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ClareR (5603 KP) rated The East Indian in Books
Jul 13, 2023
I loved The East Indian by Brinda Charry, but boy did it make me mad!
“Tony” (so named because a British man couldn’t pronounce his real name, and we never find out what that is) comes from the Coromandel coast. He travels to London with a white man in order to be his servant, but the man dies on the voyage. In London, Tony has to fend for himself, a child alone in a big city that takes advantage of the vulnerable. Unsurprisingly, Tony is kidnapped, transported to America, and becomes an indentured servant. It looks as though his dreams of becoming a medicine man will never come to pass. But he does make friends with some of the boys on the voyage. When he arrives in America, he is mistaken for a native Indian - he isn’t as black as the Africans - and he’s often referred to as a ‘Moor’.
There’s little wonder that Tony has so many friends, he’s a likeable boy. He hates to see the maltreatment of his fellow indentured servants and slaves.
This book illustrates the lives of indentured servants and the beginning of slavery under British rule in the colonies. It’s not a nice way to live; seen through the eyes of a child it’s both less and more horrific. Tony doesn’t necessarily see how bad things are, because he has no comparison until he starts to get older.
The most infuriating part for me (it’s a long list!), was how Tony and the Africans were ‘othered’ by the white man: they weren’t to be trusted, their ways of life were seen as primitive, they were seen as a belonging or little better than animals.
This book predates slavery as it was to become, but you can see the beginnings of it. As an indentured servant, you belonged to your master.
Jamestown is described so well (sights, sounds and smells) as are the wilder areas: the forests, mountains and rivers. It sounded beautiful, kept that way by Native Americans who were already being driven from their homeland.
It’s a sobering, beautiful story, and I’m so glad that I got the chance to read it - thanks Pigeonhole!
“Tony” (so named because a British man couldn’t pronounce his real name, and we never find out what that is) comes from the Coromandel coast. He travels to London with a white man in order to be his servant, but the man dies on the voyage. In London, Tony has to fend for himself, a child alone in a big city that takes advantage of the vulnerable. Unsurprisingly, Tony is kidnapped, transported to America, and becomes an indentured servant. It looks as though his dreams of becoming a medicine man will never come to pass. But he does make friends with some of the boys on the voyage. When he arrives in America, he is mistaken for a native Indian - he isn’t as black as the Africans - and he’s often referred to as a ‘Moor’.
There’s little wonder that Tony has so many friends, he’s a likeable boy. He hates to see the maltreatment of his fellow indentured servants and slaves.
This book illustrates the lives of indentured servants and the beginning of slavery under British rule in the colonies. It’s not a nice way to live; seen through the eyes of a child it’s both less and more horrific. Tony doesn’t necessarily see how bad things are, because he has no comparison until he starts to get older.
The most infuriating part for me (it’s a long list!), was how Tony and the Africans were ‘othered’ by the white man: they weren’t to be trusted, their ways of life were seen as primitive, they were seen as a belonging or little better than animals.
This book predates slavery as it was to become, but you can see the beginnings of it. As an indentured servant, you belonged to your master.
Jamestown is described so well (sights, sounds and smells) as are the wilder areas: the forests, mountains and rivers. It sounded beautiful, kept that way by Native Americans who were already being driven from their homeland.
It’s a sobering, beautiful story, and I’m so glad that I got the chance to read it - thanks Pigeonhole!
Gareth von Kallenbach (971 KP) rated The Lone Ranger (2013) in Movies
Jun 19, 2019
With much of the pre-release coverage of the film centered on the reportedly $250 million plus shooting budget, audiences can finally see the fruits of this labor as Disney brings “The Lone Ranger” to the big screen. The movie stars Johnny Depp as Tonto and tells a slightly updated tale of the masked ranger, yet stays refreshingly grounded in the traditions and history of the source material.
Armie Hammer stars as John Reid, a district attorney who returns to Texas to provide justice to a lawless land that is in the process of great expansion thanks to the pending completion of the Transcontinental Railroad. In the 1860s, the country is in a great state of change as the completion of the railroad will allow people to travel coast-to-coast across, something that was once an extremely long and dangerous journey to undertake.
The local railroad administrator plans to do a public hanging of notorious outlaw murder Butch Cavendish (William Fichtner), as an example of how law and order has come to the wild frontier, a show to encourage Western expansion and install a sense of security in the local populace. The local Comanche tribes are told that as long as they continue to honor the established treaties they will be able to coexist in peace with the Western settlers.
Following a daring escape from the train that is carrying him to justice, Cavendish departs into the desert with his gang of outlaws. Not willing to let him escape justice once again, Reid’s brother Dan deputizes John, and leads the posse to bring Cavendish to justice. Now as anybody who’s followed any of the previous incarnations of the story knows, the posse is ambushed and all the Rangers are brutally murdered by Cavendish and is outlaws. Enter Tonto, who discovers John barely alive, and overseas his restoration to health. It is Tonto who convinces Reid to wear a mask as he is convinced that Cavendish had help and that it would be best for John and his brother’s family if the world believed John died with the other rangers to save them from any possible retribution
In a refreshing change of pace, Reid is not a swaggering fountain of machismo. He is a man who puts his faith in the law rather than in a six shooter and is actually hesitant to fire a weapon and use lethal forms of violence to dispense justice. This brings him at odds from time to time with Tonto who tries to walk the thin line between his people and his beliefs and the ever-changing modern world around him.
When the military began systematically retaliating against Tonto’s people for perceived raids against the townspeople, Reid and Tonto not only must deal with Cavendish and his gang of outlaws but must get to the bottom of a larger mystery that threatens to not only eradicate the Comanche people but to threaten the good citizens of the area. With his trusty and at times comical white horse, Silver, Reid and Tonto must learn to coexist with each other in a desperate race against time.
The film was an extremely enjoyable and fresh take on the characters that I really enjoyed. By giving the characters slightly more updated and relatable personas and traits yet retaining their core identities in history, Depp and Hammer made this a Western that was fun and cool and yet stayed true to the origins of the characters while making them more appealing to a modern audience. What really impressed me was Depp how he took what is often jokingly seen as a stereo typical Western sidekick and made him a very compelling yet diverse character. Yes, there is a lot of humor in the film but it is entertainingly at the expense of Reid, most often with Tonto getting some of the best lines in the film. I really appreciated the fact how it told a story without being overly politically correct or preaching, letting the characters and the action convey the message.
The action in the film is solid and the harrowing finale had people in the test screening cheering the action. Producer Jerry Bruckheimer and Director Gore Verbinski are to be commended for bringing a lively story that introduces the iconic characters to a new generation of fans. I hope that the film is able to draw fans and gives Disney’s a good return on its large investment as I would love to see Depp and Hammer back for future adventures. “The Lone Ranger” was the most pleasant surprise of the summer to date and the only summer film so far that I would pay to see again.
http://sknr.net/2013/07/03/the-lone-ranger/
Armie Hammer stars as John Reid, a district attorney who returns to Texas to provide justice to a lawless land that is in the process of great expansion thanks to the pending completion of the Transcontinental Railroad. In the 1860s, the country is in a great state of change as the completion of the railroad will allow people to travel coast-to-coast across, something that was once an extremely long and dangerous journey to undertake.
The local railroad administrator plans to do a public hanging of notorious outlaw murder Butch Cavendish (William Fichtner), as an example of how law and order has come to the wild frontier, a show to encourage Western expansion and install a sense of security in the local populace. The local Comanche tribes are told that as long as they continue to honor the established treaties they will be able to coexist in peace with the Western settlers.
Following a daring escape from the train that is carrying him to justice, Cavendish departs into the desert with his gang of outlaws. Not willing to let him escape justice once again, Reid’s brother Dan deputizes John, and leads the posse to bring Cavendish to justice. Now as anybody who’s followed any of the previous incarnations of the story knows, the posse is ambushed and all the Rangers are brutally murdered by Cavendish and is outlaws. Enter Tonto, who discovers John barely alive, and overseas his restoration to health. It is Tonto who convinces Reid to wear a mask as he is convinced that Cavendish had help and that it would be best for John and his brother’s family if the world believed John died with the other rangers to save them from any possible retribution
In a refreshing change of pace, Reid is not a swaggering fountain of machismo. He is a man who puts his faith in the law rather than in a six shooter and is actually hesitant to fire a weapon and use lethal forms of violence to dispense justice. This brings him at odds from time to time with Tonto who tries to walk the thin line between his people and his beliefs and the ever-changing modern world around him.
When the military began systematically retaliating against Tonto’s people for perceived raids against the townspeople, Reid and Tonto not only must deal with Cavendish and his gang of outlaws but must get to the bottom of a larger mystery that threatens to not only eradicate the Comanche people but to threaten the good citizens of the area. With his trusty and at times comical white horse, Silver, Reid and Tonto must learn to coexist with each other in a desperate race against time.
The film was an extremely enjoyable and fresh take on the characters that I really enjoyed. By giving the characters slightly more updated and relatable personas and traits yet retaining their core identities in history, Depp and Hammer made this a Western that was fun and cool and yet stayed true to the origins of the characters while making them more appealing to a modern audience. What really impressed me was Depp how he took what is often jokingly seen as a stereo typical Western sidekick and made him a very compelling yet diverse character. Yes, there is a lot of humor in the film but it is entertainingly at the expense of Reid, most often with Tonto getting some of the best lines in the film. I really appreciated the fact how it told a story without being overly politically correct or preaching, letting the characters and the action convey the message.
The action in the film is solid and the harrowing finale had people in the test screening cheering the action. Producer Jerry Bruckheimer and Director Gore Verbinski are to be commended for bringing a lively story that introduces the iconic characters to a new generation of fans. I hope that the film is able to draw fans and gives Disney’s a good return on its large investment as I would love to see Depp and Hammer back for future adventures. “The Lone Ranger” was the most pleasant surprise of the summer to date and the only summer film so far that I would pay to see again.
http://sknr.net/2013/07/03/the-lone-ranger/
Lee Ronaldo recommended Kollaps by Einsturzende Neubauten in Music (curated)
Billie Wichkan (118 KP) rated The Sorrows in Books
Mar 15, 2019
The Sorrows, an island off the coast of northern California, and its castle have been uninhabited since a series of gruesome murders in 1925. But its owner needs money, so he allows film composers Ben and Eddie and a couple of their female friends to stay a month in Castle Blackwood. Eddie is certain a haunted castle is just the setting Ben needs to find inspiration for a horror film.
But what they find is more horrific than any movie. Something is waiting for them in the castle. A malevolent being has been trapped for nearly a century. And he's ready to feed.
*Disclosure - I received a free copy for purposes of an honest review*
This is definitely a more slow burn novel that creeps up on you, giving you that uneasy feeling and putting you on edge.
The characters are each realistically flawed and interesting; this book does have sexual scenes, some scenes of violence and gore. This did not bother me as it flows with books plot.
If you have read anything by Janz then you will probably be aware that he has a talent for the darkest depths of hell and horror. The Sorrows represents the beginning of his journey, and also shows much he has honed his craft since then.
There are a few story lines in this novel, all keep you the edge of your seat with bated breath waiting to see what would happen next! We have a diary from the past talking about a mysterious little boy called Gabriel and the wrongdoing and terror that occurred on the island in 1925.
While the foursome are the island, things start off being just a little bit spooky. Strange sightings take place, violent apparitions, voices are heard and take control of people, mirrored walls and secret passages, the brutality of some of the characters, and finally the goat hooves beast of the island.
Then tension builds in the books with little tidbits of supernatural. The tension, it was palpable as you delve further into the mystery of the island and the past. A couple of things I felt were a bit too unexplained but I think it that it added to the magic of the book, because let us be honest when you watch films the unexpected always happens!
But what they find is more horrific than any movie. Something is waiting for them in the castle. A malevolent being has been trapped for nearly a century. And he's ready to feed.
*Disclosure - I received a free copy for purposes of an honest review*
This is definitely a more slow burn novel that creeps up on you, giving you that uneasy feeling and putting you on edge.
The characters are each realistically flawed and interesting; this book does have sexual scenes, some scenes of violence and gore. This did not bother me as it flows with books plot.
If you have read anything by Janz then you will probably be aware that he has a talent for the darkest depths of hell and horror. The Sorrows represents the beginning of his journey, and also shows much he has honed his craft since then.
There are a few story lines in this novel, all keep you the edge of your seat with bated breath waiting to see what would happen next! We have a diary from the past talking about a mysterious little boy called Gabriel and the wrongdoing and terror that occurred on the island in 1925.
While the foursome are the island, things start off being just a little bit spooky. Strange sightings take place, violent apparitions, voices are heard and take control of people, mirrored walls and secret passages, the brutality of some of the characters, and finally the goat hooves beast of the island.
Then tension builds in the books with little tidbits of supernatural. The tension, it was palpable as you delve further into the mystery of the island and the past. A couple of things I felt were a bit too unexplained but I think it that it added to the magic of the book, because let us be honest when you watch films the unexpected always happens!
Merissa (11800 KP) rated Forged Futures (Tribal Spirits #4) in Books
May 21, 2019
Forged Futures (Tribal Spirits #4) by Katherine McIntyre
Forged Futures is the fourth book in the Tribal Spirits series, and we get Lana's story. Hers and Lucas', the gentle giant of the East Coast Tribe.
Lana has suffered since her husband died. Not only did she lose her best friend, but everyone treats her differently now too. She is unable to speak of him, and this tears her up inside. She is also not good at living alone. So when she hears creaks and groans that don't belong in her house, she knows something is up. That is the start of her life unravelling from how she knew it. Her husband wasn't who she thought he was, but there were reasons for that, which Lana finds out.
Lucas has been attracted to Lana from the start, but as a 'new' widow, he refused to make a move. He can't stop himself from protecting her though, and nor does he want to try. Lucas is fighting his own battles, and they help him with Lana, as it helps him to understand.
These two really are a match made in heaven. Lana sees Lucas for who he really is, and Lucas sees Lana as a woman, not just a widow. The excitement is rife in this book, and I got all flustered thinking Mackey was going down! I can't wait for that to happen!!! At least they made headway, but I won't say anything else! Drew is really coming into his own too. Ms. McIntyre is dropping hints about what happened, and why, and also what might be coming. I really hope I'm right, as he has managed to wriggle into my affections, and I really want to see him happy!
Exceptional writing, just what I would expect from a Katherine McIntyre book. There were no editing or grammatical errors that I noticed, with a smoothly paced story, and no plot holes. There is a slow-build up to the steam, and it works perfectly. Great characters, and an exciting story. Sierra and Dax still remain my favourites (so far), but Lana and Lucas are hot on their heels. Let's see if it stays that way once Drew gets his story! Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Lana has suffered since her husband died. Not only did she lose her best friend, but everyone treats her differently now too. She is unable to speak of him, and this tears her up inside. She is also not good at living alone. So when she hears creaks and groans that don't belong in her house, she knows something is up. That is the start of her life unravelling from how she knew it. Her husband wasn't who she thought he was, but there were reasons for that, which Lana finds out.
Lucas has been attracted to Lana from the start, but as a 'new' widow, he refused to make a move. He can't stop himself from protecting her though, and nor does he want to try. Lucas is fighting his own battles, and they help him with Lana, as it helps him to understand.
These two really are a match made in heaven. Lana sees Lucas for who he really is, and Lucas sees Lana as a woman, not just a widow. The excitement is rife in this book, and I got all flustered thinking Mackey was going down! I can't wait for that to happen!!! At least they made headway, but I won't say anything else! Drew is really coming into his own too. Ms. McIntyre is dropping hints about what happened, and why, and also what might be coming. I really hope I'm right, as he has managed to wriggle into my affections, and I really want to see him happy!
Exceptional writing, just what I would expect from a Katherine McIntyre book. There were no editing or grammatical errors that I noticed, with a smoothly paced story, and no plot holes. There is a slow-build up to the steam, and it works perfectly. Great characters, and an exciting story. Sierra and Dax still remain my favourites (so far), but Lana and Lucas are hot on their heels. Let's see if it stays that way once Drew gets his story! Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sassy Brit (97 KP) rated The Island (Hidden Iceland #2) in Books
Jun 5, 2019
After reading the previous Detective Inspector Hulda Hermannsdóttir story (The Darkness) of which I really enjoyed, I was pleased to be offered this book to review by Penguin UK (Michael Joseph) via NetGalley. Here’s my review:
In The Island Ragnar brings back CID member Hulda of the Reykjavik police with another case to solve. One surrounding four young adults who have decided to take a weekend away in a remote and deserted part of of Elliðaey island off the Icelandic coast. Strange because they’d not seen each other for ten years, and even stranger still, one is married with kids and it’s odd that she’d just go on a mini-break with old school friends she’d not seen for years when they hadn’t really kept in contact all that time. Stranger still, once they meet up again, there’s a fatal accident and when they wake up one morning a girl’s missing. She’s only gone and fallen off a cliff and killed herself.
Or was she pushed? *Strokes chin in a very Sherlock way*
What is the connection between these four people? And why did they decide to meet up after ten years? I don’t know about you, but I was dying to find out! Okay, maybe not dying, I don’t want the author to put me in one of his stories only to kill me off – but I was keen!
My thoughts? Ragnar has written an intriguing and clever plot where two stories (past and present) fold into one. Running along beside Hulda’s crime solving antics, there’s a chance to discover more about her private life, her dark past, and her wish to find her own father of whom she’s never known.
I thoroughly enjoyed solving this crime with Hulda. I found the bittersweet ending (of which more than one character received) was brilliantly crafted. How an author writes a book with so much detail, I’ll never know but Jónasson is very good at it!
Nordic fiction can be as bleak as the setting, but that’s the beauty of these unforgiving scenes! I love how the isolated island, along with the terrain and the weather, helps to weave suspense and atmosphere into the story, just as much as the characters involved. What an entertaining, and cleverly crafted Nordic Noir! Looking forward to reading The Mist the third of Jónasson’s Hidden Iceland series. It can’t come fast enough!
In The Island Ragnar brings back CID member Hulda of the Reykjavik police with another case to solve. One surrounding four young adults who have decided to take a weekend away in a remote and deserted part of of Elliðaey island off the Icelandic coast. Strange because they’d not seen each other for ten years, and even stranger still, one is married with kids and it’s odd that she’d just go on a mini-break with old school friends she’d not seen for years when they hadn’t really kept in contact all that time. Stranger still, once they meet up again, there’s a fatal accident and when they wake up one morning a girl’s missing. She’s only gone and fallen off a cliff and killed herself.
Or was she pushed? *Strokes chin in a very Sherlock way*
What is the connection between these four people? And why did they decide to meet up after ten years? I don’t know about you, but I was dying to find out! Okay, maybe not dying, I don’t want the author to put me in one of his stories only to kill me off – but I was keen!
My thoughts? Ragnar has written an intriguing and clever plot where two stories (past and present) fold into one. Running along beside Hulda’s crime solving antics, there’s a chance to discover more about her private life, her dark past, and her wish to find her own father of whom she’s never known.
I thoroughly enjoyed solving this crime with Hulda. I found the bittersweet ending (of which more than one character received) was brilliantly crafted. How an author writes a book with so much detail, I’ll never know but Jónasson is very good at it!
Nordic fiction can be as bleak as the setting, but that’s the beauty of these unforgiving scenes! I love how the isolated island, along with the terrain and the weather, helps to weave suspense and atmosphere into the story, just as much as the characters involved. What an entertaining, and cleverly crafted Nordic Noir! Looking forward to reading The Mist the third of Jónasson’s Hidden Iceland series. It can’t come fast enough!
Kristy H (1252 KP) rated About a Girl (Metamorphoses, #3) in Books
Feb 13, 2018
This book tells the story of Tally, who at age 18, seems confident that her life will turn out just as she had planned - summer spent with her best friend, Shane; head to college; become an astronomer... But when Tally starts wondering about her past, she finds herself on a quest to learn more about mother and father, and her neatly ordered life is quickly turned upside down.
This is third book in the Metamorphoses trilogy - Tally, we learn, is the daughter of Aurora, whom Aurora left on her best friend's (now termed "Aunt Beast") doorstep to raise, along with Aunt Beast's best friend, Raoul and his husband, Henri. (All characters easily recognizable if you've read the first two books.)
Needless to say, this is an interesting book. I actually really liked Tally. She's different from Aurora and Maia and even Cass. Tally finds relief in the order of planets and stars. She is a good kid, overall, with a pretty common upbringing, despite the fact it was by her "Aunt" and her friends.
However, when Tally is shown a picture of Jack (and Aurora) and sent off to the West Coast by the shadowy Mr. M - whom she just knows as her friendly neighbor - everything changes. She finds herself sucked into the strangeness of the town where Jack lives, where she can't remember things and time just slips away. As always, the "weirdness" in McCarry's writing comes out, and I'm always not 100% sure I'm following things correctly. I won't spoil the book, but I can point out that Tally meets Maddy there, for whom she falls for deeply.
I probably liked this book the best of the three - I rooted for Tally, and I loved that this book featured a transgender character (Tally's friend Shane) and a lesbian relationship (between Tally and Maddy). Great to see that thrown into a YA book without it truly being the focus of anything. As always, the mystical side of McCarry's novel threw me a bit, but I found it less disconcerting in this one than the previous two, for some reason. While I would have loved more resolution to the story of everyone, this book did seem a fairly fitting bookend to the tales McCarry has woven for these characters.
(Note: I received an ARC of this book from Netgalley in return for an unbiased review.)
This is third book in the Metamorphoses trilogy - Tally, we learn, is the daughter of Aurora, whom Aurora left on her best friend's (now termed "Aunt Beast") doorstep to raise, along with Aunt Beast's best friend, Raoul and his husband, Henri. (All characters easily recognizable if you've read the first two books.)
Needless to say, this is an interesting book. I actually really liked Tally. She's different from Aurora and Maia and even Cass. Tally finds relief in the order of planets and stars. She is a good kid, overall, with a pretty common upbringing, despite the fact it was by her "Aunt" and her friends.
However, when Tally is shown a picture of Jack (and Aurora) and sent off to the West Coast by the shadowy Mr. M - whom she just knows as her friendly neighbor - everything changes. She finds herself sucked into the strangeness of the town where Jack lives, where she can't remember things and time just slips away. As always, the "weirdness" in McCarry's writing comes out, and I'm always not 100% sure I'm following things correctly. I won't spoil the book, but I can point out that Tally meets Maddy there, for whom she falls for deeply.
I probably liked this book the best of the three - I rooted for Tally, and I loved that this book featured a transgender character (Tally's friend Shane) and a lesbian relationship (between Tally and Maddy). Great to see that thrown into a YA book without it truly being the focus of anything. As always, the mystical side of McCarry's novel threw me a bit, but I found it less disconcerting in this one than the previous two, for some reason. While I would have loved more resolution to the story of everyone, this book did seem a fairly fitting bookend to the tales McCarry has woven for these characters.
(Note: I received an ARC of this book from Netgalley in return for an unbiased review.)
Awix (3310 KP) rated Robin Hood (2018) in Movies
Nov 26, 2018 (Updated Nov 28, 2018)
Bog-standard looks-like-a-computer-game action movie populated by a mixture of blandly good-looking non-actors and people who should probably know better; would have been forgettable tosh but for the fact that the Robin Hood name has inexplicably been plastered onto something bearing virtually zero resemblance to the legend.
Corrupt establishment has embarked upon a series of foreign wars for its own shady purposes, ordinary people are being screwed to pay for it all, plus their young men are being sent off to die. Good-hearted young chap gets his draft letter in the post and is sent off to Afghanistan, or so it seems, he gets sent home on the grounds of excess heroism only to find that someone has moved Nottingham sixty miles and it is now on the coast and has its own harbour. Needless to say he resolves to become a superhero with a secret identity and sort everything out.
The thing that will kill this movie for anyone who actually cares about the Robin Hood legend is that it seems to have no appreciation of the fact that Things Were Different In The Past, and is fairly up front about it: 'we're not going to bore you with history,' the script announces in so many words right at the start. Well, if you really think history is boring, possibly you shouldn't have tried to make a film with a historical setting, then, but thank-you for making your low opinion of your audience's intelligence obvious from the start.
All the things the legend is actually about, and most of the things you would automatically associate with it (sword-fights, the band of Merry Men, Sherwood Forest, King Richard's ransom) are chucked out in favour of a glib and opportunistic one-size-fits-all form of anti-capitalist and anti-establishment agitprop. You may argue that we've seen the classic version of the story so many times before, and this is about doing something new, but if you get rid of the Robin Hood element of the Robin Hood story, you're left with something pointless and stupid, which is really what we have here. The Disney version with the talking fox is much more entertaining, not to mention historically accurate.
Corrupt establishment has embarked upon a series of foreign wars for its own shady purposes, ordinary people are being screwed to pay for it all, plus their young men are being sent off to die. Good-hearted young chap gets his draft letter in the post and is sent off to Afghanistan, or so it seems, he gets sent home on the grounds of excess heroism only to find that someone has moved Nottingham sixty miles and it is now on the coast and has its own harbour. Needless to say he resolves to become a superhero with a secret identity and sort everything out.
The thing that will kill this movie for anyone who actually cares about the Robin Hood legend is that it seems to have no appreciation of the fact that Things Were Different In The Past, and is fairly up front about it: 'we're not going to bore you with history,' the script announces in so many words right at the start. Well, if you really think history is boring, possibly you shouldn't have tried to make a film with a historical setting, then, but thank-you for making your low opinion of your audience's intelligence obvious from the start.
All the things the legend is actually about, and most of the things you would automatically associate with it (sword-fights, the band of Merry Men, Sherwood Forest, King Richard's ransom) are chucked out in favour of a glib and opportunistic one-size-fits-all form of anti-capitalist and anti-establishment agitprop. You may argue that we've seen the classic version of the story so many times before, and this is about doing something new, but if you get rid of the Robin Hood element of the Robin Hood story, you're left with something pointless and stupid, which is really what we have here. The Disney version with the talking fox is much more entertaining, not to mention historically accurate.
Hazel (1853 KP) rated The Last Boat Home in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.</i>
<i>The Last Boat Home</i> is the debut novel of Norwegian author Dea Brøvig. Set in a small village on the south coast of Norway, the story follows Else Dybdahl through two different time periods: then (1974-1976) and now (2009). The narrative begins in 1976 where Else, who we currently know nothing about, is in labour. After this the tale switches between then and now (then becoming 1974 and continuing up until the birth of Else’s daughter Marianne).
Else is living in the same area that she grew up in with her daughter and granddaughter, Liv. An ex-boyfriend from her childhood, Lars, has just moved back to the area with his wife and children. In the past Else and Lars snuck around keeping their relationship secret from the God-fearing community, in particularly from the rather strict pastor.
Brøvig keeps the reader engaged by leaving us wanting to know, and trying to work out who Marianne’s father is. We learn that Else was only in her teens at the time of her birth. Is Lars the father? Or was a member of the travelling circus that comes to one of the local farms responsible? In which case was it the strong man, or one of the other acts? Or was there someone else?
As well as the religious aspects this book also contains the topic of abuse, which Else and her mother, Dagny, are exposed to by their alcoholic father and husband. However, in my opinion, the strongest theme is secrets. Not only are there secret relationships, the Dybdahls keep themselves isolated to prevent their friends and church society from discovering their true home circumstances. And once Else becomes pregnant? Well that is yet another reason to isolate themselves. In the present day there are still secrets. Else does not want Marianne to know who her real father is and so has lied about the truth not only to her daughter and granddaughter, but also to Lars and everyone else she knows.
Personally I think the story line could have been stronger and possibly more drawn out to create a greater sense of suspense, however Brøvig successfully conjures up images of mountains, fjords and farmlands of a Norwegian community. Overall it was a good book and a fairly quick read too.
<i>The Last Boat Home</i> is the debut novel of Norwegian author Dea Brøvig. Set in a small village on the south coast of Norway, the story follows Else Dybdahl through two different time periods: then (1974-1976) and now (2009). The narrative begins in 1976 where Else, who we currently know nothing about, is in labour. After this the tale switches between then and now (then becoming 1974 and continuing up until the birth of Else’s daughter Marianne).
Else is living in the same area that she grew up in with her daughter and granddaughter, Liv. An ex-boyfriend from her childhood, Lars, has just moved back to the area with his wife and children. In the past Else and Lars snuck around keeping their relationship secret from the God-fearing community, in particularly from the rather strict pastor.
Brøvig keeps the reader engaged by leaving us wanting to know, and trying to work out who Marianne’s father is. We learn that Else was only in her teens at the time of her birth. Is Lars the father? Or was a member of the travelling circus that comes to one of the local farms responsible? In which case was it the strong man, or one of the other acts? Or was there someone else?
As well as the religious aspects this book also contains the topic of abuse, which Else and her mother, Dagny, are exposed to by their alcoholic father and husband. However, in my opinion, the strongest theme is secrets. Not only are there secret relationships, the Dybdahls keep themselves isolated to prevent their friends and church society from discovering their true home circumstances. And once Else becomes pregnant? Well that is yet another reason to isolate themselves. In the present day there are still secrets. Else does not want Marianne to know who her real father is and so has lied about the truth not only to her daughter and granddaughter, but also to Lars and everyone else she knows.
Personally I think the story line could have been stronger and possibly more drawn out to create a greater sense of suspense, however Brøvig successfully conjures up images of mountains, fjords and farmlands of a Norwegian community. Overall it was a good book and a fairly quick read too.
Ross (3282 KP) rated Bird Box (2018) in Movies
Jan 14, 2019 (Updated Jan 14, 2019)
Slightly flawed premise for a film
Contains spoilers, click to show
The premise of the film, that there are mysterious beings that, once seen, will drive sane people to suicide and insane people to do their bidding is intriguing. That is, until you realise that this means a film where people are either stuck inside, afraid of those mad "helpers" knocking on their door, or people wandering blindfolded around looking for food, water and shelter. Neither of these for me make for a particularly compelling watch. This film is split between the two.
The former aspects of the film are by far the best, people locked in a house together, running out of food (but somehow with plenty of electricity and running water) and considering venturing outside. However, with only those insane helpers likely to come to the door, we don't have the same level of jeopardy as your normal zombie/apocalypse film.
The latter aspects, people wandering around blindfolder, are just a nonsense. People driving in a car with blacked out windows and barely bumping into anything and sat-nav somehow getting them right to the front door (and the people know they are at the front door) was just totally unbelievable. Sat-nav frequently tells me I am in the sea when driving anywhere near the coast, so the chances of it accurately delivering me to the front door of a shop I programmed it for are minimal. Similarly when people are wandering around, they rarely bump into anything at all, and when they do it is always a trip (which would be easily avoided).
And finally the premise - the mysterious beings were not explored at all. While I am happy to have some mystery around the likes of this and actually hate it when they attempt to explain circumstances and fail, I felt this was just omitted completely. There is no real rhyme or reason for what happens in the film and I didn't like that. Its really just 2 hours of people afraid of some leaves.
The rating of this was for the suspense of the film and the acting within the house section, and for the epic opening sequences where the cataclysm unfolds, despite the glaring flaws in the premise and people miraculously getting around without concussion.
The former aspects of the film are by far the best, people locked in a house together, running out of food (but somehow with plenty of electricity and running water) and considering venturing outside. However, with only those insane helpers likely to come to the door, we don't have the same level of jeopardy as your normal zombie/apocalypse film.
The latter aspects, people wandering around blindfolder, are just a nonsense. People driving in a car with blacked out windows and barely bumping into anything and sat-nav somehow getting them right to the front door (and the people know they are at the front door) was just totally unbelievable. Sat-nav frequently tells me I am in the sea when driving anywhere near the coast, so the chances of it accurately delivering me to the front door of a shop I programmed it for are minimal. Similarly when people are wandering around, they rarely bump into anything at all, and when they do it is always a trip (which would be easily avoided).
And finally the premise - the mysterious beings were not explored at all. While I am happy to have some mystery around the likes of this and actually hate it when they attempt to explain circumstances and fail, I felt this was just omitted completely. There is no real rhyme or reason for what happens in the film and I didn't like that. Its really just 2 hours of people afraid of some leaves.
The rating of this was for the suspense of the film and the acting within the house section, and for the epic opening sequences where the cataclysm unfolds, despite the glaring flaws in the premise and people miraculously getting around without concussion.