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Kristy H (1252 KP) rated Dark Sacred Night in Books
Mar 6, 2019
Well-plotted mystery
Renee Ballard is working her usual late night shift when she finds a man going through files at the station. It turns out this stranger is Harry Bosch, a retired detective, who is working on a cold case that has turned personal. Ballard sends him on his way, but begins looking into the files Bosch was flipping through. Once she does, she becomes interested in the case too: fifteen-year-old Daisy, a runaway who was horrifically murdered, her body left on the streets. Ballard begins investigating the case as well, forming an alliance with Bosch and attempting to find out what happened to Daisy nearly a decade ago.
I was a little leery when I learned that Connelly was going to combine Renee's story with my beloved Harry Bosch's (let's just say I love Bosch too much to share him), but this book was really excellent, and I found myself enjoying the two of them together. The narrative switches between Ballard and Bosch, so we still get to hear from each character separately: it's just their stories and lives that start to overlap. This overlap happened pretty naturally, and honestly, their burgeoning partnership/friendship was fun to see. There's a moment in the book when someone asks the pair how they want some files, and Ballard responds "digital" and Bosch, "print," and we get a sense of the fact that--no matter how clever and similar they are--Bosch is truly our old school guy and Ballard is the new blood. So combining forces might not be so bad after all.
I love Harry Bosch. I've loved him for about seven years now, since I discovered this series, and I will always adore him, and I don't like that he's aging, and yeah. I'm attached. Reading his sections was like being back with an old friend. Connelly has Bosch's character and voice so perfected by now. I don't want to reveal too much, but this book ties back to the previous a bit (though it will work on its own), so we see Bosch struggling with some of the choices he made in the last book and figuring out exactly where he stands in his career. I won't lie: it's hard to see him age and even to be fallible.
I really tried to read this one slowly and savor it, as Connelly books (especially with Bosch) just don't come along every day. I love how Connelly seems to know so much (e.g., police procedures, gang wars and rituals, even about surfing), but it never feels like he's over explaining anything. Even better, you always get such a good story. I enjoy how he ties so many of his disparate plot pieces together, or comes back to something you think is totally unrelated. And there's always some sort of recent pop culture worked in (a bit of the #MeToo movement pops up here).
There's a lot going on this book--after all, we get cases from both Bosch and Ballard, plus their shared pursuit of justice for Daisy, but it all works in Connelly's deft hands. He is the master of interlocking stories. Overall, I really enjoyed this one. I was fascinated to see Bosch and Ballard interact, and I was so glad to have another episode featuring my beloved Bosch. If you're a Bosch fan, I think you'll like this one. And if you just enjoy a good, well-plotted mystery, I highly recommend this one as well.
I was a little leery when I learned that Connelly was going to combine Renee's story with my beloved Harry Bosch's (let's just say I love Bosch too much to share him), but this book was really excellent, and I found myself enjoying the two of them together. The narrative switches between Ballard and Bosch, so we still get to hear from each character separately: it's just their stories and lives that start to overlap. This overlap happened pretty naturally, and honestly, their burgeoning partnership/friendship was fun to see. There's a moment in the book when someone asks the pair how they want some files, and Ballard responds "digital" and Bosch, "print," and we get a sense of the fact that--no matter how clever and similar they are--Bosch is truly our old school guy and Ballard is the new blood. So combining forces might not be so bad after all.
I love Harry Bosch. I've loved him for about seven years now, since I discovered this series, and I will always adore him, and I don't like that he's aging, and yeah. I'm attached. Reading his sections was like being back with an old friend. Connelly has Bosch's character and voice so perfected by now. I don't want to reveal too much, but this book ties back to the previous a bit (though it will work on its own), so we see Bosch struggling with some of the choices he made in the last book and figuring out exactly where he stands in his career. I won't lie: it's hard to see him age and even to be fallible.
I really tried to read this one slowly and savor it, as Connelly books (especially with Bosch) just don't come along every day. I love how Connelly seems to know so much (e.g., police procedures, gang wars and rituals, even about surfing), but it never feels like he's over explaining anything. Even better, you always get such a good story. I enjoy how he ties so many of his disparate plot pieces together, or comes back to something you think is totally unrelated. And there's always some sort of recent pop culture worked in (a bit of the #MeToo movement pops up here).
There's a lot going on this book--after all, we get cases from both Bosch and Ballard, plus their shared pursuit of justice for Daisy, but it all works in Connelly's deft hands. He is the master of interlocking stories. Overall, I really enjoyed this one. I was fascinated to see Bosch and Ballard interact, and I was so glad to have another episode featuring my beloved Bosch. If you're a Bosch fan, I think you'll like this one. And if you just enjoy a good, well-plotted mystery, I highly recommend this one as well.
BankofMarquis (1832 KP) rated Cold Pursuit (2019) in Movies
Mar 1, 2019
Doesn't Quite Succeed In What It Was Attempting To Do
Liam Neeson has stated that COLD PURSUIT is going to be his last action film. And, if that is the case, he certainly picked an interesting one to go out on.
Based on the Norwegian film KRAFTIDIOTEN and Directed by the same person (Hans Peter Moland), COLD PURSUIT follows snowplow driver Nels Coxman (Neeson) who's son dies of a drug overdose. It's not long before Coxman uses his "certain set of skills" to settle the score.
And that is how this movie was marketed (taking advantage of Neeson's past 10 years of action hero status) and that is too bad for those who are going into this film expecting a "standard Neeson kick butt revenge action flick) are going to be disappointed, for Cold Pursuit has parts of that, but it also has an element to it that is going to take some getting used to - it's "Norwegian sense of humor".
To say this film is a "Dark Comedy" does not do it justice, for the comedy in this film (and there IS comedy) is so rooted in the violence and action of the proceedings that, at first, the audience does not know how to react to it. By the end, it is clear that this is a comedy - and I wished that it would have worn it's comedic elements just a little more on it's sleeve. But then, I guess, I would be missing the point of what makes up the "Norwegian sense of humor" - oddity and subtlety. And this film IS odd from the setting (a remote ski resort village outside of Denver) to the warring drug gangs (city thugs vs. Native Americans) to the lazy Sherriff and laid back townspeople to Coxman's hippy, drug addled wife (Laura Dern). It is an odd assortment of people and circumstances, but not quite as add as...say...Twin Peaks.
And that's what hurts it. It IS a subtle film with subtle humor and subtle quirks, but (at times) is TOO subtle for an American audience that is used to being hit over the head with themes and quirks and violence.
One who is NOT subtle in this film is Neeson as Coxman. He brings the rugged, dependable man of action that one has come to expect during his action-hero phase. Also not subtle (not by a long-shot) is Tom Bateman as the main bad guy, Viking (they all have nicknames) who telegraphs that he is a bad guy by being over-the-top, doing everything but kicking a puppy and twirling his mustache.
Domenick Lombardozzi as Mustang (one of Vikings' henchmen) and Tom Jackson as White Bull (leader of the Native American clan) find the right line between subtlety and over-acting and ground this film (for the most part). The rest of the cast (including John Doman and Emmy Rossum as the town Sheriffs) flit through this film, uneventfully and uninterestingly, neither adding nor detracting from the events. Only William Forsythe, as Neeson's shady brother and Elizabeth Thais (as his wife Anne) manage to rise above things in the limited amount of screen time they are given. And, finally, Laura Dern is wasted in an underwritten - and under-performed - role of Neeson's wife.
I can hear Director Moland screaming to his cast "Less, less...give me less...no more...More...MORE!!!" and the result is an uneven film that is underplayed too much in some ways and overplayed WAY too much in others. And this is too bad, for he had an interesting concept going, he just didn't execute it (at least not with this group of performers) very well. I'll be interested in seeing the original Norwegian film, KRAFTIDIOTEN, to see if it worked there.
Letter Grade: B- (for I applaud what it was trying to do)
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Based on the Norwegian film KRAFTIDIOTEN and Directed by the same person (Hans Peter Moland), COLD PURSUIT follows snowplow driver Nels Coxman (Neeson) who's son dies of a drug overdose. It's not long before Coxman uses his "certain set of skills" to settle the score.
And that is how this movie was marketed (taking advantage of Neeson's past 10 years of action hero status) and that is too bad for those who are going into this film expecting a "standard Neeson kick butt revenge action flick) are going to be disappointed, for Cold Pursuit has parts of that, but it also has an element to it that is going to take some getting used to - it's "Norwegian sense of humor".
To say this film is a "Dark Comedy" does not do it justice, for the comedy in this film (and there IS comedy) is so rooted in the violence and action of the proceedings that, at first, the audience does not know how to react to it. By the end, it is clear that this is a comedy - and I wished that it would have worn it's comedic elements just a little more on it's sleeve. But then, I guess, I would be missing the point of what makes up the "Norwegian sense of humor" - oddity and subtlety. And this film IS odd from the setting (a remote ski resort village outside of Denver) to the warring drug gangs (city thugs vs. Native Americans) to the lazy Sherriff and laid back townspeople to Coxman's hippy, drug addled wife (Laura Dern). It is an odd assortment of people and circumstances, but not quite as add as...say...Twin Peaks.
And that's what hurts it. It IS a subtle film with subtle humor and subtle quirks, but (at times) is TOO subtle for an American audience that is used to being hit over the head with themes and quirks and violence.
One who is NOT subtle in this film is Neeson as Coxman. He brings the rugged, dependable man of action that one has come to expect during his action-hero phase. Also not subtle (not by a long-shot) is Tom Bateman as the main bad guy, Viking (they all have nicknames) who telegraphs that he is a bad guy by being over-the-top, doing everything but kicking a puppy and twirling his mustache.
Domenick Lombardozzi as Mustang (one of Vikings' henchmen) and Tom Jackson as White Bull (leader of the Native American clan) find the right line between subtlety and over-acting and ground this film (for the most part). The rest of the cast (including John Doman and Emmy Rossum as the town Sheriffs) flit through this film, uneventfully and uninterestingly, neither adding nor detracting from the events. Only William Forsythe, as Neeson's shady brother and Elizabeth Thais (as his wife Anne) manage to rise above things in the limited amount of screen time they are given. And, finally, Laura Dern is wasted in an underwritten - and under-performed - role of Neeson's wife.
I can hear Director Moland screaming to his cast "Less, less...give me less...no more...More...MORE!!!" and the result is an uneven film that is underplayed too much in some ways and overplayed WAY too much in others. And this is too bad, for he had an interesting concept going, he just didn't execute it (at least not with this group of performers) very well. I'll be interested in seeing the original Norwegian film, KRAFTIDIOTEN, to see if it worked there.
Letter Grade: B- (for I applaud what it was trying to do)
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Kristy H (1252 KP) rated Truly Devious (Truly Devious #1) in Books
Feb 6, 2018
Feisty heroine (2 more)
Great mystery plots
Keeps you guessing
Fun, suspenseful page-turner
Stephanie "Stevie" Bell is very excited when she is accepted to Ellingham Academy, an elite private school in Vermont for free-thinking junior and senior high school students. Ellingham was founded by wealthy Albert Ellingham as a place where students can learn in their own ways, and where puzzle and riddles take center stage. The school became especially infamous when Albert's wife, Iris, and young daughter, Alice, were kidnapped not long after it opened. Shortly before the kidnapping, Albert received a mocking riddle threatening of murder in all sorts of forms via the mail. Now that Stevie is at Ellingham, her goal is to solve Iris and Alice's cold case. A true crime junkie, she knows everything about it and believes that being on the scene is the missing piece she needs to put everything together. But first she needs to get used to being away from home, befriend her eclectic group of housemates, and then deal with a shocking new crime that rocks Ellingham to its core.
I really love Maureen Johnson's Shades of London series, so I was really excited to see she had a new mystery series coming out. It didn't disappoint. This was a really fun, fascinating book featuring a great, feisty heroine in Stevie Bell. I fell for Stevie immediately, with her awkward demeanor and allegiance to old-school detective novels. Johnson has done a great job in creating a well-rounded character in Stevie, who really shines in this novel.
The intersecting mysteries will suck you in immediately. I basically wanted to ignore work and responsibilities and keep reading this one. The novel tells the book mainly from Steve's point of view, but we also get bits and pieces from the past--various narrators, case notes, etc. It's quite effective, and you'll find yourself intrigued by the Alice/Iris kidnapping, as well as the current tragedy that befalls Ellingham.
Steve's housemates at Ellingham are diverse and a bit crazy--they are a lot to sort through, but interesting nonetheless. This book will definitely keep you guessing, that's for sure. The cliffhanger ending is crazy--be prepared that this is a trilogy and that everything isn't wrapped up tidily!
Nonetheless, I really enjoyed this one, and I cannot wait to read the next book! I love Stevie--I felt such a pull to this plucky detective, who owns no jewelry, wears a lot of black, and can't dance. The book also treats mental illness in a great, matter-of-fact way, with its honest portrayal of Stevie's anxiety and panic attacks. Everything combines into a fun, interesting, suspenseful, page-turner that will leave you wanting more.
I really love Maureen Johnson's Shades of London series, so I was really excited to see she had a new mystery series coming out. It didn't disappoint. This was a really fun, fascinating book featuring a great, feisty heroine in Stevie Bell. I fell for Stevie immediately, with her awkward demeanor and allegiance to old-school detective novels. Johnson has done a great job in creating a well-rounded character in Stevie, who really shines in this novel.
The intersecting mysteries will suck you in immediately. I basically wanted to ignore work and responsibilities and keep reading this one. The novel tells the book mainly from Steve's point of view, but we also get bits and pieces from the past--various narrators, case notes, etc. It's quite effective, and you'll find yourself intrigued by the Alice/Iris kidnapping, as well as the current tragedy that befalls Ellingham.
Steve's housemates at Ellingham are diverse and a bit crazy--they are a lot to sort through, but interesting nonetheless. This book will definitely keep you guessing, that's for sure. The cliffhanger ending is crazy--be prepared that this is a trilogy and that everything isn't wrapped up tidily!
Nonetheless, I really enjoyed this one, and I cannot wait to read the next book! I love Stevie--I felt such a pull to this plucky detective, who owns no jewelry, wears a lot of black, and can't dance. The book also treats mental illness in a great, matter-of-fact way, with its honest portrayal of Stevie's anxiety and panic attacks. Everything combines into a fun, interesting, suspenseful, page-turner that will leave you wanting more.
Becca Major (96 KP) rated Black in TV
May 26, 2018
Premise (3 more)
Story
Mystery
Interesting world-building
THAT TERRIBLE ENDING (1 more)
Manipulative asshat hero
"Black" is just weird, okay?
"Black" is a very weird show because it is a steaming pile of questions. What Black is actually about is a detective who kinda befriends a psychic woman right before getting shot, and the Grim Reaper that possesses his dead body for his own purposes. Oh, and the psychic and the reaper develop feelings for each other, because of course they do.
The Characters
The main female character is Kang Ha-ram, an unfortunate woman who is able to see black smokey clouds on the backs of people who are about to die. Then, if she touches them, she can see exactly how they die. She lives alone, has trouble keeping a job, and has a terrible relationship with her family. Out of all the characters in this show, she is the most relatable. It’s also nice to see a headstrong female character who is also compassionate and damaged.
The main male character, however, is the Grim Reaper. His designated number is 444, but he chooses to call himself Black pretty early on (as an homage to "Meet Joe Black" though I can't say anything about it because I haven't actually seen the movie). He's... interesting. On one hand, I hate him. I hate that he manipulates Ha-ram. I hate that he lies to her about everything, and still has the audacity to jerk her around. I hate that he is prejudiced and egotistical. On the other hand, after he's been on Earth for a little while, he starts to pick up on the nuances of human interaction, so I can't hate him too much.
The Story
The story caught my attention early on. It is first and foremost a mystery and a cold-case mystery at that. Shortly after Black takes over the life of detective Han Mu-gang, he is roped into a case of teenage prostitution, murder, and political cover-ups. It's very good and keeps you guessing. Plus there's the romance between Ha-ram and Black to worry about. Unfortunately, the entire final episode is terrible. It literally feels like they threw darts at a board to figure out how to finish the show.
Final Thoughts
It's a good show that could use a much better finale. It has strong characters and a hella good story. The effects are good, and the acting is great. If you like mysteries or need a change of pace, then give it a shot.
[I wrote a little bit more about this on my personal blog, and I plan to do a few more posts about Black on it. Check it out if you are interested. https://rebecca-major.com/2018/05/24/black-a-spoiler-free-k-drama-review/]
The Characters
The main female character is Kang Ha-ram, an unfortunate woman who is able to see black smokey clouds on the backs of people who are about to die. Then, if she touches them, she can see exactly how they die. She lives alone, has trouble keeping a job, and has a terrible relationship with her family. Out of all the characters in this show, she is the most relatable. It’s also nice to see a headstrong female character who is also compassionate and damaged.
The main male character, however, is the Grim Reaper. His designated number is 444, but he chooses to call himself Black pretty early on (as an homage to "Meet Joe Black" though I can't say anything about it because I haven't actually seen the movie). He's... interesting. On one hand, I hate him. I hate that he manipulates Ha-ram. I hate that he lies to her about everything, and still has the audacity to jerk her around. I hate that he is prejudiced and egotistical. On the other hand, after he's been on Earth for a little while, he starts to pick up on the nuances of human interaction, so I can't hate him too much.
The Story
The story caught my attention early on. It is first and foremost a mystery and a cold-case mystery at that. Shortly after Black takes over the life of detective Han Mu-gang, he is roped into a case of teenage prostitution, murder, and political cover-ups. It's very good and keeps you guessing. Plus there's the romance between Ha-ram and Black to worry about. Unfortunately, the entire final episode is terrible. It literally feels like they threw darts at a board to figure out how to finish the show.
Final Thoughts
It's a good show that could use a much better finale. It has strong characters and a hella good story. The effects are good, and the acting is great. If you like mysteries or need a change of pace, then give it a shot.
[I wrote a little bit more about this on my personal blog, and I plan to do a few more posts about Black on it. Check it out if you are interested. https://rebecca-major.com/2018/05/24/black-a-spoiler-free-k-drama-review/]
JT (287 KP) rated Contraband (2012) in Movies
Mar 10, 2020
This is an action film of epic underrated proportion, director Baltasar Kormákur, who was a producer on the original film Reykjavik-Rotterdam, gives us a good old fashioned heist where you root for the bad guys, or in this case the good guys.
When Chris Faraday (Whalberg) has to help out his brother-in-law Andy, after his attempts at smuggling in drugs for Giovanni Ribisi’s excellent villain go pear shaped, Faraday must go back to his criminal roots in order to save him and his family.
Do you feel lucky?
It certainly isn’t as slick as Ocean’s Eleven but it has a similar impact, in that you are desperate for these guys to succeed and pull off the job, and what a job it is! The heist or smuggle as you want to call it is as elaborate as anything that Danny Ocean himself could have put together, its all just a little rushed and certainly not all that conventional.
Whalberg’s crew, a band of misfits, all work on board a container ship heading to Panama where they will pick up a van and fill it with counterfeit bank notes, a plan which would seem simple enough. They’ve even gone to great lengths to make sure the ship stays in port long enough for them to get the job done.
Of course it doesn’t all go to plan, and in the mean time Briggs (Ribisi) is terrorizing Faraday’s wife Kate (Beckinsale) and his family. Andy still manages to try and pull off (and f*** up) his own job mid way through, and Faraday’s best friend Sebastian (Foster) has a little more about him that meets the eye.
The plot has a distinct Gone in 60 Seconds feel to it, with a relative coming to the aid of another family member which results in them racing against time to pay off the bad guys. The action is OK, an elaborate car chase and shootout is probably the most notable sequence, while the rest of the time we watch and wait as Faraday plans the heist.
I enjoyed this quite a lot, its a format that I find if done right works well which in this case it was. Ribisi was a standout for me, not just in his mannerisms as a psycho drug lord but his voice and look about him made me think he put some real effort into this role. Wahlberg is an action hero at the end of the day and here, he is out doing what he does best, Beckinsale is left out in the cold a bit but as a supporting role she does alright.
When Chris Faraday (Whalberg) has to help out his brother-in-law Andy, after his attempts at smuggling in drugs for Giovanni Ribisi’s excellent villain go pear shaped, Faraday must go back to his criminal roots in order to save him and his family.
Do you feel lucky?
It certainly isn’t as slick as Ocean’s Eleven but it has a similar impact, in that you are desperate for these guys to succeed and pull off the job, and what a job it is! The heist or smuggle as you want to call it is as elaborate as anything that Danny Ocean himself could have put together, its all just a little rushed and certainly not all that conventional.
Whalberg’s crew, a band of misfits, all work on board a container ship heading to Panama where they will pick up a van and fill it with counterfeit bank notes, a plan which would seem simple enough. They’ve even gone to great lengths to make sure the ship stays in port long enough for them to get the job done.
Of course it doesn’t all go to plan, and in the mean time Briggs (Ribisi) is terrorizing Faraday’s wife Kate (Beckinsale) and his family. Andy still manages to try and pull off (and f*** up) his own job mid way through, and Faraday’s best friend Sebastian (Foster) has a little more about him that meets the eye.
The plot has a distinct Gone in 60 Seconds feel to it, with a relative coming to the aid of another family member which results in them racing against time to pay off the bad guys. The action is OK, an elaborate car chase and shootout is probably the most notable sequence, while the rest of the time we watch and wait as Faraday plans the heist.
I enjoyed this quite a lot, its a format that I find if done right works well which in this case it was. Ribisi was a standout for me, not just in his mannerisms as a psycho drug lord but his voice and look about him made me think he put some real effort into this role. Wahlberg is an action hero at the end of the day and here, he is out doing what he does best, Beckinsale is left out in the cold a bit but as a supporting role she does alright.
Kristy H (1252 KP) rated Mr. Nobody in Books
Mar 19, 2020
Emma Lewis is neuropsychiatrist, who is surprised when she's asked to work on a case for a newsworthy patient. Dubbed "Mr. Nobody," he's a man found on a British beach, in wet clothes and without any identification. He won't speak and the hospital staff are all drawn to him. But for Emma to take the case, it means returning to a place that she left fourteen years ago in disgrace--a place she's worked to leave behind and erase any signs of herself from.
"Why can't I remember? Why can't I remember my name? The weight of what this means bears down on him with each cold snatched breath he takes. Fear pumping through him, primal and quickening. Oh God. It's all gone. His world shrinks to a pinhead and then dilates so wide, suddenly terrifyingly borderless."
This book started out like gangbusters. Alternating between Emma and Mr. Nobody, whom the hospital staff quickly dubs Matthew, I was drawn in immediately. Who on earth is Matthew, why can't he remember who he is, and what is his deal? But there were a few issues. Emma clearly has a backstory. Yes, something happened to her fourteen years ago. To me, this is the equivalent of "vaguebooking"--you know when someone posts something on Facebook or social media: "Something horrible has happened. Oh woe is me." And then all their friends have to either guess, or say "Oh I'm so sorry," but the poster never actually tells you what happened? I'm sorry, but in books, after a while, dragging this all out is too much. Just freaking tell us what happened to you, Emma, or stop alluding to it!
So Emma and Matthew, of course, surpass patient/doctor boundaries, finding each other fascinating. There are, accordingly, twists in the book. Some, I will hand it to Steadman, are pretty darn good. Much of the book is quite readable and moves at a good pace--Emma's allusions to her past not withstanding. It's certainly intriguing. There are some interesting side characters: a local police officer and his nosy reporter wife; a benevolent nurse, etc. Emma's kind and patient brother.
But then the ending and biggest reveal comes along and eh. I found it a little anticlimactic. After all we've been through together, Emma?! I don't know. I was hoping for more, especially after all the fuss about Something in the Water, which I still haven't read. (I know, I know. It's on my TBR.)
So, in the end, this is an intriguing one. The plot is definitely original, I'll give you that. But throw in a slightly irritating main character and a somewhat disappointing ending and it was a 3.5 star read for me-just barely.
"Why can't I remember? Why can't I remember my name? The weight of what this means bears down on him with each cold snatched breath he takes. Fear pumping through him, primal and quickening. Oh God. It's all gone. His world shrinks to a pinhead and then dilates so wide, suddenly terrifyingly borderless."
This book started out like gangbusters. Alternating between Emma and Mr. Nobody, whom the hospital staff quickly dubs Matthew, I was drawn in immediately. Who on earth is Matthew, why can't he remember who he is, and what is his deal? But there were a few issues. Emma clearly has a backstory. Yes, something happened to her fourteen years ago. To me, this is the equivalent of "vaguebooking"--you know when someone posts something on Facebook or social media: "Something horrible has happened. Oh woe is me." And then all their friends have to either guess, or say "Oh I'm so sorry," but the poster never actually tells you what happened? I'm sorry, but in books, after a while, dragging this all out is too much. Just freaking tell us what happened to you, Emma, or stop alluding to it!
So Emma and Matthew, of course, surpass patient/doctor boundaries, finding each other fascinating. There are, accordingly, twists in the book. Some, I will hand it to Steadman, are pretty darn good. Much of the book is quite readable and moves at a good pace--Emma's allusions to her past not withstanding. It's certainly intriguing. There are some interesting side characters: a local police officer and his nosy reporter wife; a benevolent nurse, etc. Emma's kind and patient brother.
But then the ending and biggest reveal comes along and eh. I found it a little anticlimactic. After all we've been through together, Emma?! I don't know. I was hoping for more, especially after all the fuss about Something in the Water, which I still haven't read. (I know, I know. It's on my TBR.)
So, in the end, this is an intriguing one. The plot is definitely original, I'll give you that. But throw in a slightly irritating main character and a somewhat disappointing ending and it was a 3.5 star read for me-just barely.
Haley Mathiot (9 KP) rated The Stolen Ones (Jessica Balzano & Kevin Byrne, #7) in Books
Apr 27, 2018
A cold case comes to live with the discovery of a new body, a new murder, and multiple new connections. A two-year-old child is found standing in the middle of the street. A mysterious man in ragged clothing appears in a little girls closet completely out of nowhere. A woman disappears from her basement without having left her house. With the help of the rest of the experts in the Philadelphia Police Department, Detectives Jessica Balzano and Kevin Byrne unravel a chilling series of dream-like murders.
The Stolen Ones is book 7 of a series of detective novels. At the time of request, I was unaware of this fact, and I hoped that I would not be confused because I hadn’t read the others. I’m happy to say that I had no trouble at all getting lost in this story. I am totally in love with Kevin Byrne and his snarky Irish attitude, and Jessica’s tough-girl-who-is-here-to-kick-ass mentality.
The story was incredibly complex, and a few times I found myself stopping and saying “wait, what? I’m confused.” I had to check to make sure I hadn’t skipped a track in the audiobook. I hadn’t, all was well… there were just some jarring sections that I think were hard to interpret because it was audio instead of printed. however all things considered it wasn’t enough to negatively affect the story.
The performance by William Hope was very good. I liked his voices and interpretations of the characters a lot, especially Kevin Byrne. He has done quite a few audiobooks, and his experience is obvious; he reads with a good authority, pace, and energy.
There were some gruesome details of violence so it is not for the faint of heart or stomach. It was enough to shock me, but it wasn’t anything I would regret listening to. I’d definitely recommend it to ages 18+ who are into the crime thriller genre.
The Stolen Ones is book 7 of a series of detective novels. At the time of request, I was unaware of this fact, and I hoped that I would not be confused because I hadn’t read the others. I’m happy to say that I had no trouble at all getting lost in this story. I am totally in love with Kevin Byrne and his snarky Irish attitude, and Jessica’s tough-girl-who-is-here-to-kick-ass mentality.
The story was incredibly complex, and a few times I found myself stopping and saying “wait, what? I’m confused.” I had to check to make sure I hadn’t skipped a track in the audiobook. I hadn’t, all was well… there were just some jarring sections that I think were hard to interpret because it was audio instead of printed. however all things considered it wasn’t enough to negatively affect the story.
The performance by William Hope was very good. I liked his voices and interpretations of the characters a lot, especially Kevin Byrne. He has done quite a few audiobooks, and his experience is obvious; he reads with a good authority, pace, and energy.
There were some gruesome details of violence so it is not for the faint of heart or stomach. It was enough to shock me, but it wasn’t anything I would regret listening to. I’d definitely recommend it to ages 18+ who are into the crime thriller genre.
Kristy H (1252 KP) rated The Murder Book in Books
Apr 4, 2019
I was really happy to see Lissa Marie Redmond's Lauren Riley back again. I enjoyed her first book, A Cold Day in Hell a lot and this one was a great addition. The second Lauren Riley installment focuses more on Lauren's work as a police officer versus her PI cases, as the first novel did. Lauren is stabbed on the job, and it quickly becomes clear that whoever did it was a cop and they were trying to access files at the precinct.
From there, the case weaves together seamlessly. Redmond is such a good storyteller; her past in law enforcement is clear, as she provides details that makes the story realistic and strong. Riley is a great character. She's still the strong yet flawed woman we came to love in the first book. Grappling with the issues that come with being injured on the job is hard for Lauren, including being more dependent on others. She's as tough and feisty as ever, though, and determined to figure out what happened to her.
As a reader, figuring out what happened to Lauren is interesting and well-done. Redmond's books are so easy-to-read, with bits and pieces pulled together so well. The book isn't full of crazy twists and turns, but it's a really good police procedural that held my interest. And don't worry, there are plenty of good reveals along the way. There are ties to the first book (this book would stand-alone, but I highly recommend reading book one, because there are references to it and because it's really good). We also see more of Lauren's family, including her daughters, her sisters, and her mom. Plus, there's great banter with Reese, who is as enjoyable (and protective of Lauren) as ever.
Overall, this is a great read--compelling, top-notch on its police knowledge, and featuring an excellent, strong female lead character. Highly recommend, and I quite enjoy this series. 4+ stars.
From there, the case weaves together seamlessly. Redmond is such a good storyteller; her past in law enforcement is clear, as she provides details that makes the story realistic and strong. Riley is a great character. She's still the strong yet flawed woman we came to love in the first book. Grappling with the issues that come with being injured on the job is hard for Lauren, including being more dependent on others. She's as tough and feisty as ever, though, and determined to figure out what happened to her.
As a reader, figuring out what happened to Lauren is interesting and well-done. Redmond's books are so easy-to-read, with bits and pieces pulled together so well. The book isn't full of crazy twists and turns, but it's a really good police procedural that held my interest. And don't worry, there are plenty of good reveals along the way. There are ties to the first book (this book would stand-alone, but I highly recommend reading book one, because there are references to it and because it's really good). We also see more of Lauren's family, including her daughters, her sisters, and her mom. Plus, there's great banter with Reese, who is as enjoyable (and protective of Lauren) as ever.
Overall, this is a great read--compelling, top-notch on its police knowledge, and featuring an excellent, strong female lead character. Highly recommend, and I quite enjoy this series. 4+ stars.
Billie Wichkan (118 KP) rated The Bones She Buried (Detective Josie Quinn #5) in Books
May 22, 2019
Josie works until her arms ache, until the paramedics arrive and pull her gently away from the woman’s cold, fragile body. Noah’s voice cracks beside her as he calls the time of death for his own, beloved mother.
Arriving with her partner Noah for dinner at his family’s immaculate countryside home, Detective Josie Quinn is devastated to find Noah’s mother, Colette, lying lifeless in the back garden, her mouth clogged with soil.
Searching the house for answers, Josie’s team don’t know what to make of the rosary beads buried in the dirt near the body, or the hidden file labelled “Drew Pratt”, the small town of Denton’s most famous missing person.
As she delves deeper into Pratt’s case, Josie quickly discovers he had a brother who’s body mysteriously washed up on the banks of a river. There’s also a diary entry suggesting that Colette may have met him on the last day he was seen alive. Can Josie believe the unthinkable, that a kind old soul like Colette might have been involved in their murders? And, will Josie’s new relationship with Noah survive the accusation?
Josie’s only hope lies in tracking down Pratt’s daughter. But when she arrives at her home to find she’s been murdered just minutes before, Josie knows the real killer is one step ahead and won’t stop until Colette’s secret is buried forever. With many more innocent lives on the line, how deep is Josie prepared dig to reach the truth?
The Bones She Buried is the fifth book in the Detective Josie Quinn series. What a great book!
This is a fast-paced mystery with loads of twists.
With a plot that keeps you guessing and characters that worm their way into your heart, the story moves quickly to a satisfying ending.
This is a great series.
I highly recommend!
Thanks Bookoutoure and Netgalley for this ARC; this is my honest voluntary review.
Arriving with her partner Noah for dinner at his family’s immaculate countryside home, Detective Josie Quinn is devastated to find Noah’s mother, Colette, lying lifeless in the back garden, her mouth clogged with soil.
Searching the house for answers, Josie’s team don’t know what to make of the rosary beads buried in the dirt near the body, or the hidden file labelled “Drew Pratt”, the small town of Denton’s most famous missing person.
As she delves deeper into Pratt’s case, Josie quickly discovers he had a brother who’s body mysteriously washed up on the banks of a river. There’s also a diary entry suggesting that Colette may have met him on the last day he was seen alive. Can Josie believe the unthinkable, that a kind old soul like Colette might have been involved in their murders? And, will Josie’s new relationship with Noah survive the accusation?
Josie’s only hope lies in tracking down Pratt’s daughter. But when she arrives at her home to find she’s been murdered just minutes before, Josie knows the real killer is one step ahead and won’t stop until Colette’s secret is buried forever. With many more innocent lives on the line, how deep is Josie prepared dig to reach the truth?
The Bones She Buried is the fifth book in the Detective Josie Quinn series. What a great book!
This is a fast-paced mystery with loads of twists.
With a plot that keeps you guessing and characters that worm their way into your heart, the story moves quickly to a satisfying ending.
This is a great series.
I highly recommend!
Thanks Bookoutoure and Netgalley for this ARC; this is my honest voluntary review.
Bong Mines Entertainment (15 KP) rated Lie to Me - Single by Veronica Fusaro in Music
Jun 17, 2019
Veronica Fusaro is a 22-year-old singer-songwriter from Thun, Switzerland. Not too long ago, she released a music video for her “lie to me” single.
“If I told you not to leave would you turn and look back to me? And maybe if you’d stay, we could try to dream away the day is way too bright, it’s fulfilled with lies anyway. Have another drink, you could show me how you wink all of your sorrows away. Something is telling me that you’re my escape.” – lyrics
‘lie to me’ tells an adorable tale of a young woman who is in a foggy room at night with someone who she desires to be with.
Apparently, she doesn’t care if this person tells her stories which aren’t necessarily true. All she wants is for him to keep talking for a few more months until July comes.
Later, she admits that she wants to frame his face just in case he disappears outside into the cold weather.
‘lie to me’ contains a relatable storyline and ear-welcoming vocals. Also, the likable tune possesses guitar-driven instrumentation scented with a lovely commercial pop fragrance.
“‘lie to me’ is “inspired by a Friday night out, but talks about much more than just a weekend. It addresses the rapidity of the world we live in and our desperate cry to find real emotions.” – Veronica Fusaro
Veronica Fusaro stepped into the spotlight in 2016 with her self-produced EP, entitled, “Lost In Thought”.
Shortly afterward, she surprised the Swiss music industry by winning the “Demo of the Year” at the M4Music-Festival.
Since then, she has toured small and large stages, from New Zealand to London and all the way back to Switzerland. With the experience of 136 shows in 2018, this year is set to be even more exciting for Fusaro.
https://www.bongminesentertainment.com/veronica-fusaro-lie-to-me/
“If I told you not to leave would you turn and look back to me? And maybe if you’d stay, we could try to dream away the day is way too bright, it’s fulfilled with lies anyway. Have another drink, you could show me how you wink all of your sorrows away. Something is telling me that you’re my escape.” – lyrics
‘lie to me’ tells an adorable tale of a young woman who is in a foggy room at night with someone who she desires to be with.
Apparently, she doesn’t care if this person tells her stories which aren’t necessarily true. All she wants is for him to keep talking for a few more months until July comes.
Later, she admits that she wants to frame his face just in case he disappears outside into the cold weather.
‘lie to me’ contains a relatable storyline and ear-welcoming vocals. Also, the likable tune possesses guitar-driven instrumentation scented with a lovely commercial pop fragrance.
“‘lie to me’ is “inspired by a Friday night out, but talks about much more than just a weekend. It addresses the rapidity of the world we live in and our desperate cry to find real emotions.” – Veronica Fusaro
Veronica Fusaro stepped into the spotlight in 2016 with her self-produced EP, entitled, “Lost In Thought”.
Shortly afterward, she surprised the Swiss music industry by winning the “Demo of the Year” at the M4Music-Festival.
Since then, she has toured small and large stages, from New Zealand to London and all the way back to Switzerland. With the experience of 136 shows in 2018, this year is set to be even more exciting for Fusaro.
https://www.bongminesentertainment.com/veronica-fusaro-lie-to-me/