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Lucy Buglass (45 KP) rated Lynn + Lucy (2019) in Movies
Oct 14, 2019
The titular characters in Lynn + Lucy are lifelong best friends, and even live opposite each other on the same street. But the film explores tragic circumstances where a bond this strong can swiftly be broken.
Lynn (Roxanne Scrimshaw) is a married stay-at-home mum turned hairdressing assistant, who is delighted when her best friend Lucy (Nichola Burley) gives birth to her first child. But she is clearly struggling with a new baby and her volatile relationship.
The two friends differ in a lot of ways, as Lynn seems more grounded and content with being a mother, whereas Lucy is a party animal, impulsive and misses life before motherhood. Yet their friendship works and has stood the test of time – until one awful day where everything changes.
Lynn + Lucy plays like an elevated soap opera, that’s reminiscent of kitchen sink realism. The film is fuelled by honest depictions of everyday domestic life, and as a result you won’t see any beautiful cinematography from this.
It’s bleak, it’s raw, and it even feels intrusive at times. It’s likely you’ll feel uncomfortable watching this as a result. Director and writer Fyzal Boulifa forces you to join this community even if you don’t want to be there.
As we’re given insight into what happens behind closed doors, we’re able to see exactly why Lynn and Lucy’s friendship rapidly falls apart. It’s not long before others start gossiping about the tragedy that unfolds for the two friends and the community they live in.
Lynn is forced to get a job as her husband is injured and she’s never been employed before, so she goes to a hairdressers owned by a former classmate. There is certainly a hierarchy there, Lynn sweeps the floors and makes teas and coffees, whilst being reminded that it’s typically a job for a school leaver.
But with no formal qualifications on her CV, it’s all she’s got. And salon owner Janelle (Jennifer Lee Moon) makes sure Lynn knows that, making her life hell and talking about her behind her back. However, Lynn grows close to hairdresser Caroline (Kacey Ainsworth) once her friendship with Lucy is tested.
The salon feels like a high school clique, and is a sad reminder of history repeating itself. I really enjoyed the performances here as it reflected the bleak, realistic nature of the overall story, and how horrible people can still be even when several years have passed.
Lynn + Lucy is a tragic, sometimes amusing, look at working class families and close knit communities, as well as the devastating effects of a personal tragedy.
Expect very difficult themes, lingering camera shots, and a sinking feeling in your stomach at the end. Bring tissues.
Lynn (Roxanne Scrimshaw) is a married stay-at-home mum turned hairdressing assistant, who is delighted when her best friend Lucy (Nichola Burley) gives birth to her first child. But she is clearly struggling with a new baby and her volatile relationship.
The two friends differ in a lot of ways, as Lynn seems more grounded and content with being a mother, whereas Lucy is a party animal, impulsive and misses life before motherhood. Yet their friendship works and has stood the test of time – until one awful day where everything changes.
Lynn + Lucy plays like an elevated soap opera, that’s reminiscent of kitchen sink realism. The film is fuelled by honest depictions of everyday domestic life, and as a result you won’t see any beautiful cinematography from this.
It’s bleak, it’s raw, and it even feels intrusive at times. It’s likely you’ll feel uncomfortable watching this as a result. Director and writer Fyzal Boulifa forces you to join this community even if you don’t want to be there.
As we’re given insight into what happens behind closed doors, we’re able to see exactly why Lynn and Lucy’s friendship rapidly falls apart. It’s not long before others start gossiping about the tragedy that unfolds for the two friends and the community they live in.
Lynn is forced to get a job as her husband is injured and she’s never been employed before, so she goes to a hairdressers owned by a former classmate. There is certainly a hierarchy there, Lynn sweeps the floors and makes teas and coffees, whilst being reminded that it’s typically a job for a school leaver.
But with no formal qualifications on her CV, it’s all she’s got. And salon owner Janelle (Jennifer Lee Moon) makes sure Lynn knows that, making her life hell and talking about her behind her back. However, Lynn grows close to hairdresser Caroline (Kacey Ainsworth) once her friendship with Lucy is tested.
The salon feels like a high school clique, and is a sad reminder of history repeating itself. I really enjoyed the performances here as it reflected the bleak, realistic nature of the overall story, and how horrible people can still be even when several years have passed.
Lynn + Lucy is a tragic, sometimes amusing, look at working class families and close knit communities, as well as the devastating effects of a personal tragedy.
Expect very difficult themes, lingering camera shots, and a sinking feeling in your stomach at the end. Bring tissues.
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BankofMarquis (1832 KP) rated Glass Onion: A Knives Out Mystery (2022) in Movies
Dec 31, 2022
Not "just" a Murder Mystery
Move over, James Bond, Daniel Craig has another series to star in.
A surprise hit when it was released in 2019, KNIVES OUT was Daniel Craig’s first outing as Southern Master Detective Benoit Blanc. This All Star whodunnit, Directed by Rian Johnson (STAR WARS: THE LAST JEDI) was a resounding hit and a sequel was inevitable. The biggest mystery was the question as to whether the new mystery - and this character - would hold up to the first one.
And…that question has been answered as THE GLASS ONION is a fascinating, interesting commentary on our modern “Click Bait” society, the pandemic and the shallow people looking for attention while also disguising itself as a murder mystery.
THE GLASS ONION does what a good sequel should do - take the essence of the first movie (the characters, the tone) - and opens it up in new, unusual and daring ways. And, in this, THE GLASS ONION acquits itself nicely.
Credit, of course, goes to Writer/Director Johnson who found a new premise and direction for our intrepid Detective to go and peels back the layers of this Onion in intriguing and clever directions. The story was always one step ahead of the viewer in it’s twists and turns - the sign of a well devised mystery - and Johnson knows how to thread this needle honestly (the clues were there all along, you just needed to see them). He also throws in enough red herrings to keep the audience guessing and mentally going down dead-end rabbit holes.
Craig puts back on the SeerSucker Suite of Benoit Blanc and this suit, improbably, fits him perfectly. As befits a good actor who gets a second chance to play a character, Craig fleshes out Blanc while settling back into a character that is now familiar to the audience.
As befits a good murder mystery, Johnson brings together an All-Star Cast and not only does one have to figure out “whodunnit”, but in this GLASS ONION, one also needs to figure out “who’s gonna get it”. Edward Norton (Fight Club), Kate Hudson (ALMOST FAMOUS), David Bautista (GUARDIANS OF THE GALAXY), Kathryn Hahn (BAD MOMS) and Leslie Odom, Jr. (Broadway’s HAMILTON) all bring the right level of star power, mystery and intrigue to their characters and they blend together into a nice ensemble that adds to the “whodunnit” aspect of this film.
Sticking out from this ensemble - and the clique that the others have formed - is Janelle Monae (HIDDEN FIGURES) as an estranged person from the past who will help unlock the secret of THE GLASS ONION - but will it be as the solver of the mystery? A key piece of the puzzle? The victim? The murderer? Her performance brings all of that to the table and continues to get me wondering why Ms. Monae isn’t a bigger Movie Star than she is. She has shone in every film that I have seen her in (including the woe-fully misguided ANTEBELLUM). It was GREAT to see her shine again.
An original murder mystery - that is more than “just” a murder mystery - THE GLASS ONION will be satisfying for those who enjoy these types of films, while also bringing something new to the genre…and cements Benoit Blanc as a character that Daniel Craig will be playing for many films to come.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
A surprise hit when it was released in 2019, KNIVES OUT was Daniel Craig’s first outing as Southern Master Detective Benoit Blanc. This All Star whodunnit, Directed by Rian Johnson (STAR WARS: THE LAST JEDI) was a resounding hit and a sequel was inevitable. The biggest mystery was the question as to whether the new mystery - and this character - would hold up to the first one.
And…that question has been answered as THE GLASS ONION is a fascinating, interesting commentary on our modern “Click Bait” society, the pandemic and the shallow people looking for attention while also disguising itself as a murder mystery.
THE GLASS ONION does what a good sequel should do - take the essence of the first movie (the characters, the tone) - and opens it up in new, unusual and daring ways. And, in this, THE GLASS ONION acquits itself nicely.
Credit, of course, goes to Writer/Director Johnson who found a new premise and direction for our intrepid Detective to go and peels back the layers of this Onion in intriguing and clever directions. The story was always one step ahead of the viewer in it’s twists and turns - the sign of a well devised mystery - and Johnson knows how to thread this needle honestly (the clues were there all along, you just needed to see them). He also throws in enough red herrings to keep the audience guessing and mentally going down dead-end rabbit holes.
Craig puts back on the SeerSucker Suite of Benoit Blanc and this suit, improbably, fits him perfectly. As befits a good actor who gets a second chance to play a character, Craig fleshes out Blanc while settling back into a character that is now familiar to the audience.
As befits a good murder mystery, Johnson brings together an All-Star Cast and not only does one have to figure out “whodunnit”, but in this GLASS ONION, one also needs to figure out “who’s gonna get it”. Edward Norton (Fight Club), Kate Hudson (ALMOST FAMOUS), David Bautista (GUARDIANS OF THE GALAXY), Kathryn Hahn (BAD MOMS) and Leslie Odom, Jr. (Broadway’s HAMILTON) all bring the right level of star power, mystery and intrigue to their characters and they blend together into a nice ensemble that adds to the “whodunnit” aspect of this film.
Sticking out from this ensemble - and the clique that the others have formed - is Janelle Monae (HIDDEN FIGURES) as an estranged person from the past who will help unlock the secret of THE GLASS ONION - but will it be as the solver of the mystery? A key piece of the puzzle? The victim? The murderer? Her performance brings all of that to the table and continues to get me wondering why Ms. Monae isn’t a bigger Movie Star than she is. She has shone in every film that I have seen her in (including the woe-fully misguided ANTEBELLUM). It was GREAT to see her shine again.
An original murder mystery - that is more than “just” a murder mystery - THE GLASS ONION will be satisfying for those who enjoy these types of films, while also bringing something new to the genre…and cements Benoit Blanc as a character that Daniel Craig will be playing for many films to come.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Dianne Robbins (1738 KP) rated Lady Killers: Deadly Women Throughout History in Books
Sep 3, 2018
I received an uncorrected proof of a true-crime book about female serial killers by Tori Telfer called Lady Killers: Deadly Women Throughout History to peruse and review on Goodreads and Amazon. The book won’t released until October 10, 2017, by Harper Perennial, and I am so thrilled to be one of the few who get to read it first.
Some of the murderers/murderesses have been discussed on My Favorite Murder by Georgia and Karen but some are brand new to me.
From the back cover:
When you think of serial killers throughout history the names that come to mind are ones like Jack the Ripper, John Wayne Gacy and Ted Bundy but what about Tilly Klimek, Moulay Hassen and Kate Bender? The narrative we’re comfortable with is the one where women are the victims of violent crime, not the perpetrators, in fact, serial killers are thought to be so universally, overwhelmingly male that in 1998, FBI profiler Roy Hazelwood infamously declared in a homicide conference that, “There are no female serial killers.”
Lady Killers, based on the popular online series that appeared on Jezebel and The Hairpin, disputes that claim and offers 14 gruesome examples as evidence. Though largely forgotten by history, female serial killers such as Erzsebet Bathory, Nannie Doss, Mary Ann Cotton, and Darya Nikolayevna Saltykova rival their male counterparts and cunning, cruelty, and appetite for destruction.
Each chapter explores the crimes and history of a different subject and then proceeds to unpack her legacy and her portrayal in the media, as well as the stereotypes and sexist clichés that inevitably surround her. The first book to examine female serial killers through a feminist lens with a witty and dryly humorous tone lady killers dismisses explanations (she was hormonal, she did it for love, a man made her do it) and tired tropes (she was a femme fatale, a black widow, a witch) delving into the complex reality of a female aggression and predation. Featuring 14 illustrations from Dame Darcy, Lady Killers is a blood curdling, insightful, and irresistible journey into the heart of darkness.
Tori Telfer is a full-time freelance writer whose work has appeared in Salon, Vice, Jezebel, The Hairpin, Good Magazine, Bustle, barnesandnoble.com, Chicago Magazine, and elsewhere. She is a Pushcart nominee and the recipient of the Edwin L. Shuman Fiction Award. She has written, directed, and produced independent plays on both Chicago and Los Angeles.
The author’s official website is http://www.toridotgov.com.
The illustrator’s website is http://www.damedarcy.com
Table of Contents
The Blood Countess: Erzsebet Bathory
The Giggling Grandma: Nannie Doss
The Worst Woman on Earth: Lizzie Halliday
Devil in the Shape of a Saint: Elizabeth Ridgeway
Vipers: Raya and Sakina
The Wretched Woman: Mary Ann Cotton
The Tormentor: Darya Nikolayevna Saltykova
Iceberg Anna: Anna Marie Hahn
The Nightingale: Oum-El-Hassen
High Priestess of the Bluebeard Clique: Tillie Klimek
Sorceress of Kilkenny: Alice Kyteler
Beautiful Throat Cutter: Kate Bender
The Angel Makers of Nagyrev
Queen of Poisoners: Marie-Madeleine, the Marquis de Brinvilliers
It looked as if The Angel Makers of Nagyrev wasn’t included in the texts, though it is listed in the contents and notes. However, they are on the pages following the chapter and heading Beautiful Throat Cutter. I had mistakenly thought it wasn't included before. Hopefully, that oversight and will be corrected in the final copy. There were a few punctuation errors in the book and I had intended to leave them in the copy above but allowed Grammarly to correct them without thinking. But that's why they pay the editors the big bucks.
Needless to say, I can’t wait to delve deep in this book and read my little Murderino heart out. I am nearly through the book and will update with a review once I have completed it.
#SSDGM
#Stay Sexy Don't Get Murdered
#myfavoritemurder #murderino #toritelfer #harperperennial #harpercollins #damedarcy
#books #bookstagram #mfmpodcast #georgiahardstark #karenkilgariff #serialkiller #truecrime #murder #killers #ladykiller #ladykillers #serialkillers
Some of the murderers/murderesses have been discussed on My Favorite Murder by Georgia and Karen but some are brand new to me.
From the back cover:
When you think of serial killers throughout history the names that come to mind are ones like Jack the Ripper, John Wayne Gacy and Ted Bundy but what about Tilly Klimek, Moulay Hassen and Kate Bender? The narrative we’re comfortable with is the one where women are the victims of violent crime, not the perpetrators, in fact, serial killers are thought to be so universally, overwhelmingly male that in 1998, FBI profiler Roy Hazelwood infamously declared in a homicide conference that, “There are no female serial killers.”
Lady Killers, based on the popular online series that appeared on Jezebel and The Hairpin, disputes that claim and offers 14 gruesome examples as evidence. Though largely forgotten by history, female serial killers such as Erzsebet Bathory, Nannie Doss, Mary Ann Cotton, and Darya Nikolayevna Saltykova rival their male counterparts and cunning, cruelty, and appetite for destruction.
Each chapter explores the crimes and history of a different subject and then proceeds to unpack her legacy and her portrayal in the media, as well as the stereotypes and sexist clichés that inevitably surround her. The first book to examine female serial killers through a feminist lens with a witty and dryly humorous tone lady killers dismisses explanations (she was hormonal, she did it for love, a man made her do it) and tired tropes (she was a femme fatale, a black widow, a witch) delving into the complex reality of a female aggression and predation. Featuring 14 illustrations from Dame Darcy, Lady Killers is a blood curdling, insightful, and irresistible journey into the heart of darkness.
Tori Telfer is a full-time freelance writer whose work has appeared in Salon, Vice, Jezebel, The Hairpin, Good Magazine, Bustle, barnesandnoble.com, Chicago Magazine, and elsewhere. She is a Pushcart nominee and the recipient of the Edwin L. Shuman Fiction Award. She has written, directed, and produced independent plays on both Chicago and Los Angeles.
The author’s official website is http://www.toridotgov.com.
The illustrator’s website is http://www.damedarcy.com
Table of Contents
The Blood Countess: Erzsebet Bathory
The Giggling Grandma: Nannie Doss
The Worst Woman on Earth: Lizzie Halliday
Devil in the Shape of a Saint: Elizabeth Ridgeway
Vipers: Raya and Sakina
The Wretched Woman: Mary Ann Cotton
The Tormentor: Darya Nikolayevna Saltykova
Iceberg Anna: Anna Marie Hahn
The Nightingale: Oum-El-Hassen
High Priestess of the Bluebeard Clique: Tillie Klimek
Sorceress of Kilkenny: Alice Kyteler
Beautiful Throat Cutter: Kate Bender
The Angel Makers of Nagyrev
Queen of Poisoners: Marie-Madeleine, the Marquis de Brinvilliers
It looked as if The Angel Makers of Nagyrev wasn’t included in the texts, though it is listed in the contents and notes. However, they are on the pages following the chapter and heading Beautiful Throat Cutter. I had mistakenly thought it wasn't included before. Hopefully, that oversight and will be corrected in the final copy. There were a few punctuation errors in the book and I had intended to leave them in the copy above but allowed Grammarly to correct them without thinking. But that's why they pay the editors the big bucks.
Needless to say, I can’t wait to delve deep in this book and read my little Murderino heart out. I am nearly through the book and will update with a review once I have completed it.
#SSDGM
#Stay Sexy Don't Get Murdered
#myfavoritemurder #murderino #toritelfer #harperperennial #harpercollins #damedarcy
#books #bookstagram #mfmpodcast #georgiahardstark #karenkilgariff #serialkiller #truecrime #murder #killers #ladykiller #ladykillers #serialkillers
Sophia (Bookwyrming Thoughts) (530 KP) rated Life Unaware in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
Deciding to actually read Cole Gibsen's latest new book was an extremely risky decision for me: I am, by no means, a contemporary reader (why I'm avoiding New Adult a lot), and telling Cole (or any author) that I hated her latest book is not something I would actually like to do...
I find that <i>Life Unaware</i> wasn't so daunting after all. In fact, after looking past the little peeves I have against some people in the world, Gibsen's debut contemporary is actually one of those extremely rare contemporaries that I enjoyed reading (the other one I believe is <a title="The Fault in Our Stars" href="https://bookwyrmingthoughts.com/review-the-fault-in-our-stars-by-john-green/"; target="_blank" rel="noopener">John Green's <i>The Fault in Our Stars</i></a>).
<i>Life Unaware</i> is actually written not necessarily from the person being bullied, but the bully herself getting a taste of her own medicine. For years Regan Flay has been popular at her school, looked up to and respected by her fellow peers. Little did anyone else aside from her close circle of friends that she spent her time digging up dirt about her classmates, until one day, Regan finds all of her private messages posted on the lockers at school.
For the first few chapters, I just couldn't stand Regan. She seemed stuck up, annoying, spoiled basically just another missing part of the Mean Girls clique (that movie was highly annoying as well) and the only thing I probably liked about Regan was the mere fact that I pitied and felt sorry for her. Underneath all her "rot," Regan was just a normal person with a mother who spent 99% of her time in politics and harping over Regan in her free time.
Basically, Regan just had a lot of extremely high expectations that I could surprisingly relate to in terms of choosing a college and a major. I didn't win on the college part (that battle now includes having to get a 30 or higher on my ACT to go to a university or I'm stuck at community college), but I did win (sort of) in choosing a major... by going the harder route, famously known as double major.
High expectations aside, enter Nolan Letner. Ex-popular, artistic, and bottom of the social ladder a completely opposite spectrum to Regan until her private messages are revealed for the entire school to see. Nolan doesn't really play much of a role in <i>Life Unaware</i>, aside from being Regan's only "support" when her entire life flipped upside down before her eyes.
But despite the fact Nolan doesn't actually play a really huge role, he definitely brings out Regan's true side the side that seems much more natural for Regan rather something forced from her mother over the years. Nolan also helps Regan turn her life back around, helping and encouraging her throughout several parts in the book to become a better person than she was before at the very beginning.
<i>Life Unaware</i> does eventually go for a darker turn before having a happily ever after vibe sorry, no spoilers. While this is completely different from her other books, I do applaud Cole Gibsen for writing a well-written contemporary novel dealing with bullying and the after-effects.
<a href="https://bookwyrmingthoughts.com/blog-tour-life-unaware-by-cole-gibsen-arc-review/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Deciding to actually read Cole Gibsen's latest new book was an extremely risky decision for me: I am, by no means, a contemporary reader (why I'm avoiding New Adult a lot), and telling Cole (or any author) that I hated her latest book is not something I would actually like to do...
I find that <i>Life Unaware</i> wasn't so daunting after all. In fact, after looking past the little peeves I have against some people in the world, Gibsen's debut contemporary is actually one of those extremely rare contemporaries that I enjoyed reading (the other one I believe is <a title="The Fault in Our Stars" href="https://bookwyrmingthoughts.com/review-the-fault-in-our-stars-by-john-green/"; target="_blank" rel="noopener">John Green's <i>The Fault in Our Stars</i></a>).
<i>Life Unaware</i> is actually written not necessarily from the person being bullied, but the bully herself getting a taste of her own medicine. For years Regan Flay has been popular at her school, looked up to and respected by her fellow peers. Little did anyone else aside from her close circle of friends that she spent her time digging up dirt about her classmates, until one day, Regan finds all of her private messages posted on the lockers at school.
For the first few chapters, I just couldn't stand Regan. She seemed stuck up, annoying, spoiled basically just another missing part of the Mean Girls clique (that movie was highly annoying as well) and the only thing I probably liked about Regan was the mere fact that I pitied and felt sorry for her. Underneath all her "rot," Regan was just a normal person with a mother who spent 99% of her time in politics and harping over Regan in her free time.
Basically, Regan just had a lot of extremely high expectations that I could surprisingly relate to in terms of choosing a college and a major. I didn't win on the college part (that battle now includes having to get a 30 or higher on my ACT to go to a university or I'm stuck at community college), but I did win (sort of) in choosing a major... by going the harder route, famously known as double major.
High expectations aside, enter Nolan Letner. Ex-popular, artistic, and bottom of the social ladder a completely opposite spectrum to Regan until her private messages are revealed for the entire school to see. Nolan doesn't really play much of a role in <i>Life Unaware</i>, aside from being Regan's only "support" when her entire life flipped upside down before her eyes.
But despite the fact Nolan doesn't actually play a really huge role, he definitely brings out Regan's true side the side that seems much more natural for Regan rather something forced from her mother over the years. Nolan also helps Regan turn her life back around, helping and encouraging her throughout several parts in the book to become a better person than she was before at the very beginning.
<i>Life Unaware</i> does eventually go for a darker turn before having a happily ever after vibe sorry, no spoilers. While this is completely different from her other books, I do applaud Cole Gibsen for writing a well-written contemporary novel dealing with bullying and the after-effects.
<a href="https://bookwyrmingthoughts.com/blog-tour-life-unaware-by-cole-gibsen-arc-review/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
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Gareth von Kallenbach (980 KP) rated Kick-Ass 2 (2013) in Movies
Jun 19, 2019
After answering the call and brutally taking down a crime boss, self-proclaimed superhero and a high school student Dave Lizewski (Aaron Taylor-Johnson), has settled into a mundane life. The thrill of taking on bad guys has been replaced with hanging out with his friends, going to class, and pondering his future. His former cohort Mindy/ Hit Girl (Chloe Grace Moretz), however has not abandoned her vigilante ways as she still haunted by the death of her father in the previous film. This is the backdrop against which the new film “Kick-Ass 2” takes place and it delivers a funnier and well-paced film that is a worthy but less ultraviolent offering than its predecessor.
Dave eventually convinces Mindy to help train him as he’s itching to get back out on the streets. In a hysterical opening run, things go very well at the start but soon turned bad for Kick Ass which forces Mindy to come to his aid brutally dispatching a group of thugs. This catches the attention of Mindy’s Guardian (Morris Chestnut), who after serving as her father’s partner for several years, insist that Mindy have a normal upbringing and this includes giving up her vigilante persona and embracing life as a high school student.
Mindy agrees to do this and soon finds herself firmly in the sites of the ultra-chic clique in high school. The group of girls decides that it’s time to take Mindy under their wings and make her one of the in crowd which often causes Mindy to question her identity. At the same time, Dave seeks out a group of like-minded heroes under the leadership of Col. Stars & Stripes(Jim Carrey), who himself is a former enforcer for crime syndicate who found religion and now seeks to make up for his past misdeeds.
Their early efforts are highly successful and soon catch the attention of Chris D’Amico, (Christopher Mintz-Plasse), who is still haunted by the death of his father at the hands of Kick Ass. When fate steps in and suddenly puts them in control of the family fortune and resources, Chris reinvents himself as a super villain and proceeds to use his family wealth and influence to put together a team of heavy hitters as he attempts to bring mayhem and chaos to the city with the ultimate goal of destroying Dave and his group of heroes.
Toward that end, the awkwardly but inevitably moves forward and brings his plan of revenge forward which causes Dave and his l friends to realize the consequences of their actions and to question their duty as well as place in the world.
What follows is a solidly entertaining action fast complete with some surprisingly good humor as well as touching and effective moments between the two leads. Donald Faison does some fantastic supporting work and although I would’ve loved to have seen more of his character Jim Carrey deals the scenes whenever he is in them yet manages to stay remarkably in character to the point that one reviewer at the end of the film expressed to me that he could not believe that was the maniacal actor playing such an off character part.
Johnson and Moertz are the backbone of the series and naturally depend upon a strong villain which Mintz-Plasse is more than able to provide. The expanded roster of heroes and villains certainly propels the series forward and it was interesting for me to see that although the film has exceptional amounts of violence it was actually considerably toned down from what I had been expecting after the events of the last film. It was my understanding that the studio wish the film to be more mainstream and while not wanting to harm the message and tone of the film to rein in the violence in order to up the character development and storytelling.
Director Jeff Wadlow has done a great job following up Matthew Vaughn who is stayed on this time to produce the film. The crowd was laughing and sharing and enthralled throughout and I found myself absolutely captivated by the film and enjoying every minute of it. For me, this was without a doubt the most satisfying and enjoyable of the summer offerings this year and I am seriously looking forward and hoping to a third outing in the series.
http://sknr.net/2013/08/16/kick-ass-2/
Dave eventually convinces Mindy to help train him as he’s itching to get back out on the streets. In a hysterical opening run, things go very well at the start but soon turned bad for Kick Ass which forces Mindy to come to his aid brutally dispatching a group of thugs. This catches the attention of Mindy’s Guardian (Morris Chestnut), who after serving as her father’s partner for several years, insist that Mindy have a normal upbringing and this includes giving up her vigilante persona and embracing life as a high school student.
Mindy agrees to do this and soon finds herself firmly in the sites of the ultra-chic clique in high school. The group of girls decides that it’s time to take Mindy under their wings and make her one of the in crowd which often causes Mindy to question her identity. At the same time, Dave seeks out a group of like-minded heroes under the leadership of Col. Stars & Stripes(Jim Carrey), who himself is a former enforcer for crime syndicate who found religion and now seeks to make up for his past misdeeds.
Their early efforts are highly successful and soon catch the attention of Chris D’Amico, (Christopher Mintz-Plasse), who is still haunted by the death of his father at the hands of Kick Ass. When fate steps in and suddenly puts them in control of the family fortune and resources, Chris reinvents himself as a super villain and proceeds to use his family wealth and influence to put together a team of heavy hitters as he attempts to bring mayhem and chaos to the city with the ultimate goal of destroying Dave and his group of heroes.
Toward that end, the awkwardly but inevitably moves forward and brings his plan of revenge forward which causes Dave and his l friends to realize the consequences of their actions and to question their duty as well as place in the world.
What follows is a solidly entertaining action fast complete with some surprisingly good humor as well as touching and effective moments between the two leads. Donald Faison does some fantastic supporting work and although I would’ve loved to have seen more of his character Jim Carrey deals the scenes whenever he is in them yet manages to stay remarkably in character to the point that one reviewer at the end of the film expressed to me that he could not believe that was the maniacal actor playing such an off character part.
Johnson and Moertz are the backbone of the series and naturally depend upon a strong villain which Mintz-Plasse is more than able to provide. The expanded roster of heroes and villains certainly propels the series forward and it was interesting for me to see that although the film has exceptional amounts of violence it was actually considerably toned down from what I had been expecting after the events of the last film. It was my understanding that the studio wish the film to be more mainstream and while not wanting to harm the message and tone of the film to rein in the violence in order to up the character development and storytelling.
Director Jeff Wadlow has done a great job following up Matthew Vaughn who is stayed on this time to produce the film. The crowd was laughing and sharing and enthralled throughout and I found myself absolutely captivated by the film and enjoying every minute of it. For me, this was without a doubt the most satisfying and enjoyable of the summer offerings this year and I am seriously looking forward and hoping to a third outing in the series.
http://sknr.net/2013/08/16/kick-ass-2/