of the water! “As we’re talking about guitars, I should just say that I think Noel’s really underrated as a lead guitar player. His playing is like a John Squire-y thing, but there’s a lot more muscle behind it. He kind of trademarked his own style, which has become something that everyone uses now – that massively overdriven sound with quite a lot of delay on it. [His playing] just sounded epic."