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Awix (3310 KP) rated Pixie (2020) in Movies
Oct 25, 2020
Knockabout comedy-thriller set in Northern Ireland. 'What do men see in irritating free spirits?' wondered Julia Roberts in a Tom Hanks movie a few years ago, and the question is still a live one: Olivia Cooke plays Pixie, who is not quite Holly Golightly recast as a feminist criminal mastermind, but getting there. Nearly everyone is entranced by her, including apparently the director, cameraman, and cinematographer, despite the fact she seems to be almost completely amoral: ripping off drug dealers, swindling her friends, and cold-blooded murder all seem to be part of her repertoire. Nevertheless she and her latest enamoured stooges zip about Ireland to a jangly western-style soundtrack while Alec Baldwin phones in a cameo as a gun-toting gangster-priest.
Surely people have got to get over this obsession with making Tarantino pastiches sooner or later? This one has the odd funny moment, but a lot of the jokes don't land and the plot constantly seems to be on the verge of unravelling. Olivia Cooke carries the film with predictable grace, but I felt almost commanded to like her without good enough reason: the film also suggests there's a thin line between idealising a character and objectifying them, as a rather lubricious tone occasionally threatens to manifest. Passably watchable in the end, but has no connection to reality: feels like a script somebody wrote in 1995 and then spent twenty-odd years finding the funding for. Cooke in particular deserves better.
Surely people have got to get over this obsession with making Tarantino pastiches sooner or later? This one has the odd funny moment, but a lot of the jokes don't land and the plot constantly seems to be on the verge of unravelling. Olivia Cooke carries the film with predictable grace, but I felt almost commanded to like her without good enough reason: the film also suggests there's a thin line between idealising a character and objectifying them, as a rather lubricious tone occasionally threatens to manifest. Passably watchable in the end, but has no connection to reality: feels like a script somebody wrote in 1995 and then spent twenty-odd years finding the funding for. Cooke in particular deserves better.
David McK (3169 KP) rated Murder on the Orient Express in Books
Dec 27, 2021
As a general rule, I'm not really big into murder mystery whodunnits, generally finding them boring, (sometimes) obvious and just, well, generally a little bit stale.
That may be why I'd never read perhaps Agatha Christie's most famous murder story before, or even had any interest in which any of the (numerous) films, TV series or plays based around the same.
Which is a long way of saying that I came into this 'cold', as it were, knowing little beyond the fact that it was a Hercule Poirot mystery (thanks to the 2017 Kenneth Branagh movie, which I hadn't seen), and that the murder was on a train (d'uh!) just as it ran into snow whilst on a journey.
Now that I've read it, I have to say: I found little to cause me to revise my opinion of murder mysteries in general.
That's not to say that it is bad, per se, just that it never really hooked me all that much: indeed, at times it felt more like a chore to read than something enjoyable. Indeed, I'm sorry to say, the reveal of just who carried out the crime also completely failed to elicit any form of surprise or emotion at all from me: not that I saw it coming but just that, well, it almost felt like a relief when it did.
All I can say is: sorry, any Poirot fans!
That may be why I'd never read perhaps Agatha Christie's most famous murder story before, or even had any interest in which any of the (numerous) films, TV series or plays based around the same.
Which is a long way of saying that I came into this 'cold', as it were, knowing little beyond the fact that it was a Hercule Poirot mystery (thanks to the 2017 Kenneth Branagh movie, which I hadn't seen), and that the murder was on a train (d'uh!) just as it ran into snow whilst on a journey.
Now that I've read it, I have to say: I found little to cause me to revise my opinion of murder mysteries in general.
That's not to say that it is bad, per se, just that it never really hooked me all that much: indeed, at times it felt more like a chore to read than something enjoyable. Indeed, I'm sorry to say, the reveal of just who carried out the crime also completely failed to elicit any form of surprise or emotion at all from me: not that I saw it coming but just that, well, it almost felt like a relief when it did.
All I can say is: sorry, any Poirot fans!
Kristy H (1252 KP) rated Dark Roads in Books
Aug 12, 2021
A dark and unsettling mystery
For years, the nearly five hundred mile stretch of Cold Creek Highway has been infamous as a place where young women go missing. Drivers, hitch hikers, and more. But their abductor has never been found. Hailey McBride lives in Cold Creek. Her father recently died in a car accident, leaving her to live with her aunt and her controlling police officer husband, Vaughn. Vaughn watches Hailey's every move, bullying and terrorizing her, keeping her from seeing her best friend, Jonny and her new love interest, Amber. Using what her dad taught her about the local land, Hailey plans her escape to the mountains. With Jonny's help, the idea is that everyone will think she was another victim of the highway killer. A year after Hailey disappears, Beth Chevalier arrives in town, desperate for closure after her sister Amber's murder. Beth's life is in shambles after Amber's death, and she starts to look into what happened. But Beth's search puts her in danger--and starts to reveal the truth about what happened to Hailey.
"I had to get out of this house, and this town."
This is a dark and often stressful book. It's told from two perspectives, Hailey and Beth. I was quite attached to Hailey, who is suffering at the hands of Vaughn, the stereotypical power-hungry small-town cop. He embodies the part of the sinister bad guy. Because he seems to control the entire town (no one will even give Hailey a job, since Vaughn doesn't want her to have one), her only choice is to go live in a shack in the mountains and basically let everyone think she's dead. The book shifts from menacing to survival-in-the-woods story and then we flip to Beth's perspective, where she's a struggling wannabe law student who arrives in Cold Creek to figure out who killed her sister (who was Hailey's love interest).
If it seems like a lot and a bit confusing, it is. I liked this book, but it did seem like it had multiple personalities. I found it tense at times (add to the fact that Hailey had a dog in the wilderness--I cannot handle books where something might happen to an animal) and other times a bit slow. Vaughn is our clear bad guy--Hailey even discovers some of his many terrible traits and crimes. But if that's true, then why are we reading? Just to catch him? At times, the book catches us off kilter, guessing and wondering. At other times, it falls a bit flat when the whole premise doesn't really seem to work. Who is our protagonist and what is the end goal?
Overall, this is an often dark and quite atmospheric book. It's creepy and twisty and sometimes heartbreaking. Is it worth reading? Yes. But I'm not sure if it ever lives up to its true potential.
I received a copy of this book from St. Martin's Press and Netgalley in return for an unbiased review.
"I had to get out of this house, and this town."
This is a dark and often stressful book. It's told from two perspectives, Hailey and Beth. I was quite attached to Hailey, who is suffering at the hands of Vaughn, the stereotypical power-hungry small-town cop. He embodies the part of the sinister bad guy. Because he seems to control the entire town (no one will even give Hailey a job, since Vaughn doesn't want her to have one), her only choice is to go live in a shack in the mountains and basically let everyone think she's dead. The book shifts from menacing to survival-in-the-woods story and then we flip to Beth's perspective, where she's a struggling wannabe law student who arrives in Cold Creek to figure out who killed her sister (who was Hailey's love interest).
If it seems like a lot and a bit confusing, it is. I liked this book, but it did seem like it had multiple personalities. I found it tense at times (add to the fact that Hailey had a dog in the wilderness--I cannot handle books where something might happen to an animal) and other times a bit slow. Vaughn is our clear bad guy--Hailey even discovers some of his many terrible traits and crimes. But if that's true, then why are we reading? Just to catch him? At times, the book catches us off kilter, guessing and wondering. At other times, it falls a bit flat when the whole premise doesn't really seem to work. Who is our protagonist and what is the end goal?
Overall, this is an often dark and quite atmospheric book. It's creepy and twisty and sometimes heartbreaking. Is it worth reading? Yes. But I'm not sure if it ever lives up to its true potential.
I received a copy of this book from St. Martin's Press and Netgalley in return for an unbiased review.
LeftSideCut (3778 KP) rated Frozen II (2019) in Movies
Dec 7, 2019 (Updated Jan 22, 2020)
Frozen II is a genuinely fantastic sequel that build on the original in every way.
It's feels more mature for a start. It's still a magical, kid friendly, animated adventure for sure, but the film manages to touch upon subjects such as death, loss, depression, how it's ok to feel angry, and all without veering too far away from a family feature.
The more mature tone comes with more mature animation - and it's really something. The animation is pretty much flawless. The contrasting colour pallets - the icy cold blues and white of Arendelle, to the autumnal greens and oranges of the forest - are all pleasing to look at.
I'm not one for musicals, and I wasn't keen on the songs from the original, but the music in Frozen II is way more tolerable. Well written, and sometimes epic, and that Lost in the Woods song is a banger - the fact that Weezer did a recording of it just earns the movie bonus points in my eyes.
The plot is easy to follow, whilst offering a twist here and there, but the overall message is once again, the importance of family, and the importance of writing wrongs from the last. Interestingly, there is no villain in Frozen II. The focus is purely on the good guys trying to make the world a better place for everyone. It's all rather wholesome.
The characters are all great in their own ways, and the creature designs are fantastic.
I have nothing bad to say about Frozen II. It's a damn solid sequel that easily surpasses the first film. Now if you'll excuse me, I'm going to go and listen to Weezer all night.
It's feels more mature for a start. It's still a magical, kid friendly, animated adventure for sure, but the film manages to touch upon subjects such as death, loss, depression, how it's ok to feel angry, and all without veering too far away from a family feature.
The more mature tone comes with more mature animation - and it's really something. The animation is pretty much flawless. The contrasting colour pallets - the icy cold blues and white of Arendelle, to the autumnal greens and oranges of the forest - are all pleasing to look at.
I'm not one for musicals, and I wasn't keen on the songs from the original, but the music in Frozen II is way more tolerable. Well written, and sometimes epic, and that Lost in the Woods song is a banger - the fact that Weezer did a recording of it just earns the movie bonus points in my eyes.
The plot is easy to follow, whilst offering a twist here and there, but the overall message is once again, the importance of family, and the importance of writing wrongs from the last. Interestingly, there is no villain in Frozen II. The focus is purely on the good guys trying to make the world a better place for everyone. It's all rather wholesome.
The characters are all great in their own ways, and the creature designs are fantastic.
I have nothing bad to say about Frozen II. It's a damn solid sequel that easily surpasses the first film. Now if you'll excuse me, I'm going to go and listen to Weezer all night.
LeftSideCut (3778 KP) rated Dune (2021) in Movies
Oct 25, 2021
As I'm writing this, it's been a few days since I watched Dune and I still don't fully know how to process it.
I will start by saying that it's visually stunning. Dune is extremely pleasing to look at from start to finish, from the lush greens and blues of Caladan, to the harsh firey desserts of Arrakis, all of these pallettes jump off the screen. These settings are utilised frequently in countless wide shots and make for do e wonderful vistas. In fact, the whole film is shit beautifully, and I'd expect nothing less from Denis Villeneuve.
All of this works hand in hand with an incredible music score Hans Zimmer. As is standard from Zimmer, every musical point is huge, and turns Dune from a movie into an experience.
The cast is stacked of course. Timothée Chamalet and Rebecca Ferguson absolutely steal the show, and all if the characters are engaging and interesting.
All of this being said, Dune did leave me feeling a little cold. I'm not overly familiar with the source material, so I can accept that I'm not necessarily the target audience, but I felt a lot of the lore was muddied. Maybe I just wasn't in the right frame of mind to fully appreciate the finished product, but I just felt exhausted when the credits rolled, and not in a good way. It's certainly one I'm going to have to revisit to from a proper opinion on.
Despite my reservations, I still appreciate the epic scale of Dune, and I can fully see why it's been getting glowing reviews across the board. Keeping my fingers crossed for part two!
I will start by saying that it's visually stunning. Dune is extremely pleasing to look at from start to finish, from the lush greens and blues of Caladan, to the harsh firey desserts of Arrakis, all of these pallettes jump off the screen. These settings are utilised frequently in countless wide shots and make for do e wonderful vistas. In fact, the whole film is shit beautifully, and I'd expect nothing less from Denis Villeneuve.
All of this works hand in hand with an incredible music score Hans Zimmer. As is standard from Zimmer, every musical point is huge, and turns Dune from a movie into an experience.
The cast is stacked of course. Timothée Chamalet and Rebecca Ferguson absolutely steal the show, and all if the characters are engaging and interesting.
All of this being said, Dune did leave me feeling a little cold. I'm not overly familiar with the source material, so I can accept that I'm not necessarily the target audience, but I felt a lot of the lore was muddied. Maybe I just wasn't in the right frame of mind to fully appreciate the finished product, but I just felt exhausted when the credits rolled, and not in a good way. It's certainly one I'm going to have to revisit to from a proper opinion on.
Despite my reservations, I still appreciate the epic scale of Dune, and I can fully see why it's been getting glowing reviews across the board. Keeping my fingers crossed for part two!
Christina Haynes (148 KP) rated War of the Cards in Books
Feb 16, 2018
Contains spoilers, click to show
WAR OF THE CARDS
COLLEEN OAKES
352
FAIRYTALE RETELLINGS / FANTASY
She paused and drew a finger dramatically across her neck.
“OFF WITH THEIR HEADS!”
The army answered back.
OFF WITH THEIR HEADS!”
This book gave me chills!
Sypnosis:
The final book in the twisted YA trilogy re-imagining of the origin story of the Queen of Hearts. Dinah has lost everyone she ever loved. Her brother was brutally murdered. The wicked man she believed was her father betrayed her. Her loyal subjects have been devastated by war. And the boy she gave her heart to broke it completely.
Main characters:
– Dinah (the Queen of Hearts)
– Wardley
– Cheshire
– Sir Gorrann
– Mundoo
Main events:
Dinah is now ready for battle against her “father” the King of Hearts. Her and her gang of Yurkei – Spades and friends, head off the palace to battle for the crown.
Most exciting part:
When Dinah steps through the sky curtain. Ooh.
My favourite part:
The battle scene – you see how much Dinah’s character development has changed.
My summary:
Very good book – a great ending to the series. I love retellings and this one is one of my favourites. Great links and references to the original stories with names and descriptions.
My Review:
The Queen of Hearts she made some tarts all on a summer’s day. The Knave of Hearts he stole the tarts and took them clean away. The King of Hearts called for the tarts and beat the Knave full sore. The Knave of Hearts brought back the tarts and vowed he’d steal no more.
This story isn’t a nice as that poem, this story involves heartbreak, love, murder, revenge, family feuds and lots of secret plotting. Colleen Oakes turns a classic story into an amazing retelling of the infamous Queen of Hearts.
SPOILERS
Dinah is born into royalty, daughter of Queen Davianna and the cruel King of Hearts. Dinah’s mother died when she was young, leaving her and her Mad as a Hatter brother Charles alone. After her brother is murdered in cold blood Dinah is soon to be blamed by the King of Hearts and the rest of the Kingdom. She soon flees after a man in a cloak tells her to run and leave the palace.
She leaves her Kingdom and the love of her life Wardley behind and ends up in the Twisted Woods. Throughout the first two books, you see her hate her father and why. She finds out she has a sister called Vittiore who in fact is not her sister and her father lied about who she actually was, by claiming he met someone who later became pregnant, when in fact he found her and made her pretend she was his daughter. The way he treats Dinah and her brother. How the cruel King rules Wonderland and treats his people.
You travel with Dinah and a Spade called Sir Gorrann, (who she meets in the Twisted Woods) to where the Yureki live. You meet them and find out they are in fact good people who later help her take the role as Queen of Hearts.
But most importantly you find out that her father is, in fact, Cheshire the King of Heart’s loyal advisor. Who was “in love” with Queen Davianna and had a secret affair with her which lead to Dinah. I say “in love” because later it’s revealed that all along Cheshire had planned this moment and wanted to be apart of Wonderland more closely like having a daughter as the Queen of Hearts! So it’s unclear whether he did actually love her, or if he loved the fact of her. As we all know Cheshire loves himself.
The third book for me tests Dinah in more ways, what she has been through is a lot. But now she has to face rejection from the man she has always loved. Becoming a leader of many men who in fact don’t get along. Realising all her life she has feared a man who isn’t actually her father, who is the real reason her mother died; through neglect. Her brother wasn’t murdered by who she thought – the King of Hearts. Her sister isn’t her sister. But most importantly Dinah learns how to keep her head.
I loved this series because I loved Dinah. I felt for her the whole time and not once did I hate her. Yes, she did something so bad and later regretted it by cutting off Vittiore’s head when she saw her and Wardley in bed together – which later made him hate her. But she also beat the King of Hearts, led an army of Yurkei and Spades to war and beat the Kings army. Trained a Hornhoov called Morte who was her loyal friend till the end. She even went into the Sky Curtain and came out alive. She kept her promises of peace and followed through by changing the ways of the Wonderlanders lives. She destroyed the horrible Black Tower and changed the lives of the Spades for the better. Gave Cheshire his just desserts, tried to make amends with Wardley and became the Queen Wonderland needs and deserves.
Dinah is amazing and despite a few bad things she has done, she is a good person who knows right and wrong and wants to makes things better and I loved following her on this journey throughout Wonderland.
Rating:
5 ★ – AMAZING
Love, Christina ?
COLLEEN OAKES
352
FAIRYTALE RETELLINGS / FANTASY
She paused and drew a finger dramatically across her neck.
“OFF WITH THEIR HEADS!”
The army answered back.
OFF WITH THEIR HEADS!”
This book gave me chills!
Sypnosis:
The final book in the twisted YA trilogy re-imagining of the origin story of the Queen of Hearts. Dinah has lost everyone she ever loved. Her brother was brutally murdered. The wicked man she believed was her father betrayed her. Her loyal subjects have been devastated by war. And the boy she gave her heart to broke it completely.
Main characters:
– Dinah (the Queen of Hearts)
– Wardley
– Cheshire
– Sir Gorrann
– Mundoo
Main events:
Dinah is now ready for battle against her “father” the King of Hearts. Her and her gang of Yurkei – Spades and friends, head off the palace to battle for the crown.
Most exciting part:
When Dinah steps through the sky curtain. Ooh.
My favourite part:
The battle scene – you see how much Dinah’s character development has changed.
My summary:
Very good book – a great ending to the series. I love retellings and this one is one of my favourites. Great links and references to the original stories with names and descriptions.
My Review:
The Queen of Hearts she made some tarts all on a summer’s day. The Knave of Hearts he stole the tarts and took them clean away. The King of Hearts called for the tarts and beat the Knave full sore. The Knave of Hearts brought back the tarts and vowed he’d steal no more.
This story isn’t a nice as that poem, this story involves heartbreak, love, murder, revenge, family feuds and lots of secret plotting. Colleen Oakes turns a classic story into an amazing retelling of the infamous Queen of Hearts.
SPOILERS
Dinah is born into royalty, daughter of Queen Davianna and the cruel King of Hearts. Dinah’s mother died when she was young, leaving her and her Mad as a Hatter brother Charles alone. After her brother is murdered in cold blood Dinah is soon to be blamed by the King of Hearts and the rest of the Kingdom. She soon flees after a man in a cloak tells her to run and leave the palace.
She leaves her Kingdom and the love of her life Wardley behind and ends up in the Twisted Woods. Throughout the first two books, you see her hate her father and why. She finds out she has a sister called Vittiore who in fact is not her sister and her father lied about who she actually was, by claiming he met someone who later became pregnant, when in fact he found her and made her pretend she was his daughter. The way he treats Dinah and her brother. How the cruel King rules Wonderland and treats his people.
You travel with Dinah and a Spade called Sir Gorrann, (who she meets in the Twisted Woods) to where the Yureki live. You meet them and find out they are in fact good people who later help her take the role as Queen of Hearts.
But most importantly you find out that her father is, in fact, Cheshire the King of Heart’s loyal advisor. Who was “in love” with Queen Davianna and had a secret affair with her which lead to Dinah. I say “in love” because later it’s revealed that all along Cheshire had planned this moment and wanted to be apart of Wonderland more closely like having a daughter as the Queen of Hearts! So it’s unclear whether he did actually love her, or if he loved the fact of her. As we all know Cheshire loves himself.
The third book for me tests Dinah in more ways, what she has been through is a lot. But now she has to face rejection from the man she has always loved. Becoming a leader of many men who in fact don’t get along. Realising all her life she has feared a man who isn’t actually her father, who is the real reason her mother died; through neglect. Her brother wasn’t murdered by who she thought – the King of Hearts. Her sister isn’t her sister. But most importantly Dinah learns how to keep her head.
I loved this series because I loved Dinah. I felt for her the whole time and not once did I hate her. Yes, she did something so bad and later regretted it by cutting off Vittiore’s head when she saw her and Wardley in bed together – which later made him hate her. But she also beat the King of Hearts, led an army of Yurkei and Spades to war and beat the Kings army. Trained a Hornhoov called Morte who was her loyal friend till the end. She even went into the Sky Curtain and came out alive. She kept her promises of peace and followed through by changing the ways of the Wonderlanders lives. She destroyed the horrible Black Tower and changed the lives of the Spades for the better. Gave Cheshire his just desserts, tried to make amends with Wardley and became the Queen Wonderland needs and deserves.
Dinah is amazing and despite a few bad things she has done, she is a good person who knows right and wrong and wants to makes things better and I loved following her on this journey throughout Wonderland.
Rating:
5 ★ – AMAZING
Love, Christina ?
Emma @ The Movies (1786 KP) rated Mega Shark vs Kolossus (2015) in Movies
Aug 16, 2020
Amendment to the shark rules, having "mega" in the title... *chef's kiss*
When the hunt for the power source known as Red Mercury takes a team to an underground bunker they accidentally awaken the giant doomsday machine that's been idle since the Cold War. While the Kolossus runs rampage a new megalodon is terrorising the coast... what will happen when the two inexplicably meet?
I will say that of the Mega-Shark "franchise" the best is Mega Shark Vs. Mecha Shark. It is obviously much more sensible having two things that are designed to be in the same environment battling together, a robot fighting a shark is epic... but a stretch. This duo does mean that it feels very much like two films, but honestly, the ridiculousness of this makes up a bit for that.
It does at last start with a super realistic submarine that's manned by a lot of women in tight pleather that doesn't look like it would offer any kind of protection against water or action. This is why we come for these films... the accuracy.
The acting is exactly what you'd expect from a shark film, probably something you'd rather wasn't on your resume. You've got all the stereotypes with all the cringeable moments and the actors don't do a bad job with what they're given.
There's a little issue right at the beginning of the film. When the team meet up outside the bunker there's an obviously pointless exchange to explain what's going on, two of the actors have subtitles. I don't have an issue with subtitles when they're needed, but while both the actors have accents in the scene they're actually speaking perfectly understandable English. It might have been a glitch on the copy I watched, I'd like to give them the benefit of the doubt, but if it wasn't then I don't know what they were thinking.
When it comes to the shark scale this film is good because it has the requisite bag CGI, stupid storyline and classic quotes... the famous last words "No sign of the mega shark" and my personal favourite "...or you can die hiding under your desk searching for your balls." Glorious. Despite the amazing lines and the fact it's got a shark in it, the sheer impossibility of the pairing and the fact it feels like two films forced together makes it fall short of high marks.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/mega-shark-vs-kolossus-movie-review.html
When the hunt for the power source known as Red Mercury takes a team to an underground bunker they accidentally awaken the giant doomsday machine that's been idle since the Cold War. While the Kolossus runs rampage a new megalodon is terrorising the coast... what will happen when the two inexplicably meet?
I will say that of the Mega-Shark "franchise" the best is Mega Shark Vs. Mecha Shark. It is obviously much more sensible having two things that are designed to be in the same environment battling together, a robot fighting a shark is epic... but a stretch. This duo does mean that it feels very much like two films, but honestly, the ridiculousness of this makes up a bit for that.
It does at last start with a super realistic submarine that's manned by a lot of women in tight pleather that doesn't look like it would offer any kind of protection against water or action. This is why we come for these films... the accuracy.
The acting is exactly what you'd expect from a shark film, probably something you'd rather wasn't on your resume. You've got all the stereotypes with all the cringeable moments and the actors don't do a bad job with what they're given.
There's a little issue right at the beginning of the film. When the team meet up outside the bunker there's an obviously pointless exchange to explain what's going on, two of the actors have subtitles. I don't have an issue with subtitles when they're needed, but while both the actors have accents in the scene they're actually speaking perfectly understandable English. It might have been a glitch on the copy I watched, I'd like to give them the benefit of the doubt, but if it wasn't then I don't know what they were thinking.
When it comes to the shark scale this film is good because it has the requisite bag CGI, stupid storyline and classic quotes... the famous last words "No sign of the mega shark" and my personal favourite "...or you can die hiding under your desk searching for your balls." Glorious. Despite the amazing lines and the fact it's got a shark in it, the sheer impossibility of the pairing and the fact it feels like two films forced together makes it fall short of high marks.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/mega-shark-vs-kolossus-movie-review.html
Rachel King (13 KP) rated Ash in Books
Feb 11, 2019
The main character Aisling ages from a little girl to a young woman, but mentally she does not seem to change or mature in any way. She feels completely emotionless from start to finish, as if the story were being narrated by a computer, and not a flesh-and-blood human girl. Sidhean was quite fascinating, if overly mysterious, and the step-family were all quite distinct in their different roles. The young Huntress Kaisa seemed to resemble her predecessor, but only a little, and of course Aisling was unlike anyone else, even though I felt no connection with her. Loose ends are left wide open all over the place. We are told nothing about what happens to Aisling's step-family or what Sidhean does after she leaves him. The ending is completely contradictory to the framework built up throughout the text with the use of the fairy tales. In addition to Aisling breaking her own rules, we have a gap of time at the end with almost no explanation as to why that is. The background setting is reminescent of Regency England, but the fact that lesbianism is an accepted part of this world that the author has created is completely contradictory to the propriety and decorum of the proposed setting. Every time there is the possibility of the setting getting in the way of the plot, the author claims "artistic license" to break her own rules of world-building. Even if I ignore the acceptance of homosexuality in the text, which I do not support, it still suffers from major flaws of character, background, and plot that I can not ignore. Aisling is cold and emotionless, the ending is contradictory and breaks the rules, and multiple loose ends are left hanging. I would not recommend this book.
Deborah (162 KP) rated The May Bride in Books
Dec 21, 2018
The May Bride is not, in fact, so much about Jane Seymour - although she is the first person narrator and was married in May (practically before her predecessor was cold.....) - as about her sister in law, Katherine Folliot, first wife of her eldest brother Edward (later Duke of Somerset and Lord Protector under Edward VI). Edward's second wife, Anne Stanhope, is probably better known to historians or lovers of historical fiction, but there remains something of a mystery around the fate of Katherine Folliot, which Dunn has chosen to take as the basis of this novel.
I realised I had read a couple of Dunn's previous works - The Queen of Subtleties and The Confession of Katherine Howard. Of the former, I remember thinking that Dunn must have done a lot of research into the history of confectionery, but I can't remember anything of the second book, other than it wasn't dreadful, but wasn't the best thing I'd ever read either. I feel a bit the same about this latest offering. There's a lot of detail in there about how a moderately wealthy Tudor family may have lived, but a couple of days after I finished reading it there is nothing that stands out for me. I think perhaps that Jane herself isn't very interesting and Dunn doesn't make her interesting. I think her point is that she's plain and dull and normal and gets on with things because it's just easier.... but it doesn't make for a very entertaining read somehow. Katherine herself, who is the focus of the novel also often doesn't seem very likeable, so it's difficult to like her story or to really feel sorry for her.
In summary, not a bad read and there are far worse out there, but someone it doesn't quite hit the mark for me - just a bit forgettably mediocre.
I realised I had read a couple of Dunn's previous works - The Queen of Subtleties and The Confession of Katherine Howard. Of the former, I remember thinking that Dunn must have done a lot of research into the history of confectionery, but I can't remember anything of the second book, other than it wasn't dreadful, but wasn't the best thing I'd ever read either. I feel a bit the same about this latest offering. There's a lot of detail in there about how a moderately wealthy Tudor family may have lived, but a couple of days after I finished reading it there is nothing that stands out for me. I think perhaps that Jane herself isn't very interesting and Dunn doesn't make her interesting. I think her point is that she's plain and dull and normal and gets on with things because it's just easier.... but it doesn't make for a very entertaining read somehow. Katherine herself, who is the focus of the novel also often doesn't seem very likeable, so it's difficult to like her story or to really feel sorry for her.
In summary, not a bad read and there are far worse out there, but someone it doesn't quite hit the mark for me - just a bit forgettably mediocre.
Mark @ Carstairs Considers (2055 KP) rated The Thursday Murder Club in Books
Feb 10, 2021
Enjoyable but Flawed Debut
Welcome to Coopers Chase Retirement Village. It’s a community for active seniors in England. There are all kinds of activities happening on a regular basis, but the most unusual, and smallest, is a group of four friends who meet every Thursday to discuss cold criminal cases. Then one day, the murder of a developer takes place near the community. Naturally, these four friends jump at the chance to figure out what is really going on. Will they be able to solve the case?
I kept hearing about this book, so I had to give it a try. The premise is certainly right up my alley, and there was much I enjoyed about it. The characters are charming, and there were plenty of twists to the mystery. In fact, I feel like we could have done without a twist or two. Yes, everything makes sense at the end, but there are so many twists at the end, it is a little overwhelming. The book is funny, although at times it feels like it is trying too hard to be charming and funny. The police let the lead characters get away with a little too much, although I usually ignore that in the books I read, so this is worth noting in passing. I did struggle a bit with the justice done at the end of this book. The story is told in present tense from multiple points of view, but we always follow which character is our focus. This is one of those books with some obvious flaws, but I still enjoyed it overall. If you are interested in it, I definitely recommend you pick it up. I’ll be visiting the characters again for the sequel.
I kept hearing about this book, so I had to give it a try. The premise is certainly right up my alley, and there was much I enjoyed about it. The characters are charming, and there were plenty of twists to the mystery. In fact, I feel like we could have done without a twist or two. Yes, everything makes sense at the end, but there are so many twists at the end, it is a little overwhelming. The book is funny, although at times it feels like it is trying too hard to be charming and funny. The police let the lead characters get away with a little too much, although I usually ignore that in the books I read, so this is worth noting in passing. I did struggle a bit with the justice done at the end of this book. The story is told in present tense from multiple points of view, but we always follow which character is our focus. This is one of those books with some obvious flaws, but I still enjoyed it overall. If you are interested in it, I definitely recommend you pick it up. I’ll be visiting the characters again for the sequel.
