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Laura Doe (1350 KP) rated Life, Death and Biscuits in Books
Apr 4, 2022
This book was an interesting look at the life of a critical care nurse during the Covid-19 pandemic. It was both heartbreaking and heartwarming in places and it was interesting to learn what exactly a critical care nurse is tasked with daily.
However, this has not been my favourite medical memoir, having read Adam Kay’s This Is Going To Hurt just before starting this book. While I liked that the emails that Anthea originally sent out were included, they became very repetitive and I started to become a little bit bored of reading about the same things. I understood that when they were sent out, they were a week or so apart from each other so it may have been necessary for the repetition, but I just don’t think that it worked well within a book.
I also started to get annoyed at the way that Anthea referred to young doctors and belittled them (they were so young they still had acne or a doctor fainted within 2 hours of starting work on the Covid ICU) and how she repeatedly told the reader that the nurses that were sent to help weren’t trained enough and weren’t giving the best care to their patients. It was like she forgot that these nurses had been pulled out of their specialties and thrown into a place where they had to learn new skills, I would bet that Anthea couldn’t work in the areas that these nurses came from to the same standard as them either.
I also got frustrated and felt that she was trying to make us feel sorry for the nurses who were fed three times a day during the start of the pandemic and were forever being gifted snacks, gift bags and hampers and how later on during the second wave she said that they did their job without the discounts, without the free coffee and without a pay rise. While these nurses really did go through hell and I wouldn’t wish it on anybody, the hospital nurses received a lot more than other nurses (especially community nurses), support workers and care home staff who worked tirelessly through the pandemic caring for those who weren’t in the hospitals. The only difference being that they didn’t have the luxury that Anthea and her team had of the food and endless “PPE hugs” whilst still working in the strangest times. Another sentence that stuck out to me was “only nurses talk of food while the aroma of faeces fills the air”, which is not true at all. Anyone who works within the health and social care sector and deals with the personal care of people have the same sense of humour and the same outlooks as many nurses but often get forgotten about.
While this book was interesting to begin, I found from about 40% through I was starting to get very annoyed by the repetition and the self-congratulatory writing that I wasn’t sure if I could finish the book. I think the book could have been much shorter than it was, but I also think that anyone who worked from home or was furloughed during the pandemic should read this to understand how hard it was to work on the front lines while most were enjoying the glorious weather and all of the lockdown activities that went on.
However, this has not been my favourite medical memoir, having read Adam Kay’s This Is Going To Hurt just before starting this book. While I liked that the emails that Anthea originally sent out were included, they became very repetitive and I started to become a little bit bored of reading about the same things. I understood that when they were sent out, they were a week or so apart from each other so it may have been necessary for the repetition, but I just don’t think that it worked well within a book.
I also started to get annoyed at the way that Anthea referred to young doctors and belittled them (they were so young they still had acne or a doctor fainted within 2 hours of starting work on the Covid ICU) and how she repeatedly told the reader that the nurses that were sent to help weren’t trained enough and weren’t giving the best care to their patients. It was like she forgot that these nurses had been pulled out of their specialties and thrown into a place where they had to learn new skills, I would bet that Anthea couldn’t work in the areas that these nurses came from to the same standard as them either.
I also got frustrated and felt that she was trying to make us feel sorry for the nurses who were fed three times a day during the start of the pandemic and were forever being gifted snacks, gift bags and hampers and how later on during the second wave she said that they did their job without the discounts, without the free coffee and without a pay rise. While these nurses really did go through hell and I wouldn’t wish it on anybody, the hospital nurses received a lot more than other nurses (especially community nurses), support workers and care home staff who worked tirelessly through the pandemic caring for those who weren’t in the hospitals. The only difference being that they didn’t have the luxury that Anthea and her team had of the food and endless “PPE hugs” whilst still working in the strangest times. Another sentence that stuck out to me was “only nurses talk of food while the aroma of faeces fills the air”, which is not true at all. Anyone who works within the health and social care sector and deals with the personal care of people have the same sense of humour and the same outlooks as many nurses but often get forgotten about.
While this book was interesting to begin, I found from about 40% through I was starting to get very annoyed by the repetition and the self-congratulatory writing that I wasn’t sure if I could finish the book. I think the book could have been much shorter than it was, but I also think that anyone who worked from home or was furloughed during the pandemic should read this to understand how hard it was to work on the front lines while most were enjoying the glorious weather and all of the lockdown activities that went on.
Gareth von Kallenbach (980 KP) rated Moonfall (2022) in Movies
Feb 3, 2022
The late ’90s and early 2000s was filled with epic, over-the-top disaster movies focusing on all methods of world-ending cataclysmic events. Alien invasions as seen in Independence Day, set on destroying all humans and snatching our planet’s remaining resources, global warming resulting in floods and freezing temperatures, even threats of asteroids crashing into the earth. While many of these movies were ridiculous and epic at times, they all focused on a singular threat facing humankind and a group of ordinary (yet somehow extraordinary) people to save the planet and ourselves. Moonfall attempts to take another stab at the formula that made these movies famous (even infamous) resulting in some mixed and head-scratching results.
Moonfall, directed by Roland Emmerich, stars Halle Berry and Patrick Wilson as a pair of NASA astronauts that are attacked by a strange mechanical swarm while performing a routine satellite repair mission from the space shuttle Endeavor in the mid-1990s. The attack resulted in the death of one of the crew members and severely damaged the shuttle. Brian Harper (Wilson) and Jo Fowler (Berry) successfully return the shuttle to earth only to see Harper take the fall for the death of his crewman and the fall guy for a coverup to prevent the citizens of earth from truly understanding what they encountered.
Fast forward to current day and a “crazy” conspiracy theorist K.C Houseman, believing the moon to be a megastructure built by aliens, discovers that the moon’s orbit is rapidly eroding. He attempts to reach out to NASA and after several unsuccessful attempts releases his findings via social media. The top minds at NASA confirm what has been identified and estimate that they have only three weeks to execute a plan to prevent the moon from crashing into the earth destroying everything and everyone. The race for the survival of the planet is quickly on which will focus on not only the NASA “team”, but each of their family members.
Let me get this out of the way first, I personally loved many of Roland Emmerich’s wildly outlandish films. I thought Independence Day was fantastic, and even though many found The Day After Tomorrow a bit to preachy and ridiculous, I still found it entertaining for what it was. So, I was excited going into Moonfall. I was ready for a fun movie that I felt would be a mindless, fun adventure which was something I had really missed in many of the movies that had come out over the past year or two. Unfortunately, my aspirations (and even the low bar I had set my expectations for) would be quickly dashed.
Moonfall is a movie that struggles throughout to find an identity. I found myself instantly comparing several of Emmerich’s films during its roughly two-hour run time. At times its reminiscent of Independence Day, with its alien destruction of earth storyline, and then quickly jumps to a disaster film about the moon crashing into the earth. It’s as though Emmerich took pages of several of his previous films and cobbled them together into some sort of Frankenstein’s monster. There are so many plots and subplots going on that you never truly know what the main threat is. It touches on everything from the birth of humanity to the overly aggressive military, to the dumbing down of NASA all at the same time. With the exception of our heroes (and of course their entire families, because why not), everyone else is just resigned to the fact that nothing can be done. Riots of course breakout, the military is quick to decide to nuke the moon is somehow going to save the planet, and no level of crazy plan is off the table.
I’m happy to forgive an outrageous plot if the actors are able to pull it off with some semblance of believability. I know none of the actions have any real-world chance of success, and I can forgive plot holes for the sake of entertainment. Unfortunately, the acting is where Moonfall really lets the audience down. Each character is portrayed in a completely over-the-top fashion, it reminded me of watching a movie that is intentionally attempting to spoof another movie. The emotions are not believable, and the lines being delivered are literally derived from popular lines of other movies. Bonus points if you can identify which movie they are from as the film progresses. The saddest part is, this movie is trying to take itself seriously, it’s not intentionally being campy, for the sake of being campy. I think the character portrayals could have been forgiven if that was the case, but it’s clearly not. It’s actually a distraction when the story of a film is already struggling to deliver.
The movie effects go from truly spectacular, to overly CGI-infused. Ironically the space shots, which you think would be the hardest to pull off are some of its best, yet the vehicle driving scenes through the snow-covered townscape are some of the worst. It’s almost as though they spent so much of their budget on the space scenes that they had no money for the earth shots, which would be fine if they didn’t literally look so bad. It’s jarring going from one area to another and makes for a very inconsistent experience the entire time.
I believe one of the biggest tragedies of the film however is the absolutely blatant product placement. Yes, I understand that product placement has sadly been a staple in the film industry since the dawn of time. Yes, I understand that when someone is using a MacBook on-screen or riding a Peloton, it’s there for a reason. Moonfall however takes this to a Hallmark movie level. If you watch a Hallmark movie sponsored by Folgers for example, there will be clear shots of the Folgers coffee on the counter, with the cast explaining how much they love Folgers’s coffee, Moonfall utilizes this very trope. Kaspersky Anti-Virus is plastered on everything, even the Space Shuttle is protected with Kaspersky Anti-virus (which some might argue has other implications, but I won’t go there), and while avoiding looters driving through the snow-packed roads, do we really need the character to explain the need for the off-road settings on their Lexus? Talking about it is one thing, but do we really need to see the dial up-close and personal? It quickly takes you from the scene to a Lexus Christmas commercial and back again.
Sadly, Moonfall is a very disappointing film. If it were released in 1998 maybe it would be a super hit and I’d feel differently about it, but the industry has moved on since then. I had gone in knowing the film wouldn’t be realistic, but I was hoping it would at least be a nice escape from what is going on in the world today. As I have stated before, I’m a huge fan of Emmerich’s films, and while Moonfall may not be his absolute worst, it is one that will quickly be forgotten. I don’t even know if it’s one I’d revisit if it premiered on HBO or Showtime. As excited as I was, I just wouldn’t be able to recommend it.
Moonfall, directed by Roland Emmerich, stars Halle Berry and Patrick Wilson as a pair of NASA astronauts that are attacked by a strange mechanical swarm while performing a routine satellite repair mission from the space shuttle Endeavor in the mid-1990s. The attack resulted in the death of one of the crew members and severely damaged the shuttle. Brian Harper (Wilson) and Jo Fowler (Berry) successfully return the shuttle to earth only to see Harper take the fall for the death of his crewman and the fall guy for a coverup to prevent the citizens of earth from truly understanding what they encountered.
Fast forward to current day and a “crazy” conspiracy theorist K.C Houseman, believing the moon to be a megastructure built by aliens, discovers that the moon’s orbit is rapidly eroding. He attempts to reach out to NASA and after several unsuccessful attempts releases his findings via social media. The top minds at NASA confirm what has been identified and estimate that they have only three weeks to execute a plan to prevent the moon from crashing into the earth destroying everything and everyone. The race for the survival of the planet is quickly on which will focus on not only the NASA “team”, but each of their family members.
Let me get this out of the way first, I personally loved many of Roland Emmerich’s wildly outlandish films. I thought Independence Day was fantastic, and even though many found The Day After Tomorrow a bit to preachy and ridiculous, I still found it entertaining for what it was. So, I was excited going into Moonfall. I was ready for a fun movie that I felt would be a mindless, fun adventure which was something I had really missed in many of the movies that had come out over the past year or two. Unfortunately, my aspirations (and even the low bar I had set my expectations for) would be quickly dashed.
Moonfall is a movie that struggles throughout to find an identity. I found myself instantly comparing several of Emmerich’s films during its roughly two-hour run time. At times its reminiscent of Independence Day, with its alien destruction of earth storyline, and then quickly jumps to a disaster film about the moon crashing into the earth. It’s as though Emmerich took pages of several of his previous films and cobbled them together into some sort of Frankenstein’s monster. There are so many plots and subplots going on that you never truly know what the main threat is. It touches on everything from the birth of humanity to the overly aggressive military, to the dumbing down of NASA all at the same time. With the exception of our heroes (and of course their entire families, because why not), everyone else is just resigned to the fact that nothing can be done. Riots of course breakout, the military is quick to decide to nuke the moon is somehow going to save the planet, and no level of crazy plan is off the table.
I’m happy to forgive an outrageous plot if the actors are able to pull it off with some semblance of believability. I know none of the actions have any real-world chance of success, and I can forgive plot holes for the sake of entertainment. Unfortunately, the acting is where Moonfall really lets the audience down. Each character is portrayed in a completely over-the-top fashion, it reminded me of watching a movie that is intentionally attempting to spoof another movie. The emotions are not believable, and the lines being delivered are literally derived from popular lines of other movies. Bonus points if you can identify which movie they are from as the film progresses. The saddest part is, this movie is trying to take itself seriously, it’s not intentionally being campy, for the sake of being campy. I think the character portrayals could have been forgiven if that was the case, but it’s clearly not. It’s actually a distraction when the story of a film is already struggling to deliver.
The movie effects go from truly spectacular, to overly CGI-infused. Ironically the space shots, which you think would be the hardest to pull off are some of its best, yet the vehicle driving scenes through the snow-covered townscape are some of the worst. It’s almost as though they spent so much of their budget on the space scenes that they had no money for the earth shots, which would be fine if they didn’t literally look so bad. It’s jarring going from one area to another and makes for a very inconsistent experience the entire time.
I believe one of the biggest tragedies of the film however is the absolutely blatant product placement. Yes, I understand that product placement has sadly been a staple in the film industry since the dawn of time. Yes, I understand that when someone is using a MacBook on-screen or riding a Peloton, it’s there for a reason. Moonfall however takes this to a Hallmark movie level. If you watch a Hallmark movie sponsored by Folgers for example, there will be clear shots of the Folgers coffee on the counter, with the cast explaining how much they love Folgers’s coffee, Moonfall utilizes this very trope. Kaspersky Anti-Virus is plastered on everything, even the Space Shuttle is protected with Kaspersky Anti-virus (which some might argue has other implications, but I won’t go there), and while avoiding looters driving through the snow-packed roads, do we really need the character to explain the need for the off-road settings on their Lexus? Talking about it is one thing, but do we really need to see the dial up-close and personal? It quickly takes you from the scene to a Lexus Christmas commercial and back again.
Sadly, Moonfall is a very disappointing film. If it were released in 1998 maybe it would be a super hit and I’d feel differently about it, but the industry has moved on since then. I had gone in knowing the film wouldn’t be realistic, but I was hoping it would at least be a nice escape from what is going on in the world today. As I have stated before, I’m a huge fan of Emmerich’s films, and while Moonfall may not be his absolute worst, it is one that will quickly be forgotten. I don’t even know if it’s one I’d revisit if it premiered on HBO or Showtime. As excited as I was, I just wouldn’t be able to recommend it.
mostlyinpyjamas (13 KP) rated The Nowhere Girls in Books
Nov 25, 2017
Excellent book with an important theme.
The blurb;
Who are the Nowhere Girls? They’re every girl. But they start with just three:
Grace, the preacher’s daughter who unwittingly moved into the old house of a victim whose pain adorns the walls.
Bold Rosina, whose heart has become hardened by all of the straight girls who broke it.
And misunderstood Erin, the girl who finds more solace in science and order than she does in people.
They are brought together by the idea of changing the narrative of a girl they had never met, Lucy Moynihan, the victim of a sexual assault who was victimised further by people who found it easier to believe she had cried wolf than to confront what had really happened to her. A girl who, through the course of one evening, went from an excited teenager who felt wanted by a boy for the first time, to someone else entirely, with ‘a voice in the darkness, giving her a new name: Slut’.
Together, they form the Nowhere Girls, and decide to avenge the
rape of a girl none of them knew.
~
I’m going to jump straight in with wow! This book packs a powerful punch.
The Nowhere Girls tackles rape culture, sexual assault, misogyny and victim blaming, and does it well.
At times it’s uncomfortable reading, but it’s realistic, the empowering feminist message is never patronising, and it does not take an All men are bad stance.
I love the diversity of the 3 main characters. Rosina is Mexican, and gay, Grace’s mum is a church pastor, run out her former church because of her outspoken, liberal views, and Erin has Aspergers, which I felt – as someone with two children with Autism- was well observed! Erin was my favourite character.
The Nowhere Girls shows what can happen when girls get together and support each other, even when they have different views on things. It shows, and gives hope, that by speaking up, by standing together, by raising one another up, we can begin to bring about change.
Amy Reed writes, at the end of the book, how the story was partly inspired by events in her town, owners of a coffee shop were called out by the people in the town, on their misogynistic behaviour, which included a graphic list of sexual conquests – including local women, posted online. They eventually left town in disgrace.
The excerpts from the (fictional) blog in the book, The real men of Prescott were difficult to read, mostly because there really are people who think this way.
This is taken from the blog….
Girls want to be taken; it’s in their natures, so sometimes they put up a fight hoping you’ll get a little rough. The truth is, sometimes no doesn’t mean no. Of course, the feminazis will never admit this, but I’ll bet you a hundred bucks most of those chicks like it rough.
We really do need to talk about rape culture, every girl needs to know that they can say no, at any point, that even if they are too drunk to consent it’s not their fault, it’s still rape, that even if they didn’t have the strength to fight it’s not their fault, it’s still rape, boys need to know this too.
There needs to be a change within society, rape culture is real, it’s happening, and it needs to stop. Any book that can start a conversation about this is a good thing, in my opinion, and with its raw honesty The Nowhere Girls is an emotional, hard hitting, important book.
Buzzfeed says the Nowhere Girls is
‘Empowering, brutally honest, and realistically complex’
Who are the Nowhere Girls? They’re every girl. But they start with just three:
Grace, the preacher’s daughter who unwittingly moved into the old house of a victim whose pain adorns the walls.
Bold Rosina, whose heart has become hardened by all of the straight girls who broke it.
And misunderstood Erin, the girl who finds more solace in science and order than she does in people.
They are brought together by the idea of changing the narrative of a girl they had never met, Lucy Moynihan, the victim of a sexual assault who was victimised further by people who found it easier to believe she had cried wolf than to confront what had really happened to her. A girl who, through the course of one evening, went from an excited teenager who felt wanted by a boy for the first time, to someone else entirely, with ‘a voice in the darkness, giving her a new name: Slut’.
Together, they form the Nowhere Girls, and decide to avenge the
rape of a girl none of them knew.
~
I’m going to jump straight in with wow! This book packs a powerful punch.
The Nowhere Girls tackles rape culture, sexual assault, misogyny and victim blaming, and does it well.
At times it’s uncomfortable reading, but it’s realistic, the empowering feminist message is never patronising, and it does not take an All men are bad stance.
I love the diversity of the 3 main characters. Rosina is Mexican, and gay, Grace’s mum is a church pastor, run out her former church because of her outspoken, liberal views, and Erin has Aspergers, which I felt – as someone with two children with Autism- was well observed! Erin was my favourite character.
The Nowhere Girls shows what can happen when girls get together and support each other, even when they have different views on things. It shows, and gives hope, that by speaking up, by standing together, by raising one another up, we can begin to bring about change.
Amy Reed writes, at the end of the book, how the story was partly inspired by events in her town, owners of a coffee shop were called out by the people in the town, on their misogynistic behaviour, which included a graphic list of sexual conquests – including local women, posted online. They eventually left town in disgrace.
The excerpts from the (fictional) blog in the book, The real men of Prescott were difficult to read, mostly because there really are people who think this way.
This is taken from the blog….
Girls want to be taken; it’s in their natures, so sometimes they put up a fight hoping you’ll get a little rough. The truth is, sometimes no doesn’t mean no. Of course, the feminazis will never admit this, but I’ll bet you a hundred bucks most of those chicks like it rough.
We really do need to talk about rape culture, every girl needs to know that they can say no, at any point, that even if they are too drunk to consent it’s not their fault, it’s still rape, that even if they didn’t have the strength to fight it’s not their fault, it’s still rape, boys need to know this too.
There needs to be a change within society, rape culture is real, it’s happening, and it needs to stop. Any book that can start a conversation about this is a good thing, in my opinion, and with its raw honesty The Nowhere Girls is an emotional, hard hitting, important book.
Buzzfeed says the Nowhere Girls is
‘Empowering, brutally honest, and realistically complex’