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The Girl with the Dragon Tattoo (2011)
The Girl with the Dragon Tattoo (2011)
2011 | Drama, Mystery
9
8.5 (4 Ratings)
Movie Rating
Following the very successful adaptation of Stieg Larssons millennium trilogy into three very successful Swedish language films, it came as no surprise when Hollywood announced that it would be making an English-language version of the series. Director David Fincher was announced to craft the first book in the series, The Girl with the Dragon Tattoo. The new version follows very close to the original material with one fairly big exception which I will detail later in the review.

Daniel Craig stars as Mikael Blomkvist, who at the opening of the film has recently lost a court case for which he was being sued for libel by a prominent business figure. His career is in ruins and virtually all of his savings gone as a result of the trial and punitive damages. So when he is contacted by an attorney representing the wealthy and powerful Vanger family, he agrees to meet. Although highly reluctant to take a meeting, Mikael takes the four hour train ride north of Stockholm to a cold and remote island to meet with Henrik Vanger (Christopher Plummer). Henrik wishes Mikael to investigate the disappearance of his niece some 40 years earlier, a niece vanished under the families’ very noses and not a trace of her has been discovered since. Henrik is convinced that she has met with foul play, yet every year on his birthday, he continues to receive a gift of ornate pressed flowers in an anonymous package.

Henrik believes that the killer is haunting him by sending the gifts and that a member of his family may be to blame. Although skeptical of being able to find anything 40 years later, Mikael accepts the case and soon sets up residence in a small cabin on the island and begins his investigation by combing through police reports, conducting interviews, and examining photographs and newspaper clippings. Mikael had been warned that the other members of the Vanger family may not be too thrilled with his presence as not only is the family fractured, they all have their share of secrets.

At the same time, a very Goth punk girl named Lisabeth (Rooney Mara), is fighting her own demons. Lisabeth is an extremely gifted computer and surveillance expert who specializes in gathering background information on individuals. As such, her skills have made her in high demand with her employer. Unfortunately, Lisabeth is also a deeply antisocial person who is prone to lash out violently if provoked. Much of this stems from an extremely traumatic childhood spent in institutions which resulted in Lisabeth being placed as a ward of the state, not deemed competent to care for herself. This arrangement requires her to check in on a regular basis with a representative who, unfortunately for her, has recently suffered a stroke and places her in the care of the new guardian.

The new guardian subjects Lisabeth to horrific demands just so Lisabeth can access her money. The traumatized Lisabeth does not play victim long and in a twist of fate, is assigned by Henrik’s attorney to assist Mikael since she did the background check on him prior to Mikael being approached by Henrik for the investigation. The unlikely duo combined to form a highly efficient pair as they start to piece together the clues which indicate a brutal string of murders leading back for decades. As they work together, the relationship deepens and the reserved Lisabeth starts to come out of her shell. Tension mounts as danger surrounds them in an epic race against time to solve the case that certain members of the family do not want solved.

The film runs approximately 2 hours and 45 min and does take a little while to get started as the landscape and back story of the characters is established. The film has some very dark and brutal moments, which are hard to watch, yet were not as graphic as those in the Swedish language version. Craig and Mara work very well with one another and props to Craig for being willing to put on weight and occasionally looked disheveled to enhance his character.

Mara gives a masterful performance as the complicated Lisabeth, the anti-damsel-in-distress heroine, who subtly shows the many complicated sides to the character. Noomi Rapace first portrayed the character and has gone on to prominent success in Hollywood with a slew of upcoming high profile films. I would expect nothing less for Mara with two other sequels in this series to film. I am sure this breakout performance will not go unnoticed as it is an extremely difficult and daring role that few in Hollywood would want to tackle, much less be able to pull off as convincingly as she did.

I was extremely happy to see that the character names, settings, and situations were not changed in the new version, and it was refreshing to see the film set in Sweden and not relocated to London or New York. The biggest issue I had with the film was with the ending, which deviated from the previous versions. I will not provide spoilers, suffice it to say the resolution was a bit too tidy of a Hollywood ending and in my opinion greatly undermined one of the central characters of the film. That being said the film is a bold and dynamic vision from Fincher and is a deeply dark and disturbing story that is difficult to forget.
  
The Girl with the Dragon Tattoo
The Girl with the Dragon Tattoo
Stieg Larsson, Martin Wenner | 2015 | Fiction & Poetry
10
8.1 (76 Ratings)
Book Rating
Several years ago, I watched both film adaptations of Stieg Larsson's book, The Girl with the Dragon Tattoo, and I loved them. It was only natural that at that point, I told myself I would read the book. As all bibliophiles like myself know our to-be-read piles are constantly growing, and sometimes we tend to add books to it faster than we'll ever read them. The result of that is, ultimately, we don't get around to the books we really want to read, because there are just too many of them. That was precisely the case with The Girl with the Dragon Tattoo until I found it at one of my local thrift stores. It might have been the library too, I really don't recall. I do know that I paid no more than a dollar for my copy, and it is undoubtedly the best dollar I have ever spent.

The Girl with the Dragon Tattoo is an utterly enthralling crime thriller, centered around Mikael Blomkvist, a journalist convicted of libel, Lisbeth Salander, a ward of the government with a penchant for hacking, and the age-old mystery of what happened to Harriet Vanger: a daughter of the prominent Vanger family that went missing in 1966 and is presumed to have been murdered. Filled to the brim with corporate corruption, misogynistic views, and sharp twists that could not be done justice by the films, Larsson has undoubtedly woven a masterpiece - one that I was unable to put down until the last page was read. I mean that quite literally, as I didn't go to bed until after five this morning.

It's not very often that a book snares me so strongly that I cannot stop myself from turning its pages, and the way in which this one sunk its claws into me has not happened in a very, very long time. The plot is complicated and filled with dead ends, but every single bit of information is also vital to the progression of the story. At first read, that might sound a bit contradictory, and in a way it truly is. When Blomkvist is hired by the aging Henrik Vanger to look into Harriet's disappearance, he is given a cold case with no open leads. Each and every time he finds something promising, it fails to work out. In many cases, this is not an easy style to pull off. Other books that have created this sense of hopelessness have largely succeeded in boring me half to death, and in some cases I've dropped them.

When it comes to the characters in a book, the way in which they are written can easily make or break the story. Extreme distaste, in some cases, can lead to difficulty in finishing a book for some readers, while others loath the so-called "Mary Sue" character. In The Girl with the Dragon Tattoo, Larsson's characters are part of relationships that are largely unconventional, especially to the mind of a girl raised in the conservative Southern United States and. The interaction that results from these relationships help to drive the story forward by not only introducing the reader to a wide range of characters, but by also providing those characters, some of which are deeply flawed, with an impressive amount of depth.

While some of the content is, without a doubt, sensitive material for some readers, Larsson also uses The Girl with the Dragon Tattoo as an opportunity to highlight statistics on sexual assault in Sweden, and for that I must give him props. Even in America, there is a lack of seriousness when it comes to allegations of rape and, more recently, things tend to get brushed under the rug, for lack of a better term, if the perpetrator of the crime has any reputation that could be deemed worthwhile. It is a disgusting, dehumanizing way of treating a very real issue, and Larsson hones in on this while simultaneously creating a very strong, independent heroine that readers like myself can relate to, sometimes unfortunately so.

The next book is definitely on my to-read list, but I don't know when I'll get around to it. Hopefully, I'll be fortunate enough to cross it on one of my thrift-shopping trips. It was most definitely worth my sleepless night.
  
The writing (1 more)
The flow
In the 'Introduction' of Capote's true crime novel In Cold Blood, American writer Bob Colacello states: "Capote was one of the first who dared to elevate journalism to the level of art. In Cold Blood is a work of great discipline and even greater restraint, a tale of fate, as spare and elegiac as a Greek tragedy, as rich in its breadth and depth as the classic French novels of Stendhal and Flaubert. 'We all have our souls and we all have facades,' Truman Capote told his friend Kay Meehan a year or so before he came upon the news that would inspire his masterpiece, 'and then there's something in between that makes us function as people. That's what I have the ability to communicate.' "

The novel, which was published in 1965, is an eyewitness account of Capote's visitation to the scene of the murder as well as meetings with the murderers and townspeople- - - a retelling of the crime and aftermath, mostly from the eyes of those affected, by hundreds of hours of interviews and interrogations. The novel, ultimately, was the end of Capote which led him to alcoholism that took his life in 1984.

Like most small-town murders, a tension between residences is created when a well-known and well-liked family of four is brutally murdered, and everyone begins to point a finger at the other: "But afterward the townspeople, theretofore sufficiently unfearful of each other to seldom trouble to lock their doors, found fantasy re-creating them over and again - - - those somber explosions that stimulated fires of mistrust in the glare of which many old neighbors viewed each other strangely, and as strangers." Fortunately, the KBI (Kansas Bureau of Investigation) didn't allow these accusations to keep them from finding the real killers.

" 'Deep down,' Perry continued, 'way, way rock bottom, I never thought I could do it. A thing like that.' " Perry Smith, one of the murderers, confesses to his cohort and partner-in-crime, Richard Hickock, about murdering the Clutter family. "Presently, he said, 'Know what it is that really bugs me? About that other thing[Clutter murder]? It's just I don't believe it- - - that anyone can get away with a thing like that.' And he suspected that Dick [Richard] didn't, either. For Dick was at least partly inhabited by Perry's mystical-moral apprehensions. Thus: 'Now, just shut up!' "

Capote writes clearly of the impact that Smith's and Hickock's past may have played leading up to the murders, mostly focusing on Smith's traumatic childhood. During the trial portion of the book, a psychologist is brought in to point out how the two murderers may not have been responsible for their actions due-to instances in their past - - - a horrific car crash in Hickock's that left him with a lop-sided face and black-out spells, as well as Smith being physically and emotional abused by his alcoholic mother and father. In exploring these traumas, In Cold Blood leaves the impression that these two men were merely ticking time bombs and that the Clutter family, unfortunately, had to pay for it.

The trauma shared by Hickock and Smith help to shape the two murderers into actual human beings rather than monsters throughout the novel: one scene, where we get to read a letter to Smith from his last living sister, readers get to see how he was perceived by his family members, as his sister goes on to degrade him to the maturity level of a child and that she is above him because of that- - -but she also reveals her jealousy of their father loving him more than he ever loved her (despite the excessive abuse). A close friend of Smith's tells him to be careful writing her anymore because he believes that: 'they can only serve to increase your already dangerous anti-social instincts.'

Part of the narrative, too, is the KBI agent in-charge of the Clutter murder, Alvin Dewey: One day while visiting Holcomb's well-known cafe (Hartman's) where Dewey is told he looks awful from weight loss and fatigue - - - Dewey recalls that he had spent: 'two wearying and wasted days trying to trace that phantom pair, the Mexicans sworn by Paul Helm to have visited Mr. Clutter on the eve of the murders.' And then he gets heckled by a local, who wants to know why he hasn't found the people responsible yet,but Dewey simply smiles and walks away, having put up with numerous people being angry that the murders were taking so long to solve.

But it wasn't footwork that got the pair arrested, it was an old cellmate who had given Hickock the idea that there was $10,000 in a safe at the Clutter farm that came forward: (read this on my blog because I had to cut it out since my review was too long!).

Meanwhile, readers also get to experience Hickock and Smith's troubles as they are on the run after the murders which is done masterfully by Capote. And although one would assume that the killers would stay as far away from Kansas as possible, the two end up back there, only to miraculously get out before the police can catch up with them. The pair decide to head to Florida, where, on December 19, 1959, an entire family was murdered in the exact same way as the Clutters; Hickock and Smith both adamantly denied that they were involved with it - - - and back in 2012- - - Hickock and Smith's bodies were exhumed to compare their DNA with a profile found on one of the victim's clothing: they were not a match. The case remains unsolved til this day.

" Presently he[Smith] came across an inner-page story that won his entire attention. It concerned murder, the slaying of a Florida family, a Mr. and Mrs. Clifford Walker, their four-year-old son, and their two-year-old daughter. Each of the victims, though not bound or gagged, had been shot through the head with a .22 weapon. The crime, clueless and apparently motiveless, had taken place Saturday night, December 19, at the Walker home, on a cattle-raising ranch not far from Tallahassee."

Not soon after the pair leave the Florida beaches, they are arrested on what they believe to be parole violations, but it's clear, when the arresting officers are KBI agents that they had been caught for the Clutter murders. " 'Listen good, Perry. Because Mr. Duntz[KBI agent] is going to tell you where you really were...' Midway in the questioning, after he'd[Smith] begun to notice the number of allusions to a particular November weekend, he'd nerved himself for what he knew was coming, yet when it did, when the big cowboy with the sleepy voice said, 'You were killing the Clutter family' - - - well, he'd damn near died. That's all. "

The confession that follows is the most intense part of the book, given in it's entirety, readers finally get to know what happened to the Clutter family that cold night in November, 1959. Smith reveals that he never had the intention to kill anyone in the home, and that when the safe hadn't been found, he had fully intended to leave, even without Hickock, but what kept him there was Hickock threatening to rape Nancy Clutter. Smith states that he hates people who can't control themselves sexually, and that he didn't allow his partner to touch her at all. He also reveals that he thought about killing Hickock afterwards,stating: " no witnesses."

Capote didn't write 'In Cold Blood' until after Hickock and Smith were executed. The amount of interviews, court room appearances, and even witnessing the executions of both murderers shines through in this novel. But the book has also brought about doubters; a handful of people have since come forward to state that Capote's masterpiece is either 'not the full story' or 'completely wrong.' Just as recent as 2017, a man came forward with a 'manuscript' of a book that Hickock was writing, that contained a different confession on how and why the murders took place- - - Hickock states in this unpublished manuscript that a man by the name 'Roberts' had hired him and Smith to kill the Clutters.

Whether or not you believe that Capote wrote the whole truth or some of the truth, this novel is flawless and beautiful. The writing is poetic and the flow of the story keeps moving, page after page, never stopping long enough to bore the reader. I highly recommend this book as a MUST READ for anyone who loves the True Crime genre.
  
TL
The Lost Girls
8
8.0 (1 Ratings)
Book Rating
In 1935, on the last evening of summer vacation, six-year-old Emily disappears from her family's vacation lake home. Emily's doting mother is devastated, and she and her two daughters (Emily's older sisters) spend the rest of their lives at the lake house, waiting for Emily to return. Six decades later, only Lucy, the middle sister, is still alive. Afraid of dying without telling her story, she writes the tale down in a notebook and leaves it, along with the house, to her sister's granddaughter, Justine. When Justine receives the news that her great-aunt has left her a house in Minnesota, she's shocked. They've only met once, after all, and Justine's flighty mother is still living. But Justine realizes the house represents a way to flee the suffocating life she's living now, and to give her daughters a better life. So they pack up for Minnesota, only to find the house run down, the Minnesota winter cold and isolating, and their only neighbors two elderly men who live in the nearby lodge. Justine's older daughter, Melanie, becomes interested in Emily's disappearance; her mother, Maurie, returns, bringing her usual craziness; and ghosts from Justine's own past threaten their safety. Justine doesn't know what happened at the lake sixty years ago, nor does she know if it's safe for her family now...

This novel was a quick read, which pulled me into its tale immediately. The POV alternates between present-day (late 1990s) with Justine and then flips back to the 1930s, as Lucy tells her story via letter. In this way, we get snippets about the past in chunks, allowing for the story to unfurl slowly, building up suspense. Young does an excellent job in creating her characters: Lucy and her older sister Lilith practically jump off the page, as does little Emily. Lucy was the star of the show for me, both as her younger self and via her letter-writing. Her sadness is easily apparent as she tells a tale of a family trapped by their own secrets.

This is a somber book with serious themes; it's not always an easy read. Still, the back and forth POV works well in this case, and you'll quickly become enraptured in Lucy and Lilith's past, in particular. Justine and Maurie (her mom) are more frustrating characters, but their story is still interesting, especially as you learn about Maurie's life growing up at the lake house with Lilith and Lucy. Overall, this was a different book (in a good way), with insightful and well-drawn characters, and an intriguing plot. Lucy sticks with you, even after it's over.

I received a copy of this novel from the publisher and Edelweiss (thank you!); it is available everywhere on 07/26/2016.

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A Walk Among the Tombstones (2014)
A Walk Among the Tombstones (2014)
2014 | Action, Drama
6
6.4 (5 Ratings)
Movie Rating
Story: A Walk Among the Tombstones starts by in 1991 we meet Matt Scudder (Neeson) a nonsense detective who while having his morning Irish coffee ends up going into a shootout. Flash forward to 1999 Matt is now a private investigator and when a former junkie Peter Kristo (Holbrook) invites him to meet his brother Kenny (Stevens) for a job. Kenny’s wife was kidnapped with the ransom paid and murdered; he wants Matt to bring him the names of the people responsible. Matt rejects the offer wisely because it would involving working with a drug trafficker but Kenny won’t take no for an answer.

Kenny tales the story of what happened and how gruesome the murder was, this brings Matt into the case to track down the people responsible. Using all his skills he starts the investigation by questioning the locals. The killers prove to be professionals who cover their tracks when committing their crimes. When it becomes apparent they have been doing this for years Matt finds himself investigating cold cases. Tracking down the leads he does come up with a potential name and a place he could meet them, but nothing could prepare him for the nature of the men.

A Walk Among the Tombstones starts very nicely with the broken protagonist trying to make up for something he could never actually make up for, it is hidden from us but we do see he has personal problems. The whole drug dealers being targeting by serial killers also works nicely, giving us a chance to keep guessing on whether it is actually a large scale revenge type thriller than Matt is stuck in the middle off. It goes downhill slowly because of the pace and then turning it into the simple idea that they are just two killers doing it for fun. It is sad because this had a lot of potential from the start but in the end just fizzles out. (6/10)

 

Actor Review

 

Liam Neeson: Matt Scudder a private detective who against his better judgment ends up investigating serial killers who enjoy nothing more than kidnapping and killing their victim even if they get their money. He is a former detective who has been recovering from his alcoholism which cost him his job. Liam does do a good job in the role and goes away from the new action star he has created. (7/10)

 matt

Dan Stevens: Kenny Kristo drug trafficker whose wife was killed and hires Matt to find the people responsible for it, it will mean risking his connection to help expose the truth. Dan does a good job as the mobster out for revenge for a crime that is personal rather than work related. (7/10)

 kenny

Support Cast: A Walk Among the Tombstones has a supporting cast that includes the two killers who are very much evil in what they do, we have other mobsters who are the victims of those killers and we also have a street wise kid trying to help Mark out. They all help the story flow along very well.

 

Director Review: Scott Frank – Scott does a solid job directing this to make it an interesting thriller with a very dark side to it. (6/10)

 

Crime: A Walk Among the Tombstones enters into the crime world without going too far over the top with its double crossing, instead focusing on one angle the whole way through. (7/10)

Mystery: A Walk Among the Tombstones does keep you guessing to what would be the motives of the characters creating a nice mystery about the story. (8/10)

Thriller: A Walk Among the Tombstones starts off pulling you in especially when you hear about the murdered wife but afterwards slight starts to fade away. (7/10)

Settings: A Walk Among the Tombstones creates a world that is similar to 1999 New York. (7/10)

Suggestion: A Walk Among the Tombstones is one to try and the fans of Neeson will be watching this, it might not keep everyone happy because it isn’t as dark as its source material. (Try It)

 

Best Part: The shock of what Kenny finds in the boot of that car.

Worst Part: Falls away by the end.

 

Believability: No (0/10)

Chances of Tears: No (0/10)

Chances of Sequel: No

Post Credits Scene: No

Similar Too: Cold in July

 

Oscar Chances: No

Box Office: $53 Million

Budget: $28 Million

Runtime: 1 Hour 54 Minutes

Tagline: People are afraid of all the wrong things.

 

Overall: A Thriller That Hits Hard Early but Tires Near the End

https://moviesreview101.com/2015/01/26/a-walk-among-the-tombstones-2014/
  
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Kristy H (1252 KP) rated 13 Minutes in Books

Feb 13, 2018  
13 Minutes
13 Minutes
Sarah Pinborough | 2016 | Fiction & Poetry
8
8.0 (1 Ratings)
Book Rating
When they pull Natasha out of the river, she's been dead for thirteen minutes. Thirteen dark, cold minutes. It's amazing the teenager even lives; in fact, it's just pure luck that a man and his dog stumble upon her and pull her from the river's icy clutches. Tasha, as she's known, has no memory of how she wound up in the river, but she knows it wasn't intentional on her part. In fact, she's pretty sure two of her closest friends, Hayley and Jenny, had something to do with it. The two seemed weird in the days leading up to the incident. The trio of beautiful, popular girls--known as "the Barbies" at school--were supposedly the best of friends. But after the accident, Tasha feels drawn to her former friend, Becca, whom she dropped in middle school. Becca isn't sure why Tasha is suddenly being so nice to her. Tasha isn't sure either. And no one is exactly sure how or why Tasha ended up in that river.

I've never read a novel by [a:Sarah Pinborough|457300|Sarah Pinborough|https://images.gr-assets.com/authors/1463056151p2/457300.jpg] before, and I was pretty impressed. She's a great writer, and <i>she certainly knows how to capture the voice of the teenagers within the pages of her novel</i>. I don't think I realized this book would be quite so YA, if that makes any sense. I <i>kept waiting for there to be a bit more to the story than teenage politics</i>, but it's truly sort of a <i>Pretty Little Liars</i>-type tale. That's not to say it's not well-done. It may have just been a tad bit young for me; still, <i>it's an excellent novel and would be a truly wonderful read for most teens</i>, too.

Part of the novel's brilliance comes in its format. It's told from the point of view of Becca and Tasha, but we also get excerpts from Tasha's diary; case files from the Inspector on Tasha's case; notes from Tasha's psychologist; texts between the teens; and more. <i>I enjoyed the format, and it was quite effective at building suspense and tension. </i>

Because,<i> wow, yes, the book is certainly tense and compelling.</i> You're constantly wondering how reliable our teenage narrators are and questioning everything that happens. Now, as mentioned, there's a lot of teenage drama. A LOT. <i>These teens are truly a little scary</i>, and this was yet another book that makes me a tiny bit frightened for my five-year-old daughters to grow up. My goodness. At times, I got a bit bogged down in all the teen antics, but it was still quite interesting.

Becca was definitely a bit of a kid, but I still liked her (for the most part). She was well-written, just a little young for me. Pinborough is truly amazing at getting in the head of these teenagers--capturing the pettiness, meanness, and honestly, sometimes the dumbness, of their mindset. But she also caught the brutal neediness behind some of their actions: that raw need of kids that age to fit in with their peers.

I had a decent idea how this one was going to play out pretty early on, but that didn't stop me from reading (as mentioned, I tore through this in about 24 hours). There's something oddly compelling about this book and its characters. Pinborough weaves in <i>The Crucible</i> as a backdrop--it's the school play--which is a really clever move, as there are a lot of parallels between said drama and the melodrama unfolding among Tasha, Hayley, and Jenny.

Overall, this novel really just hinges on the duality of the hatefulness and vulnerability of teenagers. It may come across as a little too YA and predictable for some adults, but I can't deny that it's well-written and crisp. It's hard to like some of the characters, but I think it would make a great book for teens (albeit it's rather freaking scary). I was leaning toward 3.5 stars before writing this review, but I think I'll do 3.75 and bump up to 4 stars here on Goodreads (that's not complicated at all, right? Perhaps fitting for this complicated and twisty novel).

I received a copy of this novel from Netgalley and the publisher (thank you!) in return for an unbiased review; it is available everywhere as of 10/03/2017.

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The Secret Place
The Secret Place
Tana French | 2015 | Fiction & Poetry
6
6.7 (3 Ratings)
Book Rating
The fifth installment in Tana French's Dublin Murder Squad series reintroduces some familiar faces, notably Holly Mackey, Frank Mackey, and Stephen Moran from French's [b:Faithful Place|7093952|Faithful Place (Dublin Murder Squad, #3)|Tana French|https://d.gr-assets.com/books/1291165900s/7093952.jpg|7350661]. Detective Moran is toiling away in Cold Cases, dreaming of joining the Murder Squad, when Holly shows up. She holds in her hand a card reading "I know who killed him," featuring a photo of Chris Harper, a handsome boy from a private school who was killed a year ago. Suddenly, Stephen finds himself inserted into the middle of St. Kilda's School, Holly's private all-girls' school, the neighborhood school to Chris', and the place where his body was found. Stephen joins up with the Murder Squad's Detective Antoinette Conway, one of the original leads on Chris' case, to find out what happened. But Stephen quickly realizes that Antoinette isn't a popular figure in the Squad, and that the girls of St. Kilda's are a tight-knit, complicated bunch whose interconnected relationships present Conway and Moran many obstacles in finding Chris' killer. Can they find the killer before the girls close ranks for good?

This was a typical Tana French mystery in many ways. This novel is compelling, as always, featuring thoughtful and reflective characters and a detailed, well-plotted mystery. The story is told in alternating chapters by Stephen (in the present-day) and then flashes back to various sections told by the girls of St. Kilda's, who are telling bits of the story leading up to Chris' death. It's an excellent technique because Stephen's portion covers basically 24 hours, as he and Antoinette rush to solve the crime before the girls can cover their tracks once and for all. But by going into the past, French effectively builds suspense and allows us to meet the various teens in her tale (about eight in all, which is a lot at times).

Overall, she does an good job of capturing teen culture: particularly, I'm sure, the culture of British teens in boarding school (shockingly, something I'm not too familiar with). While the descriptions of the girls gets a little tedious (a lot of blond, straightened hair), their personalities are clear and develop easily over the course of the novel. The commentary on the bonds of teen friendship is excellent. For me, Stephen wasn't one of my all-time favorite French protagonists, but I enjoyed the dynamic between him and Conway and how the window into their lives is basically less than 24 hours.

The mystery portion was a little less enjoyable for me than some of French's other novels and a bit of a let down at the end, but it was still a great read. One of my favorite things about French's books is how they easily transport you into another world while reading--you find yourself lost in the characters and their world--and this one was no exception. 3.5 strong stars. I'm looking forward to her next novel, which is supposed to feature Conway again.

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The Book Of Mirrors
The Book Of Mirrors
E.O. Chirovici | 2017 | Fiction & Poetry, Mystery, Thriller
8
9.0 (4 Ratings)
Book Rating
This novel may have been slow but I found its mystery so enticing that I loved moving and learning with each character. So many theories run through this novel that you’re never sure what to think, it’s a great classic murder mystery.

It’s only taken me almost a year to knock this book off my Netgalley shelf, but I finally got there! I’d seen lots of hype for this one at the beginning of 2017 but I still didn’t feel inclined to pick it up back then. Now I’ve read it, I’m glad that I waited. I think this one would have disappointed me if I had read it in its prime due to its slow nature, but I can appreciate slow books far more now than I could back then.

Like so many other reviewers, I did think this one was pretty slow paced, but I actually quite liked that about the plot. A cold case of over 20 years isn’t going to get solved overnight, so it was practical that it took a while to find out what really went on that night. I do think there were some sections of the book that were unnecessary and added to the slowness of the plot, for example when one narrator gets on a plane and there’s a whole segment about an irrelevant salesman talking to him and flirting with a girl. That bit wasn’t needed in any way for the plot to progress and did just feel like filler bumf, but I’ve read books with far worse filler scenes.

This story is told in a few different ways. It’s told in the perspective of 3 different people and then also as a book within a book. I really liked the way this was laid out and think having the 3 different tones of voice gave the story some character it could have missed out on had it just stayed with the one narrator.

Each character in this was interesting in their own way, and I liked that each person had their own story to tell while also moving the main mystery along.

In terms of plot, this one wasn’t the most innovative or astounding, but there was something enchanting about it. There were a few different theories as to Professor Weider’s demise and I liked that it kept you guessing all along. I was actually quite surprised and impressed by the end of the book, the conclusion to the mystery was cleverly thought out and well executed.

Looking at the reviews of this book I think people are being a little harsh. There are lots of books that are slow mysteries but this one seems to be pissing people off more than most. I know it’s down to everyone’s own opinion but I don’t see what the big issue with this one was. Personally, I enjoyed it.

<i>Thanks to Netgalley and Arrow for giving me the opportunity to read this in exchange for an honest review.</i>
  
I Am Wrath (2016)
I Am Wrath (2016)
2016 | Crime, Mystery, Thriller
5
4.9 (7 Ratings)
Movie Rating
Story: I Am Wrath starts as we learn the war on crime was getting out of hand, but the Governor has started winning against the gangs. Stanley (Travolta) returns home after a business trip meeting his wife Vivian (De Mornay) where the two are attack with Vivian murdered.

With the police not getting the suspects, Stanley turns to a previous life working his former partner Dennis (Meloni) as a black-ops soldier that will stop at nothing to extract revenge on the people who murdered his wife.

 

Thoughts on I Am Wrath

 

Characters – Stanley is a mile-mannered businessman working in the car industry. When is wife is murdered in a senseless crime, he returns to a former life on a warpath with the gang involved as the cold-hearted killer. Dennis is the former partner of Stanley’s that still has the connections in the underworld, he helps Stanley in his revenge mission, he supplies the weapons and details of who were responsible. Abbie is the daughter of Stanley that tries to be there for her father while continue on her adult life. Detective Gibson is the lead on the case, he is forced to let the suspect go believing he will get himself killed soon enough.

Performances – John Travolta is solid enough in this leading role, we do get to see a large number of 50+ year old actors going into this action films, he isn’t the best, but he isn’t the worst. Christopher Meloni plays the best character in the film and is easily the one you want to see more of in this film. Amanda Schull is fine in her role, we need a figure that isn’t involved in the action and she offers it. The rest of the cast bring us the targets for the most part and give us generic bad guy performances.

Story – The story follows one man that goes to war on the gangs of his city to learn who killed his wife and get revenge. When it comes to the story this isn’t the most original, it is extremely watchable for a time killing hour and half, it doesn’t test the audience and doesn’t have any twists along the way. This is one of those stories that is mostly forgettable over bad and checks all the boxes needed to make the audience watch.

Action/Crime – The action is filled with old man action style that Liam Neeson made famous, it works for the film with Meloni getting the best sequence. The crime throws us into the world where gangs are controlling the streets with drug sales going through the roof and one man doing anything to get revenge.

Settings – The film takes us to a city overrun by crime and shows us how people can be forced into actions to get revenge for the lost loved one.


Scene of the Movie – Dennis versus the thugs in the shop.

That Moment That Annoyed Me – We have seen this before.

Final Thoughts – This is a basic action film that will keep you entertained through the whole film without being anything overly original.

 

Overall: Easy to watch action film.