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RəX Regent (349 KP) rated Judgment at Nuremberg (1961) in Movies
Feb 19, 2019
“He that is without sin among you, let him cast the first stone at her.”
It has been over 20 years since I first saw this as teenager, but watching it again with little memory of the specifics, I was both a little disappointed but also very impressed.
With a title like “Judgement at Nuremberg,” you can be forgiven for expecting a film about the trial of the Concentration Camp guards or Hermann Goering, but instead we are given something much more subtle and subversive. This follows a fictionalised account of the “Judges Trial”.
Here, Spencer Tracey’s U.S. Judge leads a panel of three peers as they preside over a trial of four NAZI judges, the focus of their crimes is not of there actions during the war but those in the mid 1930’s and their perversions of justice in aiding Hitler’s NAZI’s to oppress their own people.
The film also asked a myriad of uncomfortable questions, not only taking aim at the long dead National Socialist movement, but the world as a whole, including the U.S.A. Sighting parallels from Allied nations who claim cultural superiority after winning the war yet only being a stone’s throw away from the same attitudes.
But this is not just subverting the perceptions of jurist prudence, it is a drama, a head to head between Tracey and his German counterpart in the doc, Bert Lancaster. It is also a vehicle for a host of Oscar worthy performances from an all star cast, ALL of which excel in their roles, some more subtly than others.
The standouts are Montgomery Cliff and Judy Garland, both of whom would pass away soon after this film was release at relatively young ages. Kramer’s cinematography is impressive too, as it keeps the camera moving around the courtroom through the lengthy cross-examination scenes, keeping the tension high and the interest alive through this three-hour drama.
With a healthy dose of melancholy, jaded and brutalised characters and foreshadowing the impending Cold War, this is a film which understands war and the often forgotten fact that even though Wars have a start and and end date, they take decades to build up and never really end.
With a title like “Judgement at Nuremberg,” you can be forgiven for expecting a film about the trial of the Concentration Camp guards or Hermann Goering, but instead we are given something much more subtle and subversive. This follows a fictionalised account of the “Judges Trial”.
Here, Spencer Tracey’s U.S. Judge leads a panel of three peers as they preside over a trial of four NAZI judges, the focus of their crimes is not of there actions during the war but those in the mid 1930’s and their perversions of justice in aiding Hitler’s NAZI’s to oppress their own people.
The film also asked a myriad of uncomfortable questions, not only taking aim at the long dead National Socialist movement, but the world as a whole, including the U.S.A. Sighting parallels from Allied nations who claim cultural superiority after winning the war yet only being a stone’s throw away from the same attitudes.
But this is not just subverting the perceptions of jurist prudence, it is a drama, a head to head between Tracey and his German counterpart in the doc, Bert Lancaster. It is also a vehicle for a host of Oscar worthy performances from an all star cast, ALL of which excel in their roles, some more subtly than others.
The standouts are Montgomery Cliff and Judy Garland, both of whom would pass away soon after this film was release at relatively young ages. Kramer’s cinematography is impressive too, as it keeps the camera moving around the courtroom through the lengthy cross-examination scenes, keeping the tension high and the interest alive through this three-hour drama.
With a healthy dose of melancholy, jaded and brutalised characters and foreshadowing the impending Cold War, this is a film which understands war and the often forgotten fact that even though Wars have a start and and end date, they take decades to build up and never really end.
Paul Kellett (118 KP) rated This War of Mine: The Board Game in Tabletop Games
May 27, 2019
Very immersive experience (4 more)
Great solo game
Stands out as a piece of art
Great teaching tool
Great storytelling game
Brutally hard (1 more)
Adult and disturbing depictions of war
Brutal Survival game
This War of Mine is a game of civilians struggling to survive in the middle of a war. It is harsh, brutal and contains scenes that some players might find distressing.
It is gritty, realistic and very hard. It's a remarkable game that really makes you think and can stand as a piece of art, capable of teaching about the harsh realities of war and humanity.
You play as a group of 3 (or 4) civilians trying to survive. You have to rebuild your shelter to try and barricade against the cold and other raiding groups.
A fully cooperative game, no player controls a single character but takes turns deciding what the group will do and resolving situations.
Split into phases, you spend the day building up your shelter, adding beds, workshops and other items that might ease your struggles.
You will try different combinations of things to try and work out the most efficient and vital components to build first. Depending on the whim of the various encounter and event cards as to how well these things will work.
The night phase is the main part of the game. You need to send people out to scavenge the nearby ruined buildings, post a guard to protect your shelter and try to get some rest. This is a fine balancing act and you will be forced to push the survivors to breaking point in order to do any of these things.
Scavenging brings danger from snipers, soldiers and other aggressive survivors trying to defend their property.
You pick one of 3 locations to investigate and build an encounter deck. As you explore, you reveal cards, find valuable resources, food, medicine, bandages, weapons and parts crucial to building better items in your shelter.
While scavenging, you will be told to reference numbered paragraphs in the Book of Scripts. This tells the story of what and who you find and it is this that brings home the grim reality of what you are doing.
You will have to make some terrible decisions - do you return home empty handed and risk one of your group dying from hunger or illness or do you steal the supplies you need from the old couple you found hiding in the ruined apartment?
This game is definitely not for everyone but I firmly believe that everyone should experience it at least once.
I borrowed a copy from someone in my game group and played a couple of short games before handing it back but I found myself thinking about it a lot afterwards and ended up buying it myself.
This War of Mine is definitely much more than just a boardgame. It is art. It is a lesson in humanity and the harsh reality of war.
It is gritty, realistic and very hard. It's a remarkable game that really makes you think and can stand as a piece of art, capable of teaching about the harsh realities of war and humanity.
You play as a group of 3 (or 4) civilians trying to survive. You have to rebuild your shelter to try and barricade against the cold and other raiding groups.
A fully cooperative game, no player controls a single character but takes turns deciding what the group will do and resolving situations.
Split into phases, you spend the day building up your shelter, adding beds, workshops and other items that might ease your struggles.
You will try different combinations of things to try and work out the most efficient and vital components to build first. Depending on the whim of the various encounter and event cards as to how well these things will work.
The night phase is the main part of the game. You need to send people out to scavenge the nearby ruined buildings, post a guard to protect your shelter and try to get some rest. This is a fine balancing act and you will be forced to push the survivors to breaking point in order to do any of these things.
Scavenging brings danger from snipers, soldiers and other aggressive survivors trying to defend their property.
You pick one of 3 locations to investigate and build an encounter deck. As you explore, you reveal cards, find valuable resources, food, medicine, bandages, weapons and parts crucial to building better items in your shelter.
While scavenging, you will be told to reference numbered paragraphs in the Book of Scripts. This tells the story of what and who you find and it is this that brings home the grim reality of what you are doing.
You will have to make some terrible decisions - do you return home empty handed and risk one of your group dying from hunger or illness or do you steal the supplies you need from the old couple you found hiding in the ruined apartment?
This game is definitely not for everyone but I firmly believe that everyone should experience it at least once.
I borrowed a copy from someone in my game group and played a couple of short games before handing it back but I found myself thinking about it a lot afterwards and ended up buying it myself.
This War of Mine is definitely much more than just a boardgame. It is art. It is a lesson in humanity and the harsh reality of war.
Lev Kalman recommended Barcelona (1994) in Movies (curated)
Awix (3310 KP) rated The Kingmaker (2019) in Movies
Dec 18, 2019
'When they searched my closet, they found no skeletons, only beautiful shoes,' declares Imelda Marcos (subject of this documentary), displaying a somewhat inconsistent level of self-awareness. For many people in the west, Mrs Marcos is only the punchline to jokes about her shoe collection: this documentary gives the full story of her life, especially in the present day. We see her making her stately progress about Manila, occasionally pausing to literally throw money at the poor people she encounters.
Much of the movie concerns Mrs Marcos holding forth on her achievements as mother of the world, bringer of world peace, ender of the cold war (and so on), intercut with other people with perhaps a stronger grip on reality pointing out what actually went on. Intended criticisms just ping off Mrs Marcos' elephantine self-regard; the effect is blackly comic more than anything else. But the film moves on to consider her attempts to make her son president of the Philippines, with all the re-writing of history and political corruption this entails: it seems the world may hear from her again. Intelligently made, eye-openingly weird, ultimately rather chilling.
Much of the movie concerns Mrs Marcos holding forth on her achievements as mother of the world, bringer of world peace, ender of the cold war (and so on), intercut with other people with perhaps a stronger grip on reality pointing out what actually went on. Intended criticisms just ping off Mrs Marcos' elephantine self-regard; the effect is blackly comic more than anything else. But the film moves on to consider her attempts to make her son president of the Philippines, with all the re-writing of history and political corruption this entails: it seems the world may hear from her again. Intelligently made, eye-openingly weird, ultimately rather chilling.
Mark @ Carstairs Considers (2084 KP) rated Passport to Spy in Books
Jun 14, 2023
Tracking Stolen Art in Germany
Kat Lawson’s first official case working undercover for the FBI sends her to Munich, Germany at Christmas. While she is officially there to cover the season for a travel magazine, she is supposed to get close to gallery owner Hans von Hausmann who is suspected of knowing the location of a horde of art missing since the end of World War II. After a slow start, Kat begins to make progress, but without knowing who to trust, can she complete her mission? Or is she in more danger than she realizes?
This was a fantastic book in the series. The world of Munich in December 1999 came to life, and I shivered from cold a few times as I read. The plot kept me guessing as Kat had to deal with one thing after another. The third act just ups the suspense, and I couldn’t put it down. We really only see a couple of returning characters, which means that Kat doesn’t know who she can trust, which was a wonderful addition to the plot. The characters are all strong. This book will have you hooked from the beginning. Enjoy it today.
This was a fantastic book in the series. The world of Munich in December 1999 came to life, and I shivered from cold a few times as I read. The plot kept me guessing as Kat had to deal with one thing after another. The third act just ups the suspense, and I couldn’t put it down. We really only see a couple of returning characters, which means that Kat doesn’t know who she can trust, which was a wonderful addition to the plot. The characters are all strong. This book will have you hooked from the beginning. Enjoy it today.
Awix (3310 KP) rated Godzilla 1985 (1985) in Movies
Jun 15, 2019 (Updated Jun 15, 2019)
A textbook example of how to take a fairly unimpressive film and make it much worse through cack-handed re-editing and intrusive inserted scenes. Godzilla reappears, somehow (the film ignores the events of all the previous sequels); a subplot about Cold War tensions only making the crisis more serious is significantly de-emphasised in favour of making the Russians into bad guys. The Pentagon (filled with Dr Pepper vending machines) call in Godzilla expert Steve Martin (not that one); he is never referred to by his first name, for obvious reasons. He and the senior Pentagon staff proceed to do exactly nothing but discuss events taking place in Tokyo.
The original movie was a laudable attempt to take Godzilla back to basics, let down by a sluggish plot, weak climax, and underwhelming monster (Godzilla appears to have had one martini too many and seems a bit unsteady on his feet). This one has all those problems too, which are only compounded by the way that all the film's interesting ideas kind of get lost in the re-edit. There are still a few decent sequences of Godzilla fighting the JSDF, including a sci-fi flying tank, but this is hard going for the most part.
The original movie was a laudable attempt to take Godzilla back to basics, let down by a sluggish plot, weak climax, and underwhelming monster (Godzilla appears to have had one martini too many and seems a bit unsteady on his feet). This one has all those problems too, which are only compounded by the way that all the film's interesting ideas kind of get lost in the re-edit. There are still a few decent sequences of Godzilla fighting the JSDF, including a sci-fi flying tank, but this is hard going for the most part.
Not for me
When I read the synopsis I was really interested in this book. But when it arrived and I started to read it, it turned out to be different to how I expected.
I got to about halfway through and decided I didn't want to finish it. I didn't really engage with the characters, or the story.
It started off with a 70 year old Swedish woman shooting her 85 year old husband dead after a phone call which just gave the code word Geiger. Then she leaves. That is what grabbed me. But then the story goes into Cold War territory and the relationship between Sweden and East Germany. The husband was a famous children's television personality in his younger days and would hold parties at his home which famous people would attend, including other TV stars, business people and politicians. But was he a spy working for East Germany? Or for Sweden against East Germany? And why is his wife now going around shooting other people connected to him? Is she the spy? I'll never know, as I only got to page 203.
If anyone would like to tell me how it ends, feel free.
I got to about halfway through and decided I didn't want to finish it. I didn't really engage with the characters, or the story.
It started off with a 70 year old Swedish woman shooting her 85 year old husband dead after a phone call which just gave the code word Geiger. Then she leaves. That is what grabbed me. But then the story goes into Cold War territory and the relationship between Sweden and East Germany. The husband was a famous children's television personality in his younger days and would hold parties at his home which famous people would attend, including other TV stars, business people and politicians. But was he a spy working for East Germany? Or for Sweden against East Germany? And why is his wife now going around shooting other people connected to him? Is she the spy? I'll never know, as I only got to page 203.
If anyone would like to tell me how it ends, feel free.
Gareth von Kallenbach (971 KP) rated Call of Duty: Black Ops Cold War in Video Games
Nov 21, 2020
Treyarch returns to Call of Duty with Call of Duty: Black Ops Cold War and updates the franchise while staying true to what has made it such a massive success.
Unlike Black Ops IIII, Cold War features a campaign and it is one that offers players side missions, alternate in-mission objectives, dialogue options, and differing endings.
Set in the 80s but jumping in time to Vietnam and other timeline events; the player is cast as an operative named Bell. Players have the option to customize their character in terms of name, gender, backstory and such but it does not play much into the game as “Bell” is what players are known by.
From Eastern Europe, to Vietnam, Cuba, and other locales, the game includes 80s technology and music as players must stop a Soviet General named Perseus from unleashing a Nuclear onslaught.
As fans of the series can guess; players will undertake various missions using combat, stealth, infiltration, elimination, recovery, and more to save the day. There are all sorts of weapons for players to select from ranging from Western to Eastern and allows players to experience a variety of options from sniping, run and gun, and even a Bow.
Vehicles also play a part of the game but they are more heavily featured in the multiplayer portion of the game.
The game does offer variations on the ending based on a player’s choice of completing side missions and choices they make along the way and the game also offers players the chance to grab enemies and use them as a shield in taking on enemy fire. This is one option I would love to see appear in multiplay.
The graphics are solid and some of the landscapes from jungle to frozen tundra really stand out as I was playing on an EVGA 2700 GTX card. The game was also considerably more stable than Modern Warfare was at launch as I did not encounter any issues with my gameplay.
At first I thought the campaign was short but I later realized I had become so engrossed in it that I mistakenly thought so. The levels do offer some real treats which I would love to discuss but do not want to spoil.
Multiplay is the bread and butter of the series as it is what drives the popularity of the series along as players will spend countless hours leveling up, customizing, and playing the various maps and modes as new content arrives until the release of the next game in the series.
Some have complained that the maps are a bit sparse and uninspired but I have enjoyed my time in the multiplayer and enjoy the fact that I can now select only the modes I wish to play for Quickplay to avoid being placed in a mode I do not wish to play.
The Co-Op Mode I enjoyed so much in Modern Warfare is gone this time around in favor of a Zombie mode and while it does not shake things up much from the prior Zombie offerings; it does offer plenty of entertainment and I look forward to seeing more content in the future.
There is an Assault mode where players can use vehicles ranging from Tanks, Snowmobiles, Jet Skis, Gun Boats and more which adds to the fun as ramming your ride into a landing area which an explosive attached is great fun.
The only issue I had with the game was with Warzone as attempting to launch it took me to desktop and out of the game so hopefully this will be smoothed out soon as new updates are already out for the game and next week will see the return of the popular Nuketown map which now is updated to 1984.
In the end Black Ops Cold War does not reinvent the franchise but rather gives players more of what they have come to expect with a few new wrinkles to the mix.
4 stars out of 5
Unlike Black Ops IIII, Cold War features a campaign and it is one that offers players side missions, alternate in-mission objectives, dialogue options, and differing endings.
Set in the 80s but jumping in time to Vietnam and other timeline events; the player is cast as an operative named Bell. Players have the option to customize their character in terms of name, gender, backstory and such but it does not play much into the game as “Bell” is what players are known by.
From Eastern Europe, to Vietnam, Cuba, and other locales, the game includes 80s technology and music as players must stop a Soviet General named Perseus from unleashing a Nuclear onslaught.
As fans of the series can guess; players will undertake various missions using combat, stealth, infiltration, elimination, recovery, and more to save the day. There are all sorts of weapons for players to select from ranging from Western to Eastern and allows players to experience a variety of options from sniping, run and gun, and even a Bow.
Vehicles also play a part of the game but they are more heavily featured in the multiplayer portion of the game.
The game does offer variations on the ending based on a player’s choice of completing side missions and choices they make along the way and the game also offers players the chance to grab enemies and use them as a shield in taking on enemy fire. This is one option I would love to see appear in multiplay.
The graphics are solid and some of the landscapes from jungle to frozen tundra really stand out as I was playing on an EVGA 2700 GTX card. The game was also considerably more stable than Modern Warfare was at launch as I did not encounter any issues with my gameplay.
At first I thought the campaign was short but I later realized I had become so engrossed in it that I mistakenly thought so. The levels do offer some real treats which I would love to discuss but do not want to spoil.
Multiplay is the bread and butter of the series as it is what drives the popularity of the series along as players will spend countless hours leveling up, customizing, and playing the various maps and modes as new content arrives until the release of the next game in the series.
Some have complained that the maps are a bit sparse and uninspired but I have enjoyed my time in the multiplayer and enjoy the fact that I can now select only the modes I wish to play for Quickplay to avoid being placed in a mode I do not wish to play.
The Co-Op Mode I enjoyed so much in Modern Warfare is gone this time around in favor of a Zombie mode and while it does not shake things up much from the prior Zombie offerings; it does offer plenty of entertainment and I look forward to seeing more content in the future.
There is an Assault mode where players can use vehicles ranging from Tanks, Snowmobiles, Jet Skis, Gun Boats and more which adds to the fun as ramming your ride into a landing area which an explosive attached is great fun.
The only issue I had with the game was with Warzone as attempting to launch it took me to desktop and out of the game so hopefully this will be smoothed out soon as new updates are already out for the game and next week will see the return of the popular Nuketown map which now is updated to 1984.
In the end Black Ops Cold War does not reinvent the franchise but rather gives players more of what they have come to expect with a few new wrinkles to the mix.
4 stars out of 5
Emma @ The Movies (1786 KP) rated American Assassin (2017) in Movies
Jun 26, 2019 (Updated Sep 25, 2019)
Mitch and his girlfriend are on a love filled holiday in Spain. He's just proposed, she's just said yes, and now they're going to celebrate. But the happy event is cut short when a radical Islamist jihadist cell appears at the resort and attacks. Wounded, and filled with rage at being unable to prevent her death, Mitch finds his new purpose in life.
Eighteen months pass and he has managed to gain an audience with the terrorist responsible for the death of his girlfriend. Vengeance has consumed him, but US Special Forces swoop in and kill everyone denying him the chance to settle the score.
He is debriefed and recruited into a black ops team, Orion, by the CIA's Deputy Director. Here the recruits will be trained by ex-Navy Seal and Cold War veteran Stan Hurley in asymmetrical warefare.
Weapons grade nuclear material has gone missing. Their mission is simple, but who is the operative who seems to know their every move?
Seemingly the critics panned this one. Would I ever need to see it again? No. Was it bad? No. It was a perfectly entertaining action movie... buuuuuut... there's not really much else to say about it. The best bit about this film for me was Michael Keaton. Definitely stream it, if it's under a fiver and you like this sort of film then it's worth buying.
Eighteen months pass and he has managed to gain an audience with the terrorist responsible for the death of his girlfriend. Vengeance has consumed him, but US Special Forces swoop in and kill everyone denying him the chance to settle the score.
He is debriefed and recruited into a black ops team, Orion, by the CIA's Deputy Director. Here the recruits will be trained by ex-Navy Seal and Cold War veteran Stan Hurley in asymmetrical warefare.
Weapons grade nuclear material has gone missing. Their mission is simple, but who is the operative who seems to know their every move?
Seemingly the critics panned this one. Would I ever need to see it again? No. Was it bad? No. It was a perfectly entertaining action movie... buuuuuut... there's not really much else to say about it. The best bit about this film for me was Michael Keaton. Definitely stream it, if it's under a fiver and you like this sort of film then it's worth buying.
David McK (3219 KP) rated Batman: A Death In The Family in Books
Jan 28, 2019
Ah, 1988/89.
I was just entering double digits, the Cold War was still in force, and DC decided to bump off Robin.
Of course, when I say 'Robin' I actually mean the second character (Jason Todd) to take that mantle (with the first being the more famous Dick Grayson, who has now become Nightwing), and when I say DC I actually mean the DC readers - in a (then) unprecedented move, DC had actually left it open to the readers to decide his fate, via a telephone poll.
It is, of course, Batman's nemesis Joker who is responsible for the killing, after he (yet again) breaks out of Arkham Asylum and heads to the middle East to sell a nuclear weapon that he just-so-happened to have lying around. Batman goes off in pursuit, with a sidelined-by-Batman (due to his erratic nature) Robin on the trail of his real parent; a trail that leads to the two of them meeting up (amazing coincidence, Batman!), Robin ignoring Batman's advice and proceeding to put himself in harms way.
Apparently there was also a media storm around this; around the fact that over the course - and due t 0the events of - this plot-line, that Batman was moving back to his nihilistic vigilante loner roots rather than the kid-friendly character he had become: he even goes so far, in this, to punch out at Superman! The horror!!
I was just entering double digits, the Cold War was still in force, and DC decided to bump off Robin.
Of course, when I say 'Robin' I actually mean the second character (Jason Todd) to take that mantle (with the first being the more famous Dick Grayson, who has now become Nightwing), and when I say DC I actually mean the DC readers - in a (then) unprecedented move, DC had actually left it open to the readers to decide his fate, via a telephone poll.
It is, of course, Batman's nemesis Joker who is responsible for the killing, after he (yet again) breaks out of Arkham Asylum and heads to the middle East to sell a nuclear weapon that he just-so-happened to have lying around. Batman goes off in pursuit, with a sidelined-by-Batman (due to his erratic nature) Robin on the trail of his real parent; a trail that leads to the two of them meeting up (amazing coincidence, Batman!), Robin ignoring Batman's advice and proceeding to put himself in harms way.
Apparently there was also a media storm around this; around the fact that over the course - and due t 0the events of - this plot-line, that Batman was moving back to his nihilistic vigilante loner roots rather than the kid-friendly character he had become: he even goes so far, in this, to punch out at Superman! The horror!!