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Mark @ Carstairs Considers (2099 KP) rated Grounds for Murder in Books
Feb 23, 2022
Buzz Worthy Debut
Lana Lewis has moved back home to Devil’s Beach, an island off the Florida coast, and taken over running her late mother’s coffee shop. One of the best and worst things about her new life is her employee, Fabrizio "Fab" Bellucci. Fab is a great barista, but his shameless flirting gets on Lana’s nerves, especially since Fab has a reputation as a lady’s man to go along with it. When Fab quits without any warning, Lana has a public confrontation with him. The next morning, she discovers his dead body. The police are saying it was a tragic accident, but Lana thinks something else happened to him. Can she prove it?
After a bit of a slow start, this book picks up and presents some interesting twists along the way to a logical conclusion. There are plenty of suspects, and they are well-drawn enough to keep us guessing. I did wish that we learned a little less about Fab’s love life and that Lana’s attraction to the police chief were turned down a notch, but both are minor issues overall. I feel like we have a small core of regulars here, but I really like them. As a non-coffee drinker, I didn’t find the talk of coffee went too far, and I’m sure that coffee lovers will find this book makes them reach for their favorite mug. This is a fun debut, and I hope to visit Lana again soon.
After a bit of a slow start, this book picks up and presents some interesting twists along the way to a logical conclusion. There are plenty of suspects, and they are well-drawn enough to keep us guessing. I did wish that we learned a little less about Fab’s love life and that Lana’s attraction to the police chief were turned down a notch, but both are minor issues overall. I feel like we have a small core of regulars here, but I really like them. As a non-coffee drinker, I didn’t find the talk of coffee went too far, and I’m sure that coffee lovers will find this book makes them reach for their favorite mug. This is a fun debut, and I hope to visit Lana again soon.
Kim Pook (101 KP) rated Pitch Perfect 3 (2017) in Movies
Sep 2, 2023
Not as good as first 2
Contains spoilers, click to show
We're back for the third and final installment of Pitch Perfect! The Bellas are singing "toxic" as the movie opens on a boat off the coast of France; however, as Amy enters carrying a fire extinguisher, the boat explodes, and the girls jump off.
Backtrack three weeks, and Rebecca is now making music. Unfortunately, a mediocre band with a horrible attitude makes her reevaluate her work, and she decides to resign. The Bellas attend a reunion, but they are given the short end of the stick since they believe they were invited to sing when in fact they were only there to listen to another group sing. The Bellas realise they need to sing together again upon hearing the other group, so they fly to Spain to perform for the army. However, the performance ends up being a competition as all the bands engage in an extended riff off. The bellas begin to worry when they understand they must compete against bands who play their own instruments.
Similar to the other films in the trilogy, the singing portions in this one are fantastic and infectious, and the last song gave me chills. The storyline wasn't as enjoyable this time around, though. Eliminate the entire Amy and her bad dad plot, which was over the top and inconsistent with the rest of the film; otherwise, the film would have been just as entertaining as the others.
Backtrack three weeks, and Rebecca is now making music. Unfortunately, a mediocre band with a horrible attitude makes her reevaluate her work, and she decides to resign. The Bellas attend a reunion, but they are given the short end of the stick since they believe they were invited to sing when in fact they were only there to listen to another group sing. The Bellas realise they need to sing together again upon hearing the other group, so they fly to Spain to perform for the army. However, the performance ends up being a competition as all the bands engage in an extended riff off. The bellas begin to worry when they understand they must compete against bands who play their own instruments.
Similar to the other films in the trilogy, the singing portions in this one are fantastic and infectious, and the last song gave me chills. The storyline wasn't as enjoyable this time around, though. Eliminate the entire Amy and her bad dad plot, which was over the top and inconsistent with the rest of the film; otherwise, the film would have been just as entertaining as the others.
Gareth von Kallenbach (971 KP) rated Battle: Los Angeles (2011) in Movies
Aug 7, 2019
War movies depicting a group of soldiers against overwhelming odds are nothing new. For generations, moviegoers have been treated to cinematic recreations as well as new scenarios of fighting units in combat. Usually these films follow a typical formula that includes the tough and gritty commanding officer, the naïve new soldier, the one with a woman and children waiting at home, and one who has difficulties with combat. In the new movie Battle: Los Angeles a new twist is given to the formulaic troops-in-combat picture which produces a mixed bag of results.
Aaron Eckhart stars as Staff Sgt. Michael Nantz; a 20 year Marine who, after losing men on a recent mission, has decided that it is time for him to leave and has filed his retirement paperwork from the corps. While completing a training exercise, Nantz and a squadron of Marines at Camp Pendleton are activated for what they are told is an evacuation mission in order to clear Santa Monica and other area residents from a swarm of meteors which are scheduled to hit just off the coast.
Nantz is assigned to a new commanding officer who, like the men in his unit, is wary of Nantz as many believe that he got his men killed in his last assignment. Despite the misgivings of the new lieutenant, he agrees that Nantz offers a wealth of experience and should be just fine for a simple evacuation assignment.
However during the mission briefing, the Marines are informed that the meteors that are hitting off the coast of major cities around the world contain metallic centers and that this is very likely an invasion from an unknown force. While the Marines are deploying an otherworldly fighting unit emerges destroying everything in their path as they moved inland from the coast line. Unsure what they are dealing with, the military decides to carpet bomb the city in order to contain the alien threat and give Nantz and his unit three hours to enter the combat zone and evacuate civilians from a police station.
While the movie is for the most part the standard soldiers-at-war film which substitute’s aliens for the usual enemy forces, the strength of the cast and the solid action and special effects help the movie overcome many of its shortcomings. There is little character development in the film and scenarios that were introduced in some of the characters’ backstories early in the film were given little to no chance to develop once the shooting started.
I also had an issue with some of the tactics in the film. While it may seem nitpicking there were a few scenes where the soldiers didn’t follow logical courses of engagement until later in the film. I have had only the most basic of combat instruction from my brief time in the Air Force, yet I can think of at least four scenarios in the film where the unit failed to use the most logical options available in their combat situation. Of course any film dealing with an alien invasion is sure to have plot holes and yes I can quibble about the Air Force waiting three hours to bomb a heavily overrun area when containment would have been priority one in not allowing a hostile force that much time to entrench itself.
That being said it was an interesting and entertaining film. The enemy was sufficiently mysterious and dangerous enough to hold my interest and had me rooting desperately for the troops to rise up and strike back at the enemy. Michelle Rodriguez does fine supporting work in the role of an Air Force Tech Sgt. who may have the key to turning the tide of the battle. Eckhart is solid as the gruff but caring staff sergeant is equally strong and his unit of young corporals, including R&B singer Ne-Yo, are believable.
Director Jonathan Liebesman knows the core intention of this film is and in doing so provides enough action to keep the audience entertained throughout. despite some issues with pacing and plot. While it doesn’t have the epic feel of Independence Day, Battle: Los Angeles is a film that provides enough entertainment to make it one of the better alien invasion films ever made and one that I certainly would not mind seeing revisited in a future sequel.
3.5 stars out of 5
Aaron Eckhart stars as Staff Sgt. Michael Nantz; a 20 year Marine who, after losing men on a recent mission, has decided that it is time for him to leave and has filed his retirement paperwork from the corps. While completing a training exercise, Nantz and a squadron of Marines at Camp Pendleton are activated for what they are told is an evacuation mission in order to clear Santa Monica and other area residents from a swarm of meteors which are scheduled to hit just off the coast.
Nantz is assigned to a new commanding officer who, like the men in his unit, is wary of Nantz as many believe that he got his men killed in his last assignment. Despite the misgivings of the new lieutenant, he agrees that Nantz offers a wealth of experience and should be just fine for a simple evacuation assignment.
However during the mission briefing, the Marines are informed that the meteors that are hitting off the coast of major cities around the world contain metallic centers and that this is very likely an invasion from an unknown force. While the Marines are deploying an otherworldly fighting unit emerges destroying everything in their path as they moved inland from the coast line. Unsure what they are dealing with, the military decides to carpet bomb the city in order to contain the alien threat and give Nantz and his unit three hours to enter the combat zone and evacuate civilians from a police station.
While the movie is for the most part the standard soldiers-at-war film which substitute’s aliens for the usual enemy forces, the strength of the cast and the solid action and special effects help the movie overcome many of its shortcomings. There is little character development in the film and scenarios that were introduced in some of the characters’ backstories early in the film were given little to no chance to develop once the shooting started.
I also had an issue with some of the tactics in the film. While it may seem nitpicking there were a few scenes where the soldiers didn’t follow logical courses of engagement until later in the film. I have had only the most basic of combat instruction from my brief time in the Air Force, yet I can think of at least four scenarios in the film where the unit failed to use the most logical options available in their combat situation. Of course any film dealing with an alien invasion is sure to have plot holes and yes I can quibble about the Air Force waiting three hours to bomb a heavily overrun area when containment would have been priority one in not allowing a hostile force that much time to entrench itself.
That being said it was an interesting and entertaining film. The enemy was sufficiently mysterious and dangerous enough to hold my interest and had me rooting desperately for the troops to rise up and strike back at the enemy. Michelle Rodriguez does fine supporting work in the role of an Air Force Tech Sgt. who may have the key to turning the tide of the battle. Eckhart is solid as the gruff but caring staff sergeant is equally strong and his unit of young corporals, including R&B singer Ne-Yo, are believable.
Director Jonathan Liebesman knows the core intention of this film is and in doing so provides enough action to keep the audience entertained throughout. despite some issues with pacing and plot. While it doesn’t have the epic feel of Independence Day, Battle: Los Angeles is a film that provides enough entertainment to make it one of the better alien invasion films ever made and one that I certainly would not mind seeing revisited in a future sequel.
3.5 stars out of 5
Lyndsey Gollogly (2893 KP) rated Siren's Call (Dark Tides #1) in Books
Feb 3, 2020
Between desire and love there are some things that can’t stay buried, even in the deep of the ocean.
As a woman with a secret, lighthouse keeper Tessa Lonike savors her solitude on the island of Little Mer, off the coast of Maine. During a violent storm, Tessa spots a man thrashing in the ice cold waters and dives in to save him, using her ability as a mermaid to easily pull him to shore.
When Kenneth Randall awakens on the beach he is alone, left with the haunting memory of his beautiful, flame-haired savior. But a year later, when Kenneth meets her again, he’s determined not to let Tessa slip away. Just as the desire between them begins to burn, Tessa’s archaeologist ex-lover comes back to town with a tantalizing clue to her murky heritage.
The trio travel to the Mediterranean in search of answers, and when Tessa inadvertently opens an underwater portal they find a lost mermaid city. But in the deep, not everything is as it seems, and Tessa must decide if she wants to take her place as the royal heir, or follow the call of her heart…
Well developed an enjoyable read. Kenneth had you rooting for him from the start but also had you wanting to slap some sense into him. Jake had you hating him in all aspects of the book. It had the adventure aspect too and I really enjoyed reading it. Hopefully her sisters will do more than sit round and bitch in future books.
Tess is a strong female lead.
As a woman with a secret, lighthouse keeper Tessa Lonike savors her solitude on the island of Little Mer, off the coast of Maine. During a violent storm, Tessa spots a man thrashing in the ice cold waters and dives in to save him, using her ability as a mermaid to easily pull him to shore.
When Kenneth Randall awakens on the beach he is alone, left with the haunting memory of his beautiful, flame-haired savior. But a year later, when Kenneth meets her again, he’s determined not to let Tessa slip away. Just as the desire between them begins to burn, Tessa’s archaeologist ex-lover comes back to town with a tantalizing clue to her murky heritage.
The trio travel to the Mediterranean in search of answers, and when Tessa inadvertently opens an underwater portal they find a lost mermaid city. But in the deep, not everything is as it seems, and Tessa must decide if she wants to take her place as the royal heir, or follow the call of her heart…
Well developed an enjoyable read. Kenneth had you rooting for him from the start but also had you wanting to slap some sense into him. Jake had you hating him in all aspects of the book. It had the adventure aspect too and I really enjoyed reading it. Hopefully her sisters will do more than sit round and bitch in future books.
Tess is a strong female lead.
Heather Cranmer (2721 KP) created a post
Feb 23, 2021
Mark @ Carstairs Considers (2099 KP) rated Easter Basket Murder in Books
Jan 25, 2024 (Updated Jan 25, 2024)
Here’s to a Deadly Easter
Kensington has called on their go to trio for three new holiday themed mysteries, this time featuring Easter. Up first, Leslie Meier’s Lucy Stone gets involved with a promotion for the local businesses leads to the theft of a golden Easter egg. Then Lee Hollis’s Hayley Powell finds the Easter Bunny dead at a community Easter egg hunt. Finally, Barbara Ross’s Julia Snowden’s Easter on the family island off the coast of Maine is interrupted when she finds a man in coat tails dead in the garden. Then, a few minutes later, he’s gone.
All three stories have fun with the theme, and present it in some clever ways. As is often the case, I found the first story the weakest, but the mysteries in the other two stories are strong. Still, I was engaged no matter which story I was reading. All three have some great Easter elements that made me feel like it was spring. And I love the community aspects we get. I’m only a regular reader of Barbara Ross’s series, and I was interested in the updates we got on the characters there. If you are looking for some new dishes to serve this year, you’ll be interested in the recipes we get with the second and third story. Each story is roughly 100 pages, so you can read them in a sitting or two. Overall, this is a fun anthology you’ll be happy hopped on to your to be read pile.
All three stories have fun with the theme, and present it in some clever ways. As is often the case, I found the first story the weakest, but the mysteries in the other two stories are strong. Still, I was engaged no matter which story I was reading. All three have some great Easter elements that made me feel like it was spring. And I love the community aspects we get. I’m only a regular reader of Barbara Ross’s series, and I was interested in the updates we got on the characters there. If you are looking for some new dishes to serve this year, you’ll be interested in the recipes we get with the second and third story. Each story is roughly 100 pages, so you can read them in a sitting or two. Overall, this is a fun anthology you’ll be happy hopped on to your to be read pile.
Gareth von Kallenbach (971 KP) rated Maneater in Video Games
Jul 26, 2019
Talking Maneater With Bill Munk – Game Director at Tripwire Interactive
Recently I spoke with Bill Munk – Game Director at Tripwire Interactive about their pending game Maneater. I saw the game at E3 and it looks like a promising game indeed.
What is the background and setting for the game?
Maneater is a single-player, open world, action RPG set in a fictionalized version of the US Gulf Coast. Players take on the role of a baby bull shark torn from its mother’s belly. Your only tools are your wits, your jaws, and an uncanny ability to evolve as you feed. Anything and everything is on the menu… provided you kill it before it kills you.
How did the idea to play as a Shark come about?
The concept for Maneater originally came from Alex Quick, the creator of Depth and director for the original Killing Floor. Tripwire Interactive loved the over-the-top and new approach to the action RPG and open world genres so much, they decided to bring the project in-house, increasing the development staff and budget to bring the team’s concept to life.
How many levels and areas are planned for the game at release?
Players should expect a vast variety of environments to explore, including, swamps, beach resorts, sunken ship wrecks, all the way out to the deep blue sea.
What are some of the customizations that will be available and how will players be able to upgrade their character?
As players continue to eat and explore, they’ll acquire key nutrients, which can be used to help them evolve. This is where the “RPG” progression systems in Maneater really come into play. Players can choose from a variety of evolutions, that may help with increased biting power, more maneuverability, armor, and more.
What are some of the moves players will be able to do and will new moves unlock later in the game?
We really want to make sure the act of swimming and feeding feels satisfying and meaty. During our E3 demo, you saw players knifing along the surface of the water, breaching onto land, barrel rolling and charging shark bounty hunters, and diving deep into the water to gain momentum for large leaps.
What can you tell us about the enemies that players will face in the game?
Each region in the game has an Apex Predator. As you battle smaller predators and consume food in each region, the apex will do whatever it takes to protect their food source. Maneater also features a bounty system. As you wreak havoc along the coast, your infamy level will rise. This causes local bounty hunters to search for you while trying to end your feeding frenzy. Depending on your infamy level, the bounty hunters will become more difficult ranging from hunters on small skiffs, all the way up to bringing out the coast guard.
The gameplay we saw at E3 looked like fun but I was curious about how the story will advance and how do you avoid the issue of repetition in the gameplay?
Maneater is a “dueling tales of revenge” story featuring Scaly Pete, who we revealed in our newest E3 trailer. Without revealing too much, Scaly Pete is responsible for tearing you from your mother’s belly, and you manage to escape into the open waters of the gulf. That’s where our story begins. Maneater is presented through the lens of a reality TV show called “Shark Hunters vs. Maneaters” that follows the adventures of Scaly Pete as he’s hunting you throughout our world. This also allows us to follow our player shark and give a voice to the actions of the player through the show’s narrator, who is voiced by Chris Parnell.
Will the game offer multiplayer or DLC?
Right now, we want to focus on making Maneater a fantastic single-player Action RPG experience.
What are some of your favorite moves in the game?
Breaching is one of the most satisfying shark moves we’ve been working on. Breaching out of shallow waters to feed on unsuspecting beach goers on land or even on a large shark bounty hunter boat captures the over-the-top fun and ridiculousness we’re aiming for with Maneater. We’re also working really hard on what we call the “whip-shot”, where you can tail whip anything that’s in your mouth, turning objects into weaponized projectiles.
What can you tell us about the music and sound effects in the game?
We’ve been working really hard on our dynamic music system, that is constantly adapting to what the player is doing throughout the game. It’s also been an interesting challenge creating sound effects for above the water with boats, explosions and civilians and then creating a whole new set of sound effects for the underwater world, including for the underwater wildlife, underwater sounds of the boats and swimmers and so much more.
Are you planning on being at PAX West with the game?
We can’t wait to tell you more about our plans for Maneater at future shows. In the meantime, we’d recommend your readers follow @maneatergame on Twitter for the latest.
Recently I spoke with Bill Munk – Game Director at Tripwire Interactive about their pending game Maneater. I saw the game at E3 and it looks like a promising game indeed.
What is the background and setting for the game?
Maneater is a single-player, open world, action RPG set in a fictionalized version of the US Gulf Coast. Players take on the role of a baby bull shark torn from its mother’s belly. Your only tools are your wits, your jaws, and an uncanny ability to evolve as you feed. Anything and everything is on the menu… provided you kill it before it kills you.
How did the idea to play as a Shark come about?
The concept for Maneater originally came from Alex Quick, the creator of Depth and director for the original Killing Floor. Tripwire Interactive loved the over-the-top and new approach to the action RPG and open world genres so much, they decided to bring the project in-house, increasing the development staff and budget to bring the team’s concept to life.
How many levels and areas are planned for the game at release?
Players should expect a vast variety of environments to explore, including, swamps, beach resorts, sunken ship wrecks, all the way out to the deep blue sea.
What are some of the customizations that will be available and how will players be able to upgrade their character?
As players continue to eat and explore, they’ll acquire key nutrients, which can be used to help them evolve. This is where the “RPG” progression systems in Maneater really come into play. Players can choose from a variety of evolutions, that may help with increased biting power, more maneuverability, armor, and more.
What are some of the moves players will be able to do and will new moves unlock later in the game?
We really want to make sure the act of swimming and feeding feels satisfying and meaty. During our E3 demo, you saw players knifing along the surface of the water, breaching onto land, barrel rolling and charging shark bounty hunters, and diving deep into the water to gain momentum for large leaps.
What can you tell us about the enemies that players will face in the game?
Each region in the game has an Apex Predator. As you battle smaller predators and consume food in each region, the apex will do whatever it takes to protect their food source. Maneater also features a bounty system. As you wreak havoc along the coast, your infamy level will rise. This causes local bounty hunters to search for you while trying to end your feeding frenzy. Depending on your infamy level, the bounty hunters will become more difficult ranging from hunters on small skiffs, all the way up to bringing out the coast guard.
The gameplay we saw at E3 looked like fun but I was curious about how the story will advance and how do you avoid the issue of repetition in the gameplay?
Maneater is a “dueling tales of revenge” story featuring Scaly Pete, who we revealed in our newest E3 trailer. Without revealing too much, Scaly Pete is responsible for tearing you from your mother’s belly, and you manage to escape into the open waters of the gulf. That’s where our story begins. Maneater is presented through the lens of a reality TV show called “Shark Hunters vs. Maneaters” that follows the adventures of Scaly Pete as he’s hunting you throughout our world. This also allows us to follow our player shark and give a voice to the actions of the player through the show’s narrator, who is voiced by Chris Parnell.
Will the game offer multiplayer or DLC?
Right now, we want to focus on making Maneater a fantastic single-player Action RPG experience.
What are some of your favorite moves in the game?
Breaching is one of the most satisfying shark moves we’ve been working on. Breaching out of shallow waters to feed on unsuspecting beach goers on land or even on a large shark bounty hunter boat captures the over-the-top fun and ridiculousness we’re aiming for with Maneater. We’re also working really hard on what we call the “whip-shot”, where you can tail whip anything that’s in your mouth, turning objects into weaponized projectiles.
What can you tell us about the music and sound effects in the game?
We’ve been working really hard on our dynamic music system, that is constantly adapting to what the player is doing throughout the game. It’s also been an interesting challenge creating sound effects for above the water with boats, explosions and civilians and then creating a whole new set of sound effects for the underwater world, including for the underwater wildlife, underwater sounds of the boats and swimmers and so much more.
Are you planning on being at PAX West with the game?
We can’t wait to tell you more about our plans for Maneater at future shows. In the meantime, we’d recommend your readers follow @maneatergame on Twitter for the latest.
Gareth von Kallenbach (971 KP) rated Deepwater Horizon (2016) in Movies
Jul 15, 2019
On April 20th 2010, approximately 40 miles off of the Louisiana coast, the Deepwater Horizon drilling rig exploded and sank spilling over 3 million barrels of oil into the Gulf of Mexico. The Deepwater Horizon oil spill, also known as the Gulf oil spill and BP oil spill, is the worst oil spill in U.S. history, and cost 11 crew members their lives. It’s also one of the largest environmental disasters in history, who’s total cost to the marine life, fishing community, and entire Gulf coast is still unknown. The film Deepwater Horizon is based on the true story of the men and women who were working on the rig the day of the disaster.
As a new team arrives for a 21-day shift they can already tell something is not exactly right, when the contracted testing crew is leaving without conducting critical tests. The man in charge of the vessel, Jimmy Harrell (Kurt Russell), sets out to find out why the contractors have been dismissed and who let them go. Chief electronics technician Mike Williams (Mark Wahlberg) also goes to question the crew as to what has happened while he was off ship and how long the list is of things he needs to fix. Through a quick investigation by Mike and Jimmy find that BP officials, headed by Vidrine (John Malkovich), are the ones who made the decision. The BP officials chose to assume that everything was fine, and since the Deepwater Horizon was 43 days past their deadline and the rising costs were mounting. Their decision was that it was time to cap the well and move to the next site. That didn’t sit well with Mr. Jimmy, as most of the crew call him, so he demands that one more test is to be run before anything else happens.
The BP officials remind him of the cost and loss of money but eventually agree to the test. The initial test fails but before additional test can be run Jimmy is called away to another part of the vessel. With the addition test being inconclusive, and Mike and Jimmy not around, Vidrine pressures the crew to push forward and move on. Reluctantly the crew and Jimmy agree to move forward. A frustrated Jimmy retires to his crew quarters to get ready for a long night. Mike heads to his shop to video chat with his wife and start the monumental task of fixing all that is wrong aboard the Deepwater Horizon. At about 10 PM the entire vessel was rocked by an explosion. With that the crew rushes frantically to try and stop an even greater disaster and make their way safely off the Deepwater Horizon.
Director Peter Berg (Lone Survivor, Hancock, The Kingdom) does a great job of holding a steady pace throughout this film. The story moves well and once the action begins the intensity and suspense left me on the edge of my seat. The casting is great with Dylan O’Brien, Kate Hudson, Gina Rodriguez and others joining the previously mentioned Wahlberg, Russell and Malkovich. In focusing on the men and women who were on the Deepwater Horizon and their families it makes it a very creative an emotional tribute to the 11 men who perished that night. It does paint the large oil company (BP) as a villain, driven by profit to a point of recklessness, in a way that may be a little too political for some. I found it an informative story, showing a different side to a very well-known disaster.
As a new team arrives for a 21-day shift they can already tell something is not exactly right, when the contracted testing crew is leaving without conducting critical tests. The man in charge of the vessel, Jimmy Harrell (Kurt Russell), sets out to find out why the contractors have been dismissed and who let them go. Chief electronics technician Mike Williams (Mark Wahlberg) also goes to question the crew as to what has happened while he was off ship and how long the list is of things he needs to fix. Through a quick investigation by Mike and Jimmy find that BP officials, headed by Vidrine (John Malkovich), are the ones who made the decision. The BP officials chose to assume that everything was fine, and since the Deepwater Horizon was 43 days past their deadline and the rising costs were mounting. Their decision was that it was time to cap the well and move to the next site. That didn’t sit well with Mr. Jimmy, as most of the crew call him, so he demands that one more test is to be run before anything else happens.
The BP officials remind him of the cost and loss of money but eventually agree to the test. The initial test fails but before additional test can be run Jimmy is called away to another part of the vessel. With the addition test being inconclusive, and Mike and Jimmy not around, Vidrine pressures the crew to push forward and move on. Reluctantly the crew and Jimmy agree to move forward. A frustrated Jimmy retires to his crew quarters to get ready for a long night. Mike heads to his shop to video chat with his wife and start the monumental task of fixing all that is wrong aboard the Deepwater Horizon. At about 10 PM the entire vessel was rocked by an explosion. With that the crew rushes frantically to try and stop an even greater disaster and make their way safely off the Deepwater Horizon.
Director Peter Berg (Lone Survivor, Hancock, The Kingdom) does a great job of holding a steady pace throughout this film. The story moves well and once the action begins the intensity and suspense left me on the edge of my seat. The casting is great with Dylan O’Brien, Kate Hudson, Gina Rodriguez and others joining the previously mentioned Wahlberg, Russell and Malkovich. In focusing on the men and women who were on the Deepwater Horizon and their families it makes it a very creative an emotional tribute to the 11 men who perished that night. It does paint the large oil company (BP) as a villain, driven by profit to a point of recklessness, in a way that may be a little too political for some. I found it an informative story, showing a different side to a very well-known disaster.
Whatchareadin (174 KP) rated Salvage the Bones in Books
May 10, 2018
This is the story of Esch and her brothers, Skeeta, Randal, and Junior. The story takes place over 12 days before, during and after Hurricane Katrina on the Gulf Coast of Mississippi. Esch and her family live in "the Pit", their dog China, who is the most important thing to Skeeta, has just had puppies. They are trying to get the puppies healthy and find a safe place for them before the storm hits. Esch has just found out that she is pregnant by the only boy she has been with, Randal is determined to get a basketball scholarship so he can get out of "the Pit". All of this is going on while a Hurricane is on the way. This is an emotional story that takes you on a roller coaster ride. With so many mishaps along the way, will they be able to survive once the storm hits?
I listened to this book over a course of 3 weeks back and forth to work. The story captured my attention immediately, but without listening to in continuously, I lost my place sometimes. This is the first book I have read by Jesmyn Ward, and this book was brought to my attention through her new book [bc:Sing, Unburied, Sing|32920226|Sing, Unburied, Sing|Jesmyn Ward|https://images.gr-assets.com/books/1499340866s/32920226.jpg|53537916] which came out earlier this year. I'm not sure if I would have given this book a higher rating if I would have read it directly instead of listening to it. But I did enjoy it and look forward to reading Sing, Unburied, Sing.
I listened to this book over a course of 3 weeks back and forth to work. The story captured my attention immediately, but without listening to in continuously, I lost my place sometimes. This is the first book I have read by Jesmyn Ward, and this book was brought to my attention through her new book [bc:Sing, Unburied, Sing|32920226|Sing, Unburied, Sing|Jesmyn Ward|https://images.gr-assets.com/books/1499340866s/32920226.jpg|53537916] which came out earlier this year. I'm not sure if I would have given this book a higher rating if I would have read it directly instead of listening to it. But I did enjoy it and look forward to reading Sing, Unburied, Sing.