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Stars and Wars: The Film Memoirs and Photographs of Alan Tomkins
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In Stars and Wars, Oscar-nominated Art Director Alan Tomkins reveals his unpublished film artwork...
Behind the Scenes with Hollywood Producers: Interviews with 14 Top Film Creators
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We know what actors do. We know what writers do. But what does a movie producer do, other than...
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Bob Mann (459 KP) rated The Mule (2018) in Movies
Sep 28, 2021
Eastwood is back, but is he hero or anti-hero?
It’s delightful to see Clint Eastwood back in front of the camera on the big screen. His last starring film was “Trouble with the Curve” in 2012 – a baseball-themed film that I don’t remember coming out in the UK, let alone remember seeing. Before that was 2008’s excellent “Gran Torino”.
Based on a true story.
“The Mule” is based on a true New York Times story about Leo Sharp, a veteren recruited by a cartel to ship drugs from the southern border to Chicago.
Eastwood couldn’t cast Sharp in the movie as himself because he died back in 2016, so had to personally take the role. (This is #satire…. Eastwood’s last film was the terrible “The 15:17 to Paris” where his ‘actors’ were the real-life participants themselves: you won’t find a review on this site as I only review films I’ve managed to sit through…. and with this one I failed!).
The plot.
Eastwood plays Earl Stone, a self-centred horticulturist of award-winning daylily’s (whatever they are) who is estranged from wife Mary (Dianne Wiest) and especially from his daughter Iris (Alison Eastwood, Clint’s own daughter), who now refuses to speak to him. This is because Earl has let his family down at every turn. The only person willing to give him a chance is his grand-daughter Ginny (Taissa Farmiga, younger sister of Vera). With his affairs in financial freefall, a chance meeting at a wedding leads Earl into a money-making driving job for the cartel operated by Laton (Andy Garcia). (Laton doesn’t seem to have a first name….. Fernando perhaps?).
With has beat-up truck and aged manner, he is invisible to the cops and so highly effective in the role. Even when – as the money keeps rolling in – he upgrades his truck to a souped-up monster!
Loose Morals.
It’s difficult to know whether Eastwood is playing a hero or an anti-hero. You feel tense when Earl is at risk of being caught, but then again the law officers would be preventing hundreds of kilos of cocaine from reaching the streets of Chicago and through their actions saving the lives of probably hundreds of people. I felt utterly conflicted: the blood of those people, and the destruction of the families that addiction causes, was on Earl’s hands as much as his employer’s. But you can’t quite equate that to the affable old-man that Eastwood portrays, who uses much of the money for charitable good-works in his community.
Family values.
In parallel with the drug-running main plot is a tale of Earl’s attempted redemption: “family should always come first”. When the two storylines come together around a critical event then it feels like a sufficient trigger for Earl to turn his back on his life of selfishness. This also gives room for some splendid acting scenes between Eastwood and Wiest. It’s also interesting that Earl tries to teach the younger DEA enforcement agent not to follow in the sins of his past. Bradley Cooper, back in pretty-boy mode, plays the agent, but seemed to me to be coasting; to me he wasn’t convincing in the role. Michael Peña is better as his unnamed DEA-buddy.
Final thoughts.
The showing at my cinema was surprisingly well-attended for a Wednesday night, showing that Eastwood is still a star-draw for box-office even in his old age. And it’s the reason to see the film for sure. His gristled driving turn to camera (most fully seen in the trailer rather than the final cut) is extraordinary.
He even manages to turn in an “eyes in rearview-mirror” shot that is surely a tribute to his Dirty Harry days!
If you can park your moral compass for a few hours then its an enjoyable film of drug-running and redemption. I’d like to suggest it also illustrates that crime really doesn’t pay, but from the end titles scene I’m not even sure at that age if that even applies!
Based on a true story.
“The Mule” is based on a true New York Times story about Leo Sharp, a veteren recruited by a cartel to ship drugs from the southern border to Chicago.
Eastwood couldn’t cast Sharp in the movie as himself because he died back in 2016, so had to personally take the role. (This is #satire…. Eastwood’s last film was the terrible “The 15:17 to Paris” where his ‘actors’ were the real-life participants themselves: you won’t find a review on this site as I only review films I’ve managed to sit through…. and with this one I failed!).
The plot.
Eastwood plays Earl Stone, a self-centred horticulturist of award-winning daylily’s (whatever they are) who is estranged from wife Mary (Dianne Wiest) and especially from his daughter Iris (Alison Eastwood, Clint’s own daughter), who now refuses to speak to him. This is because Earl has let his family down at every turn. The only person willing to give him a chance is his grand-daughter Ginny (Taissa Farmiga, younger sister of Vera). With his affairs in financial freefall, a chance meeting at a wedding leads Earl into a money-making driving job for the cartel operated by Laton (Andy Garcia). (Laton doesn’t seem to have a first name….. Fernando perhaps?).
With has beat-up truck and aged manner, he is invisible to the cops and so highly effective in the role. Even when – as the money keeps rolling in – he upgrades his truck to a souped-up monster!
Loose Morals.
It’s difficult to know whether Eastwood is playing a hero or an anti-hero. You feel tense when Earl is at risk of being caught, but then again the law officers would be preventing hundreds of kilos of cocaine from reaching the streets of Chicago and through their actions saving the lives of probably hundreds of people. I felt utterly conflicted: the blood of those people, and the destruction of the families that addiction causes, was on Earl’s hands as much as his employer’s. But you can’t quite equate that to the affable old-man that Eastwood portrays, who uses much of the money for charitable good-works in his community.
Family values.
In parallel with the drug-running main plot is a tale of Earl’s attempted redemption: “family should always come first”. When the two storylines come together around a critical event then it feels like a sufficient trigger for Earl to turn his back on his life of selfishness. This also gives room for some splendid acting scenes between Eastwood and Wiest. It’s also interesting that Earl tries to teach the younger DEA enforcement agent not to follow in the sins of his past. Bradley Cooper, back in pretty-boy mode, plays the agent, but seemed to me to be coasting; to me he wasn’t convincing in the role. Michael Peña is better as his unnamed DEA-buddy.
Final thoughts.
The showing at my cinema was surprisingly well-attended for a Wednesday night, showing that Eastwood is still a star-draw for box-office even in his old age. And it’s the reason to see the film for sure. His gristled driving turn to camera (most fully seen in the trailer rather than the final cut) is extraordinary.
He even manages to turn in an “eyes in rearview-mirror” shot that is surely a tribute to his Dirty Harry days!
If you can park your moral compass for a few hours then its an enjoyable film of drug-running and redemption. I’d like to suggest it also illustrates that crime really doesn’t pay, but from the end titles scene I’m not even sure at that age if that even applies!
RT
ReFocus: The Films of Budd Boetticher
Gary D. Rhodes and Robert Singer
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One of the most important yet overlooked of Hollywood auteurs, Budd Gary D. Rhodes currently serves...
Daniel Boyd (1066 KP) rated The Mule (2018) in Movies
Feb 7, 2019 (Updated Feb 7, 2019)
"You See, My Mule Don't Like People Laughing..."
I saw The Mule last night and thought it was excellent. Clint Eastwood directs and stars as a 90 year old drug mule working for the Cartel after losing his horticultural business due to the rise of online shopping. Clint is the crux that this whole movie is relying in as it's director and main protagonist and he carries off the task with ease. He plays this character of Earl with a charm and warmth that he has rarely been seen portraying in any of his other harsher, grumpier characters in movies like Gran Torino and Million Dollar Baby. It is clear that age has not slowed him down a bit and he doesn't miss a beat here, pulling off an extremely well told if unlikely story.
The rest of the cast are pretty great too. I have read some complaints from other reviewers who feel that Bradley Cooper and Michael Pena are underused here in their roles as the DEA agents leading the investigation to catch this mule. In my opinion though, there is an art to the more subtle performances that the two give here and they work well, never detracting from the main character whom this story is built around. Andy Garcia is also great playing the cartel boss that Earl is driving for. I would say that more could have been done with the talent of Laurence Fishburne's and Clifton Collins Jr's characters, but the actors themselves were solid in their respective roles.
The movie is also very well shot, even though this is the first time in a good number of years that Clint has not worked with his long time collaborator behind the lens Tom Stern, instead opting for Yves Belanger. The choices made for the soundtrack also work well in the film as they not only all manage to line up with what is going on at that certain point in the movie's plot, but they also add to the overall tone and desired feel that the story is conveying.
The only negative that I took away was Julio's odd character motivation when his character first showed up. Right from the get go, he seemed to only have a deep-seated resentment for Earl, even though he had literally just met him. Unfortunately, there is never really any reason given for it either, it's not like he would be jealous of this elderly drug mule and the rest of the Cartel crew seem totally fine with having Earl driving for them. The motivation for his immediate despising of Earl just didn't make much sense and seemed fairly jarring and uncalled for at first. Although it made sense by the end of the film for the sake of that character's story arc, it just felt a bit weird when we first meet the character and he has such a strong hatred for this harmless old man.
Overall, The Mule is a solid movie that tells a story that is unbelievably based on a real 90 year old man that transported a huge quantity of drugs for the Cartel. Clint tells this story with a tenderness and charm that I wasn't really expecting going in and I thoroughly enjoyed it. Sad to see the academy ignore this film, especially since they usually recognise Clint's efforts. Regardless, this is a great watch and if you are a fan of Clint's other movies, then this is a must see.
The rest of the cast are pretty great too. I have read some complaints from other reviewers who feel that Bradley Cooper and Michael Pena are underused here in their roles as the DEA agents leading the investigation to catch this mule. In my opinion though, there is an art to the more subtle performances that the two give here and they work well, never detracting from the main character whom this story is built around. Andy Garcia is also great playing the cartel boss that Earl is driving for. I would say that more could have been done with the talent of Laurence Fishburne's and Clifton Collins Jr's characters, but the actors themselves were solid in their respective roles.
The movie is also very well shot, even though this is the first time in a good number of years that Clint has not worked with his long time collaborator behind the lens Tom Stern, instead opting for Yves Belanger. The choices made for the soundtrack also work well in the film as they not only all manage to line up with what is going on at that certain point in the movie's plot, but they also add to the overall tone and desired feel that the story is conveying.
The only negative that I took away was Julio's odd character motivation when his character first showed up. Right from the get go, he seemed to only have a deep-seated resentment for Earl, even though he had literally just met him. Unfortunately, there is never really any reason given for it either, it's not like he would be jealous of this elderly drug mule and the rest of the Cartel crew seem totally fine with having Earl driving for them. The motivation for his immediate despising of Earl just didn't make much sense and seemed fairly jarring and uncalled for at first. Although it made sense by the end of the film for the sake of that character's story arc, it just felt a bit weird when we first meet the character and he has such a strong hatred for this harmless old man.
Overall, The Mule is a solid movie that tells a story that is unbelievably based on a real 90 year old man that transported a huge quantity of drugs for the Cartel. Clint tells this story with a tenderness and charm that I wasn't really expecting going in and I thoroughly enjoyed it. Sad to see the academy ignore this film, especially since they usually recognise Clint's efforts. Regardless, this is a great watch and if you are a fan of Clint's other movies, then this is a must see.
Suswatibasu (1701 KP) rated The Beguiled (2017) in Movies
Nov 22, 2017 (Updated Nov 22, 2017)
Dull and rather pointless
There was very little that was beguiling about this film apart from the usual fantastic performances from Nicole Kidman and Colin Farrell.
The premise of the film surrounds the American Civil War, in which an injured soldier (Farrell) is taken in quite reluctantly by a group of women and young girls where Kidman is the matriarch. The mysterious circumstances of Farrell is never explicitly revealed, but he begins to attempt to worm his way into staying by charming all of the women and girls creating sexual tension in a rather repressive household.
The problem was that the film is sold as empowering to women yet it was nothing of the sort. Watching the women throw themselves at a man was rather unappealing, and to be honest the entire movie was very dull. I hear the Clint Eastwood version of the same film @The Beguiled (1971) is superb and the one to watch.
The premise of the film surrounds the American Civil War, in which an injured soldier (Farrell) is taken in quite reluctantly by a group of women and young girls where Kidman is the matriarch. The mysterious circumstances of Farrell is never explicitly revealed, but he begins to attempt to worm his way into staying by charming all of the women and girls creating sexual tension in a rather repressive household.
The problem was that the film is sold as empowering to women yet it was nothing of the sort. Watching the women throw themselves at a man was rather unappealing, and to be honest the entire movie was very dull. I hear the Clint Eastwood version of the same film @The Beguiled (1971) is superb and the one to watch.
Awix (3310 KP) rated Fistful of Dollars (1964) in Movies
Jun 12, 2018 (Updated Oct 22, 2018)
Genre-defining spaghetti western is an Italian-made interpretation of a quintessentially American genre, filmed in Spain and based on a Japanese movie (so stop going on about how much you hate globalisation). Taciturn stranger moseys into a divided town south of the border, decides to make some quick money by playing the two ruling gangs off against one another. Cue many trumpet solos and Clint Eastwood gunning folk down like it's going out of fashion.
Not quite up to the same standards as the film that inspired it, Yojimbo, but still a really impressive film in the way it combines Leone's visual style, Eastwood's inscrutable charisma and Morricone's operatic score. The focus is so visual that the film ends up coming across as slightly superficial and overly interested in violence and sadism, but it is still a classic of its kind and really a landmark in both US and European cinema.
Not quite up to the same standards as the film that inspired it, Yojimbo, but still a really impressive film in the way it combines Leone's visual style, Eastwood's inscrutable charisma and Morricone's operatic score. The focus is so visual that the film ends up coming across as slightly superficial and overly interested in violence and sadism, but it is still a classic of its kind and really a landmark in both US and European cinema.
Which Lie Did I Tell?
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Following the bestselling "Adventures in the Screen" Trade Goldman has even more secrets to tell. He...
Andy K (10821 KP) rated The Old Man and the Gun (2018) in Movies
Apr 7, 2019
Redford is one of a kind!
The whole time I was watching this film, it felt like a cross between classic Redford like Butch Cassidy, Brubaker, or Jeremiah Johnson. The plot and story are also similar to the recent Clint Eastwood crime drama, The Mule.
Hard to argue with watching Redford be Redford with his charm and grace portray a real sort of true true about an aging bank robber who can never seem to get enough wanting more and more, just addicted to the thrill of the caper.
Casey Affleck, Sissy Spacek and Danny Glover are also along for the ride and turn in memorable performances.
I liked th beginning and ending more than the middle. At just over 90 minutes, it seemed as if there were some extra scenes included just t increase the running time to a 90 minute minimum rather than to further the story, but this is a minor complaint.
Here's to hoping I can write reviews for more Redford greats for the next 20+ years!
Hard to argue with watching Redford be Redford with his charm and grace portray a real sort of true true about an aging bank robber who can never seem to get enough wanting more and more, just addicted to the thrill of the caper.
Casey Affleck, Sissy Spacek and Danny Glover are also along for the ride and turn in memorable performances.
I liked th beginning and ending more than the middle. At just over 90 minutes, it seemed as if there were some extra scenes included just t increase the running time to a 90 minute minimum rather than to further the story, but this is a minor complaint.
Here's to hoping I can write reviews for more Redford greats for the next 20+ years!