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LeftSideCut (3778 KP) rated American Horror Story - Season 4 in TV
Nov 18, 2019 (Updated Nov 18, 2019)
Season 4 of AHS, subtitled 'Freak Show' gets a bad wrap in my opinion.
It doesn't reach the lofty heights of the first two seasons, but there's plenty to love and it tries something new.
The bulk of the series revolves around Elsa Mars (Jessica Lange) and her group of travelling sideshow performers, all who have some sort of abnormality. As they arrive in 1951 Florida to set up shop and make a living amongst a world that fears and targets them, they are also being eyed up by Richard Spencer (Denis O'Hare), a shady businessman attempting to profit from their misfortune, and Dandy Mott (Finn Wittrock), who harbours an unhealthy obsession with the Freak Show, and in particular, conjoined twins Bette and Dot Tattler (Sarah Paulson).
All the while, a murderous and sinister clown called Twisty (John Carroll Lynch) is on the loose, causing the finger to be pointed at another Freak Show member, Jimmy Darling (Evan Peters).
All of these plot lines running at once actually run side by side pretty smoothly, making for an engaging narrative, with plenty of plot twists along the way.
The Twisty plot line is proper classic slasher horror, and is unfortunately tied up pretty quickly, but it makes way for a surprisingly touching story about family, and what it means to be different.
I found myself caring about almost everybody during Freak Show. It's very well written.
The cast are as usual, pretty great. As well as the cast members mentioned above, we have returning AHS in the likes of Kathy Bates, Francis Conroy, Emma Roberts, Angela Bassett, and Naomi Grossman, as well as some new blood in the form of Michael Chiklis, Erika Ervin, Mat Fraser, Wes Bentley, and Neil Patrick-Harris.
Sarah Paulson is the undisputed highlight during this season, playing two characters at once, with some fantastic effects work going on.
The only character I really struggled to get on board with here was Elsa, which is a shame as she's front and centre. No fault of the great Jessica Lange of course.
The season drags for a while in the mid section, but with so many likable characters, it's not a huge issue.
Freak Show is also the first season that has a concrete connection to other seasons in the AHS story, confirming finally that all the seasons take place in the same universe, which is incredibly exciting, and opens the door for a lot of possibilities.
The gore effects and horror elements continue to be a big plus for AHS, and as always, the anthology format keeps it feeling fresh. Another win for Ryan Murphy and co.
It doesn't reach the lofty heights of the first two seasons, but there's plenty to love and it tries something new.
The bulk of the series revolves around Elsa Mars (Jessica Lange) and her group of travelling sideshow performers, all who have some sort of abnormality. As they arrive in 1951 Florida to set up shop and make a living amongst a world that fears and targets them, they are also being eyed up by Richard Spencer (Denis O'Hare), a shady businessman attempting to profit from their misfortune, and Dandy Mott (Finn Wittrock), who harbours an unhealthy obsession with the Freak Show, and in particular, conjoined twins Bette and Dot Tattler (Sarah Paulson).
All the while, a murderous and sinister clown called Twisty (John Carroll Lynch) is on the loose, causing the finger to be pointed at another Freak Show member, Jimmy Darling (Evan Peters).
All of these plot lines running at once actually run side by side pretty smoothly, making for an engaging narrative, with plenty of plot twists along the way.
The Twisty plot line is proper classic slasher horror, and is unfortunately tied up pretty quickly, but it makes way for a surprisingly touching story about family, and what it means to be different.
I found myself caring about almost everybody during Freak Show. It's very well written.
The cast are as usual, pretty great. As well as the cast members mentioned above, we have returning AHS in the likes of Kathy Bates, Francis Conroy, Emma Roberts, Angela Bassett, and Naomi Grossman, as well as some new blood in the form of Michael Chiklis, Erika Ervin, Mat Fraser, Wes Bentley, and Neil Patrick-Harris.
Sarah Paulson is the undisputed highlight during this season, playing two characters at once, with some fantastic effects work going on.
The only character I really struggled to get on board with here was Elsa, which is a shame as she's front and centre. No fault of the great Jessica Lange of course.
The season drags for a while in the mid section, but with so many likable characters, it's not a huge issue.
Freak Show is also the first season that has a concrete connection to other seasons in the AHS story, confirming finally that all the seasons take place in the same universe, which is incredibly exciting, and opens the door for a lot of possibilities.
The gore effects and horror elements continue to be a big plus for AHS, and as always, the anthology format keeps it feeling fresh. Another win for Ryan Murphy and co.
BankofMarquis (1832 KP) rated John Wick. Chapter 4 (2023) in Movies
Mar 26, 2023
More of the Same - which is a GOOD thing
Once a series gets to it’s 4th installment - and that installment is NOT a reboot or “prequel” - the audience for said series is pretty much settled in. There is a rabid group of movie-going watchers that are looking for the intimate details and Easter Eggs to further their immersion into this world while the rest of the movie going public has probably moved on and, just might, check it out on a whim.
Such is the case with JOHN WICK: CHAPTER 4 - the 4th installment of the Keanu Reeves led/Chad Stahelski Directed series that is long on style, action, intrigue and mythology while being low on logical plot-lines and…well…daylight.
But this won’t matter to the John Wick movie-goer. They are getting more of the same - cartoon violence professionally created by Stahelski and Reeves with plenty of bad guys battling (and losing) to Wick while the mysterious, underground society that Wick has run afoul of tries to take him down.
This insider intrigue will be enriching for the true John Wick fan but will be inconsequential for the casual movie-goer as these plot machinations are just an excuse to line Reeves up against seemingly insurmountable obstacle after seemingly insurmountable obstacle.
And what a journey it is. Starting with a tussle at the Osaka Continental (featuring veteran Martial Artists Hiroki Sanada and Donnie Yen) to a battle in Germany to the final in Paris, JOHN WICK: CHAPTER 4 is just one, long stylized fight sequence with both Stahelski (the Director and Fight Choreographer) and Reeves (as Wick) showing off their talents in new and interesting ways.
There are way too many fight sequences to mention, but there is one sequence in a building that is shot from on high (reminiscent of watching video game play) that is the most interesting/effective - but they all are a ton of fun.
Bill Skarsgard (Pennywise the Clown in the IT movies) is along as the Marquis (cool name) who is in charge of bringing Wick down. He is joined by the always good Clancy Brown (the voice of Mr. Krabs on Spongebob) on the “bad guy” side while Wick regulars Ian McShane, Lawrence Fishburne and the late, great Lance Reddick line up on Wick’s side.
It is a fun roller-coaster ride - if a bit long at almost 3 hours (the middle sags a bit) - that will entertain casual fans of action flicks while satisfying the hard-core “Wick-aphiles” (if that is a term) with a further peeling back of a layer of this world.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with JOHN WICK: CHAPTER 4 - the 4th installment of the Keanu Reeves led/Chad Stahelski Directed series that is long on style, action, intrigue and mythology while being low on logical plot-lines and…well…daylight.
But this won’t matter to the John Wick movie-goer. They are getting more of the same - cartoon violence professionally created by Stahelski and Reeves with plenty of bad guys battling (and losing) to Wick while the mysterious, underground society that Wick has run afoul of tries to take him down.
This insider intrigue will be enriching for the true John Wick fan but will be inconsequential for the casual movie-goer as these plot machinations are just an excuse to line Reeves up against seemingly insurmountable obstacle after seemingly insurmountable obstacle.
And what a journey it is. Starting with a tussle at the Osaka Continental (featuring veteran Martial Artists Hiroki Sanada and Donnie Yen) to a battle in Germany to the final in Paris, JOHN WICK: CHAPTER 4 is just one, long stylized fight sequence with both Stahelski (the Director and Fight Choreographer) and Reeves (as Wick) showing off their talents in new and interesting ways.
There are way too many fight sequences to mention, but there is one sequence in a building that is shot from on high (reminiscent of watching video game play) that is the most interesting/effective - but they all are a ton of fun.
Bill Skarsgard (Pennywise the Clown in the IT movies) is along as the Marquis (cool name) who is in charge of bringing Wick down. He is joined by the always good Clancy Brown (the voice of Mr. Krabs on Spongebob) on the “bad guy” side while Wick regulars Ian McShane, Lawrence Fishburne and the late, great Lance Reddick line up on Wick’s side.
It is a fun roller-coaster ride - if a bit long at almost 3 hours (the middle sags a bit) - that will entertain casual fans of action flicks while satisfying the hard-core “Wick-aphiles” (if that is a term) with a further peeling back of a layer of this world.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated It: Chapter Two (2019) in Movies
Sep 7, 2019
Hader steals the film
The "secret sauce" of the first chapter of IT (based on the horror novel by Stephen King) was NOT the gore or scares that were thrown at the audience, it was the characters and the performances that made that first film work. The young members of the "Loser's Club" - and especially the young actors populating these characters - created people that you wanted to root and cheer for throughout their ordeal with Pennywise the Clown and the bullies of Derry.
So...it should have been a "no-brainer" for Director Andy Muschietti and the filmmakers to repeat that pattern - it worked very, very well. But, somewhere along the way they forgot what made the first film good and Muschietti and new screenwriter Gary Dauberman decided to focus on the horror, gore and frights and let their talented group of adult actors inhabit the characters with little (maybe no) help from the screenplay.
And...the result is a "fine" film that wraps up the first film just "fine", but ultimately falls short of that first film and definitely falls short of what "could have been".
IT: CHAPTER TWO picks up 27 years later when Pennywise the Dancing Clown comes back (per his cycle) to terrorize the children of Derry once again. The Loser's Club from the first film band back together (per their pact at the end of the first film) to battle - and finally destroy - this dark threat.
The filmmakers pull a strong group of actors together to play the adult versions of the Loser's Club - headlined by Jessica Chastain (ZERO DARK THIRTY) as the adult Beverly Marsh and James McAvoy (Professor X in the recent run of X-MEN films) as the adult Bill Denborough. I find McAvoy to be (for the most part) a solid, if unspectacular, actor and he is true to from here. Solid, but unspectacular in a role that was written that way. Chastain, perhaps, is the biggest disappointment for me in this film as the young Beverly Marsh (as portrayed by Sophia Lillis) was the highlight of the first film but here this character is...bland and somewhat boring. I don't fault Chastain (an actress that I usually enjoy very, very much), I blame the screenplay which saddles these two characters with an underwritten "love triangle" with the adult Ben Hascombe (Jay Ryan - somewhat of a newcomer, who has smoldering good looks, but not much else going for him). It was rumored that Chris Pratt was circling this character (I would imagine he walked away when he saw the screenplay). That's too bad, for he might have brought some life to all 3 of these characters.
Faring better is the usually reliable Isiah Mustafa (TV's SHADOWHUNTERS) as the adult Mike Hanlon, the only one of the Loser's Club who stayed in Derry to keep a vigilant watch against Pennywise' return. He has a haunted air about him - certainly in keeping with the the past that only he remembers. And Andy Bean (SWAMP THING) has a nice couple of moments as the adult Stanley Uris.
The only truly interesting dynamic of the returning Loser's Club is the characters and love/hate relationship between the older Eddie Kaspbrak, the hypochondriac (played by James Ransome, TV's THE WIRE) and smart-mouth Richie Tolzier (inhabited by SNL vet Bill Hader). While Ransome's Eddie is quite a bit more interesting than he was as a youth (and that's no slight on Jack Dylan Grazer who played the younger Eddie, I just found Ransome's portrayal more nuanced and somewhat more interesting). But it is Hader who steals this film. His Richie is constantly using humor to cover his emotions building on the interesting characterization that Finn Wolfhard brought to the younger version and giving us more. Hader is a master comedian, so handles the comedy parts as deftly as you would think he would, but it is when the other emotions - fear, rage, love - come barreling out of him that Hader elevates this character (and the movie) to a higher level. I would be thrilled if Hader was nominated for an Oscar for this role - he is that good.
Also coming back are all of the "kids" from the first film to flesh out some scenes - and set up some other scenes/moments by the adults - they are a welcome addition and shine a spotlight at how weak - and underwritten - most of the adult characters are in this film.
Bill Skarsgard is seen quite a bit more as Pennywise - and that makes him less menacing and threatening (but still scary) and there are 2 fun cameos along the way by 2 prominent individuals, so that was fun.
There is a running gag throughout the film about author Bill Denborough (the surrogate for Stephen King) not being able to write a decent ending - a critique that King receives constantly - and they changed the ending of this film from the book. I am a big fan of the book, but would agree that the ending of the book was not that good, so was open to this trying a different way to end things...and...this new ending lands about as well as the original ending (oh well...).
But that's just a quibble, for by that time you've ridden with these characters for over 5 hours and while the first chapter is stronger than the first, the journey is good (enough) for an enjoyable (enough) time at the Cineplex.
Come for the Loser's Club and the scares - stay for Hader's Oscar worthy performance.
Letter Grade: B+
7 (out of 10) stars and you can take that to the Bank(ofMarquis)
So...it should have been a "no-brainer" for Director Andy Muschietti and the filmmakers to repeat that pattern - it worked very, very well. But, somewhere along the way they forgot what made the first film good and Muschietti and new screenwriter Gary Dauberman decided to focus on the horror, gore and frights and let their talented group of adult actors inhabit the characters with little (maybe no) help from the screenplay.
And...the result is a "fine" film that wraps up the first film just "fine", but ultimately falls short of that first film and definitely falls short of what "could have been".
IT: CHAPTER TWO picks up 27 years later when Pennywise the Dancing Clown comes back (per his cycle) to terrorize the children of Derry once again. The Loser's Club from the first film band back together (per their pact at the end of the first film) to battle - and finally destroy - this dark threat.
The filmmakers pull a strong group of actors together to play the adult versions of the Loser's Club - headlined by Jessica Chastain (ZERO DARK THIRTY) as the adult Beverly Marsh and James McAvoy (Professor X in the recent run of X-MEN films) as the adult Bill Denborough. I find McAvoy to be (for the most part) a solid, if unspectacular, actor and he is true to from here. Solid, but unspectacular in a role that was written that way. Chastain, perhaps, is the biggest disappointment for me in this film as the young Beverly Marsh (as portrayed by Sophia Lillis) was the highlight of the first film but here this character is...bland and somewhat boring. I don't fault Chastain (an actress that I usually enjoy very, very much), I blame the screenplay which saddles these two characters with an underwritten "love triangle" with the adult Ben Hascombe (Jay Ryan - somewhat of a newcomer, who has smoldering good looks, but not much else going for him). It was rumored that Chris Pratt was circling this character (I would imagine he walked away when he saw the screenplay). That's too bad, for he might have brought some life to all 3 of these characters.
Faring better is the usually reliable Isiah Mustafa (TV's SHADOWHUNTERS) as the adult Mike Hanlon, the only one of the Loser's Club who stayed in Derry to keep a vigilant watch against Pennywise' return. He has a haunted air about him - certainly in keeping with the the past that only he remembers. And Andy Bean (SWAMP THING) has a nice couple of moments as the adult Stanley Uris.
The only truly interesting dynamic of the returning Loser's Club is the characters and love/hate relationship between the older Eddie Kaspbrak, the hypochondriac (played by James Ransome, TV's THE WIRE) and smart-mouth Richie Tolzier (inhabited by SNL vet Bill Hader). While Ransome's Eddie is quite a bit more interesting than he was as a youth (and that's no slight on Jack Dylan Grazer who played the younger Eddie, I just found Ransome's portrayal more nuanced and somewhat more interesting). But it is Hader who steals this film. His Richie is constantly using humor to cover his emotions building on the interesting characterization that Finn Wolfhard brought to the younger version and giving us more. Hader is a master comedian, so handles the comedy parts as deftly as you would think he would, but it is when the other emotions - fear, rage, love - come barreling out of him that Hader elevates this character (and the movie) to a higher level. I would be thrilled if Hader was nominated for an Oscar for this role - he is that good.
Also coming back are all of the "kids" from the first film to flesh out some scenes - and set up some other scenes/moments by the adults - they are a welcome addition and shine a spotlight at how weak - and underwritten - most of the adult characters are in this film.
Bill Skarsgard is seen quite a bit more as Pennywise - and that makes him less menacing and threatening (but still scary) and there are 2 fun cameos along the way by 2 prominent individuals, so that was fun.
There is a running gag throughout the film about author Bill Denborough (the surrogate for Stephen King) not being able to write a decent ending - a critique that King receives constantly - and they changed the ending of this film from the book. I am a big fan of the book, but would agree that the ending of the book was not that good, so was open to this trying a different way to end things...and...this new ending lands about as well as the original ending (oh well...).
But that's just a quibble, for by that time you've ridden with these characters for over 5 hours and while the first chapter is stronger than the first, the journey is good (enough) for an enjoyable (enough) time at the Cineplex.
Come for the Loser's Club and the scares - stay for Hader's Oscar worthy performance.
Letter Grade: B+
7 (out of 10) stars and you can take that to the Bank(ofMarquis)
Dana (24 KP) rated Twelfth Night: Texts and Contexts in Books
Mar 23, 2018
I am actually giving this play a 3.5 star review, not a 4 star review. This is the third or fourth time I have had to read this play; the second time for college alone. Oh, and this review may have spoilers to the plot of this play, so if by some chance you haven't read it yet and do not want to know any of the plot points, read at your own risk.
I used to absolutely love this play. It used to be one of my favorite Shakespearean comedies, but I think I've had to study it so many times that I'm getting tired of it.
The class that I am reading it for, my Approaches to Shakespeare class, is really fun. I feel like I am going to start liking the book more the more I study it in this class because we are not just reading it for plot. The first day we were studying it, we went line by line for the first scene and talked about the various possible meanings each word could have meant and that was so much fun to me!
Also, I love the title: Twelfth Night: Or What You Will. It makes Shakespeare seem like he's saying, "Twelfth Night: Or Whatever." I don't know why, but that cracks me up.
I love looking at a text in a new way, and this class is definitely doing that. We are looking at dress and identity, sexuality and identity, the nature of love, setting the scene, the problem of Malvolio, and clown and comedy in the next few weeks that we are studying the play. I think my favorite parts to study are going to be the dress and identity and the problem of Malvolio.
Dress and identity are main aspects of the play. I mean, the entire think is about mistaken identities and disguises, so of course that would be heavily shown throughout the play. But even with this, we are going to look at connections within the characters to see if there are even more layers to this.
The problem of Malvolio is also very important. He is the loose cannon of this play because he does not necessarily fit with the comedic structure. Most of the time in comedies, everything is wrapped up and everyone is happy, but not in this comedy. In this, he seeks revenge on those who messed with him, but why did Shakespeare go so dark with this ending? Especially since he did not do this for the other comedies. That is what I can't wait to find out in my class.
I may do an update after we finish studying this book just in case I get an answer for that question, but that will only be seen in the future.
Overall, this play will always have a place in my heart, but I need to see if time will let it come back to the higher spot it used to have before.
I used to absolutely love this play. It used to be one of my favorite Shakespearean comedies, but I think I've had to study it so many times that I'm getting tired of it.
The class that I am reading it for, my Approaches to Shakespeare class, is really fun. I feel like I am going to start liking the book more the more I study it in this class because we are not just reading it for plot. The first day we were studying it, we went line by line for the first scene and talked about the various possible meanings each word could have meant and that was so much fun to me!
Also, I love the title: Twelfth Night: Or What You Will. It makes Shakespeare seem like he's saying, "Twelfth Night: Or Whatever." I don't know why, but that cracks me up.
I love looking at a text in a new way, and this class is definitely doing that. We are looking at dress and identity, sexuality and identity, the nature of love, setting the scene, the problem of Malvolio, and clown and comedy in the next few weeks that we are studying the play. I think my favorite parts to study are going to be the dress and identity and the problem of Malvolio.
Dress and identity are main aspects of the play. I mean, the entire think is about mistaken identities and disguises, so of course that would be heavily shown throughout the play. But even with this, we are going to look at connections within the characters to see if there are even more layers to this.
The problem of Malvolio is also very important. He is the loose cannon of this play because he does not necessarily fit with the comedic structure. Most of the time in comedies, everything is wrapped up and everyone is happy, but not in this comedy. In this, he seeks revenge on those who messed with him, but why did Shakespeare go so dark with this ending? Especially since he did not do this for the other comedies. That is what I can't wait to find out in my class.
I may do an update after we finish studying this book just in case I get an answer for that question, but that will only be seen in the future.
Overall, this play will always have a place in my heart, but I need to see if time will let it come back to the higher spot it used to have before.
50 Museums to Blow Your Mind
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Gareth von Kallenbach (965 KP) rated Battle of the Sexes (2016) in Movies
Jul 11, 2019
1972: Billie Jean King (played brilliantly by Emma Stone) just became the Grand Slam Champion of the Women’s Tennis Association. She had challenged the inequity of pay between the Men’s and Women’s Tennis Tour. Once she learns that the tournament for the Lawn Tennis Association is paying Women one eighth of the Men’s purse. She goes up against Jack Kramer (Bill Pullman at his misogynistic best). Billie, with her Manager, Gladys Heldman (Sarah Silverman in spectacular form echoing a more subdued version of Bobbie Fleckman) leave the LTA and start their own Women’s Tour. Which became the Virginia Slims tournament.
Around the same time, Bobby (Steve Carell, playing Riggs like a manic Pagliacci) the once Pro Slam Champion who now works in a nondescript office at his father-in-law’s business. Bobby, the dreamer, is a gambler figuratively and literally. The man who’s inner child has taken the reins on the run. He is the clown who needs constant attention, and the showman who could sell the Golden Gate. Carell, gives an exceptional performance, riling us up with cringe-worthy moments and showing us the man that is so certain of his abilities that he forgets the fable of the tortoise and the hare.
We are brought into relationships that these two athletes have with their families and loved ones. Of what they went through before the epic, world famous Battle of the Sexes in the Houston Astrodome. The film serves us a picture of the time where women had recently began the feminine movement and Women’s Liberation. The entire feel of the movie is set solidly in the seventies, the sexism rampant and accepted as the status quo. Misogyny is socially acceptable and Riggs and friends epitomize the attitude.
There is also the story of Billie Jean, realizing an attraction to a woman she meets before the starting her tour. Marilyn (Andrea Riseborough was magnetic), the hairdresser that was instantly drawn to Billie. We also get the treat of seeing the magnificent Alan Cumming as Ted, the charming designer of the women’s fantastic tennis outfits. Wallace Langham as Henry, the tailor.
The story is built up to the historic Battle of the Sexes at the Astrodome. We see the work that Billie does in preparation. Daily drills and practice games. Bobby’s confidence in his ability to deliver a win that mirrored the decimation of Margaret Court (Jessica McNamee) who at the time was the top female tennis player in the world.
The directing duo of Jonathan Dayton and Valerie Faris (Little Miss Sunshine) delivers us a well balanced, heartfelt film with a stellar cast. The soundtrack brings us into the early seventies and the costuming is quantum leap back to the time where polyester leisure suits and colorful shirts were the height of fashion. This is a love story of Billie Jean King and Tennis
Around the same time, Bobby (Steve Carell, playing Riggs like a manic Pagliacci) the once Pro Slam Champion who now works in a nondescript office at his father-in-law’s business. Bobby, the dreamer, is a gambler figuratively and literally. The man who’s inner child has taken the reins on the run. He is the clown who needs constant attention, and the showman who could sell the Golden Gate. Carell, gives an exceptional performance, riling us up with cringe-worthy moments and showing us the man that is so certain of his abilities that he forgets the fable of the tortoise and the hare.
We are brought into relationships that these two athletes have with their families and loved ones. Of what they went through before the epic, world famous Battle of the Sexes in the Houston Astrodome. The film serves us a picture of the time where women had recently began the feminine movement and Women’s Liberation. The entire feel of the movie is set solidly in the seventies, the sexism rampant and accepted as the status quo. Misogyny is socially acceptable and Riggs and friends epitomize the attitude.
There is also the story of Billie Jean, realizing an attraction to a woman she meets before the starting her tour. Marilyn (Andrea Riseborough was magnetic), the hairdresser that was instantly drawn to Billie. We also get the treat of seeing the magnificent Alan Cumming as Ted, the charming designer of the women’s fantastic tennis outfits. Wallace Langham as Henry, the tailor.
The story is built up to the historic Battle of the Sexes at the Astrodome. We see the work that Billie does in preparation. Daily drills and practice games. Bobby’s confidence in his ability to deliver a win that mirrored the decimation of Margaret Court (Jessica McNamee) who at the time was the top female tennis player in the world.
The directing duo of Jonathan Dayton and Valerie Faris (Little Miss Sunshine) delivers us a well balanced, heartfelt film with a stellar cast. The soundtrack brings us into the early seventies and the costuming is quantum leap back to the time where polyester leisure suits and colorful shirts were the height of fashion. This is a love story of Billie Jean King and Tennis
Fantashooting
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No. 1 iPhone game in Hong Kong, No. 1 iPhone game in Taiwan, No. 1 iPhone game in Singapore, No. 1...
Heather Cranmer (2721 KP) rated A Man Derailed: An Autobiography on Depression in Books
Jun 7, 2018
(This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.co.uk">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
As a sufferer of depression, this book definitely caught my attention. This synopsis for this book definitely drew me in, or perhaps I'm just nosy and want to know what it's like for others, lol. Either way, I was very impressed with this book.
A Man Derailed by Paul Holmes is one man's battle with depression due to a major life event. Holmes describes his battle with depression and his ups and downs. He also discusses what helped him get through his depression.
I just want to say that the title, A Man Derailed, is fantastic for this book. I definitely feel that this is a great title for the book due to what happens. I won't go into much more as I don't want to give anything away, but by the end of chapter 1, you will see why this title fits perfectly.
Being as this is an autobiography about one man's struggle with depression, I think the cover is well suited. I like how one side of Holmes' face is all black and the other is decorated in clown make-up. Having depression is like that. On one side, you feel like you're falling into a black abyss. On the other hand, you have to put on a facade to the world as mental health is still a very taboo subject, unfortunately.
Paul Holmes sets up the setting and world building of his book very well. Throughout the book, I felt I was seeing everything happen through his eyes as well as living it with him.
I'm not really a fan of autobiographies as most of the time, the pacing of the book is way too slow for my liking. However, A Man Derailed wasn't like that. The pacing of this book was spot on, and I found myself wanting to know more and more about what Mr. Holmes said or did.
I very much enjoyed how well written this book was. I loved how Holmes was able to inject humour into his book as well, so it wasn't all doom and gloom. A lot of the times, I was actually laughing out loud. I also found myself agreeing with everything Holmes had written. There is quite a bit of swearing, so if you're not big into swear words, be warned. However, I don't mind swearing as I think it totally fit in with the theme of this book. The only problem I found was that there were a lot of punctuation and grammar mistakes. However, this is because I'm a grammar nazi. It didn't really bother me, nor did it take away from the book.
I'd recommend this book to everyone aged 16+ that have/had depression, that know someone with depression, or those who want to have more insight into what it's like having depression.
I'd give A Man Derailed by Paul Holmes a 4.5 out of 5.
As a sufferer of depression, this book definitely caught my attention. This synopsis for this book definitely drew me in, or perhaps I'm just nosy and want to know what it's like for others, lol. Either way, I was very impressed with this book.
A Man Derailed by Paul Holmes is one man's battle with depression due to a major life event. Holmes describes his battle with depression and his ups and downs. He also discusses what helped him get through his depression.
I just want to say that the title, A Man Derailed, is fantastic for this book. I definitely feel that this is a great title for the book due to what happens. I won't go into much more as I don't want to give anything away, but by the end of chapter 1, you will see why this title fits perfectly.
Being as this is an autobiography about one man's struggle with depression, I think the cover is well suited. I like how one side of Holmes' face is all black and the other is decorated in clown make-up. Having depression is like that. On one side, you feel like you're falling into a black abyss. On the other hand, you have to put on a facade to the world as mental health is still a very taboo subject, unfortunately.
Paul Holmes sets up the setting and world building of his book very well. Throughout the book, I felt I was seeing everything happen through his eyes as well as living it with him.
I'm not really a fan of autobiographies as most of the time, the pacing of the book is way too slow for my liking. However, A Man Derailed wasn't like that. The pacing of this book was spot on, and I found myself wanting to know more and more about what Mr. Holmes said or did.
I very much enjoyed how well written this book was. I loved how Holmes was able to inject humour into his book as well, so it wasn't all doom and gloom. A lot of the times, I was actually laughing out loud. I also found myself agreeing with everything Holmes had written. There is quite a bit of swearing, so if you're not big into swear words, be warned. However, I don't mind swearing as I think it totally fit in with the theme of this book. The only problem I found was that there were a lot of punctuation and grammar mistakes. However, this is because I'm a grammar nazi. It didn't really bother me, nor did it take away from the book.
I'd recommend this book to everyone aged 16+ that have/had depression, that know someone with depression, or those who want to have more insight into what it's like having depression.
I'd give A Man Derailed by Paul Holmes a 4.5 out of 5.
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