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The Curious Hand by Seamus Fogarty

5.0 (1 Ratings) Rate It

Album

Originally from County Mayo on the west coast of Ireland, Fogarty now resides in London, and the...

dance pop folk

Awix (3310 KP) rated Robin Hood (2018) in Movies

Nov 26, 2018 (Updated Nov 28, 2018)

Robin Hood (2018)

2018 | Action, Adventure, Fantasy

6.8

(66 Ratings)

Movie Rating Watch

Bog-standard looks-like-a-computer-game action movie populated by a mixture of blandly good-looking non-actors and people who should probably know better; would have been forgettable tosh but for the fact that the Robin Hood name has inexplicably been plastered onto something bearing virtually zero resemblance to the legend.

Corrupt establishment has embarked upon a series of foreign wars for its own shady purposes, ordinary people are being screwed to pay for it all, plus their young men are being sent off to die. Good-hearted young chap gets his draft letter in the post and is sent off to Afghanistan, or so it seems, he gets sent home on the grounds of excess heroism only to find that someone has moved Nottingham sixty miles and it is now on the coast and has its own harbour. Needless to say he resolves to become a superhero with a secret identity and sort everything out.

The thing that will kill this movie for anyone who actually cares about the Robin Hood legend is that it seems to have no appreciation of the fact that Things Were Different In The Past, and is fairly up front about it: 'we're not going to bore you with history,' the script announces in so many words right at the start. Well, if you really think history is boring, possibly you shouldn't have tried to make a film with a historical setting, then, but thank-you for making your low opinion of your audience's intelligence obvious from the start.

All the things the legend is actually about, and most of the things you would automatically associate with it (sword-fights, the band of Merry Men, Sherwood Forest, King Richard's ransom) are chucked out in favour of a glib and opportunistic one-size-fits-all form of anti-capitalist and anti-establishment agitprop. You may argue that we've seen the classic version of the story so many times before, and this is about doing something new, but if you get rid of the Robin Hood element of the Robin Hood story, you're left with something pointless and stupid, which is really what we have here. The Disney version with the talking fox is much more entertaining, not to mention historically accurate.

Kudos

Hazel (1853 KP) rated The Last Boat Home in Books

Dec 14, 2018

<i>I received this book for free through Goodreads First Reads.</i>

<i>The Last Boat Home</i> is the debut novel of Norwegian author Dea Brøvig. Set in a small village on the south coast of Norway, the story follows Else Dybdahl through two different time periods: then (1974-1976) and now (2009). The narrative begins in 1976 where Else, who we currently know nothing about, is in labour. After this the tale switches between then and now (then becoming 1974 and continuing up until the birth of Else’s daughter Marianne).

Else is living in the same area that she grew up in with her daughter and granddaughter, Liv. An ex-boyfriend from her childhood, Lars, has just moved back to the area with his wife and children. In the past Else and Lars snuck around keeping their relationship secret from the God-fearing community, in particularly from the rather strict pastor.

Brøvig keeps the reader engaged by leaving us wanting to know, and trying to work out who Marianne’s father is. We learn that Else was only in her teens at the time of her birth. Is Lars the father? Or was a member of the travelling circus that comes to one of the local farms responsible? In which case was it the strong man, or one of the other acts? Or was there someone else?

As well as the religious aspects this book also contains the topic of abuse, which Else and her mother, Dagny, are exposed to by their alcoholic father and husband. However, in my opinion, the strongest theme is secrets. Not only are there secret relationships, the Dybdahls keep themselves isolated to prevent their friends and church society from discovering their true home circumstances. And once Else becomes pregnant? Well that is yet another reason to isolate themselves. In the present day there are still secrets. Else does not want Marianne to know who her real father is and so has lied about the truth not only to her daughter and granddaughter, but also to Lars and everyone else she knows.

Personally I think the story line could have been stronger and possibly more drawn out to create a greater sense of suspense, however Brøvig successfully conjures up images of mountains, fjords and farmlands of a Norwegian community. Overall it was a good book and a fairly quick read too.

Kudos

Lilyn G - Sci-Fi & Scary (91 KP) rated The Devil's Well (2017) in Movies

Jan 31, 2018

It made me think, which is more than I expected.

A ‘documentary’ film consisting mostly of found footage, capped with interviews on either end, The Devil’s Well attempts to convince viewers that there is still something interesting in the subgenre to be had. Sometimes, it nearly succeeds, but most of the time it just falls a bit flat.

I will say this for The Devil’s Well, it made me think about it. Some of the things that I initially found as flaws in the movie I wondered about later. Like was the lack of ‘forboding’ sound effects that you generally hear right before something happens. I also did like the interaction between the team members in regards to the reality of their situation. It is very clear that while some people have a definite motivation for coming to The Devil’s Well, the others are not exactly on board.

I liked the bluntness with which the cameras overseer of the Signs group (Kurtis Spieler) speaks to Bryan Marks (played by Bryan Manley Davis). The conversation felt exactly like one that would really have happened. I found myself rooting for him to survive. I also found myself hoping for the reveal that everything had been a huge hoax. (Though, speaking of the cameras, why were some in black and white and some weren’t?)

I think the weakest point is with the actress that played Karla Marks, but I’m unsure if I think it was the dialogue or the acting that failed. All I know is that while I was semi-engaged with most of the film, her scenes had me rolling my eyes a bit.

The Devil’s Well was well-shot and the acting was decent, but other than a few thought provoking moments, it really brings nothing new to the table. I wish there had been a bit more explanation about what had happened to Karla during the year that she was missing. The fact that it’s almost completely open ended drives me a bit bonkers.

Disclaimer: I received a screener link of this movie for review consideration from October Coast Media.