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RəX Regent (349 KP) rated Chitty Chitty Bang Bang (1968) in Movies
Mar 7, 2019
Contains spoilers, click to show
This was the first time that I've seen this children's classic since I was a child, and I suppose that I'd hoped that it would live up to its reputation. In all fairness though, I din't like it that much when I was a child, if I'm honest and my children, though some DO like it, others seemed to have mixed feelings. At best, it's likable but never lovable and at worst, it just isn't liked at all.
So, as an adult I watched this loose adaptation of James Bond's, Ian Flemming's novel, with every good intention, but in the end was left disappointed. Firstly, at 2 hours and 20 minutes long, it feels like an epic, and a completely unnecessary one at that. Its intermission is turned into a Batfink or Adam West's Batman styled cliffhanger rather than a thematic or narrative break that it traditionally should have been, even going so far as to recap the action in the second act!
The songs weren't great either, generally bordering on tedium rather than holding my interest. The story seems to be a little off kilter too, with a seemingly fatal crash destroying the eponymous car before its eventual restoration by Dick van Dyke. This was the culmination of a five-minute title sequence showcasing the early Grand Prix's of 1907 and '08 which for a family film seemed to drag somewhat.
But after an hour of songs and character development, we finally take off in the flying car to the fantasy land of Vulgaria, only for the whole experience to be a fantastical story told by Van Dyke's, Caractacus Potts! All in all, this was a strange film, but not in an entertaining way like Willy Wonka's Chocolate Factory, the connection being Roald Dahl's involvement with the screenplay, but in a rather boring way, with events just seeing to happen without any really cause or need. One hour of story, then another one of fantasy. How many other films can boast this kind narrative twist and get away with it. It just seemed to be indulgent and plodding.
It would defiantly have been improved if the car was actually magical and did actually take them on this adventure rather than suggesting that it is perfectly okay to sing and dance around the real world but it's a stretch too far to have a flying car! It should have been a fantasy through and through rather than six of one and half a dozen of the other.
Ultimately, Overrated in my opinion and since the view of FOUR children, boys and girls ranging from 7 – 15, is that it's watchable rather than fully enjoyable, I suspect that this film is being viewed through rose tinted glasses.
So, as an adult I watched this loose adaptation of James Bond's, Ian Flemming's novel, with every good intention, but in the end was left disappointed. Firstly, at 2 hours and 20 minutes long, it feels like an epic, and a completely unnecessary one at that. Its intermission is turned into a Batfink or Adam West's Batman styled cliffhanger rather than a thematic or narrative break that it traditionally should have been, even going so far as to recap the action in the second act!
The songs weren't great either, generally bordering on tedium rather than holding my interest. The story seems to be a little off kilter too, with a seemingly fatal crash destroying the eponymous car before its eventual restoration by Dick van Dyke. This was the culmination of a five-minute title sequence showcasing the early Grand Prix's of 1907 and '08 which for a family film seemed to drag somewhat.
But after an hour of songs and character development, we finally take off in the flying car to the fantasy land of Vulgaria, only for the whole experience to be a fantastical story told by Van Dyke's, Caractacus Potts! All in all, this was a strange film, but not in an entertaining way like Willy Wonka's Chocolate Factory, the connection being Roald Dahl's involvement with the screenplay, but in a rather boring way, with events just seeing to happen without any really cause or need. One hour of story, then another one of fantasy. How many other films can boast this kind narrative twist and get away with it. It just seemed to be indulgent and plodding.
It would defiantly have been improved if the car was actually magical and did actually take them on this adventure rather than suggesting that it is perfectly okay to sing and dance around the real world but it's a stretch too far to have a flying car! It should have been a fantasy through and through rather than six of one and half a dozen of the other.
Ultimately, Overrated in my opinion and since the view of FOUR children, boys and girls ranging from 7 – 15, is that it's watchable rather than fully enjoyable, I suspect that this film is being viewed through rose tinted glasses.
Amanda (96 KP) rated The Diary: Book One of Cursed in Books
Mar 25, 2019
So this is a first in an upcoming series. Reading it kind of gave me a Harry Potter and the Chamber of Secrets vibe - that's my favorite book in the series by the way. Anyway, two girls named Ana and Sophie come across a new shop that has opened. It sells crystals, some dresses, and spell books. Ana comes across this blank book, a diary, and decides to purchase it and record everything going on in her life - like most teenage girls want to do. I certainly did, and I still do to an extent.
It seems like everything Ana writes in this diary seems to come true - for instance, wanting her friend to finally stop whining about a boy she likes and asks him out. It's pointed out quite a few times how 'out of character' it was for Sophie to ask a boy out. She describes it as an out of body experience where she was watching herself just simply go up to the the boy and ask him on a date.
In a sense of 'be careful what you wish for' in this case it's, 'be careful what you write.' The diary, however, has a mind of its own and it slowly starts to take over Ana.
Does anybody else hear Smeegal's voice and wishing that Ana would once say, 'My Precious!'? No? Okay, I'm really that nerdy, but I don't care. I wear it like a badge of honor.
I won't lie it say it wasn't a tad but cheesy. Almost like watching some parts of it as a Disney show, at least the ones that include someone falling from a Ferris wheel or getting an allergic reaction. I'm not saying that's a bad thing, because it's not overpowering like the new Disney shows these days are, gag me.
The writing style was simplistic and it's one that I liked. It wasn't told from Ana's point of view, which is surprising because most of the YA novels I've read are told from the main character's point of view. It's not a terrible thing, but it's not always the best. In this book, you get more than just Ana's views which is important to a story like this.
The ending did, of course, leave a cliffhanger and a small excerpt for the next book in the series.
All in all, the book was a quick read for the most part. I like the three main characters of the story and I enjoyed how it was written. Can you imagine finding a diary and it making things you write in it come true? The good will come with bad.
It seems like everything Ana writes in this diary seems to come true - for instance, wanting her friend to finally stop whining about a boy she likes and asks him out. It's pointed out quite a few times how 'out of character' it was for Sophie to ask a boy out. She describes it as an out of body experience where she was watching herself just simply go up to the the boy and ask him on a date.
In a sense of 'be careful what you wish for' in this case it's, 'be careful what you write.' The diary, however, has a mind of its own and it slowly starts to take over Ana.
Does anybody else hear Smeegal's voice and wishing that Ana would once say, 'My Precious!'? No? Okay, I'm really that nerdy, but I don't care. I wear it like a badge of honor.
I won't lie it say it wasn't a tad but cheesy. Almost like watching some parts of it as a Disney show, at least the ones that include someone falling from a Ferris wheel or getting an allergic reaction. I'm not saying that's a bad thing, because it's not overpowering like the new Disney shows these days are, gag me.
The writing style was simplistic and it's one that I liked. It wasn't told from Ana's point of view, which is surprising because most of the YA novels I've read are told from the main character's point of view. It's not a terrible thing, but it's not always the best. In this book, you get more than just Ana's views which is important to a story like this.
The ending did, of course, leave a cliffhanger and a small excerpt for the next book in the series.
All in all, the book was a quick read for the most part. I like the three main characters of the story and I enjoyed how it was written. Can you imagine finding a diary and it making things you write in it come true? The good will come with bad.
Goddess in the Stacks (553 KP) rated Slayer (Slayer #1) in Books
Apr 1, 2019
I am a Buffy fan. I'm not the biggest Buffy fan I know - that honor goes to a friend of mine, who I just gave a giant box of Buffy comic to, since we're downsizing in preparation for the move to the new house. I haven't seen anyone that happy in a while, and it made my day. (And hers, judging from the bouncing and squeeeeing and hugging!) But I am still a Buffy fan. I own DVDs of the entire show, plus Angel, plus the original movie. The box of comics I just gave away was Season 8 and some spin offs. Slayer takes place after all of that.
First I'm going to say, if you're not a Buffy fan, seriously don't bother with this book. You won't understand a lot of what goes on, and while there are cursory explanations given in the book, it's really not meant for people that haven't watched/read the rest of the world. You'd be okay not knowing much about Angel, but you really do need to have watched the TV show of Buffy, especially that last season. While the book takes place after the comics, they're not necessary to understand the plot as that, at least, is explained.
So, for the rest of us Buffy fans, this is a great continuation of the Buffy-verse. Nina is the daughter of Watchers - in fact the daughter of Buffy's first watcher, the one before Giles. Given what befell the Watchers, the ones that are left are kind of antagonistic towards Slayers in general and Buffy in particular. So when Nina becomes a Slayer, her world goes sideways.
The world is mostly the same, but with a twist due to events in the comics. (It's explained. You don't need to have read them.) The book expands on how Slayer powers work, a bit, especially their dreams now that there's more than one of them alive at a time. We do see mentions of familiar characters, with one notable scene where an old favorite appears briefly.
I really enjoyed the book, and I'm eager to read the second half of the duology when it comes out. I need to know how Nina's story ends! The book ended on a subtle cliffhanger; the main conflict has been resolved, and the characters think it's over, but we know it's not. Similar to how many episodes of Buffy ended, actually.
So yeah. If you're a Buffy fan, pick up this book, it's pretty great. If you're not - take a pass. Or start with the TV show and get yourself a new fandom if you're feeling bored!
You can find all my reviews at http://goddessinthestacks.com
First I'm going to say, if you're not a Buffy fan, seriously don't bother with this book. You won't understand a lot of what goes on, and while there are cursory explanations given in the book, it's really not meant for people that haven't watched/read the rest of the world. You'd be okay not knowing much about Angel, but you really do need to have watched the TV show of Buffy, especially that last season. While the book takes place after the comics, they're not necessary to understand the plot as that, at least, is explained.
So, for the rest of us Buffy fans, this is a great continuation of the Buffy-verse. Nina is the daughter of Watchers - in fact the daughter of Buffy's first watcher, the one before Giles. Given what befell the Watchers, the ones that are left are kind of antagonistic towards Slayers in general and Buffy in particular. So when Nina becomes a Slayer, her world goes sideways.
The world is mostly the same, but with a twist due to events in the comics. (It's explained. You don't need to have read them.) The book expands on how Slayer powers work, a bit, especially their dreams now that there's more than one of them alive at a time. We do see mentions of familiar characters, with one notable scene where an old favorite appears briefly.
I really enjoyed the book, and I'm eager to read the second half of the duology when it comes out. I need to know how Nina's story ends! The book ended on a subtle cliffhanger; the main conflict has been resolved, and the characters think it's over, but we know it's not. Similar to how many episodes of Buffy ended, actually.
So yeah. If you're a Buffy fan, pick up this book, it's pretty great. If you're not - take a pass. Or start with the TV show and get yourself a new fandom if you're feeling bored!
You can find all my reviews at http://goddessinthestacks.com
Kristy H (1252 KP) rated The Vanishing Stair (Truly Devious #2) in Books
Apr 4, 2019
Contains spoilers, click to show
Oh I just love Maureen Johnson, and I think this series is becoming my favorite of hers, although it's in stiff competition with the Shades of London books. STAIR picks up shortly after the lovely first book TRULY DEVIOUS, which is wonderful, as that one ended on a dramatic cliffhanger. Oh, but don't worry, this one will leave you gasping for more Stevie and more DETAILS, too.
This book was so compulsively readable that I read it in two sittings, on two flights. I ignored everyone around me and frantically flipped the last couple of pages as my plane landed in Charlotte (if I had known I was going to be stuck in Charlotte thanks to a canceled flight, maybe I would have made it last... oh who am I kidding, no I wouldn't have). Johnson is just so good at getting into her characters' heads--I love Stevie. I loved her in the last book, and I loved her here. She's smart, she's relatable, and she's always getting into trouble. There's plenty of exploring, detective work, and yes, tunnels, in this one to keep you more than interested.
Stevie's cast of friends is also superb, from the prickly David to the wonderful Janelle, and Nate, the writer who can no longer write. Oh and Larry, Stevie's protective security guard. I love them all, even if there are plenty of times I wanted to shake David in this one. We're also introduced to some new characters here, as Stevie takes on a new research project. (I don't want to spoil anything or ruin your enjoyment of reading about them all yourself.)
Stevie is busy unraveling the Ellingham Academy mystery in this one, and I'm happy to say she goes a long way in book #2. What I love about this series is that you get a great underlying mystery (what happened to Ellingham Academy founder Albert Ellingham's long-missing wife and daughter, if you for some unknown reason haven't read the first book), but there are always little side mysteries, plus just the general business of Stevie trying to live her life. She's struggling with being back at Ellingham--dealing with what it means to have struck a deal with Edward King, negotiating her boundaries with David, and much more. Johnson deals with Stevie's anxiety, her intelligence, and just her general no-nonsense approach to life in such realistic ways: I love it all.
So, yeah, I can't think of anything I didn't like here, except that the book ended, and now I have to wait *forever* again to find out what happens! I love this series, I love the character of Stevie, and I highly recommend this book (but start at #1, please). It's a funny, mysterious, sweet, and compelling read. 4.5 stars.
This book was so compulsively readable that I read it in two sittings, on two flights. I ignored everyone around me and frantically flipped the last couple of pages as my plane landed in Charlotte (if I had known I was going to be stuck in Charlotte thanks to a canceled flight, maybe I would have made it last... oh who am I kidding, no I wouldn't have). Johnson is just so good at getting into her characters' heads--I love Stevie. I loved her in the last book, and I loved her here. She's smart, she's relatable, and she's always getting into trouble. There's plenty of exploring, detective work, and yes, tunnels, in this one to keep you more than interested.
Stevie's cast of friends is also superb, from the prickly David to the wonderful Janelle, and Nate, the writer who can no longer write. Oh and Larry, Stevie's protective security guard. I love them all, even if there are plenty of times I wanted to shake David in this one. We're also introduced to some new characters here, as Stevie takes on a new research project. (I don't want to spoil anything or ruin your enjoyment of reading about them all yourself.)
Stevie is busy unraveling the Ellingham Academy mystery in this one, and I'm happy to say she goes a long way in book #2. What I love about this series is that you get a great underlying mystery (what happened to Ellingham Academy founder Albert Ellingham's long-missing wife and daughter, if you for some unknown reason haven't read the first book), but there are always little side mysteries, plus just the general business of Stevie trying to live her life. She's struggling with being back at Ellingham--dealing with what it means to have struck a deal with Edward King, negotiating her boundaries with David, and much more. Johnson deals with Stevie's anxiety, her intelligence, and just her general no-nonsense approach to life in such realistic ways: I love it all.
So, yeah, I can't think of anything I didn't like here, except that the book ended, and now I have to wait *forever* again to find out what happens! I love this series, I love the character of Stevie, and I highly recommend this book (but start at #1, please). It's a funny, mysterious, sweet, and compelling read. 4.5 stars.
Sensitivemuse (246 KP) rated All Systems Down in Books
Feb 28, 2018
Great fast paced reading
So let’s start with the actual review first. This book was a quick read and an enjoyable one. It was action packed and although it’s a thin book to start with, it makes the reading even quicker.
Those who love plot hooks where the world runs amok and hell breaks loose will love this book. It immediately starts in the first few chapters and sets the ball rolling. The background story as to how the world (or to be exact the USA) goes downhill is explained by having North Korean hackers finding a way to plant viruses into the web which pretty much breaks down society. It’s a good “what if” scenario and further chapters show how fast society just crumbles when things we rely on daily vanish before our eyes.
There’s a variety of characters in the book that are easy to follow. Each have their own share their own spot in the plot and eventually converge and meet together (albeit a bit coincidentally but well, they’d have to meet somewhere right?)
My favourites would have to be Brandon, Vailea , and Carmen. Although the survivors of the crisis have their own strengths, these three stood out for me the most. They’re likeable, and as mentioned before showed their strengths to survive to protect their loved ones (or avenge them in some cases)
Orion and Xandra would be my two least favorite ones. Orion because he was just so whiny, Xandra because although I know she’s supposed to be analytical and a computer whiz, her personality was blah and just downright unlikable. She has her uses but she’s not really someone I would ideally have tea with if I had a choice.
So overall, a really good plot, filled with action and fun to read. The ending does result in a cliffhanger but it was a really good one. I’d love to know what’s going to happen next. It does play out almost like a movie and it’s well done.
Now for the next part of my review. Why did I like this so much? Well considering I just moved to Portland, it got me recognizing street names, bridges (still haven’t memorized all of them yet) and asking my husband (who’s lived in Portland all his life) all sorts of questions (ie: “Where is <enter name of street here>” in which he replies with a sigh and says: “Oh god you’re reading a book that’s set in Portland aren’t you?!?!?”) so because I’m familiar with the setting, it even made the reading experience twice as special.
I greatly enjoyed this one. I can’t wait for the second.
Those who love plot hooks where the world runs amok and hell breaks loose will love this book. It immediately starts in the first few chapters and sets the ball rolling. The background story as to how the world (or to be exact the USA) goes downhill is explained by having North Korean hackers finding a way to plant viruses into the web which pretty much breaks down society. It’s a good “what if” scenario and further chapters show how fast society just crumbles when things we rely on daily vanish before our eyes.
There’s a variety of characters in the book that are easy to follow. Each have their own share their own spot in the plot and eventually converge and meet together (albeit a bit coincidentally but well, they’d have to meet somewhere right?)
My favourites would have to be Brandon, Vailea , and Carmen. Although the survivors of the crisis have their own strengths, these three stood out for me the most. They’re likeable, and as mentioned before showed their strengths to survive to protect their loved ones (or avenge them in some cases)
Orion and Xandra would be my two least favorite ones. Orion because he was just so whiny, Xandra because although I know she’s supposed to be analytical and a computer whiz, her personality was blah and just downright unlikable. She has her uses but she’s not really someone I would ideally have tea with if I had a choice.
So overall, a really good plot, filled with action and fun to read. The ending does result in a cliffhanger but it was a really good one. I’d love to know what’s going to happen next. It does play out almost like a movie and it’s well done.
Now for the next part of my review. Why did I like this so much? Well considering I just moved to Portland, it got me recognizing street names, bridges (still haven’t memorized all of them yet) and asking my husband (who’s lived in Portland all his life) all sorts of questions (ie: “Where is <enter name of street here>” in which he replies with a sigh and says: “Oh god you’re reading a book that’s set in Portland aren’t you?!?!?”) so because I’m familiar with the setting, it even made the reading experience twice as special.
I greatly enjoyed this one. I can’t wait for the second.
Sensitivemuse (246 KP) rated Kill the Angel in Books
Jun 24, 2018
Action packed and cliffhanger ending
***Contains spoilers. You’ve been warned***
Oh lordy. Lordy lordy lordy. I don’t know what to say except, yes one more time. Lordy. I finished this book and screamed. And it’s a good reaction.
This book doesn’t disappoint. It sets the bar higher than the last one, Kill the Father. It would be best if you do read them in order as you do need the background information surrounding Dante. Plus, it does add more substance to the characters.
This one was definitely more action packed than previous. As it involves a great deal more victims and there’s definitely more layers to peel once the mystery starts to unravel and we get closer to Giltine. And it’s not yet over! There’s giant revelations at the end and you’re left with a heart stopping ending.
There are many twists and turns to go through in the book; old and new characters are mentioned, and of course Colomba is in a bind and goes through very hefty events and you marvel at her mental and emotional strength. Dante is likable in his own quirky way and both him and Colomba work so great as a team, even though they have their differences. There’s a more deeper level of understand between the two of them and there is a hint of a romance. I don’t see it myself as I’ve always seen Dante and Colomba more as a sibling like relationship. (I would have liked to see Dante and Brigitte together, they seemed like they could go along well!)
There’s some major blindsiding happening in the book, you realize Giltine is both victim and perpetrator. There’s still more to uncover in the mystery and by the time we do come to the conclusion it would be a massive atom bomb waiting to drop. However on a side note, I do enjoy how Dazieri brings in these references to various historical events (Chernobyl for one) and various conditions and illnesses to make you think and realize there’s actual conditions out there that exist and people do suffer from them. It makes the plot different and substantially prominent to make this book memorable.
The plot is very engaging and you’re pretty much on the edge in the last third of the book. The last few chapters really pack it in and they were one of the most exciting chapters I have ever read in a book so far. I’m still overwhelmed and blown away by the last page. Gah! I can’t wait for the next book!
Definitely recommended. The series is going to be one of the best I have read so far in my lifetime.
Oh lordy. Lordy lordy lordy. I don’t know what to say except, yes one more time. Lordy. I finished this book and screamed. And it’s a good reaction.
This book doesn’t disappoint. It sets the bar higher than the last one, Kill the Father. It would be best if you do read them in order as you do need the background information surrounding Dante. Plus, it does add more substance to the characters.
This one was definitely more action packed than previous. As it involves a great deal more victims and there’s definitely more layers to peel once the mystery starts to unravel and we get closer to Giltine. And it’s not yet over! There’s giant revelations at the end and you’re left with a heart stopping ending.
There are many twists and turns to go through in the book; old and new characters are mentioned, and of course Colomba is in a bind and goes through very hefty events and you marvel at her mental and emotional strength. Dante is likable in his own quirky way and both him and Colomba work so great as a team, even though they have their differences. There’s a more deeper level of understand between the two of them and there is a hint of a romance. I don’t see it myself as I’ve always seen Dante and Colomba more as a sibling like relationship. (I would have liked to see Dante and Brigitte together, they seemed like they could go along well!)
There’s some major blindsiding happening in the book, you realize Giltine is both victim and perpetrator. There’s still more to uncover in the mystery and by the time we do come to the conclusion it would be a massive atom bomb waiting to drop. However on a side note, I do enjoy how Dazieri brings in these references to various historical events (Chernobyl for one) and various conditions and illnesses to make you think and realize there’s actual conditions out there that exist and people do suffer from them. It makes the plot different and substantially prominent to make this book memorable.
The plot is very engaging and you’re pretty much on the edge in the last third of the book. The last few chapters really pack it in and they were one of the most exciting chapters I have ever read in a book so far. I’m still overwhelmed and blown away by the last page. Gah! I can’t wait for the next book!
Definitely recommended. The series is going to be one of the best I have read so far in my lifetime.
Sharpie0499 (114 KP) rated Avengers: Infinity War (2018) in Movies
Jul 9, 2018 (Updated Jul 9, 2018)
Best Marvel film yet (2 more)
Thanos and Black Order were the most terrifying villains yet
Ended on cliffhanger so am excited for Part 2
Best Marvel Film Yet!!!
Contains spoilers, click to show
Overall, Infinity War was the most powerful Marvel film to date; not just because of the powerful superheroes, but because it was able to fill you with adrenaline during fight scenes, fill you with hope when seeing lovers reunited, and wrench at your heartstrings during those difficult to watch, depressing scenes all in one movie. The casting was brilliantly done: Ebony Maw had me internally reeling just at the sight of him, and don't even get me started on Thanos. When seeing Thanos in previous Marvel films, it was obvious he was a threat to humanity but I never really felt afraid of him. But in the first scene when Hulk is beating up Thanos, you think, 'Yes, Hulk! Smash!' But then Thanos decides to turn it around, causing Hulk to be so afraid of Thanos throughout the entire film that he won't let Bruce turn into him. This is because Hulk knows Thanos can beat him, possibly even kill him. When I was sitting in the cinema, watching Scarlet Witch see Thanos for the first time at the end of the film and seeing her genuine terror just at the sight of him (though she could probably sense his powers with her magic) it got me thinking of what I would do in their situation. And I know humanity would have no chance against him, even without the infinity stones, and that he would just destroy us. Anyway, on a happier note, I was thrilled to see Scarlet Witch and Vision together when they were in Scotland. But then Marvel had to go and crush our hearts by having Thanos kill Vision. What really broke my heart was how Vision told Scarlet Witch, 'I love you,' just before he died and then Scarlet Witch's face when she turned into dust or sand or whatever the hell that was. It looked like she was almost relieved to become nothing after Vision's death (I'm probably just reading into that). What also nearly killed me was Rocket's reaction to Groot turning into dust/sand; and the scene on Titan when Spiderman turns into dust/sand. Anyway, this Marvel film beats all others out of the park with the more intense fight choreography, the terrifying villains, and the superheroes banding together and joining forces to beat a common enemy. I'm excited to see a certain new superhero join the team (Captain Marvel) and am counting down the days till May 2019 so I can see the conclusion to Infinity War!
Lee (2222 KP) rated A Discovery of Witches - Season 1 in TV
Nov 8, 2018 (Updated Nov 8, 2018)
Bit of a slow burn, some good potential though.
A Discovery of Witches is based on the first book of the 'All Souls Trilogy', by Deborah Harkness. We're in a world where witches, vampires and demons all live among us, carrying out normal human jobs and duties. Obviously these creatures are all aware of each other, and it becomes clear that there is a long, complex and very tense history between them all. While us humans remain blissfully unaware.
The show begins in Oxford, England with Diana Bishop (Teresa Palmer), a witch working as a historian. While carrying out research in the local library she discovers a book which had long been considered missing, and mysteriously only shows itself to Diana. It's return triggers a lot of interest within the supernatural community and she finds herself attracting a lot of unwanted attention, beginning with Matthew Clairmont (Matthew Goode), a local geneticist and vampire. They eventually forge a romantic relationship and begin working together to try and solve the mysteries within the book.
My wife absolutely loves this show and looking at some of the reviews for it on IMDB I know I'm in the minority here, but I mostly found A Discovery Of Witches to be a bit dull. The whole thing is very stylishly done, highlighting Oxford as the beautiful city it is, and we also spend a lot of time in Venice, and various other exotic international locations. But it's the slow burn and the characters themselves that didn't really do it for me. The vampires are mostly moody, throwing their weight around and showing off their lightning speed and reactions along with their heightened senses. The witches are generally wise and supposedly more powerful, but rarely exhibit any more power than setting something on fire, rattling something, or making it a bit windy to the point where people get knocked off their feet. And the demons... well, the demons don't really seem to do anything at all, acting and appearing just like normal humans throughout the entire show. There's a lot of dodgy acting, and as much as I've loved Teresa Palmer in other roles prior to this, I don't really feel she's well suited here. It's all just slow burn and forbidden love. Twilight, but with grown-ups and less special effects.
It's just been granted another two seasons, so I'm definitely in the minority with my opinions. To be fair though, there have been some enjoyable moments, and I'm certainly interested in the direction the show appeared to be heading in. The finale cliffhanger definitely opened up some fun and interesting potential for next season too.
The show begins in Oxford, England with Diana Bishop (Teresa Palmer), a witch working as a historian. While carrying out research in the local library she discovers a book which had long been considered missing, and mysteriously only shows itself to Diana. It's return triggers a lot of interest within the supernatural community and she finds herself attracting a lot of unwanted attention, beginning with Matthew Clairmont (Matthew Goode), a local geneticist and vampire. They eventually forge a romantic relationship and begin working together to try and solve the mysteries within the book.
My wife absolutely loves this show and looking at some of the reviews for it on IMDB I know I'm in the minority here, but I mostly found A Discovery Of Witches to be a bit dull. The whole thing is very stylishly done, highlighting Oxford as the beautiful city it is, and we also spend a lot of time in Venice, and various other exotic international locations. But it's the slow burn and the characters themselves that didn't really do it for me. The vampires are mostly moody, throwing their weight around and showing off their lightning speed and reactions along with their heightened senses. The witches are generally wise and supposedly more powerful, but rarely exhibit any more power than setting something on fire, rattling something, or making it a bit windy to the point where people get knocked off their feet. And the demons... well, the demons don't really seem to do anything at all, acting and appearing just like normal humans throughout the entire show. There's a lot of dodgy acting, and as much as I've loved Teresa Palmer in other roles prior to this, I don't really feel she's well suited here. It's all just slow burn and forbidden love. Twilight, but with grown-ups and less special effects.
It's just been granted another two seasons, so I'm definitely in the minority with my opinions. To be fair though, there have been some enjoyable moments, and I'm certainly interested in the direction the show appeared to be heading in. The finale cliffhanger definitely opened up some fun and interesting potential for next season too.
Sophia (Bookwyrming Thoughts) (530 KP) rated Avalon Rising (Metal & Lace, #2) in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
Compared to <i><a href="https://bookwyrmingthoughts.com/arc-review-camelot-burning-by-kathryn-rose/"; target="_blank" rel="noopener">Camelot Burning</a>,</i> the sequel definitely surpassed most, if not all, of my expectations.
I found <i>Avalon Rising</i> to be a lot more enjoyable than its predecessor. There aren't as many technical terms this time around, as Vivienne seems to be more focused on the mission the Lady of the Lake left for her near the end of the first book and helping Camelot's remaining refugees rebuild after the war with Morgan Le Fay. Soon, Vivienne finds out that some of the knights, including her brother and Marcus, have been missing for several weeks on their quest to find the Holy Grail and Avalon. She also finds out that Jerusalem, where the alchemist Azur resides, is attacked by the Black Knight and his men. Wanting to offer her help, Vivienne decides to leave earlier than what the Lady of the Lake originally planned, finding out that in doing so, she may have placed Marcus's life in danger.
The second <i>Metal & Lace</i> novel is a lot more adventurous than the first one - Vivienne teams up with the castle blacksmith to find the missing knights, which is eventually intercepted by Merlin (who tends to be more of an obstacle this time around rather than actually helping Vivienne). They are then sent to free the Fisher King in the Perilous Lands, which actually results in several fantastic tests/trials for Vivienne to try and prove her worth to free the Fisher King and reveal the coordinates to Avalon. The trials that Vivienne goes through in <i>Avalon Rising</i> to find the knights and to reveal Avalon's coordinates almost felt like a female version of Percy Jackson in a medieval-esque world.
Vivienne also underwent a few changes as a character. She seems more temperamental, but is definitely extremely determined to accomplish what she wants to accomplish. A fantastic quality in a heroine, since Vivienne probably would have spent her time running away from pursuers who also want the coordinates to Avalon rather than doing something extremely interesting (like trying to resist using magic despite the pull).
<i>Avalon Rising</i> was a fantastic companion to <i>Camelot Burning</i> - I definitely look forward to reading the next book with the major cliffhanger Kathryn Rose leaves us with. Might I ask to review-nap this until the next book come out?
<a href="https://bookwyrmingthoughts.com/arc-review-avalon-rising-by-kathryn-rose/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Compared to <i><a href="https://bookwyrmingthoughts.com/arc-review-camelot-burning-by-kathryn-rose/"; target="_blank" rel="noopener">Camelot Burning</a>,</i> the sequel definitely surpassed most, if not all, of my expectations.
I found <i>Avalon Rising</i> to be a lot more enjoyable than its predecessor. There aren't as many technical terms this time around, as Vivienne seems to be more focused on the mission the Lady of the Lake left for her near the end of the first book and helping Camelot's remaining refugees rebuild after the war with Morgan Le Fay. Soon, Vivienne finds out that some of the knights, including her brother and Marcus, have been missing for several weeks on their quest to find the Holy Grail and Avalon. She also finds out that Jerusalem, where the alchemist Azur resides, is attacked by the Black Knight and his men. Wanting to offer her help, Vivienne decides to leave earlier than what the Lady of the Lake originally planned, finding out that in doing so, she may have placed Marcus's life in danger.
The second <i>Metal & Lace</i> novel is a lot more adventurous than the first one - Vivienne teams up with the castle blacksmith to find the missing knights, which is eventually intercepted by Merlin (who tends to be more of an obstacle this time around rather than actually helping Vivienne). They are then sent to free the Fisher King in the Perilous Lands, which actually results in several fantastic tests/trials for Vivienne to try and prove her worth to free the Fisher King and reveal the coordinates to Avalon. The trials that Vivienne goes through in <i>Avalon Rising</i> to find the knights and to reveal Avalon's coordinates almost felt like a female version of Percy Jackson in a medieval-esque world.
Vivienne also underwent a few changes as a character. She seems more temperamental, but is definitely extremely determined to accomplish what she wants to accomplish. A fantastic quality in a heroine, since Vivienne probably would have spent her time running away from pursuers who also want the coordinates to Avalon rather than doing something extremely interesting (like trying to resist using magic despite the pull).
<i>Avalon Rising</i> was a fantastic companion to <i>Camelot Burning</i> - I definitely look forward to reading the next book with the major cliffhanger Kathryn Rose leaves us with. Might I ask to review-nap this until the next book come out?
<a href="https://bookwyrmingthoughts.com/arc-review-avalon-rising-by-kathryn-rose/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
JT (287 KP) rated The Grey (2012) in Movies
Mar 10, 2020
Director Joe Carnahan has a popular back catalogue. One that is considered his best to date is Narc. Of course he helmed the bat shit crazy, guns-a-blazing Smokin Aces and who could forget for a minute the over the top and some what bonkers reboot of The A-Team.
Here, Carnahan teams up with Liam Neeson once again, although it was very nearly Bradley Cooper, but we’re glad that Neeson got the gig! Neeson plays Ottway, a crack shot with a rifle whose job it is is to keep the many oil drilling workers off the menu from the local four legged carnivores.
When the plane transporting the crew back from the end of season crashes in Alaskan no man’s land, Neeson must battle the elements and inhospitable terrain to find safety – while at the same time avoiding a rather pissed off pack of hungry wolves. If there is anyone you’d want by your side in this type of situation (Bear Grylls not present) it’s Nesson. With a few choice words for his new found friends “nobody’s going to find us….and if we don’t move we’re all fucked!” They abandon what little is left of the plane and set out into the wilderness.
This is clearly not the best idea, and it’s not long before the group are picked off one by one as the race to safety intensifies. With the Alpha male calling the shots wolf side, it’s Neeson doing the same for the humans, as he battles with his own issues as well as those around him. A few nights opening up round the fire and you realise that these men have a significant reason to want to get home alive.
Neeson is level headed and cool, but then put into a situation like this you have to be. The film, lacking in any visual landscape must use the survivors to really build the story, and Carnahan delivers enough tension to the audience to keep them on a knife edge.
The action is integrated well into the emotional side of the plot and that makes the film all the more enjoyable, as by the end you feel for each and everyone of those guys. The scenes are a little more believable, no tanks shooting down planes here. Although we do wonder if Carnahan took inspiration from Cliffhanger for one particular scene.
The Grey packs an intense punch all the way through and it will play on the heart strings as well. Neeson is the stand-out but has a solid supporting cast who don’t let him carry the burden all the way through till the end.
Here, Carnahan teams up with Liam Neeson once again, although it was very nearly Bradley Cooper, but we’re glad that Neeson got the gig! Neeson plays Ottway, a crack shot with a rifle whose job it is is to keep the many oil drilling workers off the menu from the local four legged carnivores.
When the plane transporting the crew back from the end of season crashes in Alaskan no man’s land, Neeson must battle the elements and inhospitable terrain to find safety – while at the same time avoiding a rather pissed off pack of hungry wolves. If there is anyone you’d want by your side in this type of situation (Bear Grylls not present) it’s Nesson. With a few choice words for his new found friends “nobody’s going to find us….and if we don’t move we’re all fucked!” They abandon what little is left of the plane and set out into the wilderness.
This is clearly not the best idea, and it’s not long before the group are picked off one by one as the race to safety intensifies. With the Alpha male calling the shots wolf side, it’s Neeson doing the same for the humans, as he battles with his own issues as well as those around him. A few nights opening up round the fire and you realise that these men have a significant reason to want to get home alive.
Neeson is level headed and cool, but then put into a situation like this you have to be. The film, lacking in any visual landscape must use the survivors to really build the story, and Carnahan delivers enough tension to the audience to keep them on a knife edge.
The action is integrated well into the emotional side of the plot and that makes the film all the more enjoyable, as by the end you feel for each and everyone of those guys. The scenes are a little more believable, no tanks shooting down planes here. Although we do wonder if Carnahan took inspiration from Cliffhanger for one particular scene.
The Grey packs an intense punch all the way through and it will play on the heart strings as well. Neeson is the stand-out but has a solid supporting cast who don’t let him carry the burden all the way through till the end.